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        <title>Horror Joy</title>
        <link>https://redcircle.com/shows/horror-joy</link>
        <language>en-US</language>
        <copyright>All rights reserved.</copyright>
        <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
        <itunes:summary>Horror Joy is a podcast by two university professors who take a deep dive into horror in hopes of finding joy lurking in the shadows.</itunes:summary>
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        <description><![CDATA[<p>Horror Joy is a podcast by two university professors who take a deep dive into horror in hopes of finding joy lurking in the shadows.</p>]]></description>
        
        <itunes:type>episodic</itunes:type>
        <podcast:locked>no</podcast:locked>
        <itunes:owner>
            <itunes:name>Brian Onishi &#43; Jeffery Stoyanoff</itunes:name>
            <itunes:email>horrojoypod@gmail.com</itunes:email>
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            <itunes:category text="Arts">

            
                <itunes:category text="Books"/>
            

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                <itunes:title>Andrew F. Sullivan on Meet Your Maker</itunes:title>
                <title>Andrew F. Sullivan on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Jeff talks with author Andrew F. Sullivan, author of The Marigold, about the relationship between horror and joy</p><p>Sullivan links the joy of horror to subverted expectations, catharsis, and the generative possibilities of horror, especially in books, where meaning is co-created with readers and not all answers need be provided. </p><p>Sullivan discusses how his Irish Catholic upbringing functions as an enduring identity that shapes his sense of mystery, belief systems, and worldbuilding, including fragility, debate, and misinterpretation as story engines. </p><p>He describes his beginnings as a writer through libraries, early storytelling inspired by Jurassic Park, reading widely, manual labor jobs, and later mentorship in a graduate program with author Miriam Toews. </p><p>The conversation turns to The Marigold’s Toronto setting, ecological crisis and wildfires, urban wildlife like raccoons, and the novel’s critique of capitalism, corporate greed, and gig-economy precarity.</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Jeff talks with author Andrew F. Sullivan, author of The Marigold, about the relationship between horror and joy&lt;/p&gt;&lt;p&gt;Sullivan links the joy of horror to subverted expectations, catharsis, and the generative possibilities of horror, especially in books, where meaning is co-created with readers and not all answers need be provided. &lt;/p&gt;&lt;p&gt;Sullivan discusses how his Irish Catholic upbringing functions as an enduring identity that shapes his sense of mystery, belief systems, and worldbuilding, including fragility, debate, and misinterpretation as story engines. &lt;/p&gt;&lt;p&gt;He describes his beginnings as a writer through libraries, early storytelling inspired by Jurassic Park, reading widely, manual labor jobs, and later mentorship in a graduate program with author Miriam Toews. &lt;/p&gt;&lt;p&gt;The conversation turns to The Marigold’s Toronto setting, ecological crisis and wildfires, urban wildlife like raccoons, and the novel’s critique of capitalism, corporate greed, and gig-economy precarity.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 30 Mar 2026 07:00:28 &#43;0000</pubDate>
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                <itunes:duration>1675</itunes:duration>
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                <itunes:title>Haunted Houses 1 - The Shining (1980)</itunes:title>
                <title>Haunted Houses 1 - The Shining (1980)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Jeff and Brian begin a Horror Joy mini-series on haunted and haunting houses by discussing Stanley Kubrick’s 1980 adaptation of Stephen King’s The Shining and the Overlook Hotel as a possibly sentient space.</p><p>They ask whether the hotel merely contains ghosts or actively amplifies violence, racism, sexism, and repetition.</p><p>They critique the “Indian burial ground” trope, discuss Grady’s claims that Jack has “always been” the caretaker, the final photograph’s time-loop implications, and scholarship on hereditary or cyclical violence.</p><p>They emphasize the film’s maze motifs (hedge maze, carpets, corridors) and consider the steadicam and “autonomous camera” as intensifying dread, while noting Dick Hallorann’s disposability and ending with “joy” found in the film’s craft and unsettling images.</p><p><br></p><p>References:</p><ul><li><strong>Graham Allen. ‘A Mad Image, Chafed by Reality’: Kubrick, the Uncanny and the 4th of July 1921 Photograph in The Shining</strong></li><li><strong>F. Brigo &amp; S. C. Igwe &amp; N. L. Bragazzi. Kubrick’s The Shining and the erased myopathic face</strong></li><li><strong>Laura Mee. The Shining. Liverpool University Press, 2017</strong></li><li><strong>Paul Sunderland. The Autonomous Camera in Stanley Kubrick’s The Shining</strong></li></ul>]]></description>
                <content:encoded>&lt;p&gt;Jeff and Brian begin a Horror Joy mini-series on haunted and haunting houses by discussing Stanley Kubrick’s 1980 adaptation of Stephen King’s The Shining and the Overlook Hotel as a possibly sentient space.&lt;/p&gt;&lt;p&gt;They ask whether the hotel merely contains ghosts or actively amplifies violence, racism, sexism, and repetition.&lt;/p&gt;&lt;p&gt;They critique the “Indian burial ground” trope, discuss Grady’s claims that Jack has “always been” the caretaker, the final photograph’s time-loop implications, and scholarship on hereditary or cyclical violence.&lt;/p&gt;&lt;p&gt;They emphasize the film’s maze motifs (hedge maze, carpets, corridors) and consider the steadicam and “autonomous camera” as intensifying dread, while noting Dick Hallorann’s disposability and ending with “joy” found in the film’s craft and unsettling images.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;References:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Graham Allen. ‘A Mad Image, Chafed by Reality’: Kubrick, the Uncanny and the 4th of July 1921 Photograph in The Shining&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;F. Brigo &amp;amp; S. C. Igwe &amp;amp; N. L. Bragazzi. Kubrick’s The Shining and the erased myopathic face&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Laura Mee. The Shining. Liverpool University Press, 2017&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Paul Sunderland. The Autonomous Camera in Stanley Kubrick’s The Shining&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;</content:encoded>
                
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                <pubDate>Mon, 23 Mar 2026 07:00:20 &#43;0000</pubDate>
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                <itunes:duration>3226</itunes:duration>
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                <itunes:explicit>no</itunes:explicit>
                
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                <itunes:title>A.C. Wise on Meet Your Maker</itunes:title>
                <title>A.C. Wise on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><span>Brian and Jeff are joined by author A.C. Wise to talk about joy in horror, her books The Ghost Sequences (2021) and Out of the Drowning Deep (2024), and her new novel Ballad of the Bone Road (Jan. 26, 2026). </span></p><p><span>Wise describes horror’s joy as an adrenaline-driven extreme emotional response akin to excitement, and traces her horror roots to Scary Stories to Tell in the Dark, darker fairy tales, and lifelong ghost-story interests. </span></p><p><span>They discuss how others react to her genre work, her day job at the Pennsylvania Academy of the Fine Arts, and shifts in speculative fiction toward mainstream popularity and genre mashups. </span></p><p><span>Wise explains Out of the Drowning Deep as a noir/horror/science-fantasy blend exploring faith, meaning-making, and a feedback loop between divinity and belief, including inhuman, unsettling angels. </span></p><p><span>She recounts the near-rights-issue backstory of The Ghost Sequences cover and notes the title story’s inspiration from a ghost-themed art installation. </span></p><p><span>A.C.&#39;s recent horror joys: Sinners, Staircase in the Woods, The Buffalo Hunter, and the game Dead Take.</span></p><p><a href="https://acwise.net/" rel="nofollow">A.C. Wise Website</a></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;Brian and Jeff are joined by author A.C. Wise to talk about joy in horror, her books The Ghost Sequences (2021) and Out of the Drowning Deep (2024), and her new novel Ballad of the Bone Road (Jan. 26, 2026). &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Wise describes horror’s joy as an adrenaline-driven extreme emotional response akin to excitement, and traces her horror roots to Scary Stories to Tell in the Dark, darker fairy tales, and lifelong ghost-story interests. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;They discuss how others react to her genre work, her day job at the Pennsylvania Academy of the Fine Arts, and shifts in speculative fiction toward mainstream popularity and genre mashups. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Wise explains Out of the Drowning Deep as a noir/horror/science-fantasy blend exploring faith, meaning-making, and a feedback loop between divinity and belief, including inhuman, unsettling angels. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;She recounts the near-rights-issue backstory of The Ghost Sequences cover and notes the title story’s inspiration from a ghost-themed art installation. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;A.C.&amp;#39;s recent horror joys: Sinners, Staircase in the Woods, The Buffalo Hunter, and the game Dead Take.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://acwise.net/&#34; rel=&#34;nofollow&#34;&gt;A.C. Wise Website&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 16 Mar 2026 07:00:16 &#43;0000</pubDate>
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                <itunes:duration>1849</itunes:duration>
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                <itunes:title>Academic Horror 5 - Candyman (1992)</itunes:title>
                <title>Academic Horror 5 - Candyman (1992)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this Horror Joy episode, Jeff and Brian discuss the 1992 film Candyman as the final entry in an “academic horror” course, focusing on how the movie links urban legend, the university, and racialized violence. </p><p>They follow graduate student Helen Lyle’s dissertation research into the Candyman myth at Chicago’s Cabrini-Green, highlighting how academic distance and the “white gaze” turn Black suffering, especially Daniel Robitaille’s lynching, into an object of study. </p><p>Drawing on writers such as Zayla Crocker, George Yancy, Kimberlé Crenshaw, and Robin R. Means Coleman, they argue the film reflects its early-1990s moment (including Rodney King and the Los Angeles uprising), critiques systemic racism and misogyny, and frames Helen as both privileged researcher and exploited academic. </p><p><a href="https://read.dukeupress.edu/english-language-notes/article-abstract/62/2/21/393426/They-Will-SayRitual-Naming-and-Living-beyond-the" rel="nofollow">They Will Say: Ritual Naming and Living beyond the Pale with <em>Candyman</em></a></p><p><a href="https://www.routledge.com/Horror-Noire-A-History-of-Black-American-Horror-from-the-1890s-to-Present/MeansColeman/p/book/9780367704407" rel="nofollow">Horror Noire A History of Black American Horror from the 1890s to Present</a></p><p><a href="https://www.jstor.org/stable/pdf/27339619.pdf" rel="nofollow">Bernard Rose’s Candyman and the Rhetoric of Racial Fear in the Reagan and Bush Years</a></p><p><br></p>]]></description>
                <content:encoded>&lt;p&gt;In this Horror Joy episode, Jeff and Brian discuss the 1992 film Candyman as the final entry in an “academic horror” course, focusing on how the movie links urban legend, the university, and racialized violence. &lt;/p&gt;&lt;p&gt;They follow graduate student Helen Lyle’s dissertation research into the Candyman myth at Chicago’s Cabrini-Green, highlighting how academic distance and the “white gaze” turn Black suffering, especially Daniel Robitaille’s lynching, into an object of study. &lt;/p&gt;&lt;p&gt;Drawing on writers such as Zayla Crocker, George Yancy, Kimberlé Crenshaw, and Robin R. Means Coleman, they argue the film reflects its early-1990s moment (including Rodney King and the Los Angeles uprising), critiques systemic racism and misogyny, and frames Helen as both privileged researcher and exploited academic. &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://read.dukeupress.edu/english-language-notes/article-abstract/62/2/21/393426/They-Will-SayRitual-Naming-and-Living-beyond-the&#34; rel=&#34;nofollow&#34;&gt;They Will Say: Ritual Naming and Living beyond the Pale with &lt;em&gt;Candyman&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.routledge.com/Horror-Noire-A-History-of-Black-American-Horror-from-the-1890s-to-Present/MeansColeman/p/book/9780367704407&#34; rel=&#34;nofollow&#34;&gt;Horror Noire A History of Black American Horror from the 1890s to Present&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.jstor.org/stable/pdf/27339619.pdf&#34; rel=&#34;nofollow&#34;&gt;Bernard Rose’s Candyman and the Rhetoric of Racial Fear in the Reagan and Bush Years&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 09 Mar 2026 07:00:35 &#43;0000</pubDate>
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                <itunes:duration>3096</itunes:duration>
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                <itunes:title>Rod Blackhurst (dir. of Dolly) on Meet Your Maker</itunes:title>
                <title>Rod Blackhurst (dir. of Dolly) on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><span>Jeff and Brian are joined by director Rod Blackhurst about his forthcoming independent horror film Dolly, releasing in theaters only on March 6, 2026. </span></p><p><span>Blackhurst explains how horror can produce joy by confronting internal dread—identity loss, isolation, and moral extremity—through a cinematic language that bypasses reason and provokes visceral response. </span></p><p><span>He describes Dolly as an extreme, unrelenting film rooted in a real person’s fears about inheriting a “monster” mother’s traits, and as a collision between opposing views of motherhood and family. </span></p><p><span>Dolls function as uncanny stand-ins for children and chosen family, with a larger, partially withheld mythology. </span></p><p><span>Blackhurst discusses casting, including Sean William Scott’s dramatic role and Fabianne Therese’s demanding lead performance, emphasizing actor safety, and he rejects “torture porn” as his aim. He also reflects on gatekeeping, genre labels, influences like Barbarian, and using proof-of-concept shorts (Baby Girl, Night Swim) to get features made.</span></p><p><br></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;Jeff and Brian are joined by director Rod Blackhurst about his forthcoming independent horror film Dolly, releasing in theaters only on March 6, 2026. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Blackhurst explains how horror can produce joy by confronting internal dread—identity loss, isolation, and moral extremity—through a cinematic language that bypasses reason and provokes visceral response. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;He describes Dolly as an extreme, unrelenting film rooted in a real person’s fears about inheriting a “monster” mother’s traits, and as a collision between opposing views of motherhood and family. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Dolls function as uncanny stand-ins for children and chosen family, with a larger, partially withheld mythology. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Blackhurst discusses casting, including Sean William Scott’s dramatic role and Fabianne Therese’s demanding lead performance, emphasizing actor safety, and he rejects “torture porn” as his aim. He also reflects on gatekeeping, genre labels, influences like Barbarian, and using proof-of-concept shorts (Baby Girl, Night Swim) to get features made.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 02 Mar 2026 08:00:19 &#43;0000</pubDate>
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                <itunes:duration>2497</itunes:duration>
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                <itunes:title>Academic Horror 4 - Master (2022) with S. Trimble and Joe Vallese</itunes:title>
                <title>Academic Horror 4 - Master (2022) with S. Trimble and Joe Vallese</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This episode of Horror Joy turns to academic horror through Mariama Diallo’s 2022 film Master, set at the fictional elite Ancaster University. Our discussion treats the film’s central claim that what haunts is not the past but the present and future: racism, microaggressions, elitism, and the suffocating atmosphere of tradition.</p><p>We welcome returning guest T (S. Trimble Associate Professor of Women and Gender Studies at the University of Toronto) and first-time guest Joe Vallese (NYU faculty fellow, expository writing), editor of It Came From the Closet: Queer Reflections on Horror.</p><p>The conversation then unpacks Master’s slow-burn dread: Gail Bishop (Regina Hall), the newly appointed first Black master; Jasmine, a first-year Black student; and Liv, a professor up for tenure, all navigating both explicit racism and subtler academic violence.</p><p>We discuss the Scarlet Letter as a canonical text used to police interpretation and power in the classroom, including Jasmine’s failing grade and the gaslighting embedded in academic evaluation.</p>]]></description>
                <content:encoded>&lt;p&gt;This episode of Horror Joy turns to academic horror through Mariama Diallo’s 2022 film Master, set at the fictional elite Ancaster University. Our discussion treats the film’s central claim that what haunts is not the past but the present and future: racism, microaggressions, elitism, and the suffocating atmosphere of tradition.&lt;/p&gt;&lt;p&gt;We welcome returning guest T (S. Trimble Associate Professor of Women and Gender Studies at the University of Toronto) and first-time guest Joe Vallese (NYU faculty fellow, expository writing), editor of It Came From the Closet: Queer Reflections on Horror.&lt;/p&gt;&lt;p&gt;The conversation then unpacks Master’s slow-burn dread: Gail Bishop (Regina Hall), the newly appointed first Black master; Jasmine, a first-year Black student; and Liv, a professor up for tenure, all navigating both explicit racism and subtler academic violence.&lt;/p&gt;&lt;p&gt;We discuss the Scarlet Letter as a canonical text used to police interpretation and power in the classroom, including Jasmine’s failing grade and the gaslighting embedded in academic evaluation.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 23 Feb 2026 08:00:36 &#43;0000</pubDate>
                <itunes:duration>4216</itunes:duration>
                
