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        <title>Scene by Scene: The Commentary Tribute</title>
        <link>https://redcircle.com/shows/scene-by-scene-the-commentary-tribute</link>
        <language>en-US</language>
        <copyright>All rights reserved.</copyright>
        <itunes:author>Zapping</itunes:author>
        <itunes:summary>*FULL ARCHIVE &amp; BACKUP* : https://tinyurl.com/3jd746pu

Use this link if an episode is removed or unavailable. The collection is permanently archived and updated here.

*﻿The project continues as a non-commercial archive of film and TV commentary tracks on Archive.org*

⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</itunes:summary>
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        <description><![CDATA[<p><strong>FULL ARCHIVE &amp; BACKUP</strong>: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>Use this link if an episode is removed or unavailable. The collection is permanently archived and updated here.</p><p><strong>﻿The project continues as a non-commercial archive of film and TV commentary tracks on Archive.org</strong></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
        
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        <podcast:locked>no</podcast:locked>
        <itunes:owner>
            <itunes:name>Zapping</itunes:name>
            <itunes:email>scenebyscene@gmx.com</itunes:email>
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                <itunes:title>Dawn of the Dead [1978] Director&#39;s Cut #1</itunes:title>
                <title>Dawn of the Dead [1978] Director&#39;s Cut #1</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director George A. Romero, associate producer Christine Forrest, and SFX makeup artist Tom Savini</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with director George A. Romero, associate producer Christine Forrest, and SFX makeup artist Tom Savini&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 27 May 2026 09:00:29 &#43;0000</pubDate>
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                <itunes:title>The Devil&#39;s Game [1981] The Venus of Ille</itunes:title>
                <title>The Devil&#39;s Game [1981] The Venus of Ille</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by author Tim Lucas</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>📌 <strong>NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary by author Tim Lucas&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;📌 &lt;strong&gt;NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 25 May 2026 09:00:13 &#43;0000</pubDate>
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                <itunes:duration>3806</itunes:duration>
                
                
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                <itunes:title>Air Force One [1997]</itunes:title>
                <title>Air Force One [1997]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Wolfgang Petersen, moderated by Michael Coleman</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary by director Wolfgang Petersen, moderated by Michael Coleman&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 20 May 2026 09:00:23 &#43;0000</pubDate>
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                <itunes:duration>7476</itunes:duration>
                
                
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                <itunes:title>The Toxic Avenger [2023]</itunes:title>
                <title>The Toxic Avenger [2023]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by writer/director Macon Blair</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary by writer/director Macon Blair&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 18 May 2026 09:00:51 &#43;0000</pubDate>
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                <itunes:duration>6129</itunes:duration>
                
                
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                <itunes:title>20,000 Leagues Under the Sea [1954]</itunes:title>
                <title>20,000 Leagues Under the Sea [1954]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Richard Fleischer, moderated by Rudy Behlmer</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary by director Richard Fleischer, moderated by Rudy Behlmer&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 13 May 2026 09:00:17 &#43;0000</pubDate>
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                <itunes:duration>7621</itunes:duration>
                
                
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                <itunes:title>Bring Her Back [2025]</itunes:title>
                <title>Bring Her Back [2025]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with directors Danny Philippou &amp; Michael Philippou</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with directors Danny Philippou &amp;amp; Michael Philippou&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 11 May 2026 09:00:41 &#43;0000</pubDate>
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                <itunes:title>The Lord of the Rings: The Fellowship of the Ring [2001] Extended Version Part 1 #1</itunes:title>
                <title>The Lord of the Rings: The Fellowship of the Ring [2001] Extended Version Part 1 #1</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with co-writer/producer/director Peter Jackson and co-writers Fran Walsh &amp; Philippa Boyens</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>📌 <strong>NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with co-writer/producer/director Peter Jackson and co-writers Fran Walsh &amp;amp; Philippa Boyens&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;📌 &lt;strong&gt;NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 06 May 2026 09:00:57 &#43;0000</pubDate>
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                <itunes:title>Longlegs [2024]</itunes:title>
                <title>Longlegs [2024]</title>

                
                
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                <description><![CDATA[<p>Commentary by writer/director Osgood Perkins</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary by writer/director Osgood Perkins&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 04 May 2026 09:00:02 &#43;0000</pubDate>
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                <itunes:title>The Dead Zone [2002] 1x01 - 1x02 - 1x03</itunes:title>
                <title>The Dead Zone [2002] 1x01 - 1x02 - 1x03</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Rob Lieberman, executive producer/co-writer Michael Piller, co-producer/actor Anthony Michael Hall, and actors Nicole de Boer, Chris Bruno &amp; Chris Masterson</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with director Rob Lieberman, executive producer/co-writer Michael Piller, co-producer/actor Anthony Michael Hall, and actors Nicole de Boer, Chris Bruno &amp;amp; Chris Masterson&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 29 Apr 2026 09:00:00 &#43;0000</pubDate>
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                <itunes:title>Flesh for Frankenstein [1973] #1</itunes:title>
                <title>Flesh for Frankenstein [1973] #1</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with writer/director Paul Morrissey, actor Udo Kier, and film historian Maurice Yacowar (1996)</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with writer/director Paul Morrissey, actor Udo Kier, and film historian Maurice Yacowar (1996)&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 27 Apr 2026 09:00:10 &#43;0000</pubDate>
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                <itunes:title>Batman - The Dark Knight Returns [2013]</itunes:title>
                <title>Batman - The Dark Knight Returns [2013]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Jay Oliva, writer Bob Goodman, and voice director Andrea Romano</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with director Jay Oliva, writer Bob Goodman, and voice director Andrea Romano&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 22 Apr 2026 09:00:07 &#43;0000</pubDate>
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                <itunes:title>Shelby Oaks [2024]</itunes:title>
                <title>Shelby Oaks [2024]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by co-writer/director Chris Stuckmann</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary by co-writer/director Chris Stuckmann&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 20 Apr 2026 09:00:29 &#43;0000</pubDate>
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                <itunes:title>Once Upon a Time in America [1984]</itunes:title>
                <title>Once Upon a Time in America [1984]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by film critic Richard Schickel</p><p><br></p><p><strong>⚠️ This audio commentary is just a selection of what you can find on Archive.org as &#34;<em>The Commentary Vault</em>&#34;, which is updated almost daily.</strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>📌 NOTE: </strong>Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.</p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary by film critic Richard Schickel&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This audio commentary is just a selection of what you can find on Archive.org as &amp;#34;&lt;em&gt;The Commentary Vault&lt;/em&gt;&amp;#34;, which is updated almost daily.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;🔗 Visit the archive here: &lt;/strong&gt;&lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;📌 NOTE: &lt;/strong&gt;Some films (or episodes) feature multiple alternative tracks and full series that are not available here. If this film has additional commentaries (#2, #3, etc.), you will find the other tracks exclusively in the Vault.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 15 Apr 2026 09:00:10 &#43;0000</pubDate>
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                <itunes:title>Pinocchio [1940]</itunes:title>
                <title>Pinocchio [1940]</title>

                
                
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                <itunes:title>Ace Ventura: Pet Detective [1994]</itunes:title>
                <title>Ace Ventura: Pet Detective [1994]</title>

                
                
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                <itunes:title>The Emperor&#39;s New Groove [2000]</itunes:title>
                <title>The Emperor&#39;s New Groove [2000]</title>

                
                
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                <itunes:title>Ju-On: The Grudge 2 [2003] #2</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with authors Raechel Dumas and Jasper Sharp</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Compañeros [1970]</itunes:title>
                <title>Compañeros [1970]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with authors C. Courtney Joyner &amp; Henry C. Parke</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Ju-On: The Grudge 2 [2003] #1</itunes:title>
                <title>Ju-On: The Grudge 2 [2003] #1</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
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                <itunes:title>Desperate Housewives [2004] 5x13 The Best Thing That Ever Could Have Happened</itunes:title>
                <title>Desperate Housewives [2004] 5x13 The Best Thing That Ever Could Have Happened</title>