                
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                <itunes:title>Daisy Pearce on Meet Your Maker</itunes:title>
                <title>Daisy Pearce on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, we dive into the intertwining relationship between horror and joy with guest Daisy Pierce, author of &#39;Something in the Walls,&#39; &#39;The Missing,&#39; and &#39;The Silence.&#39; </p><p>Daisy shares her thoughts on how horror provides a safe outlet for experiencing fear and anxiety, and discusses her origins and influences as a writer. </p><p>We explore the different cultural approaches to folklore in the US and UK, the power dynamics behind traditions, and the challenges of writing horror, especially from a female perspective. </p><p>Daisy also touches on her interest in ghost hunting and shares some recent horror media that has brought her joy.</p><p>Find Daisy at <a href="https://daisypearce.com/" rel="nofollow">https://daisypearce.com/</a></p><p><br></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, we dive into the intertwining relationship between horror and joy with guest Daisy Pierce, author of &amp;#39;Something in the Walls,&amp;#39; &amp;#39;The Missing,&amp;#39; and &amp;#39;The Silence.&amp;#39; &lt;/p&gt;&lt;p&gt;Daisy shares her thoughts on how horror provides a safe outlet for experiencing fear and anxiety, and discusses her origins and influences as a writer. &lt;/p&gt;&lt;p&gt;We explore the different cultural approaches to folklore in the US and UK, the power dynamics behind traditions, and the challenges of writing horror, especially from a female perspective. &lt;/p&gt;&lt;p&gt;Daisy also touches on her interest in ghost hunting and shares some recent horror media that has brought her joy.&lt;/p&gt;&lt;p&gt;Find Daisy at &lt;a href=&#34;https://daisypearce.com/&#34; rel=&#34;nofollow&#34;&gt;https://daisypearce.com/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 16 Feb 2026 08:00:16 &#43;0000</pubDate>
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                <itunes:duration>2198</itunes:duration>
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                <itunes:title>Academic Horror 3 - The Faculty (1998)</itunes:title>
                <title>Academic Horror 3 - The Faculty (1998)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of &#39;Horror Joy,&#39; Jeff and Brian delve into Robert Rodriguez&#39;s 1998 film &#39;The Faculty.&#39;</p><p>The episode explores the film&#39;s portrayal of high school alienation, the nineties cultural backdrop, and the use of alien parasites as a metaphor for societal issues.</p><p>We discuss the film’s all-star cast, its nostalgic nineties aesthetic, and its underlying themes related to drugs, authority figures, and football culture.</p><p>The episode also highlights the anti-lesbianism strain evident in late nineties teen movies and the joy found in the film’s tongue-in-cheek horror elements.</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of &amp;#39;Horror Joy,&amp;#39; Jeff and Brian delve into Robert Rodriguez&amp;#39;s 1998 film &amp;#39;The Faculty.&amp;#39;&lt;/p&gt;&lt;p&gt;The episode explores the film&amp;#39;s portrayal of high school alienation, the nineties cultural backdrop, and the use of alien parasites as a metaphor for societal issues.&lt;/p&gt;&lt;p&gt;We discuss the film’s all-star cast, its nostalgic nineties aesthetic, and its underlying themes related to drugs, authority figures, and football culture.&lt;/p&gt;&lt;p&gt;The episode also highlights the anti-lesbianism strain evident in late nineties teen movies and the joy found in the film’s tongue-in-cheek horror elements.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 09 Feb 2026 08:00:59 &#43;0000</pubDate>
                <itunes:duration>3025</itunes:duration>
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                <itunes:title>Emily C. Hughes on Meet Your Maker</itunes:title>
                <title>Emily C. Hughes on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy&#39;s &#39;Meet Your Maker&#39;, we delve into a conversation with Stoker award-winning author Emily C. Hughes. </p><p>We discuss her book &#39;Horror for Weenies&#39;, designed to help the faint-hearted navigate through significant horror films. </p><p>Emily talks about the relationship between horror and joy, citing examples of modern twists on classic horror tropes. </p><p>She shares her personal journey from being a scaredy-cat to a lover of horror, underlining the importance of community and invitation in appreciating the genre. </p><p>Emily also highlights some of her current favorite horror films, books, and games, drawing attention to the breadth and appeal of horror.</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy&amp;#39;s &amp;#39;Meet Your Maker&amp;#39;, we delve into a conversation with Stoker award-winning author Emily C. Hughes. &lt;/p&gt;&lt;p&gt;We discuss her book &amp;#39;Horror for Weenies&amp;#39;, designed to help the faint-hearted navigate through significant horror films. &lt;/p&gt;&lt;p&gt;Emily talks about the relationship between horror and joy, citing examples of modern twists on classic horror tropes. &lt;/p&gt;&lt;p&gt;She shares her personal journey from being a scaredy-cat to a lover of horror, underlining the importance of community and invitation in appreciating the genre. &lt;/p&gt;&lt;p&gt;Emily also highlights some of her current favorite horror films, books, and games, drawing attention to the breadth and appeal of horror.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 02 Feb 2026 08:00:10 &#43;0000</pubDate>
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                <itunes:duration>1692</itunes:duration>
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                <itunes:title>Academic Horror 2 - Suspiria (2018)</itunes:title>
                <title>Academic Horror 2 - Suspiria (2018)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This episode of &#39;Horror Joy&#39; delves into Luca Guadagnino&#39;s 2018 reimagining of &#39;Suspiria.&#39;</p><p>Brian and Jeff explore the themes of academic horror, feminism, and political violence within the film&#39;s setting of post-war Berlin.</p><p>We compare Guadagnino&#39;s version to Dario Argento&#39;s original 1977 film, discussing the significant differences, including the portrayal of witchcraft and the regulation of bodies in an academic setting.</p><p>We highlight the film&#39;s complex power structures and touches on the role of music, dance, and cinematic techniques in creating horror.</p><p>The discussion also questions Guadagnino&#39;s claim of making a feminist film, examining the intricate dynamics between the characters and the violent depiction of women&#39;s bodies.</p><p>We find a blend of intellectual and emotional engagement in the film, despite their mixed feelings about some aspects.</p><p> </p><p> <a href="https://www.cambridge.org/core/services/aop-cambridge-core/content/view/C2CBDB87F4BF29A8B385D1A066A1BB7D/S0149767723000177a.pdf/div-class-title-breathing-back-the-history-of-german-modern-dance-through-the-horror-film-genre-in-luca-guadagnino-s-span-class-italic-suspiria-span-2018-div.pdf" rel="nofollow">Breathing Back the History of German Modern Dance through the Horror Film Genre in Luca Guadagnino’s Suspiria (2018) by Wesley Lim</a></p><p><a href="https://screendancejournal.org/article/id/5376/" rel="nofollow">Entanglement In Time: Nostalgic Affect As Cine-Choreography In The White Crow (2018) And Suspiria (2018)</a> by <a href="https://screendancejournal.org/article/id/5376/" rel="nofollow">Kaixuan Yao</a></p><p><a href="https://digitalcommons.unomaha.edu/cgi/viewcontent.cgi?article=2405&context=jrf" rel="nofollow">Radically Feminist or Monstrously Feminine?: Witches and Goddesses in Guadagnino&#39;s Suspiria (2018)Goddesses in Guadagnino&#39;s Suspiria (2018)</a> by <a href="https://digitalcommons.unomaha.edu/cgi/viewcontent.cgi?article=2405&context=jrf" rel="nofollow">Lindsay Macumber</a></p><p><a href="https://research-ebsco-com.ezaccess.libraries.psu.edu/linkprocessor/plink?id=0c1027f1-73db-3072-b175-df8f322832c4" rel="nofollow">Roberts, John W. “Dancing the Dance of Another: Allegory, the Diagram, and <em>Suspiria</em> (2018).” <em>Discourse: Journal for Theoretical Studies in Media and Culture</em>, vol. 45, no. 1–2, Dec. 2023, pp. 33–64. <em>EBSCOhost</em>,</a></p>]]></description>
                <content:encoded>&lt;p&gt;This episode of &amp;#39;Horror Joy&amp;#39; delves into Luca Guadagnino&amp;#39;s 2018 reimagining of &amp;#39;Suspiria.&amp;#39;&lt;/p&gt;&lt;p&gt;Brian and Jeff explore the themes of academic horror, feminism, and political violence within the film&amp;#39;s setting of post-war Berlin.&lt;/p&gt;&lt;p&gt;We compare Guadagnino&amp;#39;s version to Dario Argento&amp;#39;s original 1977 film, discussing the significant differences, including the portrayal of witchcraft and the regulation of bodies in an academic setting.&lt;/p&gt;&lt;p&gt;We highlight the film&amp;#39;s complex power structures and touches on the role of music, dance, and cinematic techniques in creating horror.&lt;/p&gt;&lt;p&gt;The discussion also questions Guadagnino&amp;#39;s claim of making a feminist film, examining the intricate dynamics between the characters and the violent depiction of women&amp;#39;s bodies.&lt;/p&gt;&lt;p&gt;We find a blend of intellectual and emotional engagement in the film, despite their mixed feelings about some aspects.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;a href=&#34;https://www.cambridge.org/core/services/aop-cambridge-core/content/view/C2CBDB87F4BF29A8B385D1A066A1BB7D/S0149767723000177a.pdf/div-class-title-breathing-back-the-history-of-german-modern-dance-through-the-horror-film-genre-in-luca-guadagnino-s-span-class-italic-suspiria-span-2018-div.pdf&#34; rel=&#34;nofollow&#34;&gt;Breathing Back the History of German Modern Dance through the Horror Film Genre in Luca Guadagnino’s Suspiria (2018) by Wesley Lim&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://screendancejournal.org/article/id/5376/&#34; rel=&#34;nofollow&#34;&gt;Entanglement In Time: Nostalgic Affect As Cine-Choreography In The White Crow (2018) And Suspiria (2018)&lt;/a&gt; by &lt;a href=&#34;https://screendancejournal.org/article/id/5376/&#34; rel=&#34;nofollow&#34;&gt;Kaixuan Yao&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://digitalcommons.unomaha.edu/cgi/viewcontent.cgi?article=2405&amp;context=jrf&#34; rel=&#34;nofollow&#34;&gt;Radically Feminist or Monstrously Feminine?: Witches and Goddesses in Guadagnino&amp;#39;s Suspiria (2018)Goddesses in Guadagnino&amp;#39;s Suspiria (2018)&lt;/a&gt; by &lt;a href=&#34;https://digitalcommons.unomaha.edu/cgi/viewcontent.cgi?article=2405&amp;context=jrf&#34; rel=&#34;nofollow&#34;&gt;Lindsay Macumber&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://research-ebsco-com.ezaccess.libraries.psu.edu/linkprocessor/plink?id=0c1027f1-73db-3072-b175-df8f322832c4&#34; rel=&#34;nofollow&#34;&gt;Roberts, John W. “Dancing the Dance of Another: Allegory, the Diagram, and &lt;em&gt;Suspiria&lt;/em&gt; (2018).” &lt;em&gt;Discourse: Journal for Theoretical Studies in Media and Culture&lt;/em&gt;, vol. 45, no. 1–2, Dec. 2023, pp. 33–64. &lt;em&gt;EBSCOhost&lt;/em&gt;,&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 26 Jan 2026 08:00:53 &#43;0000</pubDate>
                <itunes:duration>3100</itunes:duration>
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                <itunes:title>Nat Cassidy on Meet Your Maker</itunes:title>
                <title>Nat Cassidy on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><span>In this episode of &#39;Horror Joy,&#39; Brian and Jeff sit down with author and playwright Nat Cassidy to explore his career and the intricate relationship between joy and horror. </span></p><p><span>Cassidy discusses his journey from a macabre child fascinated by the works of Stephen King and Shakespeare to a versatile storyteller working across various mediums, including novels, plays, and audio dramas. </span></p><p><span>The conversation delves into the philosophical underpinnings of fear and anxiety, the evolution of horror as a genre, and the impact of his latest work, &#39;When the Wolf Comes Home.&#39;</span></p><p><span>Cassidy shares his insights into the immersive and ecstatic qualities of horror, likening it to spicy food that delights because it hurts. </span></p><p><span>We also touch on the importance of live performance and the existential truths that horror can reveal.</span></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;In this episode of &amp;#39;Horror Joy,&amp;#39; Brian and Jeff sit down with author and playwright Nat Cassidy to explore his career and the intricate relationship between joy and horror. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Cassidy discusses his journey from a macabre child fascinated by the works of Stephen King and Shakespeare to a versatile storyteller working across various mediums, including novels, plays, and audio dramas. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;The conversation delves into the philosophical underpinnings of fear and anxiety, the evolution of horror as a genre, and the impact of his latest work, &amp;#39;When the Wolf Comes Home.&amp;#39;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Cassidy shares his insights into the immersive and ecstatic qualities of horror, likening it to spicy food that delights because it hurts. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;We also touch on the importance of live performance and the existential truths that horror can reveal.&lt;/span&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 19 Jan 2026 08:00:41 &#43;0000</pubDate>
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                <itunes:duration>2192</itunes:duration>
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                <itunes:title>Academic Horror 1 - Suspiria (1977)</itunes:title>
                <title>Academic Horror 1 - Suspiria (1977)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Brian and Jeff jump headlong into academic horror. Their firs stop is Dario Argento&#39;s 1977 class, Suspiria.</p><p>We explore themes such as ritualized violence, paranoia, and the cult-like power dynamics of a coven of witches who both govern and are governed by the institution.</p><p>We highlight the vivid colors, atmospheric elements, and unsettling soundtrack that is used to convey meaning and evoke fear.</p><p>We delve into the use of witches not as symbols of feminist empowerment but as tools of misogyny, driven by the male gaze.</p><p>Additionally, we consider the idea of suppressed queer and feminine elements in a drab world.</p><p>We conclude with a look at the film&#39;s reliance on practical effects over CGI, setting a joyful yet terrifying tone.</p><p><a href="https://cup.columbia.edu/book/powers-of-horror/9780231214575/" rel="nofollow">Kristeva, Julia. <em>Powers of Horror: An Essay on Abjection</em>. Translated by Leon S. Roudiez, Columbia University Press, 1982.</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Brian and Jeff jump headlong into academic horror. Their firs stop is Dario Argento&amp;#39;s 1977 class, Suspiria.&lt;/p&gt;&lt;p&gt;We explore themes such as ritualized violence, paranoia, and the cult-like power dynamics of a coven of witches who both govern and are governed by the institution.&lt;/p&gt;&lt;p&gt;We highlight the vivid colors, atmospheric elements, and unsettling soundtrack that is used to convey meaning and evoke fear.&lt;/p&gt;&lt;p&gt;We delve into the use of witches not as symbols of feminist empowerment but as tools of misogyny, driven by the male gaze.&lt;/p&gt;&lt;p&gt;Additionally, we consider the idea of suppressed queer and feminine elements in a drab world.&lt;/p&gt;&lt;p&gt;We conclude with a look at the film&amp;#39;s reliance on practical effects over CGI, setting a joyful yet terrifying tone.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://cup.columbia.edu/book/powers-of-horror/9780231214575/&#34; rel=&#34;nofollow&#34;&gt;Kristeva, Julia. &lt;em&gt;Powers of Horror: An Essay on Abjection&lt;/em&gt;. Translated by Leon S. Roudiez, Columbia University Press, 1982.&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 12 Jan 2026 08:00:34 &#43;0000</pubDate>
                <itunes:duration>2916</itunes:duration>
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                <itunes:title>Ivy Grimes on Meet Your Maker</itunes:title>
                <title>Ivy Grimes on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of &#39;Horror Joy, Meet Your Maker&#39;, Jeff sits down with Ivy Grimes, an author known for her supernatural and surreal short story collections including &#39;Glass Stories&#39;.</p><p>Ivy discusses her unique journey into the horror genre having grown up in a conservative setting, her inspirations from filmmakers like David Lynch, and her fascination with using glass as a central motif.</p><p>The conversation delves into the relationship between horror and joy, the elements of weird fiction, and the influence of classical literary tales on Ivy&#39;s writing.</p><p> The episode wraps up with a look at the contemporary indie horror writing community and Ivy&#39;s upcoming projects.</p><p><a href="https://ivyivyivyivy.com/" rel="nofollow">Ivy Grives website</a></p><p> <a href="https://ccharlesknight.com/the-25th-hour-anthology-out-now-from-vervain-horror/" rel="nofollow">The 25th Hour anthology</a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of &amp;#39;Horror Joy, Meet Your Maker&amp;#39;, Jeff sits down with Ivy Grimes, an author known for her supernatural and surreal short story collections including &amp;#39;Glass Stories&amp;#39;.&lt;/p&gt;&lt;p&gt;Ivy discusses her unique journey into the horror genre having grown up in a conservative setting, her inspirations from filmmakers like David Lynch, and her fascination with using glass as a central motif.&lt;/p&gt;&lt;p&gt;The conversation delves into the relationship between horror and joy, the elements of weird fiction, and the influence of classical literary tales on Ivy&amp;#39;s writing.&lt;/p&gt;&lt;p&gt; The episode wraps up with a look at the contemporary indie horror writing community and Ivy&amp;#39;s upcoming projects.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://ivyivyivyivy.com/&#34; rel=&#34;nofollow&#34;&gt;Ivy Grives website&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;a href=&#34;https://ccharlesknight.com/the-25th-hour-anthology-out-now-from-vervain-horror/&#34; rel=&#34;nofollow&#34;&gt;The 25th Hour anthology&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 05 Jan 2026 08:00:15 &#43;0000</pubDate>
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                <itunes:title>Terrell Dorsey on Meet Your Maker</itunes:title>
                <title>Terrell Dorsey on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of &#39;Meet Your Maker&#39; by a Horror Joy, Brian and Jeff are joined by Terrell Dorsey, founder of the film production company Vault 81. Terrell discusses his journey into film making, the creation of his film &#39;Sawmill Road,&#39; and his unique perspective on the intersection of horror and joy. </p><p>He elaborates on his passion for writing, directing, and producing original horror content that resonates with audiences. </p><p>Terrell also talks about his influences, learning experiences, and the authentic local lore behind &#39;Sawmill Road.&#39; </p><p>The episode concludes with insights into his future projects and the vision for Vault 81, including an ambitious feature film called &#39;The Tunnels.&#39;</p><p><a href="https://www.imdb.com/name/nm14633864/" rel="nofollow">Terrell Dorsey</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of &amp;#39;Meet Your Maker&amp;#39; by a Horror Joy, Brian and Jeff are joined by Terrell Dorsey, founder of the film production company Vault 81. Terrell discusses his journey into film making, the creation of his film &amp;#39;Sawmill Road,&amp;#39; and his unique perspective on the intersection of horror and joy. &lt;/p&gt;&lt;p&gt;He elaborates on his passion for writing, directing, and producing original horror content that resonates with audiences. &lt;/p&gt;&lt;p&gt;Terrell also talks about his influences, learning experiences, and the authentic local lore behind &amp;#39;Sawmill Road.&amp;#39; &lt;/p&gt;&lt;p&gt;The episode concludes with insights into his future projects and the vision for Vault 81, including an ambitious feature film called &amp;#39;The Tunnels.&amp;#39;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/name/nm14633864/&#34; rel=&#34;nofollow&#34;&gt;Terrell Dorsey&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 29 Dec 2025 08:00:17 &#43;0000</pubDate>
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                <itunes:title>Jack Finn on Meet Your Maker</itunes:title>
                <title>Jack Finn on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Brian and Jeff speak with Jack Finn, a Horror author from the Pacific Northwest. </p><p>Jack discusses his life-long love for Horror, how it played a joyous role in his childhood through monster movies, and his journey from enjoying Horror to writing it. </p><p>He talks about his 2023 debut novel &#39;The Seven Deaths of Prince Vlad,&#39; his werewolf duology &#39;Prey Upon the Lambs&#39; and &#39;The Desolation of Hunters,&#39; and his short story collection &#39;They Come When You Sleep.&#39; </p><p>The conversation delves into the intersection of Horror and joy, folklore&#39;s influence on his work, and the genre&#39;s deeper thematic elements. </p><p>Jack also provides insights into his writing process, the significance of historical and cultural contexts in his stories, and his upcoming projects.</p><p> </p><p>Withered Hill by David Barnett</p><p>Cunning Folk by Adam Neville</p><p>Yellow Jackets</p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Brian and Jeff speak with Jack Finn, a Horror author from the Pacific Northwest. &lt;/p&gt;&lt;p&gt;Jack discusses his life-long love for Horror, how it played a joyous role in his childhood through monster movies, and his journey from enjoying Horror to writing it. &lt;/p&gt;&lt;p&gt;He talks about his 2023 debut novel &amp;#39;The Seven Deaths of Prince Vlad,&amp;#39; his werewolf duology &amp;#39;Prey Upon the Lambs&amp;#39; and &amp;#39;The Desolation of Hunters,&amp;#39; and his short story collection &amp;#39;They Come When You Sleep.&amp;#39; &lt;/p&gt;&lt;p&gt;The conversation delves into the intersection of Horror and joy, folklore&amp;#39;s influence on his work, and the genre&amp;#39;s deeper thematic elements. &lt;/p&gt;&lt;p&gt;Jack also provides insights into his writing process, the significance of historical and cultural contexts in his stories, and his upcoming projects.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Withered Hill by David Barnett&lt;/p&gt;&lt;p&gt;Cunning Folk by Adam Neville&lt;/p&gt;&lt;p&gt;Yellow Jackets&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 22 Dec 2025 08:00:13 &#43;0000</pubDate>
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                <itunes:duration>1856</itunes:duration>
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                <itunes:title>Found Footage 5 - Found Footage and The October Film Haunt with Michael Wehunt</itunes:title>
                <title>Found Footage 5 - Found Footage and The October Film Haunt with Michael Wehunt</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of &#39;Horror Joy,&#39; hosts Brian and Jeff delve into the appeal of found footage horror and are joined by author Michael Wehunt to explore these themes.</p><p>They discuss Wehunt&#39;s debut novel, &#39;The October Film Haunt,&#39; which blends subgenres including found footage, slasher, and occult horror.</p><p>The conversation covers Wehunt’s writing journey, the intricacies of the horror genre, and deeper themes of community, belief, and the potential dangers they pose.</p><p>Wehunt shares his thoughts on the joy within horror and how true-life horrors like social media manipulation and post-truth societies interact with horror elements in literature.</p><p>The episode concludes with insights on recent horror literature that has brought joy to the participants, emphasizing the depth and complexity of the genre.</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of &amp;#39;Horror Joy,&amp;#39; hosts Brian and Jeff delve into the appeal of found footage horror and are joined by author Michael Wehunt to explore these themes.&lt;/p&gt;&lt;p&gt;They discuss Wehunt&amp;#39;s debut novel, &amp;#39;The October Film Haunt,&amp;#39; which blends subgenres including found footage, slasher, and occult horror.&lt;/p&gt;&lt;p&gt;The conversation covers Wehunt’s writing journey, the intricacies of the horror genre, and deeper themes of community, belief, and the potential dangers they pose.&lt;/p&gt;&lt;p&gt;Wehunt shares his thoughts on the joy within horror and how true-life horrors like social media manipulation and post-truth societies interact with horror elements in literature.&lt;/p&gt;&lt;p&gt;The episode concludes with insights on recent horror literature that has brought joy to the participants, emphasizing the depth and complexity of the genre.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 15 Dec 2025 08:00:35 &#43;0000</pubDate>
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                <itunes:title>Chris Dileo on Meet Your Maker</itunes:title>
                <title>Chris Dileo on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy’ Meet Your Maker series, Jeff and Brian welcome author Chris Dileo to discuss his new book, <em>Empty Devils</em> (Cabelo Books, 2025), and his deeply personal relationship with horror. Dileo emphasizes that reading is a process of cooperation between the reader&#39;s imagination and the writer&#39;s world. He discusses how he used <em>Empty Devils</em> to distill the national tragedy at the “Unite the Right” rally in Charlottesville in 2017 into a horror narrative. Jeff and Chris also chop it up over teaching Shakespeare and how the bard shows up in the story. Ultimately, all three find joy in the project of reading, writing, and celebrating how the horror genre allows us to work through difficult and sometimes violent political and ideological activity in the real world.</p><p><strong>***Chris Dileo&#39;s Books from the Coffin***</strong></p><p>Cat Delaney – Unclaimed Property</p><p>Killer on the Road – Stephen Graham Jones</p><p><a href="https://pfracassi.com/autumn-springs" rel="nofollow">Philip Fracassi - Autumn Springs Retirement Home Massacre</a></p><p>Sam Rabelein – Galloway’s Gospel</p><p>Keith Rosson – Coffin Moon</p><p>Kat Silva – Where the Soul Goes</p><p>Jonathan Janz - Veil</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy’ Meet Your Maker series, Jeff and Brian welcome author Chris Dileo to discuss his new book, &lt;em&gt;Empty Devils&lt;/em&gt; (Cabelo Books, 2025), and his deeply personal relationship with horror. Dileo emphasizes that reading is a process of cooperation between the reader&amp;#39;s imagination and the writer&amp;#39;s world. He discusses how he used &lt;em&gt;Empty Devils&lt;/em&gt; to distill the national tragedy at the “Unite the Right” rally in Charlottesville in 2017 into a horror narrative. Jeff and Chris also chop it up over teaching Shakespeare and how the bard shows up in the story. Ultimately, all three find joy in the project of reading, writing, and celebrating how the horror genre allows us to work through difficult and sometimes violent political and ideological activity in the real world.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;***Chris Dileo&amp;#39;s Books from the Coffin***&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Cat Delaney – Unclaimed Property&lt;/p&gt;&lt;p&gt;Killer on the Road – Stephen Graham Jones&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://pfracassi.com/autumn-springs&#34; rel=&#34;nofollow&#34;&gt;Philip Fracassi - Autumn Springs Retirement Home Massacre&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Sam Rabelein – Galloway’s Gospel&lt;/p&gt;&lt;p&gt;Keith Rosson – Coffin Moon&lt;/p&gt;&lt;p&gt;Kat Silva – Where the Soul Goes&lt;/p&gt;&lt;p&gt;Jonathan Janz - Veil&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 08 Dec 2025 08:00:50 &#43;0000</pubDate>
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                <itunes:duration>1813</itunes:duration>
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                <itunes:title>Found Footage 4 - Man Finds Tape with directors Peter Hall and Paul Gandersman</itunes:title>
                <title>Found Footage 4 - Man Finds Tape with directors Peter Hall and Paul Gandersman</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, hosts Jeff and Brian sit down with Peter Hall and Paul Gandersman, directors of the upcoming found footage horror film &#39;Man Finds Tape,&#39; releasing on December 5th.</p><p>The conversation covers the joy to be found in horror, the directors&#39; backgrounds, the creative processes behind their projects, and the unique blend of found footage and cosmic horror in their latest film.</p><p>They also delve into themes of faith and contemporary political climates impacting their work. The episode offers insightful reflections on how horror can create a sense of community and personal joy.</p><p><a href="https://www.imdb.com/title/tt36591419/" rel="nofollow">***After finding mysterious video clips, siblings investigate the strange recordings and uncover a disturbing secret spreading through their Texas town.***</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, hosts Jeff and Brian sit down with Peter Hall and Paul Gandersman, directors of the upcoming found footage horror film &amp;#39;Man Finds Tape,&amp;#39; releasing on December 5th.&lt;/p&gt;&lt;p&gt;The conversation covers the joy to be found in horror, the directors&amp;#39; backgrounds, the creative processes behind their projects, and the unique blend of found footage and cosmic horror in their latest film.&lt;/p&gt;&lt;p&gt;They also delve into themes of faith and contemporary political climates impacting their work. The episode offers insightful reflections on how horror can create a sense of community and personal joy.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt36591419/&#34; rel=&#34;nofollow&#34;&gt;***After finding mysterious video clips, siblings investigate the strange recordings and uncover a disturbing secret spreading through their Texas town.***&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 01 Dec 2025 08:00:31 &#43;0000</pubDate>
                <itunes:duration>3321</itunes:duration>
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                <itunes:title>Gwendolyn Kiste on Meet Your Maker</itunes:title>
                <title>Gwendolyn Kiste on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, hosts Brian and Jeff welcome acclaimed author Gwendolyn Kiste, a multiple Bram Stoker Award winner, to discuss her novel &#39;The Haunting of Velkwood.&#39;</p><p>They explore the synergistic relationship between horror and joy, emphasizing the cathartic and self-discovery elements inherent in the genre.</p><p>Kiste shares her journey from a young storyteller to an author who uses horror to navigate and express personal and societal traumas.</p><p>The conversation also delves into the unique stasis experienced by characters in &#39;Velkwood&#39; and the liberating exploration of queer identity within horror narratives. The episode concludes with a discussion on cicadas, puzzles, board games, and Kiste&#39;s upcoming projects.</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, hosts Brian and Jeff welcome acclaimed author Gwendolyn Kiste, a multiple Bram Stoker Award winner, to discuss her novel &amp;#39;The Haunting of Velkwood.&amp;#39;&lt;/p&gt;&lt;p&gt;They explore the synergistic relationship between horror and joy, emphasizing the cathartic and self-discovery elements inherent in the genre.&lt;/p&gt;&lt;p&gt;Kiste shares her journey from a young storyteller to an author who uses horror to navigate and express personal and societal traumas.&lt;/p&gt;&lt;p&gt;The conversation also delves into the unique stasis experienced by characters in &amp;#39;Velkwood&amp;#39; and the liberating exploration of queer identity within horror narratives. The episode concludes with a discussion on cicadas, puzzles, board games, and Kiste&amp;#39;s upcoming projects.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 24 Nov 2025 08:00:07 &#43;0000</pubDate>
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                <itunes:duration>2069</itunes:duration>
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                <itunes:title>Found Footage 3 - The Bay (2012)</itunes:title>
                <title>Found Footage 3 - The Bay (2012)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>The Depths of Horror: Exploring Barry Levinson&#39;s The Bay</p><p><br></p><p>In this episode, Brian and Jeff delve into Barry Levinson&#39;s 2012 found footage horror film, &#39;The Bay.&#39; </p><p>Set during a disastrous 4th of July celebration in Claridge, Maryland, the film intertwines environmental horror with a mockumentary format. </p><p>The story follows reporter Donna Thompson as she navigates through a town descending into chaos due to a waterborne outbreak. </p><p>Drawing parallels to &#39;Jaws,&#39; the hosts examine how &#39;The Bay&#39; critiques human neglect and environmental irresponsibility while utilizing modern technology to heighten its impact. </p><p>They also explore themes of surveillance, the narrative coherence of found footage, and the unsettling reality it brings to life. </p><p>Ultimately, the episode underscores how horror can reveal uncomfortable truths about our world, sparking a rich discussion on the intersections of joy, terror, and societal reflection.</p><p><br></p><p><a href="https://buymeacoffee.com/horrorjoy" rel="nofollow">Buy us a Coffee</a></p><p><a href="https://www.euppublishing.com/doi/epdf/10.7227/GS.17.2.9" rel="nofollow">Mimesis of Media: Found Footage Cinema and the Horror of the Real by Niel McRobert</a></p><p><a href="https://www.taylorfrancis.com/books/mono/10.4324/9780429425486/found-footage-horror-films-peter-turner" rel="nofollow">Found Footage Horror Films - A Cognitive Approach by Pete Turner</a></p>]]></description>
                <content:encoded>&lt;p&gt;The Depths of Horror: Exploring Barry Levinson&amp;#39;s The Bay&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;In this episode, Brian and Jeff delve into Barry Levinson&amp;#39;s 2012 found footage horror film, &amp;#39;The Bay.&amp;#39; &lt;/p&gt;&lt;p&gt;Set during a disastrous 4th of July celebration in Claridge, Maryland, the film intertwines environmental horror with a mockumentary format. &lt;/p&gt;&lt;p&gt;The story follows reporter Donna Thompson as she navigates through a town descending into chaos due to a waterborne outbreak. &lt;/p&gt;&lt;p&gt;Drawing parallels to &amp;#39;Jaws,&amp;#39; the hosts examine how &amp;#39;The Bay&amp;#39; critiques human neglect and environmental irresponsibility while utilizing modern technology to heighten its impact. &lt;/p&gt;&lt;p&gt;They also explore themes of surveillance, the narrative coherence of found footage, and the unsettling reality it brings to life. &lt;/p&gt;&lt;p&gt;Ultimately, the episode underscores how horror can reveal uncomfortable truths about our world, sparking a rich discussion on the intersections of joy, terror, and societal reflection.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://buymeacoffee.com/horrorjoy&#34; rel=&#34;nofollow&#34;&gt;Buy us a Coffee&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.euppublishing.com/doi/epdf/10.7227/GS.17.2.9&#34; rel=&#34;nofollow&#34;&gt;Mimesis of Media: Found Footage Cinema and the Horror of the Real by Niel McRobert&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.taylorfrancis.com/books/mono/10.4324/9780429425486/found-footage-horror-films-peter-turner&#34; rel=&#34;nofollow&#34;&gt;Found Footage Horror Films - A Cognitive Approach by Pete Turner&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 17 Nov 2025 08:00:46 &#43;0000</pubDate>
                <itunes:duration>3170</itunes:duration>
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                <itunes:title>Kayli Scholz on Meet Your Maker</itunes:title>
                <title>Kayli Scholz on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><span>In this episode of Meet Your Maker, we are joined by author Kayli Scholz, known for her horror novels St. Grit, Black Rain Season, and her most recent novel, Yeehaw Junction. </span></p><p><span>Kayli discusses the intersection of joy and horror in her work, sharing personal anecdotes about how horror has influenced her life, from childhood experiences to her deep immersion in genre writing. </span></p><p><span>She delves into the societal and psychological aspects that inspire her storytelling, including how place and culture shape horror. </span></p><p><span>The episode also features insights into her writing process, the impact of media on her characters, and her thoughts on the current state and misperceptions of the horror genre.</span></p><p><a href="https://www.kaylischolz.com/" rel="nofollow">KayliScholz.com</a></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;In this episode of Meet Your Maker, we are joined by author Kayli Scholz, known for her horror novels St. Grit, Black Rain Season, and her most recent novel, Yeehaw Junction. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Kayli discusses the intersection of joy and horror in her work, sharing personal anecdotes about how horror has influenced her life, from childhood experiences to her deep immersion in genre writing. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;She delves into the societal and psychological aspects that inspire her storytelling, including how place and culture shape horror. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;The episode also features insights into her writing process, the impact of media on her characters, and her thoughts on the current state and misperceptions of the horror genre.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.kaylischolz.com/&#34; rel=&#34;nofollow&#34;&gt;KayliScholz.com&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 10 Nov 2025 08:00:37 &#43;0000</pubDate>
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                <itunes:title>Found Footage 2 - REC (2007)</itunes:title>
                <title>Found Footage 2 - REC (2007)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff continue their deep dive into found footage horror by investigating the 2007 Spanish film [REC], directed by Jaume Balagueró and Paco Plaza.</p><p>The conversation explores the film&#39;s claustrophobic terror, its political nature, and its effectiveness as a groundbreaking entry in the found footage genre.</p><p>We discuss:</p><ul><li>The Appeal of Found Footage</li><li>The Horror of quarantine</li><li>Reading [REC] forward into 2025, including social and political commentary</li><li>The joy of an effective found footage film, the use of the camera, and terrifying staircases</li></ul><p><br></p><p>References:</p><p><a href="https://www.tandfonline.com/doi/full/10.1080/17411548.2016.1246307" rel="nofollow">The Pain in Spain: an analysis of horror auteur Jaume Balaguero’s films by Brian Michael Goss</a></p><p><a href="https://www.researchgate.net/publication/263748641_Don't_miss_a_bloody_thing_REC_and_the_Spanish_adaptation_of_found_footage_horror" rel="nofollow">Don’t Miss a Bloody Thing: [REC] and the Spanish Adaptation of Found Footage Horror by Shelagh M. Rowan-Legg </a></p><p><a href="https://www.euppublishing.com/doi/pdf/10.7227/GS.17.2.8" rel="nofollow">Reel Evil: A Critical Reassessment of Found Footage Horror by Xavier Aldana Reyes</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff continue their deep dive into found footage horror by investigating the 2007 Spanish film [REC], directed by Jaume Balagueró and Paco Plaza.&lt;/p&gt;&lt;p&gt;The conversation explores the film&amp;#39;s claustrophobic terror, its political nature, and its effectiveness as a groundbreaking entry in the found footage genre.&lt;/p&gt;&lt;p&gt;We discuss:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;The Appeal of Found Footage&lt;/li&gt;&lt;li&gt;The Horror of quarantine&lt;/li&gt;&lt;li&gt;Reading [REC] forward into 2025, including social and political commentary&lt;/li&gt;&lt;li&gt;The joy of an effective found footage film, the use of the camera, and terrifying staircases&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;References:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.tandfonline.com/doi/full/10.1080/17411548.2016.1246307&#34; rel=&#34;nofollow&#34;&gt;The Pain in Spain: an analysis of horror auteur Jaume Balaguero’s films by Brian Michael Goss&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.researchgate.net/publication/263748641_Don&#39;t_miss_a_bloody_thing_REC_and_the_Spanish_adaptation_of_found_footage_horror&#34; rel=&#34;nofollow&#34;&gt;Don’t Miss a Bloody Thing: [REC] and the Spanish Adaptation of Found Footage Horror by Shelagh M. Rowan-Legg &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.euppublishing.com/doi/pdf/10.7227/GS.17.2.8&#34; rel=&#34;nofollow&#34;&gt;Reel Evil: A Critical Reassessment of Found Footage Horror by Xavier Aldana Reyes&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 03 Nov 2025 08:00:20 &#43;0000</pubDate>
                <itunes:duration>3105</itunes:duration>
                