                
                
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                <itunes:title>Desperate Housewives [2004] 4x15 Mother Said #2</itunes:title>
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                <description><![CDATA[<p>Commentary with director David Warren, creator Marc Cherry, and actress Nicollette Sheridan</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Desperate Housewives [2004] 4x15 Mother Said #1</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by writer/director Robert Rodriguez</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Desperate Housewives [2004] 4x10 Welcome to Kanagawa</itunes:title>
                <title>Desperate Housewives [2004] 4x10 Welcome to Kanagawa</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with actors Felicity Huffman &amp; Doug Savant</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Desperate Housewives [2004] 4x09 Something&#39;s Coming</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
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                <itunes:author>Zapping</itunes:author>
                
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                <description><![CDATA[<p>Commentary with creator/writer Marc Cherry, executive producer Bob Daily, and consulting producer Jeff Greenstein</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Desperate Housewives [2004] 1x23 One Wonderful Day</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Larry Shaw and creator Marc Cherry</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by writer/director/composer Rob Zombie</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p><strong>🔗 Visit the archive here: </strong><a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director John Gulager, writers Patrick Melton &amp; Marcus Dunstan, and producer Michael Leahy</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
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                <itunes:author>Zapping</itunes:author>
                
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                <description><![CDATA[<p>Commentary by director Henry Selick</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Lewis Abernathy, moderated by David Gregory</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Panic Room [2002] #3</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with actors Jodie Foster, Dwight Yoakham &amp; Forest Whitaker</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>House III [1989]</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by producer Sean S. Cunningham, moderated by Michael Felsher</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with writer/producer David Koepp and author William Goldman</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with writer/director Ethan Wiley and producer Sean S. Cunningham</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <title>Panic Room [2002] #1</title>

                
                
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                <description><![CDATA[<p>Commentary by director David Fincher</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>House [1985]</itunes:title>
                <title>House [1985]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Steve Miner, producer Sean S. Cunningham, writer Ethan Wiley, and actor William Katt</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <pubDate>Thu, 14 Aug 2025 04:30:30 &#43;0000</pubDate>
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                <itunes:title>Lady and the Tramp II: Scamp&#39;s Adventure [2001]</itunes:title>
                <title>Lady and the Tramp II: Scamp&#39;s Adventure [2001]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Darrell Rooney, co-director/producer Jeannine Roussel, and director of animation Steve Trenbirth</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Godless: The Eastfield Exorcism [2023] #2</itunes:title>
                <title>Godless: The Eastfield Exorcism [2023] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Nick Kozakis and actors Georgia Eyers, Dan Ewing &amp; Tim Pocock</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <pubDate>Wed, 13 Aug 2025 04:30:14 &#43;0000</pubDate>
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                <itunes:title>Trainspotting [1996]</itunes:title>
                <title>Trainspotting [1996]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Danny Boyle, producer Andrew Macdonald, writer John Hodge, and actor Ewan McGregor</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with director Danny Boyle, producer Andrew Macdonald, writer John Hodge, and actor Ewan McGregor&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as&lt;/strong&gt; &lt;strong&gt;&lt;em&gt;&amp;#34;The Commentary Vault.&amp;#34;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;🔗 Visit the archive here: &lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Tue, 12 Aug 2025 05:00:31 &#43;0000</pubDate>
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                <itunes:duration>5607</itunes:duration>
                
                
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                <itunes:title>Godless: The Eastfield Exorcism [2023] #1</itunes:title>
                <title>Godless: The Eastfield Exorcism [2023] #1</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Nick Kozakis and actress Georgia Eyers</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <pubDate>Tue, 12 Aug 2025 04:30:29 &#43;0000</pubDate>
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                <itunes:title>The A-Team [2010]</itunes:title>
                <title>The A-Team [2010]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Joe Carnahan</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <pubDate>Mon, 11 Aug 2025 05:00:02 &#43;0000</pubDate>
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                <itunes:duration>7124</itunes:duration>
                
                
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                <itunes:title>Horror Express [1972]</itunes:title>
                <title>Horror Express [1972]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with author Stephen Jones and film critic Kim Newman</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Dark Angel [2000] 2x21 Freak Nation</itunes:title>
                <title>Dark Angel [2000] 2x21 Freak Nation</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
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                <itunes:title>Dark Angel [2000] 2x17 Hello, Goodbye</itunes:title>
                <title>Dark Angel [2000] 2x17 Hello, Goodbye</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Jeff Woolnough and writer Jose Molina</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Terror of Mechagodzilla [1975]</itunes:title>
                <title>Terror of Mechagodzilla [1975]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with Godzilla experts Keith Aiken &amp; Bob Johnson</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Dark Angel [2000] 2x11 The Berrisford Agenda</itunes:title>
                <title>Dark Angel [2000] 2x11 The Berrisford Agenda</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with writer Moira Kirkland Dekker and producer Janace Tashjian</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <pubDate>Sat, 09 Aug 2025 05:30:54 &#43;0000</pubDate>
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                <itunes:title>Dark Angel [2000] 2x01 Designate This</itunes:title>
                <title>Dark Angel [2000] 2x01 Designate This</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Jeff Woolnough, co-executive producer Kenneth Biller, executive producer René Echevarria, and writer Moira Kirkland Dekker</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with director Jeff Woolnough, co-executive producer Kenneth Biller, executive producer René Echevarria, and writer Moira Kirkland Dekker&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as&lt;/strong&gt; &lt;strong&gt;&lt;em&gt;&amp;#34;The Commentary Vault.&amp;#34;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;🔗 Visit the archive here: &lt;a href=&#34;https://tinyurl.com/3jd746pu&#34; rel=&#34;nofollow&#34;&gt;https://tinyurl.com/3jd746pu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/p&gt;</content:encoded>
                
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                <itunes:title>Nosferatu [2024]</itunes:title>
                <title>Nosferatu [2024]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by writer/director Robert Eggers</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Dark Angel [2000] 1x21 ...And Jesus Brought a Casserole</itunes:title>
                <title>Dark Angel [2000] 1x21 ...And Jesus Brought a Casserole</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with actors Michael Weatherly &amp; Jessica Alba</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Dark Angel [2000] 1x18 I and I Am a Camera</itunes:title>
                <title>Dark Angel [2000] 1x18 I and I Am a Camera</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Charles Woolnaugh, executive producer Charles H. Eglee, and co-executive producer René Echevarria</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Jungle Book [1967]</itunes:title>
                <title>The Jungle Book [1967]</title>

                
                
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                <title>Dark Angel [2000] 1x12 Rising</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
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                <itunes:author>Zapping</itunes:author>
                
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                <title>The Fog [2005]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Rupert Wainwright</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Hearts of Darkness: A Filmmaker&#39;s Apocalypse [1991]</itunes:title>
                <title>Hearts of Darkness: A Filmmaker&#39;s Apocalypse [1991]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with Francis Ford Coppola and Eleanor Coppola</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Transporter [2002]</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with actor Jason Statham and producer Steve Chasman</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Sleepwalkers [1992] #2</itunes:title>
                <title>Sleepwalkers [1992] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Mick Garris, moderated by film historian Lee Gambin</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Sleepwalkers [1992] #1</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Mick Garris and actors Mädchen Amick &amp; Brian Krause</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>King Kong [1933] #1</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by film historian Ronald Haver</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Amityville Curse [1990]</itunes:title>
                <title>The Amityville Curse [1990]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with film historians Paul Corupe &amp; Jason Pichonsky</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Someone&#39;s Watching Me! [1978]</itunes:title>
                <title>Someone&#39;s Watching Me! [1978]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by author Amanda Reyes</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:duration>5591</itunes:duration>
                