                
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                <itunes:title>Clay McLeod Chapman on Meet Your Maker</itunes:title>
                <title>Clay McLeod Chapman on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Meet Your Maker, a series by Horror Joy, hosts Brian Onishi and Jeff Stoyanoff welcome author Clay McLeod Chapman to discuss his work, including his recent novel, <em>Wake Up and Open Your Eyes</em>, and the fascinating relationship between joy and horror.</p><p>Chapman shares his belief that joy and horror work together, emphasizing the catharsis found in horror, which allows for the release of pent up fears and the ability to tap into or let go of strong emotions.</p><p>Chapman discusses his journey to becoming a horror creator, noting that while he&#39;s been writing professionally for nearly 25 years, people only began to notice his work around seven years ago.</p><p>Exploring <em>Wake Up and Open Your Eyes</em>: The conversation delves into his polarizing novel, which has been characterized as &#34;MAGA Horror&#34; and &#34;online Horror.&#34;</p><p><a href="https://www.claymcleodchapman.com/" rel="nofollow">Clay McLeod Chapman</a></p><p><a href="https://www.penguinrandomhouse.com/books/760818/coffin-moon-by-keith-rosson/" rel="nofollow">Coffin Moon by Keith Rosson</a></p><p><a href="https://www.penguinrandomhouse.com/books/756651/horror-for-weenies-by-emily-c-hughes/" rel="nofollow">Horror for Weenies by Emily Hughes</a></p><p><a href="https://en.wikipedia.org/wiki/Chumbawamba" rel="nofollow">Chumbawumba</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Meet Your Maker, a series by Horror Joy, hosts Brian Onishi and Jeff Stoyanoff welcome author Clay McLeod Chapman to discuss his work, including his recent novel, &lt;em&gt;Wake Up and Open Your Eyes&lt;/em&gt;, and the fascinating relationship between joy and horror.&lt;/p&gt;&lt;p&gt;Chapman shares his belief that joy and horror work together, emphasizing the catharsis found in horror, which allows for the release of pent up fears and the ability to tap into or let go of strong emotions.&lt;/p&gt;&lt;p&gt;Chapman discusses his journey to becoming a horror creator, noting that while he&amp;#39;s been writing professionally for nearly 25 years, people only began to notice his work around seven years ago.&lt;/p&gt;&lt;p&gt;Exploring &lt;em&gt;Wake Up and Open Your Eyes&lt;/em&gt;: The conversation delves into his polarizing novel, which has been characterized as &amp;#34;MAGA Horror&amp;#34; and &amp;#34;online Horror.&amp;#34;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.claymcleodchapman.com/&#34; rel=&#34;nofollow&#34;&gt;Clay McLeod Chapman&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.penguinrandomhouse.com/books/760818/coffin-moon-by-keith-rosson/&#34; rel=&#34;nofollow&#34;&gt;Coffin Moon by Keith Rosson&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.penguinrandomhouse.com/books/756651/horror-for-weenies-by-emily-c-hughes/&#34; rel=&#34;nofollow&#34;&gt;Horror for Weenies by Emily Hughes&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Chumbawamba&#34; rel=&#34;nofollow&#34;&gt;Chumbawumba&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 27 Oct 2025 07:00:28 &#43;0000</pubDate>
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                <itunes:duration>2063</itunes:duration>
                
                
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                <itunes:title>Found Footage 1 - Frogman with Director Anthony Cousins</itunes:title>
                <title>Found Footage 1 - Frogman with Director Anthony Cousins</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This episode of Horror Joy features a deep dive into the genre of found footage horror, particularly focusing on the 2023 film &#39;Frogman.&#39;</p><p>Hosts Brian and Jeff discuss with the film&#39;s co-writer and director, Anthony Cousins, the allure and believability of found footage horror, influences from other horror media, and the complexities of creating effective practical effects.</p><p>They explore the thematic elements of obsession, belief, and the uncanny, while also touching on Cousins&#39; other works and the anticipated sequel to &#39;Frogman,&#39; &#39;Frogman Returns&#39;</p><p><a href="https://tubitv.com/movies/100030740/frogman" rel="nofollow">Frogman on Tubi</a></p><p><a href="https://www.imdb.com/name/nm4044179/" rel="nofollow">Anthony Cousins</a></p><p><a href="https://www.youtube.com/watch?v=orfDpGNh_kc" rel="nofollow">Every time We Meet For Ice Cream Your Whole F*cking Face Explodes </a></p><p><a href="https://www.youtube.com/watch?v=hUKrl9lBcpg" rel="nofollow">Frogman 2</a></p><p><a href="https://www.bloomsbury.com/us/digital-horror-9781784530259/" rel="nofollow">Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon</a></p>]]></description>
                <content:encoded>&lt;p&gt;This episode of Horror Joy features a deep dive into the genre of found footage horror, particularly focusing on the 2023 film &amp;#39;Frogman.&amp;#39;&lt;/p&gt;&lt;p&gt;Hosts Brian and Jeff discuss with the film&amp;#39;s co-writer and director, Anthony Cousins, the allure and believability of found footage horror, influences from other horror media, and the complexities of creating effective practical effects.&lt;/p&gt;&lt;p&gt;They explore the thematic elements of obsession, belief, and the uncanny, while also touching on Cousins&amp;#39; other works and the anticipated sequel to &amp;#39;Frogman,&amp;#39; &amp;#39;Frogman Returns&amp;#39;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://tubitv.com/movies/100030740/frogman&#34; rel=&#34;nofollow&#34;&gt;Frogman on Tubi&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/name/nm4044179/&#34; rel=&#34;nofollow&#34;&gt;Anthony Cousins&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=orfDpGNh_kc&#34; rel=&#34;nofollow&#34;&gt;Every time We Meet For Ice Cream Your Whole F*cking Face Explodes &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=hUKrl9lBcpg&#34; rel=&#34;nofollow&#34;&gt;Frogman 2&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.bloomsbury.com/us/digital-horror-9781784530259/&#34; rel=&#34;nofollow&#34;&gt;Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 20 Oct 2025 07:00:43 &#43;0000</pubDate>
                <itunes:duration>2601</itunes:duration>
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                <itunes:title>Lauren Bolger and Alan Good on Meet Your Maker</itunes:title>
                <title>Lauren Bolger and Alan Good on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, the hosts bring on two guests for the first time: Alan Good, founder and editor of Malarkey Books, and Lauren Bolger, a horror author published by Malarkey Books. </p><p>The discussion dives into the intersection of horror and joy, and both guests share their unique perspectives. Alan talks about the community support that keeps Malarkey Books afloat and the joy of seeing people engage with their work. </p><p>Lauren discusses her journey as a writer, drawing inspiration from childhood experiences and various mythologies. </p><p>They also delve into Lauren&#39;s upcoming book, &#39;The Barre Incidents,&#39; which blends horror, sci-fi, and fantasy. </p><p>Additionally, they touch on the value of small presses and the role of mythology in storytelling. </p><p>The show highlights the upcoming releases from Malarkey Books and emphasizes the importance of maintaining creative hobbies into adulthood.</p><p><a href="https://www.laurenbolger.com/" rel="nofollow">LaurenBolger.com</a></p><p><a href="https://malarkeybooks.com/store/barre-incidents" rel="nofollow">The Barre Incidents by Lauren Bolger</a></p><p><a href="https://malarkeybooks.com/home" rel="nofollow">Malarkey Books</a></p><p><a href="https://malarkeybooks.com/store/hellarkey-vol-iv" rel="nofollow">Hellarkey</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, the hosts bring on two guests for the first time: Alan Good, founder and editor of Malarkey Books, and Lauren Bolger, a horror author published by Malarkey Books. &lt;/p&gt;&lt;p&gt;The discussion dives into the intersection of horror and joy, and both guests share their unique perspectives. Alan talks about the community support that keeps Malarkey Books afloat and the joy of seeing people engage with their work. &lt;/p&gt;&lt;p&gt;Lauren discusses her journey as a writer, drawing inspiration from childhood experiences and various mythologies. &lt;/p&gt;&lt;p&gt;They also delve into Lauren&amp;#39;s upcoming book, &amp;#39;The Barre Incidents,&amp;#39; which blends horror, sci-fi, and fantasy. &lt;/p&gt;&lt;p&gt;Additionally, they touch on the value of small presses and the role of mythology in storytelling. &lt;/p&gt;&lt;p&gt;The show highlights the upcoming releases from Malarkey Books and emphasizes the importance of maintaining creative hobbies into adulthood.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.laurenbolger.com/&#34; rel=&#34;nofollow&#34;&gt;LaurenBolger.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://malarkeybooks.com/store/barre-incidents&#34; rel=&#34;nofollow&#34;&gt;The Barre Incidents by Lauren Bolger&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://malarkeybooks.com/home&#34; rel=&#34;nofollow&#34;&gt;Malarkey Books&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://malarkeybooks.com/store/hellarkey-vol-iv&#34; rel=&#34;nofollow&#34;&gt;Hellarkey&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 13 Oct 2025 07:00:28 &#43;0000</pubDate>
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                <itunes:duration>1624</itunes:duration>
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                <itunes:title>Weapons</itunes:title>
                <title>Weapons</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, hosts Jeff and Brian discuss Zach Cregger&#39;s 2025 film &#39;Weapons.&#39;</p><p>The film’s controversial portrayal of children as both instruments and objects of horror breaks traditional tropes by delving into issues like school shootings, societal decay, and the overarching themes of violence and isolation.</p><p>Through its intricate narrative and complex characters like Aunt Gladys, who embodies both the literal and metaphorical horrors of small-town life, the hosts explore the multifaceted weaponization and manipulation of youth.</p><p>They also touch on broader societal critiques, including capitalism and surveillance.</p><p> The episode culminates in an analysis of the film’s surprising and symbolic ending, highlighting its blend of horror and dark humor.</p><p><a href="https://www.npr.org/2025/08/22/nx-s1-5507122/weapons-review" rel="nofollow">&#39;Weapons&#39; exposes the dark underbelly of American suburbia</a></p><p><a href="https://www.hollywoodreporter.com/movies/movie-features/weapons-audiences-disagree-movie-1236342296/" rel="nofollow">Of Course ‘Weapons’ Is About Something</a></p><p><a href="https://en.wikipedia.org/wiki/Gruen_transfer" rel="nofollow">The Gruen Transfer</a></p><p><br></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, hosts Jeff and Brian discuss Zach Cregger&amp;#39;s 2025 film &amp;#39;Weapons.&amp;#39;&lt;/p&gt;&lt;p&gt;The film’s controversial portrayal of children as both instruments and objects of horror breaks traditional tropes by delving into issues like school shootings, societal decay, and the overarching themes of violence and isolation.&lt;/p&gt;&lt;p&gt;Through its intricate narrative and complex characters like Aunt Gladys, who embodies both the literal and metaphorical horrors of small-town life, the hosts explore the multifaceted weaponization and manipulation of youth.&lt;/p&gt;&lt;p&gt;They also touch on broader societal critiques, including capitalism and surveillance.&lt;/p&gt;&lt;p&gt; The episode culminates in an analysis of the film’s surprising and symbolic ending, highlighting its blend of horror and dark humor.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.npr.org/2025/08/22/nx-s1-5507122/weapons-review&#34; rel=&#34;nofollow&#34;&gt;&amp;#39;Weapons&amp;#39; exposes the dark underbelly of American suburbia&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.hollywoodreporter.com/movies/movie-features/weapons-audiences-disagree-movie-1236342296/&#34; rel=&#34;nofollow&#34;&gt;Of Course ‘Weapons’ Is About Something&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Gruen_transfer&#34; rel=&#34;nofollow&#34;&gt;The Gruen Transfer&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 06 Oct 2025 07:00:18 &#43;0000</pubDate>
                <itunes:duration>3214</itunes:duration>
                