                
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                <itunes:title>A Chinese Ghost Story II [1990]</itunes:title>
                <title>A Chinese Ghost Story II [1990]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by asian cinema expert Bey Logan</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>A Chinese Ghost Story [1987]</itunes:title>
                <title>A Chinese Ghost Story [1987]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by asian cinema expert Bey Logan</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Lovers Lane [2000]</itunes:title>
                <title>Lovers Lane [2000]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with writers/producers Geof Miller &amp; Rory Veal</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Fog [1980] #2</itunes:title>
                <title>The Fog [1980] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with actors Adrienne Barbeau &amp; Tom Atkins and production designer Tommy Lee Wallace, moderated by Sean Clark</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Fog [1980] #1</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Richard Linklater and actor Jack Black</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Amityville Horror [2005]</itunes:title>
                <title>The Amityville Horror [2005]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with producers Andrew Form &amp; Brad Fuller and actor Ryan Reynolds</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>2001: A Space Odyssey [1968]</itunes:title>
                <title>2001: A Space Odyssey [1968]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with actors Keir Dullea &amp; Gary Lockwood</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Amityville: Dollhouse [1996]</itunes:title>
                <title>Amityville: Dollhouse [1996]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by filmmaker Daniel Farrands, moderated by Calum Waddell</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Amityville: A New Generation [1993]</itunes:title>
                <title>Amityville: A New Generation [1993]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director John Murlowski, moderated by Elijah Drenner</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>42nd Street Forever [2012]</itunes:title>
                <title>42nd Street Forever [2012]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with AVManiacs.com&#39;s Edwin Samuelson, Fangoria Magazine&#39;s Michael Gingold, and Temple Of Schlock&#39;s Chris Poggiali</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Amityville Horror: The Evil Escapes [1989]</itunes:title>
                <title>Amityville Horror: The Evil Escapes [1989]</title>

                
                
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                <title>Amityville 3-D [1983]</title>

                
                
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                <description><![CDATA[<p>Commentary with film critic Kim Newman and author Stephen Jones</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Amityville II - The Possession [1982] #2</itunes:title>
                <title>Amityville II - The Possession [1982] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by Alexandra Holzer, daughter of parapsychologist Dr. Hans Holzer (2013)</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <title>Amityville II - The Possession [1982] #1</title>

                
                
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                <description><![CDATA[<p>Commentary with film critic Kim Newman and author Stephen Jones</p><p><br></p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Amityville Horror [1979] #3</itunes:title>
                <title>The Amityville Horror [1979] #3</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with Miskatonic Institute of Horror Studies director Josh Saco and online branch director Claire Donner</p><p><strong>⚠️ With this episode, the podcast nears its conclusion. Going forward, the full archive of preserved commentary tracks will live on Archive.org under the name <em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Explore the full archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>Apocalypse Now [1979]</itunes:title>
                <title>Apocalypse Now [1979]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by co-writer/co-producer/director Francis Ford Coppola</p><p><strong>⚠️ This is one of the final episodes of the podcast project. The full archive of commentary tracks will continue — and expand — on Archive.org as</strong> <strong><em>&#34;The Commentary Vault.&#34;</em></strong></p><p>🔗 Visit the archive here: <a href="https://tinyurl.com/3jd746pu" rel="nofollow">https://tinyurl.com/3jd746pu</a></p><p>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</p>]]></description>
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                <itunes:title>The Amityville Horror [1979] #2</itunes:title>
                <title>The Amityville Horror [1979] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with film critics Kim Newman &amp; Sean Hogan</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with co-writer/director John Lasseter, editor/co-director Lee Unkrich, co-writer/co-director Ash Brannon, and co-writer Andrew Stanton</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by parapsychologist Dr. Hans Holzer</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Toy Story [1995]</itunes:title>
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                <description><![CDATA[<p>Commentary with editor/writer/director Sheldon Wilson, composer Steve London, and sound designer Richie Nieto</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Ian Sander</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Kim Moses</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by co-director Kurtis Spieler</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with writer/director Frank Darabont and producer Denise Huth</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Robert Rodriguez</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Robert Rodriguez</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with Pixar&#39;s John Lasseter, Disney animator Andreas Deja, and film critic/historian Leonard Maltin</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
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                <itunes:title>Showtime [2002]</itunes:title>
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                <description><![CDATA[<p>Commentary with director Tom Dey, producer Jorge Saralegui, and editor Billy Webber</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Lake of the Dead [1958]</itunes:title>
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                <description><![CDATA[<p>Commentary with film historians Jonathan Rigby &amp; Kevin Lyons</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Paycheck [2003] #2</itunes:title>
                <title>Paycheck [2003] #2</title>