                
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                <itunes:title>Nick Medina on Meet Your Maker</itunes:title>
                <title>Nick Medina on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Brian and Jeff are joined by Nick Medina, author of &#39;Sisters of the Lost Nation,&#39; &#39;Indian Burial Ground,&#39; and the recently released novel, &#39;The Whistler.&#39;</p><p>Nick discusses his shared perception of finding joy in horror, reflecting on the creativity and talent within the genre.</p><p>We explore his writing journey, the long road to getting published, and the significant influence of horror on his life.</p><p>Additionally, Nick delves into the themes, inspirations, and background research for his latest works, emphasizing the importance of addressing social issues through horror literature.</p><p>We also touch on his personal experiences and methods, especially his use of music to create atmosphere in his writing, and his intent to shed light on undervalued perspectives. The episode ends with recommended horror books and films that brought Nick joy.</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Brian and Jeff are joined by Nick Medina, author of &amp;#39;Sisters of the Lost Nation,&amp;#39; &amp;#39;Indian Burial Ground,&amp;#39; and the recently released novel, &amp;#39;The Whistler.&amp;#39;&lt;/p&gt;&lt;p&gt;Nick discusses his shared perception of finding joy in horror, reflecting on the creativity and talent within the genre.&lt;/p&gt;&lt;p&gt;We explore his writing journey, the long road to getting published, and the significant influence of horror on his life.&lt;/p&gt;&lt;p&gt;Additionally, Nick delves into the themes, inspirations, and background research for his latest works, emphasizing the importance of addressing social issues through horror literature.&lt;/p&gt;&lt;p&gt;We also touch on his personal experiences and methods, especially his use of music to create atmosphere in his writing, and his intent to shed light on undervalued perspectives. The episode ends with recommended horror books and films that brought Nick joy.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 29 Sep 2025 07:00:40 &#43;0000</pubDate>
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                <itunes:title>The Conjuring</itunes:title>
                <title>The Conjuring</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Brian and Jeff delve into the 2013 haunted house film &#39;The Conjuring&#39;, directed by James Wan. </p><p>They explore the film&#39;s use of horror tropes, its connections to the Amityville Horror, and its implications regarding Christian nationalism. </p><p>The episode also examines Ed and Lorraine Warren&#39;s roles, the significance of the basement as a metaphorical space, and the conservative ideology underlying the movie. </p><p>Along the way, they discuss the film&#39;s patient buildup of tension, the performance of masculinity, and the significance of games like hide and clap. </p><p>The hosts compare their reactions to the film upon rewatching it and analyze the movie&#39;s impact on the horror genre.</p><p><a href="https://en.wikipedia.org/wiki/Paranormal_State" rel="nofollow">Paranormal State</a></p><p><a href="https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/d7d7fd32-5583-481e-a45d-1ae1e9afcb13" rel="nofollow">Amityville Horror</a></p><p><a href="https://www.goodreads.com/book/show/59005701-the-conjuring" rel="nofollow">The Conjuring by Kevin J. Wetmore, Jr.</a></p><p><a href="https://en.wikipedia.org/wiki/Sola_scriptura" rel="nofollow">Sola Scriptura</a></p><p><a href="https://en.wikipedia.org/wiki/Ed_and_Lorraine_Warren" rel="nofollow">Ed and Lorraine Warren</a></p><p><a href="https://online.ucpress.edu/jrpc/article-abstract/35/3/119/204101/Possession-Politics-and-PatriotismThe-Influence-of?redirectedFrom=fulltext" rel="nofollow">Possession, Politics, and Patriotism:<strong> </strong>The Influence of Christian Nationalism and Evangelical Horror Tropes on <em>The Conjuring</em> and <em>The Conjuring 2 </em>by Zachary Doiron</a></p><p><br></p><p><br></p><p><br></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Brian and Jeff delve into the 2013 haunted house film &amp;#39;The Conjuring&amp;#39;, directed by James Wan. &lt;/p&gt;&lt;p&gt;They explore the film&amp;#39;s use of horror tropes, its connections to the Amityville Horror, and its implications regarding Christian nationalism. &lt;/p&gt;&lt;p&gt;The episode also examines Ed and Lorraine Warren&amp;#39;s roles, the significance of the basement as a metaphorical space, and the conservative ideology underlying the movie. &lt;/p&gt;&lt;p&gt;Along the way, they discuss the film&amp;#39;s patient buildup of tension, the performance of masculinity, and the significance of games like hide and clap. &lt;/p&gt;&lt;p&gt;The hosts compare their reactions to the film upon rewatching it and analyze the movie&amp;#39;s impact on the horror genre.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Paranormal_State&#34; rel=&#34;nofollow&#34;&gt;Paranormal State&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/d7d7fd32-5583-481e-a45d-1ae1e9afcb13&#34; rel=&#34;nofollow&#34;&gt;Amityville Horror&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.goodreads.com/book/show/59005701-the-conjuring&#34; rel=&#34;nofollow&#34;&gt;The Conjuring by Kevin J. Wetmore, Jr.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sola_scriptura&#34; rel=&#34;nofollow&#34;&gt;Sola Scriptura&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Ed_and_Lorraine_Warren&#34; rel=&#34;nofollow&#34;&gt;Ed and Lorraine Warren&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://online.ucpress.edu/jrpc/article-abstract/35/3/119/204101/Possession-Politics-and-PatriotismThe-Influence-of?redirectedFrom=fulltext&#34; rel=&#34;nofollow&#34;&gt;Possession, Politics, and Patriotism:&lt;strong&gt; &lt;/strong&gt;The Influence of Christian Nationalism and Evangelical Horror Tropes on &lt;em&gt;The Conjuring&lt;/em&gt; and &lt;em&gt;The Conjuring 2 &lt;/em&gt;by Zachary Doiron&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 22 Sep 2025 07:00:21 &#43;0000</pubDate>
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                <itunes:title>Thomas Ha on Meet Your Maker</itunes:title>
                <title>Thomas Ha on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Meet Your Maker, hosts welcome Thomas Ha to discuss his forthcoming collection &#39;Uncertain Sons&#39;.</p><p>The conversation delves into Ha’s perspective on the intricate relationship between horror and joy, the cathartic and connective aspects of horror literature, and the experiential overlap between fear, happiness, and grief.</p><p>Ha shares insights into his creative process, his multicultural background, and the welcoming nature of the horror community.</p><p>Additionally, the role of independent presses, particularly Undertow Publications, in fostering innovative horror fiction is highlighted.</p><p>The episode concludes with recommendations of short story collections and films that embody the unsettling, immersive quality of weird fiction.</p><p><br></p><p><a href="https://www.thomashawrites.com/" rel="nofollow">Thomas Ha</a></p><p><a href="https://undertowpublications.com/" rel="nofollow">Undetertow Publications</a></p><p><a href="https://en.wikipedia.org/wiki/Hapa" rel="nofollow">Hapa </a></p><p><a href="https://pmc.ncbi.nlm.nih.gov/articles/PMC7492010/" rel="nofollow">Pandemic practice: Horror fans and morbidly curious individuals are more psychological resilient during the COVID-19 pandemic by Coltan Scrivner, John A. Johnson, Jens Kieldegaard-Christiansen and Mathias Clasen</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Meet Your Maker, hosts welcome Thomas Ha to discuss his forthcoming collection &amp;#39;Uncertain Sons&amp;#39;.&lt;/p&gt;&lt;p&gt;The conversation delves into Ha’s perspective on the intricate relationship between horror and joy, the cathartic and connective aspects of horror literature, and the experiential overlap between fear, happiness, and grief.&lt;/p&gt;&lt;p&gt;Ha shares insights into his creative process, his multicultural background, and the welcoming nature of the horror community.&lt;/p&gt;&lt;p&gt;Additionally, the role of independent presses, particularly Undertow Publications, in fostering innovative horror fiction is highlighted.&lt;/p&gt;&lt;p&gt;The episode concludes with recommendations of short story collections and films that embody the unsettling, immersive quality of weird fiction.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.thomashawrites.com/&#34; rel=&#34;nofollow&#34;&gt;Thomas Ha&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://undertowpublications.com/&#34; rel=&#34;nofollow&#34;&gt;Undetertow Publications&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Hapa&#34; rel=&#34;nofollow&#34;&gt;Hapa &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://pmc.ncbi.nlm.nih.gov/articles/PMC7492010/&#34; rel=&#34;nofollow&#34;&gt;Pandemic practice: Horror fans and morbidly curious individuals are more psychological resilient during the COVID-19 pandemic by Coltan Scrivner, John A. Johnson, Jens Kieldegaard-Christiansen and Mathias Clasen&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 15 Sep 2025 07:00:56 &#43;0000</pubDate>
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                <itunes:title>The Amityville Horror 1979</itunes:title>
                <title>The Amityville Horror 1979</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Unpacking the Cyclical Horrors of The Amityville Horror</p><p>In this episode of &#39;Horror Joy,&#39; hosts Jeff and Brian Onishi delve into the 1979 classic film &#39;The Amityville Horror.&#39; The discussion explores the recurring themes of cycles in our lives and how they manifest in horror, touching on historical and contemporary issues.</p><p>They analyze the unsettling story of George and Kathy Lutz, who move into a seemingly perfect house only to face demonic possession and the horrors of past violence.</p><p>The conversation critiques toxic masculinity, the failures of institutions like the Roman Catholic Church, and the broader implications of isolation and community in suburban life.</p><p>The episode also brings in related historical and cultural contexts, including the Satanic panic and the significance of VHS technology in disseminating horror. Despite the film&#39;s clumsiness, the hosts find joy in practical effects, character performances, and the deeper reflections horror offers on society&#39;s enduring challenges.</p><p><br></p><p><a href="https://www.researchgate.net/publication/286409167_Horror_movies_at_home_Supernatural_horror_delivery_systems_and_1980s_Satanic_Panic" rel="nofollow">Horror movies at home: supernatural horror, delivery systems and 1980s satanic Panic by Drew Beard</a></p><p><a href="https://doi.org/10.26485/zrl/2025/68.1/6" rel="nofollow">Echoes of Evil: Haunted Houses and Lingering Terrors in <em>The Amityville Horror </em>and <em>The Conjuring by </em>Julia Seltnerajch</a></p><p><a href="https://doi.org/10.1057/9781137404961_4" rel="nofollow">The Red Scare: Marxism, Menstruation, and Stuart Rosenberg&#39;s The Amityville Horror by Larrie Dudenhoeffer</a></p>]]></description>
                <content:encoded>&lt;p&gt;Unpacking the Cyclical Horrors of The Amityville Horror&lt;/p&gt;&lt;p&gt;In this episode of &amp;#39;Horror Joy,&amp;#39; hosts Jeff and Brian Onishi delve into the 1979 classic film &amp;#39;The Amityville Horror.&amp;#39; The discussion explores the recurring themes of cycles in our lives and how they manifest in horror, touching on historical and contemporary issues.&lt;/p&gt;&lt;p&gt;They analyze the unsettling story of George and Kathy Lutz, who move into a seemingly perfect house only to face demonic possession and the horrors of past violence.&lt;/p&gt;&lt;p&gt;The conversation critiques toxic masculinity, the failures of institutions like the Roman Catholic Church, and the broader implications of isolation and community in suburban life.&lt;/p&gt;&lt;p&gt;The episode also brings in related historical and cultural contexts, including the Satanic panic and the significance of VHS technology in disseminating horror. Despite the film&amp;#39;s clumsiness, the hosts find joy in practical effects, character performances, and the deeper reflections horror offers on society&amp;#39;s enduring challenges.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.researchgate.net/publication/286409167_Horror_movies_at_home_Supernatural_horror_delivery_systems_and_1980s_Satanic_Panic&#34; rel=&#34;nofollow&#34;&gt;Horror movies at home: supernatural horror, delivery systems and 1980s satanic Panic by Drew Beard&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://doi.org/10.26485/zrl/2025/68.1/6&#34; rel=&#34;nofollow&#34;&gt;Echoes of Evil: Haunted Houses and Lingering Terrors in &lt;em&gt;The Amityville Horror &lt;/em&gt;and &lt;em&gt;The Conjuring by &lt;/em&gt;Julia Seltnerajch&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://doi.org/10.1057/9781137404961_4&#34; rel=&#34;nofollow&#34;&gt;The Red Scare: Marxism, Menstruation, and Stuart Rosenberg&amp;#39;s The Amityville Horror by Larrie Dudenhoeffer&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 08 Sep 2025 07:00:28 &#43;0000</pubDate>
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                <itunes:title>Matthew Trifan on Meet Your Maker</itunes:title>
                <title>Matthew Trifan on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, the hosts are joined by Matthew Trifan, an emergency physician and author of the supernatural horror collection &#39;The Fever Called Living&#39;. They discuss the complex relationship between horror and joy and how Trifan integrates his medical background into his horror writing. Highlights include the impact of secondhand trauma on medical professionals, the existential themes explored in his stories, the stigmatization of horror, and recommendations for readers and gamers interested in exploring the genre further.</p><p><a href="https://www.authortrifan.com/thefevercalledliving/" rel="nofollow">AuthorTrifan.com</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, the hosts are joined by Matthew Trifan, an emergency physician and author of the supernatural horror collection &amp;#39;The Fever Called Living&amp;#39;. They discuss the complex relationship between horror and joy and how Trifan integrates his medical background into his horror writing. Highlights include the impact of secondhand trauma on medical professionals, the existential themes explored in his stories, the stigmatization of horror, and recommendations for readers and gamers interested in exploring the genre further.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.authortrifan.com/thefevercalledliving/&#34; rel=&#34;nofollow&#34;&gt;AuthorTrifan.com&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 01 Sep 2025 07:00:10 &#43;0000</pubDate>
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                <itunes:title>John Chrostek on Meet Your Maker</itunes:title>
                <title>John Chrostek on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Exploring Horror and Joy with Author John Chrostek</p><p><br></p><p>In this episode of Horror Joy, the hosts are joined by John Chrostek, a writer, editor, and designer, to discuss his recent collection, Boxcutters, and his upcoming novel, Feast of the Pale Leviathan. They delve into John&#39;s perspective on the relationship between horror and joy, the cathartic nature of horror, and its role as a tool for social protest. John also shares insights on his writing journey, his editorial work at Cold Signal literary magazine, and his experience co-owning the independent bookstore, Evening House, in Buffalo, New York. The conversation touches on the significance of independent bookstores, recent horror media recommendations, and John&#39;s thoughts on creating meaningful literature in today&#39;s socio-economic landscape.</p><p><a href="https://johnchrostek.com/" rel="nofollow">JohnChrostek.com</a></p><p><a href="https://bookshop.org/shop/eveninghouse" rel="nofollow">Evening House Bookshop</a></p><p><a href="https://cold-signal.com/" rel="nofollow">Cold Signal</a></p><p><a href="https://en.wikipedia.org/wiki/Leviathan_(Hobbes_book)" rel="nofollow">Hobbes Leviathan</a></p><p><a href="https://www.imdb.com/title/tt28313478/" rel="nofollow">The Vourdalak</a></p><p><a href="https://www.thomashawrites.com/uncertain-sons" rel="nofollow">Uncertain Sons by Thomas Ha</a></p>]]></description>
                <content:encoded>&lt;p&gt;Exploring Horror and Joy with Author John Chrostek&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;In this episode of Horror Joy, the hosts are joined by John Chrostek, a writer, editor, and designer, to discuss his recent collection, Boxcutters, and his upcoming novel, Feast of the Pale Leviathan. They delve into John&amp;#39;s perspective on the relationship between horror and joy, the cathartic nature of horror, and its role as a tool for social protest. John also shares insights on his writing journey, his editorial work at Cold Signal literary magazine, and his experience co-owning the independent bookstore, Evening House, in Buffalo, New York. The conversation touches on the significance of independent bookstores, recent horror media recommendations, and John&amp;#39;s thoughts on creating meaningful literature in today&amp;#39;s socio-economic landscape.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://johnchrostek.com/&#34; rel=&#34;nofollow&#34;&gt;JohnChrostek.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/shop/eveninghouse&#34; rel=&#34;nofollow&#34;&gt;Evening House Bookshop&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://cold-signal.com/&#34; rel=&#34;nofollow&#34;&gt;Cold Signal&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Leviathan_(Hobbes_book)&#34; rel=&#34;nofollow&#34;&gt;Hobbes Leviathan&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt28313478/&#34; rel=&#34;nofollow&#34;&gt;The Vourdalak&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.thomashawrites.com/uncertain-sons&#34; rel=&#34;nofollow&#34;&gt;Uncertain Sons by Thomas Ha&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <itunes:title>The Menu and Where the Soul Goes with Katherine Silva</itunes:title>
                <title>The Menu and Where the Soul Goes with Katherine Silva</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Exploring the Horrors of Food in &#39;The Menu&#39; and &#39;Where the Soul Goes&#39;</p><p><br></p><p>In this episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff dive into the intricate relationship between food and horror. They are joined by author Katherine (Kat) Silva to discuss Mark Mylod&#39;s 2022 film &#39;The Menu&#39; and its commentary on class, privilege, and consumption through the lens of food Horror.</p><p>Silva&#39;s forthcoming book &#39;Where the Soul Goes,&#39; a post-apocalyptic travel tale, is also explored, highlighting its themes of food&#39;s power to unite people even in dark times. The discussion touches on various aspects of food in Horror, the importance of performance in both cuisine and life, and the personal connections characters have with food.</p><p>The episode wraps up with a joyful celebration of these works, emphasizing the inherent trust and risks related to the intimate act of eating.</p><p><a href="https://www.katherinesilvaauthor.com/" rel="nofollow">Kat Silva</a></p><p><a href="https://www.britannica.com/money/conspicuous-consumption" rel="nofollow">Conspicuous Consumption</a></p><p><a href="https://www.agathos-international-review.com/issues/2024/29/Gupta.pdf" rel="nofollow">&#34;Nothing in this kitchen is unplanned&#34;: Food as performance in Mark Mylod&#39;s The Menu</a></p><p><a href="https://www.netflix.com/title/80007945" rel="nofollow"><em>Chef&#39;s Table</em></a></p><p><a href="https://www.taylorfrancis.com/chapters/edit/10.4324/9780203337233-23/banquet-beast-civilizing-role-food-1930s-horror-films-blair-davis" rel="nofollow">Banquet and the Beast: The Civilizing Role of Food in 1930s Horror Films</a></p>]]></description>
                <content:encoded>&lt;p&gt;Exploring the Horrors of Food in &amp;#39;The Menu&amp;#39; and &amp;#39;Where the Soul Goes&amp;#39;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;In this episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff dive into the intricate relationship between food and horror. They are joined by author Katherine (Kat) Silva to discuss Mark Mylod&amp;#39;s 2022 film &amp;#39;The Menu&amp;#39; and its commentary on class, privilege, and consumption through the lens of food Horror.&lt;/p&gt;&lt;p&gt;Silva&amp;#39;s forthcoming book &amp;#39;Where the Soul Goes,&amp;#39; a post-apocalyptic travel tale, is also explored, highlighting its themes of food&amp;#39;s power to unite people even in dark times. The discussion touches on various aspects of food in Horror, the importance of performance in both cuisine and life, and the personal connections characters have with food.&lt;/p&gt;&lt;p&gt;The episode wraps up with a joyful celebration of these works, emphasizing the inherent trust and risks related to the intimate act of eating.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.katherinesilvaauthor.com/&#34; rel=&#34;nofollow&#34;&gt;Kat Silva&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.britannica.com/money/conspicuous-consumption&#34; rel=&#34;nofollow&#34;&gt;Conspicuous Consumption&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.agathos-international-review.com/issues/2024/29/Gupta.pdf&#34; rel=&#34;nofollow&#34;&gt;&amp;#34;Nothing in this kitchen is unplanned&amp;#34;: Food as performance in Mark Mylod&amp;#39;s The Menu&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.netflix.com/title/80007945&#34; rel=&#34;nofollow&#34;&gt;&lt;em&gt;Chef&amp;#39;s Table&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.taylorfrancis.com/chapters/edit/10.4324/9780203337233-23/banquet-beast-civilizing-role-food-1930s-horror-films-blair-davis&#34; rel=&#34;nofollow&#34;&gt;Banquet and the Beast: The Civilizing Role of Food in 1930s Horror Films&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 25 Aug 2025 07:00:53 &#43;0000</pubDate>
                <itunes:duration>2620</itunes:duration>
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                <itunes:title>Katherine &#34;Kat&#34; Silva on Meet Your Maker</itunes:title>
                <title>Katherine &#34;Kat&#34; Silva on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Brian and Jeff are joined by Kat Silva, author of the Deadlands Trilogy. They discuss the unique relationship between joy and horror, particularly how the horror genre can bring emotional catharsis and mental stability. Kat shares the personal journey of her writing career, starting from childhood and leading to her current work. She talks about the role of grief in her stories and the importance of music in her creative process. They also chat about Kat&#39;s fascination with trains and her upcoming projects, including a new book set to release in September. The conversation wraps up with a discussion on favorite horror media and the joy found in even the cheesiest horror movies.</p><p><br></p><p><a href="https://www.katherinesilvaauthor.com/books" rel="nofollow">Kat Silva</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Brian and Jeff are joined by Kat Silva, author of the Deadlands Trilogy. They discuss the unique relationship between joy and horror, particularly how the horror genre can bring emotional catharsis and mental stability. Kat shares the personal journey of her writing career, starting from childhood and leading to her current work. She talks about the role of grief in her stories and the importance of music in her creative process. They also chat about Kat&amp;#39;s fascination with trains and her upcoming projects, including a new book set to release in September. The conversation wraps up with a discussion on favorite horror media and the joy found in even the cheesiest horror movies.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.katherinesilvaauthor.com/books&#34; rel=&#34;nofollow&#34;&gt;Kat Silva&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 22 Aug 2025 07:00:44 &#43;0000</pubDate>
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                <itunes:duration>1805</itunes:duration>
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                <itunes:title>Sadie Hartmann AKA Mother Horror on Meet Your Maker</itunes:title>
                <title>Sadie Hartmann AKA Mother Horror on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of &#39;Meet Your Maker&#39;, Horror Joy welcomes Sadie Hartman, aka Mother Horror. Sadie discusses her influential work in the horror genre, including her books &#39;101 Horror Books to Read Before You&#39;re Murdered&#39; and &#39;Feral and Hysterical.&#39; The conversation delves into the relationship between joy and horror, how horror serves as an escape from real-life anxieties, and its political undertones. Sadie emphasizes the importance of women&#39;s voices in horror literature and shares her excitement about recent horror works that blend fiction with real historical events and political themes. The episode also touches on the emotional resilience of women and their growing influence in the horror genre.</p><p> <a href="https://en.wikipedia.org/wiki/The_Reformatory" rel="nofollow">The Reformatory by Tananarive Due</a>             </p><p><a href="https://open.spotify.com/episode/3tAnZ7KVpAfs7OQuotZEOL?si=c829f68695424924" rel="nofollow">Black/Southern Gothic – Sinners and the Reformatory</a></p><p><a href="https://bookshop.org/p/books/ring-shout-p-djeli-clark/13705280" rel="nofollow">Ringshout by P. Djèlí Clari</a></p><p><a href="https://bookshop.org/p/books/the-buffalo-hunter-hunter-stephen-graham-jones/21539836?ean=9781668075081&next=t" rel="nofollow">Buffalo Hunter Hunter</a></p><p><a href="https://open.spotify.com/episode/4B7Z0MzzFmp5zVKouD2nUZ?si=61fc4cb0ff534dd9" rel="nofollow">Buffalo, Confession, Vampire an Interview with Stephen Graham Jones</a></p><p><a href="https://bookshop.org/p/books/feral-hysterical-mother-horror-s-ultimate-reading-guide-to-dark-and-disturbing-fiction-by-women-sadie-hartmann/21737276?ean=9798890032973&next=t" rel="nofollow">Feral and Hysterical by Sadie Hartmann</a></p><p><a href="https://bookshop.org/p/books/101-horror-books-to-read-before-you-re-murdered-sadie-hartmann/18747478?ean=9781645677802&next=t" rel="nofollow">101 Books to Read before You’re Murdered by Sadie Hartmann</a></p><p><a href="https://substack.com/@sadiehartmannmotherhorror" rel="nofollow">Sadie Hartmann/Mother Horror</a></p><p><a href="http://nightworms.com" rel="nofollow">Night Worms Book Subscription Service</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of &amp;#39;Meet Your Maker&amp;#39;, Horror Joy welcomes Sadie Hartman, aka Mother Horror. Sadie discusses her influential work in the horror genre, including her books &amp;#39;101 Horror Books to Read Before You&amp;#39;re Murdered&amp;#39; and &amp;#39;Feral and Hysterical.&amp;#39; The conversation delves into the relationship between joy and horror, how horror serves as an escape from real-life anxieties, and its political undertones. Sadie emphasizes the importance of women&amp;#39;s voices in horror literature and shares her excitement about recent horror works that blend fiction with real historical events and political themes. The episode also touches on the emotional resilience of women and their growing influence in the horror genre.&lt;/p&gt;&lt;p&gt; &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Reformatory&#34; rel=&#34;nofollow&#34;&gt;The Reformatory by Tananarive Due&lt;/a&gt;             &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/episode/3tAnZ7KVpAfs7OQuotZEOL?si=c829f68695424924&#34; rel=&#34;nofollow&#34;&gt;Black/Southern Gothic – Sinners and the Reformatory&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/p/books/ring-shout-p-djeli-clark/13705280&#34; rel=&#34;nofollow&#34;&gt;Ringshout by P. Djèlí Clari&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/p/books/the-buffalo-hunter-hunter-stephen-graham-jones/21539836?ean=9781668075081&amp;next=t&#34; rel=&#34;nofollow&#34;&gt;Buffalo Hunter Hunter&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/episode/4B7Z0MzzFmp5zVKouD2nUZ?si=61fc4cb0ff534dd9&#34; rel=&#34;nofollow&#34;&gt;Buffalo, Confession, Vampire an Interview with Stephen Graham Jones&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/p/books/feral-hysterical-mother-horror-s-ultimate-reading-guide-to-dark-and-disturbing-fiction-by-women-sadie-hartmann/21737276?ean=9798890032973&amp;next=t&#34; rel=&#34;nofollow&#34;&gt;Feral and Hysterical by Sadie Hartmann&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/p/books/101-horror-books-to-read-before-you-re-murdered-sadie-hartmann/18747478?ean=9781645677802&amp;next=t&#34; rel=&#34;nofollow&#34;&gt;101 Books to Read before You’re Murdered by Sadie Hartmann&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://substack.com/@sadiehartmannmotherhorror&#34; rel=&#34;nofollow&#34;&gt;Sadie Hartmann/Mother Horror&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://nightworms.com&#34; rel=&#34;nofollow&#34;&gt;Night Worms Book Subscription Service&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 18 Aug 2025 10:00:11 &#43;0000</pubDate>
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                <itunes:duration>1798</itunes:duration>
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                <itunes:title>Victoria Dalpe on Meet Your Maker</itunes:title>
                <title>Victoria Dalpe on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, the hosts welcome Victoria Dalpe, author of &#39;Selene Shade: Resurrectionist for Hire.&#39; Dalpe shares her insights into the intersection of joy and horror, her affinity for horror comedy, and the ethical dilemmas explored in her book. The discussion covers how horror can serve as a cathartic experience, influenced by &#39;80s horror films, and the unique blend of genres in her work, including urban and dark fantasy. Dalpe also touches on her journey into horror, influenced by her Gothic New England upbringing, and her latest projects, including the upcoming sequel &#39;Loving the Dead.&#39;</p><p><a href="https://victoriadalpe.blogspot.com/" rel="nofollow">Victoria Dalpe</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, the hosts welcome Victoria Dalpe, author of &amp;#39;Selene Shade: Resurrectionist for Hire.&amp;#39; Dalpe shares her insights into the intersection of joy and horror, her affinity for horror comedy, and the ethical dilemmas explored in her book. The discussion covers how horror can serve as a cathartic experience, influenced by &amp;#39;80s horror films, and the unique blend of genres in her work, including urban and dark fantasy. Dalpe also touches on her journey into horror, influenced by her Gothic New England upbringing, and her latest projects, including the upcoming sequel &amp;#39;Loving the Dead.&amp;#39;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://victoriadalpe.blogspot.com/&#34; rel=&#34;nofollow&#34;&gt;Victoria Dalpe&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 11 Aug 2025 07:00:05 &#43;0000</pubDate>
                <itunes:duration>2107</itunes:duration>
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                <itunes:title>John Langan on Meet Your Maker</itunes:title>
                <title>John Langan on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of &#39;Meet Your Maker,&#39; Brian takes a solo interview with acclaimed horror author John Langan. They talk about his works, including &#39;The Fishermen&#39; and the upcoming short story collection &#39;Lost in the Dark.&#39; They discuss the intricate relationship between joy and horror, the communal aspect of the horror community, and the influence of found footage films on Langan&#39;s writing. The conversation also delves into Langan&#39;s experiences with Word Horde publishing, his inspirations, and the vibrant contemporary horror landscape.</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of &amp;#39;Meet Your Maker,&amp;#39; Brian takes a solo interview with acclaimed horror author John Langan. They talk about his works, including &amp;#39;The Fishermen&amp;#39; and the upcoming short story collection &amp;#39;Lost in the Dark.&amp;#39; They discuss the intricate relationship between joy and horror, the communal aspect of the horror community, and the influence of found footage films on Langan&amp;#39;s writing. The conversation also delves into Langan&amp;#39;s experiences with Word Horde publishing, his inspirations, and the vibrant contemporary horror landscape.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Tue, 05 Aug 2025 07:00:00 &#43;0000</pubDate>
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                <itunes:duration>1786</itunes:duration>
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                <itunes:title>Paul Tremblay on Meet Your Maker - Live at Next Chapter Bookshop</itunes:title>
                <title>Paul Tremblay on Meet Your Maker - Live at Next Chapter Bookshop</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this live-recorded episode of &#39;Horror Joy,&#39; the hosts are joined by New York Times bestselling author Paul Tremblay at Next Chapter Bookshop in Hollidaysburg, Pennsylvania. Tremblay discusses various themes in his works and answers audience questions. Topics include the relationship between joy and horror, his journey to becoming a writer, inspirations for his horror novels targeted towards younger audiences, and the significance of artistic creation amidst technological advancements. The conversation also touches on Tremblay&#39;s personal experiences and emotions tied to his works, including the film adaptation of his novel &#39;The Cabin at the End of the World.&#39;</p><p><br></p><p><a href="https://bookshop.org/shop/nextchapterbookshop" rel="nofollow">Next Chapter Bookshop</a></p><p><a href="https://www.harpercollins.com/products/another-paul-tremblay?variant=43671991746594" rel="nofollow">Another</a></p><p><a href="https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/ddddb386-60fa-4ba2-b27e-e10866fc8a72" rel="nofollow">Check out our first episode with Paul - Horror (Un)Masked</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this live-recorded episode of &amp;#39;Horror Joy,&amp;#39; the hosts are joined by New York Times bestselling author Paul Tremblay at Next Chapter Bookshop in Hollidaysburg, Pennsylvania. Tremblay discusses various themes in his works and answers audience questions. Topics include the relationship between joy and horror, his journey to becoming a writer, inspirations for his horror novels targeted towards younger audiences, and the significance of artistic creation amidst technological advancements. The conversation also touches on Tremblay&amp;#39;s personal experiences and emotions tied to his works, including the film adaptation of his novel &amp;#39;The Cabin at the End of the World.&amp;#39;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/shop/nextchapterbookshop&#34; rel=&#34;nofollow&#34;&gt;Next Chapter Bookshop&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.harpercollins.com/products/another-paul-tremblay?variant=43671991746594&#34; rel=&#34;nofollow&#34;&gt;Another&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/ddddb386-60fa-4ba2-b27e-e10866fc8a72&#34; rel=&#34;nofollow&#34;&gt;Check out our first episode with Paul - Horror (Un)Masked&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 04 Aug 2025 07:00:37 &#43;0000</pubDate>
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                <itunes:duration>2319</itunes:duration>
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                <itunes:title>Jake Tri (of Nightmare Soup) on Meet Your Maker</itunes:title>
                <title>Jake Tri (of Nightmare Soup) on Meet Your Maker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, hosts Jeff and Brian introduce a new podcast series titled &#39;Meet Your Maker,&#39; focusing on conversations with horror creators. Their first guest is Jake Tri, the author of &#39;Nightmare Soup,&#39; a crowdfunded horror anthology reminiscent of &#39;Scary Stories to Tell in the Dark.&#39; Jake discusses the inspiration behind &#39;Nightmare Soup,&#39; the resurgence of horror popularity, and the interplay between horror and joy. The conversation also delves into nostalgia, the creation process with illustrator Andy Sciazko, and plans for future projects, including a potential &#39;Nightmare Soup&#39; movie. Listeners are also treated to insights about specific stories in &#39;Nightmare Soup&#39; and recommendations for other horror media.</p><p><br></p><p><a href="https://nightmaresoup.com/" rel="nofollow">Nightmare Soup</a></p><p><a href="https://www.kickstarter.com/projects/nightmaresoup/nightmare-soup-the-ultimate-feast" rel="nofollow">Kickstarter Page</a></p><p><a href="https://www.andysciazkoart.com/" rel="nofollow">Andy Sciazko Art</a></p><p><a href="https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/ae45700a-935e-4854-892b-c19bbe1efe59" rel="nofollow">Horror Joy - Nostalgia Horror (Scary Stories to Tell in the Dark)</a></p><p>00:00 Meet Jake Tri: Author of Nightmare Soup</p><p>06:44 Creating Nightmare Soup</p><p>12:44 Intended Audience and Inspirations</p><p>19:01 Favorite Stories from Nightmare Soup</p><p>22:28 Nightmare Soup&#39;s Future and Movie Plans</p><p>26:34 Where to Find Nightmare Soup</p><p>28:44 Recent Horror Recommendations</p><p><br></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, hosts Jeff and Brian introduce a new podcast series titled &amp;#39;Meet Your Maker,&amp;#39; focusing on conversations with horror creators. Their first guest is Jake Tri, the author of &amp;#39;Nightmare Soup,&amp;#39; a crowdfunded horror anthology reminiscent of &amp;#39;Scary Stories to Tell in the Dark.&amp;#39; Jake discusses the inspiration behind &amp;#39;Nightmare Soup,&amp;#39; the resurgence of horror popularity, and the interplay between horror and joy. The conversation also delves into nostalgia, the creation process with illustrator Andy Sciazko, and plans for future projects, including a potential &amp;#39;Nightmare Soup&amp;#39; movie. Listeners are also treated to insights about specific stories in &amp;#39;Nightmare Soup&amp;#39; and recommendations for other horror media.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://nightmaresoup.com/&#34; rel=&#34;nofollow&#34;&gt;Nightmare Soup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.kickstarter.com/projects/nightmaresoup/nightmare-soup-the-ultimate-feast&#34; rel=&#34;nofollow&#34;&gt;Kickstarter Page&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.andysciazkoart.com/&#34; rel=&#34;nofollow&#34;&gt;Andy Sciazko Art&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/ae45700a-935e-4854-892b-c19bbe1efe59&#34; rel=&#34;nofollow&#34;&gt;Horror Joy - Nostalgia Horror (Scary Stories to Tell in the Dark)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;00:00 Meet Jake Tri: Author of Nightmare Soup&lt;/p&gt;&lt;p&gt;06:44 Creating Nightmare Soup&lt;/p&gt;&lt;p&gt;12:44 Intended Audience and Inspirations&lt;/p&gt;&lt;p&gt;19:01 Favorite Stories from Nightmare Soup&lt;/p&gt;&lt;p&gt;22:28 Nightmare Soup&amp;#39;s Future and Movie Plans&lt;/p&gt;&lt;p&gt;26:34 Where to Find Nightmare Soup&lt;/p&gt;&lt;p&gt;28:44 Recent Horror Recommendations&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 28 Jul 2025 07:00:39 &#43;0000</pubDate>
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                <itunes:title>The Professor is In - Revisiting a Year of Horror Joy with Kevin Wetmore, Jr.</itunes:title>
                <title>The Professor is In - Revisiting a Year of Horror Joy with Kevin Wetmore, Jr.</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this special anniversary episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff reflect on their first year of celebrating the emotional and intellectual joys of horror.</p><p>They discuss their favorite moments, memorable interviews with horror figures likePaul Tremblay, S. Trimble and Stephen Graham Jones, and the impact of films like Jaws, The Blair Witch Project, and Silence of the Lambs.</p><p>The episode features an in-depth conversation with Professor Kevin Wetmore, who shares his insights on the communal and personal joys of horror, the evolving nature of the genre post-9/11, and the significance of the &#39;final girl&#39; trope. Wetmore also discusses his work in theater and medieval literature, emphasizing how horror brings people together and helps them confront their deepest fears.</p><p>So, grab your favorite haunted blue book and settle in for some schooling. But don’t fall asleep, you never know where you’ll wake up.</p><p> </p><p>02:06 Introducing Kevin Whitmore Jr.</p><p>06:41 The Community Aspect of Horror</p><p>13:41 Jaws: The Original Summer Blockbuster</p><p>18:47 The Perception of Horror as a Lesser Genre</p><p>24:56 Exploring Horror Post 9/11</p><p>27:45 The Impact of 9/11 on Slasher Films</p><p>30:41 Final Destination: Death as the Ultimate Slasher</p><p>33:45 Medieval Horror and Theater</p><p>38:13 The Essence of Horror in Theater and Film</p><p>44:47 Concluding Thoughts and Recommendations</p><p> </p><p><a href="https://press.princeton.edu/books/paperback/9780691166292/men-women-and-chain-saws" rel="nofollow">Men, Women, and Chainsaws by Carol Clover</a></p><p><a href="https://www.bloomsbury.com/us/post911-horror-in-american-cinema-9781441110473/" rel="nofollow">Post 9/11 Horror In American Cinema by Kevin Wetmore Jr.</a></p><p><a href="https://reaktionbooks.co.uk/work/eaters-of-the-dead" rel="nofollow">Eaters of the Dead – Myths and Realities of Cannibal Monsters by Kevin Wetmore, Jr.</a></p><p><a href="https://www.somethingwetmorethiswaycomes.com/" rel="nofollow">Kevin Wetmore, Jr.</a></p><p><a href="https://www.penguinrandomhouse.com/books/170217/the-worm-at-the-core-by-sheldon-solomon-jeff-greenberg-and-tom-pyszczynski/" rel="nofollow">The Worm at the Core – The Role of Death in Life by Sheldon Solomon, Jeff Greenberg, and Tom Pyszczynski</a></p><p><a href="http://www.natcassidy.com/when-the-wolf-comes-home.html" rel="nofollow">When the Wolf Comes Home by Nat Cassidy</a></p><p><a href="https://en.wikipedia.org/wiki/Qui_Nguyen" rel="nofollow">Qui Nguyen</a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;In this special anniversary episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff reflect on their first year of celebrating the emotional and intellectual joys of horror.&lt;/p&gt;&lt;p&gt;They discuss their favorite moments, memorable interviews with horror figures likePaul Tremblay, S. Trimble and Stephen Graham Jones, and the impact of films like Jaws, The Blair Witch Project, and Silence of the Lambs.&lt;/p&gt;&lt;p&gt;The episode features an in-depth conversation with Professor Kevin Wetmore, who shares his insights on the communal and personal joys of horror, the evolving nature of the genre post-9/11, and the significance of the &amp;#39;final girl&amp;#39; trope. Wetmore also discusses his work in theater and medieval literature, emphasizing how horror brings people together and helps them confront their deepest fears.&lt;/p&gt;&lt;p&gt;So, grab your favorite haunted blue book and settle in for some schooling. But don’t fall asleep, you never know where you’ll wake up.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;02:06 Introducing Kevin Whitmore Jr.&lt;/p&gt;&lt;p&gt;06:41 The Community Aspect of Horror&lt;/p&gt;&lt;p&gt;13:41 Jaws: The Original Summer Blockbuster&lt;/p&gt;&lt;p&gt;18:47 The Perception of Horror as a Lesser Genre&lt;/p&gt;&lt;p&gt;24:56 Exploring Horror Post 9/11&lt;/p&gt;&lt;p&gt;27:45 The Impact of 9/11 on Slasher Films&lt;/p&gt;&lt;p&gt;30:41 Final Destination: Death as the Ultimate Slasher&lt;/p&gt;&lt;p&gt;33:45 Medieval Horror and Theater&lt;/p&gt;&lt;p&gt;38:13 The Essence of Horror in Theater and Film&lt;/p&gt;&lt;p&gt;44:47 Concluding Thoughts and Recommendations&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://press.princeton.edu/books/paperback/9780691166292/men-women-and-chain-saws&#34; rel=&#34;nofollow&#34;&gt;Men, Women, and Chainsaws by Carol Clover&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.bloomsbury.com/us/post911-horror-in-american-cinema-9781441110473/&#34; rel=&#34;nofollow&#34;&gt;Post 9/11 Horror In American Cinema by Kevin Wetmore Jr.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://reaktionbooks.co.uk/work/eaters-of-the-dead&#34; rel=&#34;nofollow&#34;&gt;Eaters of the Dead – Myths and Realities of Cannibal Monsters by Kevin Wetmore, Jr.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.somethingwetmorethiswaycomes.com/&#34; rel=&#34;nofollow&#34;&gt;Kevin Wetmore, Jr.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.penguinrandomhouse.com/books/170217/the-worm-at-the-core-by-sheldon-solomon-jeff-greenberg-and-tom-pyszczynski/&#34; rel=&#34;nofollow&#34;&gt;The Worm at the Core – The Role of Death in Life by Sheldon Solomon, Jeff Greenberg, and Tom Pyszczynski&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://www.natcassidy.com/when-the-wolf-comes-home.html&#34; rel=&#34;nofollow&#34;&gt;When the Wolf Comes Home by Nat Cassidy&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Qui_Nguyen&#34; rel=&#34;nofollow&#34;&gt;Qui Nguyen&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 14 Jul 2025 07:00:55 &#43;0000</pubDate>
                <itunes:duration>2846</itunes:duration>
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                <itunes:title>Meet Your Maker: A New Horror Joy Series (Trailer)</itunes:title>
                <title>Meet Your Maker: A New Horror Joy Series (Trailer)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><span>Join your favorite Horror podcasters as they introduce &#39;Meet Your Maker,&#39; a new series from Horror Joy. This show is dedicated to interviewing some of the best-known and emerging Horror authors, including Clay McLeod Chapman, Victoria Dalpe, Sadie Hartmann (AKA Mother Horror), John Langan, Thomas Ha, Jake Tri, Kat Silva, and many more. Each 30-minute episode will explore new books, stories, and films, offering fans weekly content filled with more horror and joy.</span></p><p><br></p><p><br></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;Join your favorite Horror podcasters as they introduce &amp;#39;Meet Your Maker,&amp;#39; a new series from Horror Joy. This show is dedicated to interviewing some of the best-known and emerging Horror authors, including Clay McLeod Chapman, Victoria Dalpe, Sadie Hartmann (AKA Mother Horror), John Langan, Thomas Ha, Jake Tri, Kat Silva, and many more. Each 30-minute episode will explore new books, stories, and films, offering fans weekly content filled with more horror and joy.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 14 Jul 2025 07:00:22 &#43;0000</pubDate>
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                <itunes:duration>84</itunes:duration>
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                <itunes:title>Final Destination 1, 2, 3</itunes:title>
                <title>Final Destination 1, 2, 3</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, we turn back time to solve the puzzle of the first three films of the Final Destination franchise, exploring the ways they engage with the horrors of the new millennium, its politics, and its technologies. The series’ horrors are doubled when we realize that the first film starts off with an exploding plane, uncannily anticipating the 9/11 terrorist attacks that fundamentally reshaped the United States of America, the Middle East, and the geopolitics of never-ending surveillance due to the specter of terrorism.</p><p>They discuss:</p><p>·      How these films reflect the anxieties of the late 20th and early 21st centuries, including the twin specters of Y2K and the 9/11 terrorist attacks.</p><p>·      How the themes of technology, societal change, and existential dread, show up differently in each film</p><p>·      The role of Tony Todd&#39;s (Bludworth) character as a potential personification of death</p><p>·      And reflect on how the trilogy evolved into a commentary on the modern human condition.</p><p>So, charge your camera batteries and death proof your rusty fishing hooks because the roller coaster is about to leave the station. It’s your last chance to get off the ride. But don’t worry, we’ll remember your place in line.</p><p><a href="https://muse.jhu.edu/article/941838" rel="nofollow">William Stevenson. &#34;Late Slasher: Remediation to Premediation in <em>Urban Legend</em>, <em>Gossip</em>, and <em>Final Destination</em>.&#34;</a></p><p><a href="https://en.wikipedia.org/wiki/Danse_Macabre" rel="nofollow">Danse Macabre</a></p><p><a href="https://en.wikipedia.org/wiki/The_Myth_of_Sisyphus" rel="nofollow">Camus - <em>The Myth of Sisyphus</em></a></p><p><a href="https://en.wikipedia.org/wiki/Being_and_Time" rel="nofollow">Heidegger - <em>Being and Time</em></a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, we turn back time to solve the puzzle of the first three films of the Final Destination franchise, exploring the ways they engage with the horrors of the new millennium, its politics, and its technologies. The series’ horrors are doubled when we realize that the first film starts off with an exploding plane, uncannily anticipating the 9/11 terrorist attacks that fundamentally reshaped the United States of America, the Middle East, and the geopolitics of never-ending surveillance due to the specter of terrorism.&lt;/p&gt;&lt;p&gt;They discuss:&lt;/p&gt;&lt;p&gt;·      How these films reflect the anxieties of the late 20th and early 21st centuries, including the twin specters of Y2K and the 9/11 terrorist attacks.&lt;/p&gt;&lt;p&gt;·      How the themes of technology, societal change, and existential dread, show up differently in each film&lt;/p&gt;&lt;p&gt;·      The role of Tony Todd&amp;#39;s (Bludworth) character as a potential personification of death&lt;/p&gt;&lt;p&gt;·      And reflect on how the trilogy evolved into a commentary on the modern human condition.&lt;/p&gt;&lt;p&gt;So, charge your camera batteries and death proof your rusty fishing hooks because the roller coaster is about to leave the station. It’s your last chance to get off the ride. But don’t worry, we’ll remember your place in line.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://muse.jhu.edu/article/941838&#34; rel=&#34;nofollow&#34;&gt;William Stevenson. &amp;#34;Late Slasher: Remediation to Premediation in &lt;em&gt;Urban Legend&lt;/em&gt;, &lt;em&gt;Gossip&lt;/em&gt;, and &lt;em&gt;Final Destination&lt;/em&gt;.&amp;#34;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Danse_Macabre&#34; rel=&#34;nofollow&#34;&gt;Danse Macabre&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Myth_of_Sisyphus&#34; rel=&#34;nofollow&#34;&gt;Camus - &lt;em&gt;The Myth of Sisyphus&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Being_and_Time&#34; rel=&#34;nofollow&#34;&gt;Heidegger - &lt;em&gt;Being and Time&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 30 Jun 2025 07:00:09 &#43;0000</pubDate>
                <itunes:duration>2951</itunes:duration>
                