                
                
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                <description><![CDATA[<p>Commentary by writer Dean Georgaris</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Deadstream [2022]</itunes:title>
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                <description><![CDATA[<p>Commentary with co-writer/co-director Vanessa Winter, co-writer/co-director/actor Joseph Winter, cinematographer/producer Jared Cook, and actress/producer Melanie Stone</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Paycheck [2003] #1</itunes:title>
                <title>Paycheck [2003] #1</title>

                
                
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                <description><![CDATA[<p>Commentary by director John Woo</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Inugami [2001]</itunes:title>
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                <description><![CDATA[<p>Commentary by japanese cinema expert Jonathan Clements</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>The Blue Lagoon [1980] #2</itunes:title>
                <title>The Blue Lagoon [1980] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Randal Kleiser and actor Christopher Atkins</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>The Blue Lagoon [1980] #1</itunes:title>
                <title>The Blue Lagoon [1980] #1</title>

                
                
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                <itunes:title>Dawson&#39;s Creek [1998] 4x22 The Graduate</itunes:title>
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                <description><![CDATA[<p>Commentary by writer/director Randall Wallace</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Shocker [1989] #1</itunes:title>
                <title>Shocker [1989] #1</title>

                
                
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                <description><![CDATA[<p>Commentary by executive producer/writer/director Wes Craven</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by co-producer/director David Cronenberg</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with editor/director Lee Demarbre, writer Ian Driscoll, composer Michael Dubue, actress Jennilee Murray, and post-production supervisor Andre Coutu</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with editor/director Lee Demarbre, writer Ian Driscoll, composer Michael Dubue, actress Jennilee Murray, and post-production supervisor Andre Coutu&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <itunes:title>Who Framed Roger Rabbit [1988]</itunes:title>
                <title>Who Framed Roger Rabbit [1988]</title>

                
                
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                <description><![CDATA[<p>Commentary with director Robert Zemeckis, producer Frank Marshall, associate producer Steve Starkey, visual effects supervisor Ken Ralston, and writers Jeffrey Price &amp; Peter Seaman</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Society [1989] #2</itunes:title>
                <title>Society [1989] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Brian Yuzna, moderated by David Gregory</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Cool Hand Luke [1967]</itunes:title>
                <title>Cool Hand Luke [1967]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by author Eric Lax</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Society [1989] #1</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Brian Yuzna</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Blue Crush [2002] #2</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with actresses Kate Bosworth, Sanoe Lake &amp; Michelle Rodriguez</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Knight Rider [1982] 1x01-1x02 Knight of the Phoenix</itunes:title>
                <title>Knight Rider [1982] 1x01-1x02 Knight of the Phoenix</title>

                
                
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                <description><![CDATA[<p>Commentary with actors Kristen Stewart &amp; Dustin Milligan, writer Mark Wheaton, special effects Bruce Jones, and producer Jason Shuman</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with actors David Boreanaz &amp; Emily Deschanel</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>Bones [2005] 1x01 Pilot</title>

                
                
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                <itunes:title>The Incredibles [2004] #1</itunes:title>
                <title>The Incredibles [2004] #1</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with writer/director Brad Bird and producer John Walker</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>Messiah of Evil [1973] #2</title>

                
                