                
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                <itunes:title>Never Whistle at Night</itunes:title>
                <title>Never Whistle at Night</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of &#39;Horror Joy,&#39; hosts Brian and Jeff delve into the 2023 anthology <em>Never Whistle at Night</em>, edited by Shane Hawk and Theodore C. Van Alst Jr. This collection, featuring indigenous dark fiction, navigates the intersections of horror, colonization, and representation.</p><p>We discuss:</p><p>·      The impact of these stories both in the classroom and as a means of broadening perspectives</p><p>·      Key stories such as &#39;White Hills,&#39; &#39;The Ones Who Killed Us,&#39; and &#39;Navajos Don&#39;t Wear Elk Teeth,&#39;</p><p>·      The importance of blood and the construction of identity</p><p>·      The joy and complexity found in these narratives</p><p>These stories navigate the tension of imagined and real worlds, mortals and monsters, blood and identity, and community and isolation. They call us to reconsider our preconceptions of the world, and they remind us that all of us (in the United States) occupy stolen lands. </p><p>So, keep your lips from whistling and settle into the comfortably uncomfortable worlds of these stories. But don’t lose track of the trail. While this may be an invitation, that doesn’t necessarily mean it&#39;s safe.</p><p> </p><p><a href="https://www.euppublishing.com/doi/abs/10.3366/gothic.2022.0143" rel="nofollow">Indigenous Futurisms and Decolonial Horror: An Interview with Rebecca Roanhorse by Madelyn Marie Schoonover</a></p><p><a href="https://en.wikipedia.org/wiki/One-drop_rule" rel="nofollow">One drop rule</a></p><p><a href="https://en.wikipedia.org/wiki/Plessy_v._Ferguson" rel="nofollow">Plessy V. Ferguson</a></p><p><a href="https://worldliteraturetoday.org/2023/march/indigenous-horror-heather-hall" rel="nofollow">Indigenous Horror by Heather Hall</a></p><p><a href="https://en.wikipedia.org/wiki/Orientalism_(book)" rel="nofollow"><em>Orientalism by Edward Said</em></a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of &amp;#39;Horror Joy,&amp;#39; hosts Brian and Jeff delve into the 2023 anthology &lt;em&gt;Never Whistle at Night&lt;/em&gt;, edited by Shane Hawk and Theodore C. Van Alst Jr. This collection, featuring indigenous dark fiction, navigates the intersections of horror, colonization, and representation.&lt;/p&gt;&lt;p&gt;We discuss:&lt;/p&gt;&lt;p&gt;·      The impact of these stories both in the classroom and as a means of broadening perspectives&lt;/p&gt;&lt;p&gt;·      Key stories such as &amp;#39;White Hills,&amp;#39; &amp;#39;The Ones Who Killed Us,&amp;#39; and &amp;#39;Navajos Don&amp;#39;t Wear Elk Teeth,&amp;#39;&lt;/p&gt;&lt;p&gt;·      The importance of blood and the construction of identity&lt;/p&gt;&lt;p&gt;·      The joy and complexity found in these narratives&lt;/p&gt;&lt;p&gt;These stories navigate the tension of imagined and real worlds, mortals and monsters, blood and identity, and community and isolation. They call us to reconsider our preconceptions of the world, and they remind us that all of us (in the United States) occupy stolen lands. &lt;/p&gt;&lt;p&gt;So, keep your lips from whistling and settle into the comfortably uncomfortable worlds of these stories. But don’t lose track of the trail. While this may be an invitation, that doesn’t necessarily mean it&amp;#39;s safe.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.euppublishing.com/doi/abs/10.3366/gothic.2022.0143&#34; rel=&#34;nofollow&#34;&gt;Indigenous Futurisms and Decolonial Horror: An Interview with Rebecca Roanhorse by Madelyn Marie Schoonover&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/One-drop_rule&#34; rel=&#34;nofollow&#34;&gt;One drop rule&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Plessy_v._Ferguson&#34; rel=&#34;nofollow&#34;&gt;Plessy V. Ferguson&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://worldliteraturetoday.org/2023/march/indigenous-horror-heather-hall&#34; rel=&#34;nofollow&#34;&gt;Indigenous Horror by Heather Hall&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Orientalism_(book)&#34; rel=&#34;nofollow&#34;&gt;&lt;em&gt;Orientalism by Edward Said&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 16 Jun 2025 07:00:00 &#43;0000</pubDate>
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                <itunes:title>Black/Southern Gothic - Sinners and The Reformatory</itunes:title>
                <title>Black/Southern Gothic - Sinners and The Reformatory</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Right now in the US, it feels like we&#39;re living in a haunted house of historical racial horrors, with &#34;DEI&#34; being demonized and books banned. Southern and Black Gothic literature, however, bravely <em>uncover</em> these past atrocities and their ongoing impact.</p><p>On this <em>Horror Joy</em> episode, we welcome author Briana N. Cox to explore Black/Southern Horror. First, we bite into Ryan Coogler&#39;s 2025 hit <em>Sinners</em>, which uses vampiric imagery to explore race, greed, music, and time. Then, we turn to Tananarive Due’s 2023 masterpiece, <em>The Reformatory</em>. Based on the real-life Dozier School for Boys, it follows young Robert Stephens, Jr. through a thinly veiled juvenile prison, using exaggerated sentences, &#34;haints,&#34; and a KKK siege to connect slavery, Jim Crow, and incarceration.</p><p>Like English Gothic, Black/Southern Gothic uses crumbling infrastructure and outdated systems, replacing castles with plantations and secret rooms with prison control mechanisms. As Bridget M. Marshall notes, these genres share &#34;creepy buildings, mysterious landscapes, unhealthy obsessions with the past, revelations of dark secrets, acts of violence, and troubled mental states.&#34; Horror is always political, but Black/Southern Gothic highlights how we&#39;re all haunted by our collective past.</p><p>Join us to find joy and heartbreak in these troubling histories and horrific tales. Just remember: don&#39;t be seduced by every song, and always, ALWAYS, fight the KKK!</p><p><a href="https://www.bloomsbury.com/us/black-bodies-white-gazes-9781538169834/" rel="nofollow">Black Bodies, White Gazes by George Yancy</a></p><p><a href="https://www.mdpi.com/2076-0787/13/5/124" rel="nofollow">The Return of the Repressed: The Subprime Haunted House by Jaleesa Rena Harris</a></p><p><a href="https://briana-n-cox-writer.carrd.co/" rel="nofollow">Briana N. Cox</a></p><p><a href="https://www.moonshotinitiative.org/post/moonshot-initiative-launches-feature-accelerator-announces-2025-fellows" rel="nofollow">The Moonshot Initiative</a></p><p><a href="https://www.threads.com/@pedroparo2" rel="nofollow">PedroParo2</a></p><p><a href="https://muse.jhu.edu/article/923186" rel="nofollow">“Tilt the mirror”: An Interview with Tananarive Due</a></p>]]></description>
                <content:encoded>&lt;p&gt;Right now in the US, it feels like we&amp;#39;re living in a haunted house of historical racial horrors, with &amp;#34;DEI&amp;#34; being demonized and books banned. Southern and Black Gothic literature, however, bravely &lt;em&gt;uncover&lt;/em&gt; these past atrocities and their ongoing impact.&lt;/p&gt;&lt;p&gt;On this &lt;em&gt;Horror Joy&lt;/em&gt; episode, we welcome author Briana N. Cox to explore Black/Southern Horror. First, we bite into Ryan Coogler&amp;#39;s 2025 hit &lt;em&gt;Sinners&lt;/em&gt;, which uses vampiric imagery to explore race, greed, music, and time. Then, we turn to Tananarive Due’s 2023 masterpiece, &lt;em&gt;The Reformatory&lt;/em&gt;. Based on the real-life Dozier School for Boys, it follows young Robert Stephens, Jr. through a thinly veiled juvenile prison, using exaggerated sentences, &amp;#34;haints,&amp;#34; and a KKK siege to connect slavery, Jim Crow, and incarceration.&lt;/p&gt;&lt;p&gt;Like English Gothic, Black/Southern Gothic uses crumbling infrastructure and outdated systems, replacing castles with plantations and secret rooms with prison control mechanisms. As Bridget M. Marshall notes, these genres share &amp;#34;creepy buildings, mysterious landscapes, unhealthy obsessions with the past, revelations of dark secrets, acts of violence, and troubled mental states.&amp;#34; Horror is always political, but Black/Southern Gothic highlights how we&amp;#39;re all haunted by our collective past.&lt;/p&gt;&lt;p&gt;Join us to find joy and heartbreak in these troubling histories and horrific tales. Just remember: don&amp;#39;t be seduced by every song, and always, ALWAYS, fight the KKK!&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.bloomsbury.com/us/black-bodies-white-gazes-9781538169834/&#34; rel=&#34;nofollow&#34;&gt;Black Bodies, White Gazes by George Yancy&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.mdpi.com/2076-0787/13/5/124&#34; rel=&#34;nofollow&#34;&gt;The Return of the Repressed: The Subprime Haunted House by Jaleesa Rena Harris&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://briana-n-cox-writer.carrd.co/&#34; rel=&#34;nofollow&#34;&gt;Briana N. Cox&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.moonshotinitiative.org/post/moonshot-initiative-launches-feature-accelerator-announces-2025-fellows&#34; rel=&#34;nofollow&#34;&gt;The Moonshot Initiative&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.threads.com/@pedroparo2&#34; rel=&#34;nofollow&#34;&gt;PedroParo2&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://muse.jhu.edu/article/923186&#34; rel=&#34;nofollow&#34;&gt;“Tilt the mirror”: An Interview with Tananarive Due&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 02 Jun 2025 07:00:00 &#43;0000</pubDate>
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                <itunes:title>Cop Horror - Se7en and Memories of a Murder</itunes:title>
                <title>Cop Horror - Se7en and Memories of a Murder</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Brian and Jeff explore the themes of justice, truth, and morality through the examination of two iconic cop horror films: David Fincher&#39;s &#39;Seven&#39; (1995) and Bong Joon-ho&#39;s &#39;Memories of Murder&#39; (2003).</p><p>We discuss:</p><p>·      The portrayal of police ineptitude and brutality</p><p>·      Sin as a model for understanding moral judgements</p><p>·      The impact of male ambition on women&#39;s bodies</p><p>·      The bleakness of a futureless world</p><p>So, grab your detective kit and come along as we travel the long way out of hell up to the light. But make sure to keep your head along the way (and don’t dropkick anyone), lest you become vengeance, lest you become wrath.</p><p> <a href="https://www.google.com/books/edition/Apocalyptic_Dread/6UAymlvUqVIC?hl=en" rel="nofollow">Apocalyptic Dread: American Film at the Turn of the Millennium by Kirsten Moana Thompson</a></p><p><a href="https://academicworks.cuny.edu/jj_pubs/188/" rel="nofollow">Se7en: Medieval Justice, Modern Justice by Valerie Allen</a></p><p><a href="http://www.jstor.org/stable/40068554" rel="nofollow">“Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-Ho” by Christina Klein</a></p><p><a href="https://doi-org.ezaccess.libraries.psu.edu/10.1163/9789004692800_009" rel="nofollow">&#34;Murder and Meaning: The Ordinariness of Violence in Memories of Murder&#34; by Reza Pourmikail.</a></p><p>00:00 Introduction to Cop Horror</p><p>Beginning – 29:10: ‘Se7en&#39; by David Fincher</p><p>29:15 – 46:58: Memories of Murder: A Dive into South Korean Crime</p><p>46:58 – End: Finding Joy in Dark Cinema</p><p>  </p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Brian and Jeff explore the themes of justice, truth, and morality through the examination of two iconic cop horror films: David Fincher&amp;#39;s &amp;#39;Seven&amp;#39; (1995) and Bong Joon-ho&amp;#39;s &amp;#39;Memories of Murder&amp;#39; (2003).&lt;/p&gt;&lt;p&gt;We discuss:&lt;/p&gt;&lt;p&gt;·      The portrayal of police ineptitude and brutality&lt;/p&gt;&lt;p&gt;·      Sin as a model for understanding moral judgements&lt;/p&gt;&lt;p&gt;·      The impact of male ambition on women&amp;#39;s bodies&lt;/p&gt;&lt;p&gt;·      The bleakness of a futureless world&lt;/p&gt;&lt;p&gt;So, grab your detective kit and come along as we travel the long way out of hell up to the light. But make sure to keep your head along the way (and don’t dropkick anyone), lest you become vengeance, lest you become wrath.&lt;/p&gt;&lt;p&gt; &lt;a href=&#34;https://www.google.com/books/edition/Apocalyptic_Dread/6UAymlvUqVIC?hl=en&#34; rel=&#34;nofollow&#34;&gt;Apocalyptic Dread: American Film at the Turn of the Millennium by Kirsten Moana Thompson&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://academicworks.cuny.edu/jj_pubs/188/&#34; rel=&#34;nofollow&#34;&gt;Se7en: Medieval Justice, Modern Justice by Valerie Allen&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://www.jstor.org/stable/40068554&#34; rel=&#34;nofollow&#34;&gt;“Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-Ho” by Christina Klein&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://doi-org.ezaccess.libraries.psu.edu/10.1163/9789004692800_009&#34; rel=&#34;nofollow&#34;&gt;&amp;#34;Murder and Meaning: The Ordinariness of Violence in Memories of Murder&amp;#34; by Reza Pourmikail.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;00:00 Introduction to Cop Horror&lt;/p&gt;&lt;p&gt;Beginning – 29:10: ‘Se7en&amp;#39; by David Fincher&lt;/p&gt;&lt;p&gt;29:15 – 46:58: Memories of Murder: A Dive into South Korean Crime&lt;/p&gt;&lt;p&gt;46:58 – End: Finding Joy in Dark Cinema&lt;/p&gt;&lt;p&gt;  &lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 19 May 2025 07:00:00 &#43;0000</pubDate>
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                <itunes:title>90s Teen Slashers - Scream and I Know What You Did Last Summer</itunes:title>
                <title>90s Teen Slashers - Scream and I Know What You Did Last Summer</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, hosts Brian and Jeff revisit the iconic nineties teen slasher films Scream (1996) and I Know What You Did Last Summer (1997). </p><ul><li>They explore how Scream redefined the slasher genre with its meta-horror elements and adherence to and subversion of classic horror rules. </li><li>They contrast this with I Know What You Did Last Summer’s more traditional approach, discussing its themes of future anxiety, class conflict, and the psychological impact of social expectations. </li><li>They reflect on the nostalgia of the VHS era and the communal aspect of watching horror films.</li></ul><p>By the episode&#39;s end, Brian and Jeff conclude that Scream holds up as a genre-defining classic but I Know What You Did Last Summer is not an especially good or scary movie.</p><p>So, what <em>is</em> your favorite scary movie? Grab your cordless phone and rekindle the hope of the approaching new millennium. But don’t hold on too tight, because we all know how quickly that could be dashed by a ubiquitous masked killer.  And if we get lost along the way, don’t worry. We’ll be right back. </p><p><a href="https://bookshop.org/p/books/killing-mr-griffin-lois-duncan/12548856" rel="nofollow">Killing Mr. Griffin</a></p><p><a href="https://en.wikipedia.org/wiki/Lois_Duncan" rel="nofollow">Lois Duncan</a></p><p><a href="https://bookshop.org/p/books/beneath-the-trees-where-nobody-sees-patrick-horvath/20871820" rel="nofollow">Beneath the Trees Where Nobody Sees by Patrick Horvath</a></p><p><a href="https://doi.org/10.3200/JPFT.34.2.50-61" rel="nofollow">Valerie Wee - &#34;Resurrecting and Updating the Teen Slasher: The Case of Scream&#34;</a></p><p><a href="https://www.proquest.com/docview/1928889336?sourcetype=Wire+Feeds" rel="nofollow">Matt Frucci - &#34;&#39;I Know What You Did Last Summer&#39; is no &#39;Scream&#39;&#34;</a></p><p><a href="https://mcfarlandbooks.com/product/the-1990s-teen-horror-cycle/?srsltid=AfmBOoqOdSvl8idHYKvVgOP9DfOf4c5yBVzKNUBpH84WRIGZ9lvrWf_-" rel="nofollow">Alexandra West - <em>The 1990s Teen Horror Cycle: Final Girls and a New Hollywood Formula</em></a></p><p><br></p><p>00:00 The Rules of the Slasher Genre</p><p>01:05 Teen Slashers: Scream vs. I Know What You Did Last Summer</p><p>02:46 Personal Nostalgia and Cultural Impact</p><p>04:39 Revisiting Scream: A Cultural Phenomenon</p><p>06:10 The Opening Scene: Setting the Stage for Horror</p><p>09:59 The Meta Commentary and Rules of Survival</p><p>23:03 The Two Killers Twist and Technological Intrusions</p><p>32:16 Repressed Sexual Activity in Slashers</p><p>32:44 Final Thoughts on Scream</p><p>34:35 Introduction to I Know What You Did Last Summer</p><p>35:07 Plot Breakdown and Character Analysis</p><p>36:31 Comparing Casts and Performances</p><p>38:33 Critiques and Reviews</p><p>41:42 Class and Social Commentary</p><p>47:29 Mental Health and Urban Legends</p><p>54:07 Finding Joy in 90s Teen Slashers</p><p>58:50 Concluding Thoughts and Future Discussions</p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, hosts Brian and Jeff revisit the iconic nineties teen slasher films Scream (1996) and I Know What You Did Last Summer (1997). &lt;/p&gt;&lt;ul&gt;&lt;li&gt;They explore how Scream redefined the slasher genre with its meta-horror elements and adherence to and subversion of classic horror rules. &lt;/li&gt;&lt;li&gt;They contrast this with I Know What You Did Last Summer’s more traditional approach, discussing its themes of future anxiety, class conflict, and the psychological impact of social expectations. &lt;/li&gt;&lt;li&gt;They reflect on the nostalgia of the VHS era and the communal aspect of watching horror films.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;By the episode&amp;#39;s end, Brian and Jeff conclude that Scream holds up as a genre-defining classic but I Know What You Did Last Summer is not an especially good or scary movie.&lt;/p&gt;&lt;p&gt;So, what &lt;em&gt;is&lt;/em&gt; your favorite scary movie? Grab your cordless phone and rekindle the hope of the approaching new millennium. But don’t hold on too tight, because we all know how quickly that could be dashed by a ubiquitous masked killer.  And if we get lost along the way, don’t worry. We’ll be right back. &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/p/books/killing-mr-griffin-lois-duncan/12548856&#34; rel=&#34;nofollow&#34;&gt;Killing Mr. Griffin&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Lois_Duncan&#34; rel=&#34;nofollow&#34;&gt;Lois Duncan&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://bookshop.org/p/books/beneath-the-trees-where-nobody-sees-patrick-horvath/20871820&#34; rel=&#34;nofollow&#34;&gt;Beneath the Trees Where Nobody Sees by Patrick Horvath&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://doi.org/10.3200/JPFT.34.2.50-61&#34; rel=&#34;nofollow&#34;&gt;Valerie Wee - &amp;#34;Resurrecting and Updating the Teen Slasher: The Case of Scream&amp;#34;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.proquest.com/docview/1928889336?sourcetype=Wire&#43;Feeds&#34; rel=&#34;nofollow&#34;&gt;Matt Frucci - &amp;#34;&amp;#39;I Know What You Did Last Summer&amp;#39; is no &amp;#39;Scream&amp;#39;&amp;#34;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://mcfarlandbooks.com/product/the-1990s-teen-horror-cycle/?srsltid=AfmBOoqOdSvl8idHYKvVgOP9DfOf4c5yBVzKNUBpH84WRIGZ9lvrWf_-&#34; rel=&#34;nofollow&#34;&gt;Alexandra West - &lt;em&gt;The 1990s Teen Horror Cycle: Final Girls and a New Hollywood Formula&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;00:00 The Rules of the Slasher Genre&lt;/p&gt;&lt;p&gt;01:05 Teen Slashers: Scream vs. I Know What You Did Last Summer&lt;/p&gt;&lt;p&gt;02:46 Personal Nostalgia and Cultural Impact&lt;/p&gt;&lt;p&gt;04:39 Revisiting Scream: A Cultural Phenomenon&lt;/p&gt;&lt;p&gt;06:10 The Opening Scene: Setting the Stage for Horror&lt;/p&gt;&lt;p&gt;09:59 The Meta Commentary and Rules of Survival&lt;/p&gt;&lt;p&gt;23:03 The Two Killers Twist and Technological Intrusions&lt;/p&gt;&lt;p&gt;32:16 Repressed Sexual Activity in Slashers&lt;/p&gt;&lt;p&gt;32:44 Final Thoughts on Scream&lt;/p&gt;&lt;p&gt;34:35 Introduction to I Know What You Did Last Summer&lt;/p&gt;&lt;p&gt;35:07 Plot Breakdown and Character Analysis&lt;/p&gt;&lt;p&gt;36:31 Comparing Casts and Performances&lt;/p&gt;&lt;p&gt;38:33 Critiques and Reviews&lt;/p&gt;&lt;p&gt;41:42 Class and Social Commentary&lt;/p&gt;&lt;p&gt;47:29 Mental Health and Urban Legends&lt;/p&gt;&lt;p&gt;54:07 Finding Joy in 90s Teen Slashers&lt;/p&gt;&lt;p&gt;58:50 Concluding Thoughts and Future Discussions&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 05 May 2025 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3614</itunes:duration>
                
                
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                <itunes:title>Buffalo, Confession, Vampire - An Interview with Stephen Graham Jones</itunes:title>
                <title>Buffalo, Confession, Vampire - An Interview with Stephen Graham Jones</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This week on Horror Joy, Brian and Jeff welcome New York Times best-selling author Stephen Graham Jones to the show. We&#39;ll be discussing his incredible new novel, &#34;The Buffalo Hunter, Hunter,&#34; and delving into the intricate themes it explores:</p><ul><li><strong>Community, Inherited Guilt, Justice, and the Construction of Truth:</strong> We examine how these complex societal issues are portrayed within the narrative of &#34;The Buffalo Hunter, Hunter,&#34; and consider the unique lens that horror fiction offers for exploring these themes.</li><li><strong>The Relationship Between Joy and Horror in Storytelling:</strong> We&#39;ll explore the nuanced ways in which seemingly disparate emotions like joy and horror can coexist and even enhance the storytelling experience, creating deeper resonance with the audience.</li><li><strong>The Complexities of Vampires and Slashers:</strong> We&#39;ll analyze the enduring appeal of these iconic figures in the horror genre, discussing their multifaceted representations and the cultural anxieties they often reflect.</li><li><strong>The Significance of Community Among Horror Creators and Fans:</strong> We&#39;ll discuss the vital role of community within the horror landscape, highlighting the support, inspiration, and connection it fosters for both creators and enthusiasts.</li></ul><p>In addition to discussing his latest work, Stephen will share his perspectives on writing, his enthusiasm for basketball, and some recent horror narratives that he have brought him joy.</p><p>So grab a slice of your favorite confessional cake and join us as we talk horror, joy, and everything in between with Stephen Graham Jones. Be sure to keep your lanterns lit and your senses alert lest the vampire come for you in the darkness.</p><p> </p><p><a href="https://www.imdb.com/title/tt1027762/" rel="nofollow">Ahh Zombies</a></p><p><a href="https://hiphination.org/season-5/s5-episode-8-vampires/" rel="nofollow">Hi-Phi Nation – Vampires</a></p><p><a href="https://www.npr.org/2025/02/02/nx-s1-5022911/virginia-feito-discusses-her-darkly-funny-new-novel-victorian-psycho" rel="nofollow">Victorian Psycho</a></p><p><a href="https://us.macmillan.com/books/9781250857859/maevefly/" rel="nofollow">Maeve Fly by C.J. Lee</a></p><p><a href="https://en.wikipedia.org/wiki/Happy_Death_Day" rel="nofollow">Happy Death Day directed by Christopher Landon</a></p><p><a href="https://en.wikipedia.org/wiki/The_Cabin_in_the_Woods" rel="nofollow">The Cabin in the Woods</a></p><p><a href="https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/c4e9271e-2d29-4744-a1cb-ea7c4be8ece4" rel="nofollow">Also See: A Horror Apocalypse – Meta-Horror, Masks, and The Cabin in the Woods</a></p><p><a href="https://www.imdb.com/title/tt1632641/" rel="nofollow">The Legend of Beaver Dam</a></p><p><a href="https://vimeo.com/13070194" rel="nofollow">Spider by Nash Edgerton</a></p><p> </p><p> </p><p>00:00 Introduction to Stephen Graham Jones&#39; Latest Novel</p><p>02:33 Exploring the Relationship Between Joy and Horror</p><p>05:47 The Concept of Conversion in Vampire Stories</p><p>08:20 Justice and Inherited Guilt in &#39;The Buffalo Hunter Hunter&#39;</p><p>10:34 Ecological Themes and Historical Horror</p><p>18:07 Confession as a Mechanism for Truth</p><p>24:12 The Role of Stewardship in the Novel</p><p>29:04 Stripping Away Community in Horror</p><p>29:28 The Role of Community in Horror Stories</p><p>30:42 Crafting Community in Horror Writing</p><p>32:24 Solidarity Among Horror Authors</p><p>33:58 Joy in Horror Communities</p><p>34:38 Exploring Slasher Books</p><p>36:05 Balancing Inclusivity and In-Jokes</p><p>40:16 Selling Horror to the Hesitant</p><p>43:40 The Joy of Horror Storytelling</p><p>48:24 Basketball and Writing</p><p>52:23 Final Thoughts and Farewells</p><p> </p><p> </p><p> </p><p> </p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;This week on Horror Joy, Brian and Jeff welcome New York Times best-selling author Stephen Graham Jones to the show. We&amp;#39;ll be discussing his incredible new novel, &amp;#34;The Buffalo Hunter, Hunter,&amp;#34; and delving into the intricate themes it explores:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Community, Inherited Guilt, Justice, and the Construction of Truth:&lt;/strong&gt; We examine how these complex societal issues are portrayed within the narrative of &amp;#34;The Buffalo Hunter, Hunter,&amp;#34; and consider the unique lens that horror fiction offers for exploring these themes.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Relationship Between Joy and Horror in Storytelling:&lt;/strong&gt; We&amp;#39;ll explore the nuanced ways in which seemingly disparate emotions like joy and horror can coexist and even enhance the storytelling experience, creating deeper resonance with the audience.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Complexities of Vampires and Slashers:&lt;/strong&gt; We&amp;#39;ll analyze the enduring appeal of these iconic figures in the horror genre, discussing their multifaceted representations and the cultural anxieties they often reflect.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Significance of Community Among Horror Creators and Fans:&lt;/strong&gt; We&amp;#39;ll discuss the vital role of community within the horror landscape, highlighting the support, inspiration, and connection it fosters for both creators and enthusiasts.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;In addition to discussing his latest work, Stephen will share his perspectives on writing, his enthusiasm for basketball, and some recent horror narratives that he have brought him joy.&lt;/p&gt;&lt;p&gt;So grab a slice of your favorite confessional cake and join us as we talk horror, joy, and everything in between with Stephen Graham Jones. Be sure to keep your lanterns lit and your senses alert lest the vampire come for you in the darkness.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt1027762/&#34; rel=&#34;nofollow&#34;&gt;Ahh Zombies&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://hiphination.org/season-5/s5-episode-8-vampires/&#34; rel=&#34;nofollow&#34;&gt;Hi-Phi Nation – Vampires&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.npr.org/2025/02/02/nx-s1-5022911/virginia-feito-discusses-her-darkly-funny-new-novel-victorian-psycho&#34; rel=&#34;nofollow&#34;&gt;Victorian Psycho&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://us.macmillan.com/books/9781250857859/maevefly/&#34; rel=&#34;nofollow&#34;&gt;Maeve Fly by C.J. Lee&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Happy_Death_Day&#34; rel=&#34;nofollow&#34;&gt;Happy Death Day directed by Christopher Landon&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Cabin_in_the_Woods&#34; rel=&#34;nofollow&#34;&gt;The Cabin in the Woods&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/c4e9271e-2d29-4744-a1cb-ea7c4be8ece4&#34; rel=&#34;nofollow&#34;&gt;Also See: A Horror Apocalypse – Meta-Horror, Masks, and The Cabin in the Woods&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt1632641/&#34; rel=&#34;nofollow&#34;&gt;The Legend of Beaver Dam&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://vimeo.com/13070194&#34; rel=&#34;nofollow&#34;&gt;Spider by Nash Edgerton&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;00:00 Introduction to Stephen Graham Jones&amp;#39; Latest Novel&lt;/p&gt;&lt;p&gt;02:33 Exploring the Relationship Between Joy and Horror&lt;/p&gt;&lt;p&gt;05:47 The Concept of Conversion in Vampire Stories&lt;/p&gt;&lt;p&gt;08:20 Justice and Inherited Guilt in &amp;#39;The Buffalo Hunter Hunter&amp;#39;&lt;/p&gt;&lt;p&gt;10:34 Ecological Themes and Historical Horror&lt;/p&gt;&lt;p&gt;18:07 Confession as a Mechanism for Truth&lt;/p&gt;&lt;p&gt;24:12 The Role of Stewardship in the Novel&lt;/p&gt;&lt;p&gt;29:04 Stripping Away Community in Horror&lt;/p&gt;&lt;p&gt;29:28 The Role of Community in Horror Stories&lt;/p&gt;&lt;p&gt;30:42 Crafting Community in Horror Writing&lt;/p&gt;&lt;p&gt;32:24 Solidarity Among Horror Authors&lt;/p&gt;&lt;p&gt;33:58 Joy in Horror Communities&lt;/p&gt;&lt;p&gt;34:38 Exploring Slasher Books&lt;/p&gt;&lt;p&gt;36:05 Balancing Inclusivity and In-Jokes&lt;/p&gt;&lt;p&gt;40:16 Selling Horror to the Hesitant&lt;/p&gt;&lt;p&gt;43:40 The Joy of Horror Storytelling&lt;/p&gt;&lt;p&gt;48:24 Basketball and Writing&lt;/p&gt;&lt;p&gt;52:23 Final Thoughts and Farewells&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 21 Apr 2025 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3298</itunes:duration>
                