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                <description><![CDATA[<p>Commentary with critic Kim Newman and author Stephen Thrower</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>The Medallion [2003]</itunes:title>
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                <description><![CDATA[<p>Commentary with co-executive producer Bill Borden and editor Don Brochu</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Messiah of Evil [1973] #1</itunes:title>
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                <title>Dirty Dancing [1987] #1</title>

                
                
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                <description><![CDATA[<p>Commentary with director Ken Olin, writer Jesse Alexander, and writer/producer Jeff Pinker</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Jack Bender, creator J.J. Abrams, and actors Jennifer Garner, Greg Grunberg, Michael Vartan &amp; Victor Garber</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with asian cinema expert Bey Logan</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with cast members Jennifer Garner, Michael Vartan, Victor Garber, Bradley Cooper, Carl Lumbly, Ron Rifkin, Merrin Dungey and Kevin Weisman</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>Don&#39;t Look Now [1973]</title>

                
                
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                <description><![CDATA[<p>Commentary with director Nicolas Roeg and film critic Adam Smith</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with director David Solomon and writer Drew Greenberg</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Buffy the Vampire Slayer [1997] 7x05 Selfless</itunes:title>
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                <description><![CDATA[<p>Commentary with director David Solomon and writer Rebecca Rand Kirshner</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with directors Bilbo Bergeron, Vicky Jenson &amp; Rob Letterman</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Buffy the Vampire Slayer [1997] 6x09 Smashed</itunes:title>
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                <description><![CDATA[<p>Commentary by writer Drew Z. Greenberg</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Buffy the Vampire Slayer [1997] 6x07 Once More, With Feeling</itunes:title>
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                <description><![CDATA[<p>Commentary by director Joss Whedon</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Dante&#39;s Peak [1997]</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with director Roger Donaldson and production designer Dennis Washington</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Buffy the Vampire Slayer [1997] 6x01-6x02 Bargaining</itunes:title>
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                <description><![CDATA[<p>Commentary with writers David Fury &amp; Marti Noxon</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Buffy the Vampire Slayer [1997] 5x16 The Body</itunes:title>
                <title>Buffy the Vampire Slayer [1997] 5x16 The Body</title>

                
                
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                <description><![CDATA[<p>Commentary by writer/director Joss Whedon</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>The Last Shot [2004]</itunes:title>
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                <description><![CDATA[<p>Commentary with director Jeff Nathanson and actor Matthew Broderick</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by writer Jane Espenson</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Buffy the Vampire Slayer [1997] 5x07 Fool for Love</itunes:title>
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                <description><![CDATA[<p>Commentary by writer Jane Espenson</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Michael Gershman</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Frank Oz</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Buffy the Vampire Slayer [1997] 3x14 Bad Girls</itunes:title>
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                <description><![CDATA[<p>Commentary by writer Doug Petrie</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
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                <itunes:author>Zapping</itunes:author>
                
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                <description><![CDATA[<p>Commentary by writer/director Peter Strickland</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by cinematographer Roger Deakins</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by producer/writer/director Sam Mendes</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with film critics Eric D. Snider, Britt Hayes, Samuel D. Zimmerman, Alison Nastasi, Eric Vespe &amp; Scott Weinberg</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
                <content:encoded>&lt;p&gt;Commentary with film critics Eric D. Snider, Britt Hayes, Samuel D. Zimmerman, Alison Nastasi, Eric Vespe &amp;amp; Scott Weinberg&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;⚠️ &amp;#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&amp;#34;&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <description><![CDATA[<p>Commentary with Rutt and Tuke (actors Rick Moranis &amp; Dave Thomas in character)</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>It Follows [2014] #2</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by author Joshua Grimm</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by director Rob Cohen</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with film critic Danny Leigh and film professor Mark Jancovich</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Parasite [2019]</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
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                <description><![CDATA[<p>Commentary by film curator Lars Nilsen</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with writer/director Kevin Smith, actors Jason Mewes &amp; Brian O&#39;Halloran, producer Scott Mosier, Clerks historian Vincent Pereira, and Walt Flanagan with special appearances by Jim Jacks &amp; Malcolm Ingram</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Attack the Block [2011] #3</itunes:title>
                <title>Attack the Block [2011] #3</title>