                
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                <itunes:title>Cult Horror - Hereditary and Midsommar</itunes:title>
                <title>Cult Horror - Hereditary and Midsommar</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, Jeff and Brian delve into cult representations in Ari Aster&#39;s popular horror films &#39;Hereditary&#39; (2018) and &#39;Midsommar&#39; (2019). They emphasize the intricate storytelling and thematic parallels between the two films, providing in-depth analysis on toxic masculinity, folklore, and community care as portrayed in Aster&#39;s works.</p><p>They discuss:</p><p>·      The nature of cult horror</p><p>·      Family dynamics</p><p>·    The supposed safe space of the home</p><p>·      The psychological exploration of grief and trauma within these narratives</p><p>·      the unsettling allure of cults and how these films reflect broader societal issues.</p><p>·     Toxic masculinity and horror</p><p>So, grab your favorite tunic and ceremonial candle, and make sure to listen for the faint click of a tongue. But don’t get left behind, lest you get sacrificed and left to the cycles of bloom and harvest for which we give thanks to our deity of reciprocity.</p><p><a href="https://www.tandfonline.com/doi/abs/10.1080/14797585.2023.2218629" rel="nofollow">Cary Elza, &#34;&#39;Do You Feel Held?&#39;: Gender, Community, and Affective Design in Midsommar.&#34;</a></p><p><a href="https://muse.jhu.edu/article/890363" rel="nofollow">Aviva Briefel. &#34;The Terror of Very Small Worlds: Hereditary and the Miniature Scales of Horror.&#34;</a></p><p><a href="https://doi.org/10.1386/host_00070_1" rel="nofollow">Stacey Anh Baran. &#34;‘Once upon a Midsommar…’: Nature, nationalism and the Swedish folkloresque.&#34;</a></p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/D/bo3617929.html" rel="nofollow">Robert Pogue Harrison. <em>The Dominion of the Dead.</em></a></p><p><a href="https://www.imdb.com/title/tt0368447/" rel="nofollow">M. Night Shyamalan. <em>The Village</em>. 2004.</a></p><p><a href="https://www.imdb.com/title/tt0070917/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_the%2520wickerman" rel="nofollow">Robin Hardy. <em>The Wickerman</em>. 1973.</a></p><p><br></p><p><strong>03:06 Deep Dive into Hereditary</strong></p><p><strong>27:09 Introduction to Midsommar</strong></p><p><strong>52:44 Finding Joy in Horror Films</strong></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, Jeff and Brian delve into cult representations in Ari Aster&amp;#39;s popular horror films &amp;#39;Hereditary&amp;#39; (2018) and &amp;#39;Midsommar&amp;#39; (2019). They emphasize the intricate storytelling and thematic parallels between the two films, providing in-depth analysis on toxic masculinity, folklore, and community care as portrayed in Aster&amp;#39;s works.&lt;/p&gt;&lt;p&gt;They discuss:&lt;/p&gt;&lt;p&gt;·      The nature of cult horror&lt;/p&gt;&lt;p&gt;·      Family dynamics&lt;/p&gt;&lt;p&gt;·    The supposed safe space of the home&lt;/p&gt;&lt;p&gt;·      The psychological exploration of grief and trauma within these narratives&lt;/p&gt;&lt;p&gt;·      the unsettling allure of cults and how these films reflect broader societal issues.&lt;/p&gt;&lt;p&gt;·     Toxic masculinity and horror&lt;/p&gt;&lt;p&gt;So, grab your favorite tunic and ceremonial candle, and make sure to listen for the faint click of a tongue. But don’t get left behind, lest you get sacrificed and left to the cycles of bloom and harvest for which we give thanks to our deity of reciprocity.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.tandfonline.com/doi/abs/10.1080/14797585.2023.2218629&#34; rel=&#34;nofollow&#34;&gt;Cary Elza, &amp;#34;&amp;#39;Do You Feel Held?&amp;#39;: Gender, Community, and Affective Design in Midsommar.&amp;#34;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://muse.jhu.edu/article/890363&#34; rel=&#34;nofollow&#34;&gt;Aviva Briefel. &amp;#34;The Terror of Very Small Worlds: Hereditary and the Miniature Scales of Horror.&amp;#34;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://doi.org/10.1386/host_00070_1&#34; rel=&#34;nofollow&#34;&gt;Stacey Anh Baran. &amp;#34;‘Once upon a Midsommar…’: Nature, nationalism and the Swedish folkloresque.&amp;#34;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://press.uchicago.edu/ucp/books/book/chicago/D/bo3617929.html&#34; rel=&#34;nofollow&#34;&gt;Robert Pogue Harrison. &lt;em&gt;The Dominion of the Dead.&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt0368447/&#34; rel=&#34;nofollow&#34;&gt;M. Night Shyamalan. &lt;em&gt;The Village&lt;/em&gt;. 2004.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt0070917/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_the%2520wickerman&#34; rel=&#34;nofollow&#34;&gt;Robin Hardy. &lt;em&gt;The Wickerman&lt;/em&gt;. 1973.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;03:06 Deep Dive into Hereditary&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;27:09 Introduction to Midsommar&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;52:44 Finding Joy in Horror Films&lt;/strong&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 07 Apr 2025 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3650</itunes:duration>
                