                
                
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                <description><![CDATA[<p>Commentary with writer/director Joe Cornish and Edgar Wright</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>Attack the Block [2011] #1</title>

                
                
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                <description><![CDATA[<p>Commentary with writer/director Joe Cornish and actors John Boyega, Alex Esmail, Franz Drameh, Simon Howard &amp; Leeon Jones</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Urban Legends: Bloody Mary [2005]</itunes:title>
                <title>Urban Legends: Bloody Mary [2005]</title>

                
                
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                <description><![CDATA[<p>Commentary with director Mary Lambert, moderated by film journalists Dave Wain &amp; Matty Budrewicz</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>Urban Legends: Final Cut [2000] #2</title>

                
                
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                <description><![CDATA[<p>Commentary by The Hysteria Continues</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>Urban Legends: Final Cut [2000] #1</title>

                
                
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                <description><![CDATA[<p>Commentary by director John Ottman</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:author>Zapping</itunes:author>
                
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                <description><![CDATA[<p>Commentary by director Karyn Kusama</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with producer David Rapsey and cinematographer John Brawley</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by producer Richard Shepherd</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Richard Styles</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by writer/director Rob Zombie</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p> Commentary with director Joe Dante and producer Jon Davison</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director David Nutter</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with writer/director Tom Holland, actors William Ragsdale &amp; Stephen Geoffreys, special FX artist Randall Cook, journalist Jeremy Smith and filmmaker Tim Sullivan</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by director Brian Grant</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>My Bloody Valentine [1981]</itunes:title>
                <title>My Bloody Valentine [1981]</title>

                
                
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                <description><![CDATA[<p>Commentary by director George Mihalka</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Deadly Embrace [1989]</itunes:title>
                <title>Deadly Embrace [1989]</title>

                
                
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                <description><![CDATA[<p>Commentary with director David DeCoteau and actress Linnea Quigley</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Summer of Fear [1978]</itunes:title>
                <title>Summer of Fear [1978]</title>

                
                
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                <description><![CDATA[<p>Commentary with director Wes Craven and co-executive producer Max Keller</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Alien Apocalypse [2005]</itunes:title>
                <title>Alien Apocalypse [2005]</title>

                
                
                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary with writer/director Josh Becker and actor Bruce Campbell</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Basket Case [1981] #2</itunes:title>
                <title>Basket Case [1981] #2</title>

                
                
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                <description><![CDATA[<p>Commentary with writer/director Frank Henenlotter and actor Kevin Van Hentenryck</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Repossessed [1990]</itunes:title>
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                <itunes:author>Zapping</itunes:author>
                
                <description><![CDATA[<p>Commentary by writer/director Bob Logan</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with actress Adrienne Barbeau and director of photography Dean Cundey, moderated by Sean Clark</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary by film critic Richard Harland Smith</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <itunes:title>Basket Case [1981] #1</itunes:title>
                <title>Basket Case [1981] #1</title>

                
                
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                <description><![CDATA[<p>Commentary with writer/director Frank Henenlotter, producer Edgar Ievins, actress Beverly Bonner and Scooter McRae</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with writers/directors Chris Sanders &amp; Dean DeBlois and producer Clarke Spencer</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with director Damien Leone and actor David Howard Thornton</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <title>Tremors [1990] #2</title>

                
                
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                <description><![CDATA[<p>Commentary by author Jonathan Melville</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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                <description><![CDATA[<p>Commentary with producer Debra Hill and production designer Joe Alves</p><p><br></p><p><strong>⚠️ &#34;This podcast is created for educational and non-commercial purposes only. The audio commentaries included are intended as a tribute to the filmmakers and their work, aiming to deepen the understanding and appreciation of cinema and television. All rights to the original content remain with their respective copyright holders. If any copyright holder has concerns, please contact us for resolution.&#34;</strong></p>]]></description>
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