                
                <itunes:explicit>no</itunes:explicit>
                
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                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Faith Horror - Heretic and Universal Harvester</itunes:title>
                <title>Faith Horror - Heretic and Universal Harvester</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>On this episode of Horror Joy, Brian Onishi and Jeff Stoyanoff unpack the discomforting narratives of John Darnielle&#39;s <em>Universal Harvester</em> and A24&#39;s <em>Heretic</em>, examining how faith fuels both profound peace and unsettling horror. We&#39;ll trace the emotional arcs of these characters, exploring the role of belief in their lives and in our own.</p><p>We’ll discuss:</p><p>·      The role that expectation plays in what we are willing to believe and what we reject</p><p>·      The impact narrative has on meaning, community, and discourse</p><p>·      The horrors of manipulating someone’s beliefs for the sake of power and control</p><p>·      The sweet sadness of family, loss, and time</p><p>·      And the nostalgia for a time organized and documented by VHS tapes</p><p>So, light your favorite candle and join us as we dig deep into the world of faith and belief. But check the tapes before we go, lest you get lost in the labyrinth of iterations.</p><p> </p><p>03:17 Heretic</p><p>35:55 Universal Harvester</p><p>57:30 Finding Joy in the Mundane</p><p>01:07:01 Final Thoughts and Recommendations</p><p> </p><p><a href="https://www.imdb.com/title/tt28015403/" rel="nofollow">Heretic</a></p><p><a href="https://en.wikipedia.org/wiki/Universal_Harvester" rel="nofollow">Universal Harvester – by John Darnielle </a></p><p><a href="https://www.cambridge.org/core/books/rhetoric-hermeneutics-and-translation-in-the-middle-ages/07E67BCB1CC7602BC1236AD414C42EF7" rel="nofollow">Rhetoric, Hermeneutics, and Translation in the Middle Ages by Rita Copeland</a></p><p><a href="https://www.npr.org/2017/02/11/512910513/horror-tropes-and-human-sadness-in-universal-harvester" rel="nofollow">Horror Tropes and Human Sadness in Universal Harvester by Carmen Maria Machado</a></p><p><a href="https://www.uwp.co.uk/book/horror-and-religion/" rel="nofollow">Horror and the Death of God by Simon Marsden, in Horror and Religion – New Literary Approaches to Theology, Race, and Sexuality</a></p><p><a href="https://www.instagram.com/maklelan/" rel="nofollow">Dan Maclellan</a></p><p><a href="https://www.simonandschuster.com/books/Shock-Induction/Chuck-Palahniuk/9781668021446" rel="nofollow">Shock Induction by Chuck Palahniuk</a></p><p><a href="https://en.wikipedia.org/wiki/Chekhov%27s_gun" rel="nofollow">Chekhov’s Gun</a></p><p><a href="https://en.wikipedia.org/wiki/Hermeneutics" rel="nofollow">Hermeneutics</a></p><p><a href="https://link.springer.com/book/10.1007/978-3-031-77126-2" rel="nofollow">The Call of the Eco-Weird in Fiction, Film, and Games – edited by Brian Hisao Onishi and Nathan M. Bell</a></p>]]></description>
                <content:encoded>&lt;p&gt;On this episode of Horror Joy, Brian Onishi and Jeff Stoyanoff unpack the discomforting narratives of John Darnielle&amp;#39;s &lt;em&gt;Universal Harvester&lt;/em&gt; and A24&amp;#39;s &lt;em&gt;Heretic&lt;/em&gt;, examining how faith fuels both profound peace and unsettling horror. We&amp;#39;ll trace the emotional arcs of these characters, exploring the role of belief in their lives and in our own.&lt;/p&gt;&lt;p&gt;We’ll discuss:&lt;/p&gt;&lt;p&gt;·      The role that expectation plays in what we are willing to believe and what we reject&lt;/p&gt;&lt;p&gt;·      The impact narrative has on meaning, community, and discourse&lt;/p&gt;&lt;p&gt;·      The horrors of manipulating someone’s beliefs for the sake of power and control&lt;/p&gt;&lt;p&gt;·      The sweet sadness of family, loss, and time&lt;/p&gt;&lt;p&gt;·      And the nostalgia for a time organized and documented by VHS tapes&lt;/p&gt;&lt;p&gt;So, light your favorite candle and join us as we dig deep into the world of faith and belief. But check the tapes before we go, lest you get lost in the labyrinth of iterations.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;03:17 Heretic&lt;/p&gt;&lt;p&gt;35:55 Universal Harvester&lt;/p&gt;&lt;p&gt;57:30 Finding Joy in the Mundane&lt;/p&gt;&lt;p&gt;01:07:01 Final Thoughts and Recommendations&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt28015403/&#34; rel=&#34;nofollow&#34;&gt;Heretic&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Universal_Harvester&#34; rel=&#34;nofollow&#34;&gt;Universal Harvester – by John Darnielle &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.cambridge.org/core/books/rhetoric-hermeneutics-and-translation-in-the-middle-ages/07E67BCB1CC7602BC1236AD414C42EF7&#34; rel=&#34;nofollow&#34;&gt;Rhetoric, Hermeneutics, and Translation in the Middle Ages by Rita Copeland&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.npr.org/2017/02/11/512910513/horror-tropes-and-human-sadness-in-universal-harvester&#34; rel=&#34;nofollow&#34;&gt;Horror Tropes and Human Sadness in Universal Harvester by Carmen Maria Machado&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.uwp.co.uk/book/horror-and-religion/&#34; rel=&#34;nofollow&#34;&gt;Horror and the Death of God by Simon Marsden, in Horror and Religion – New Literary Approaches to Theology, Race, and Sexuality&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.instagram.com/maklelan/&#34; rel=&#34;nofollow&#34;&gt;Dan Maclellan&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.simonandschuster.com/books/Shock-Induction/Chuck-Palahniuk/9781668021446&#34; rel=&#34;nofollow&#34;&gt;Shock Induction by Chuck Palahniuk&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Chekhov%27s_gun&#34; rel=&#34;nofollow&#34;&gt;Chekhov’s Gun&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Hermeneutics&#34; rel=&#34;nofollow&#34;&gt;Hermeneutics&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://link.springer.com/book/10.1007/978-3-031-77126-2&#34; rel=&#34;nofollow&#34;&gt;The Call of the Eco-Weird in Fiction, Film, and Games – edited by Brian Hisao Onishi and Nathan M. Bell&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 24 Mar 2025 07:00:00 &#43;0000</pubDate>
                <itunes:duration>4088</itunes:duration>
                
                
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                <itunes:title>The Devil Made Me Do It - The Silence of the Lambs and Longlegs</itunes:title>
                <title>The Devil Made Me Do It - The Silence of the Lambs and Longlegs</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This week on Horror Joy, Jeff and Brian wrestle with the dualities of fear in Jonathan Demme&#39;s <em>The Silence of the Lambs</em> and Osgood Perkins&#39; <em>Longlegs</em>. They dissect the psychological and gender horrors lurking within <em>The Silence of the</em> <em>Lambs</em>, contrasting it with the mythological and satanic elements of <em>Longlegs</em>.</p><p>They examine the tangled webs of desire, identity, and rationalization, revealing:</p><p>·       The transphobia in <em>The Silence of the Lambs</em> and how thoughts on gender have changed</p><p>·       The rich material world of Jonathan Demme’s film</p><p>·       The failed mythology of Longlegs and The connection to the satanic panic in its Devil-Made-Me-Do-It tale</p><p>·       Whether <em>Longlegs</em> lives up to the comparisons to <em>The Silence of the Lambs </em>(it does not)</p><p>So, grab your badge and join us as we follow the cryptic trail of evasive mass murderers. I heard there will be a party at the end. Just avoid the fava beans and chianti and put the lotion in the basket.</p><p><br></p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/G/bo222253331.html" rel="nofollow"><em>Glorious Bodies</em> by Colby Gordon</a></p><p><a href="https://academic.oup.com/fordham-scholarship-online/book/15321?login=false" rel="nofollow">The Matter with Pantheism By Mary-Jane Rubenstein</a></p><p><a href="https://angelicabastien.substack.com/p/longlegs-exemplifies-american-horrors" rel="nofollow">Longlegs Exemplifies American Horror’s Inability to Speak to the Moment By Jade Bastien</a></p><p><a href="https://www.vox.com/culture/22281548/silence-of-the-lambs-cultural-impact-legacy-feminist-transphobia" rel="nofollow">https://www.vox.com/culture/22281548/silence-of-the-lambs-cultural-impact-legacy-feminist-transphobia</a></p><p><a href="https://muse.jhu.edu/article/24348" rel="nofollow">Queer Play: The Cultural Work of Crossdressing in Medieval Drama by Claire Sponsler and Robert Clark</a></p><p><a href="https://www.horrorhomeroom.com/oz-perkins-longlegs-as-folk-horror/" rel="nofollow">Oz Perkins’ Longlegs as Folk Horror</a> by <a href="https://www.horrorhomeroom.com/category/dawn-keetley/" rel="nofollow">Dawn Keetley</a></p><p><a href="https://searchworks.stanford.edu/view/11931501" rel="nofollow">Filleting Gender and Sexuality in The Silence of the Lambs by Christina H. Hodel</a></p><p><br></p><p>07:26 Gender Dynamics and Transphobia in &#39;The Silence of the Lambs&#39;</p><p>27:18 Psychological Horror and Class Elements</p><p>32:12 Transition to &#39;Long Legs&#39;</p><p>34:45 Critique of &#39;Long Legs&#39;</p><p>37:31 Analyzing Gender Performance in Longlegs</p><p>38:11 Critique of the Mythology in Longlegs</p><p>39:51 Comparing Longlegs to Other Horror Films</p><p>41:09 The Role of Nostalgia and Mythology</p><p>42:27 Exploring the Folk Horror Elements</p><p>47:46 Pan and the Satanic Panic</p><p>52:22 Final Thoughts and Joy in Horror</p><p>01:06:03 Conclusion and Listener Engagement</p>]]></description>
                <content:encoded>&lt;p&gt;This week on Horror Joy, Jeff and Brian wrestle with the dualities of fear in Jonathan Demme&amp;#39;s &lt;em&gt;The Silence of the Lambs&lt;/em&gt; and Osgood Perkins&amp;#39; &lt;em&gt;Longlegs&lt;/em&gt;. They dissect the psychological and gender horrors lurking within &lt;em&gt;The Silence of the&lt;/em&gt; &lt;em&gt;Lambs&lt;/em&gt;, contrasting it with the mythological and satanic elements of &lt;em&gt;Longlegs&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;They examine the tangled webs of desire, identity, and rationalization, revealing:&lt;/p&gt;&lt;p&gt;·       The transphobia in &lt;em&gt;The Silence of the Lambs&lt;/em&gt; and how thoughts on gender have changed&lt;/p&gt;&lt;p&gt;·       The rich material world of Jonathan Demme’s film&lt;/p&gt;&lt;p&gt;·       The failed mythology of Longlegs and The connection to the satanic panic in its Devil-Made-Me-Do-It tale&lt;/p&gt;&lt;p&gt;·       Whether &lt;em&gt;Longlegs&lt;/em&gt; lives up to the comparisons to &lt;em&gt;The Silence of the Lambs &lt;/em&gt;(it does not)&lt;/p&gt;&lt;p&gt;So, grab your badge and join us as we follow the cryptic trail of evasive mass murderers. I heard there will be a party at the end. Just avoid the fava beans and chianti and put the lotion in the basket.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://press.uchicago.edu/ucp/books/book/chicago/G/bo222253331.html&#34; rel=&#34;nofollow&#34;&gt;&lt;em&gt;Glorious Bodies&lt;/em&gt; by Colby Gordon&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://academic.oup.com/fordham-scholarship-online/book/15321?login=false&#34; rel=&#34;nofollow&#34;&gt;The Matter with Pantheism By Mary-Jane Rubenstein&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://angelicabastien.substack.com/p/longlegs-exemplifies-american-horrors&#34; rel=&#34;nofollow&#34;&gt;Longlegs Exemplifies American Horror’s Inability to Speak to the Moment By Jade Bastien&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.vox.com/culture/22281548/silence-of-the-lambs-cultural-impact-legacy-feminist-transphobia&#34; rel=&#34;nofollow&#34;&gt;https://www.vox.com/culture/22281548/silence-of-the-lambs-cultural-impact-legacy-feminist-transphobia&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://muse.jhu.edu/article/24348&#34; rel=&#34;nofollow&#34;&gt;Queer Play: The Cultural Work of Crossdressing in Medieval Drama by Claire Sponsler and Robert Clark&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.horrorhomeroom.com/oz-perkins-longlegs-as-folk-horror/&#34; rel=&#34;nofollow&#34;&gt;Oz Perkins’ Longlegs as Folk Horror&lt;/a&gt; by &lt;a href=&#34;https://www.horrorhomeroom.com/category/dawn-keetley/&#34; rel=&#34;nofollow&#34;&gt;Dawn Keetley&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://searchworks.stanford.edu/view/11931501&#34; rel=&#34;nofollow&#34;&gt;Filleting Gender and Sexuality in The Silence of the Lambs by Christina H. Hodel&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;07:26 Gender Dynamics and Transphobia in &amp;#39;The Silence of the Lambs&amp;#39;&lt;/p&gt;&lt;p&gt;27:18 Psychological Horror and Class Elements&lt;/p&gt;&lt;p&gt;32:12 Transition to &amp;#39;Long Legs&amp;#39;&lt;/p&gt;&lt;p&gt;34:45 Critique of &amp;#39;Long Legs&amp;#39;&lt;/p&gt;&lt;p&gt;37:31 Analyzing Gender Performance in Longlegs&lt;/p&gt;&lt;p&gt;38:11 Critique of the Mythology in Longlegs&lt;/p&gt;&lt;p&gt;39:51 Comparing Longlegs to Other Horror Films&lt;/p&gt;&lt;p&gt;41:09 The Role of Nostalgia and Mythology&lt;/p&gt;&lt;p&gt;42:27 Exploring the Folk Horror Elements&lt;/p&gt;&lt;p&gt;47:46 Pan and the Satanic Panic&lt;/p&gt;&lt;p&gt;52:22 Final Thoughts and Joy in Horror&lt;/p&gt;&lt;p&gt;01:06:03 Conclusion and Listener Engagement&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 10 Mar 2025 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3998</itunes:duration>
                
                
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                <itunes:title>Body Horror in The Substance and Olga Tokarczuk&#39;s The Empusium</itunes:title>
                <title>Body Horror in The Substance and Olga Tokarczuk&#39;s The Empusium</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This week on Horror Joy, Jeff and Brian delve into the unsettling world of body horror, examining how it reflects societal pressures and personal anxieties. They dissect Coralie Fargeat&#39;s 2024 film, <em>The Substance</em>, starring Demi Moore, a biting critique of female beauty standards and the male gaze. They also explore Nobel Prize winner Olga Tokarczuk&#39;s novel, <em>The Empusium</em>, a health resort horror story exposing the misogynistic views of the early 20th century and the body dysmorphia of its protagonist.</p><p>We discuss:</p><p>·The destructive nature of beauty standards on female bodies</p><p>·The predatory male gaze</p><p>·The horror of tuberculosis and terrible health politics in the United States</p><p>·The importance of catching our breath in troubling times</p><p>·The self-othering of gender dysmorphia</p><p>So, grab your favorite scalpel and join us for a more than skin deep conversation about aging bodies, failing lungs, and ephemeral mountain beings. Remember to keep breathing and try not to get chewed up along the way.</p><p>00:00 Introduction to Body Horror</p><p>01:31 Exploring &#39;The Substance&#39;</p><p>04:52 Themes of Female Beauty and Aging</p><p>10:34 Critique of the Male Gaze</p><p>17:19 Cultural Commentary and Societal Critique</p><p>32:29 Transition to &#39;The Empusium&#39;</p><p>33:51 Exploring Misogyny and Body Horror in the Novel</p><p>35:43 Voynich&#39;s Body Dysmorphia and Other Characters</p><p>42:08 The Role of Breath and Tuberculosis in the Story</p><p>45:00 Intersex Bodies and Historical Context</p><p>51:42 Philosophical Conversations and Gender Essentialism</p><p>01:00:28 Final Thoughts and Finding Joy in Art</p>]]></description>
                <content:encoded>&lt;p&gt;This week on Horror Joy, Jeff and Brian delve into the unsettling world of body horror, examining how it reflects societal pressures and personal anxieties. They dissect Coralie Fargeat&amp;#39;s 2024 film, &lt;em&gt;The Substance&lt;/em&gt;, starring Demi Moore, a biting critique of female beauty standards and the male gaze. They also explore Nobel Prize winner Olga Tokarczuk&amp;#39;s novel, &lt;em&gt;The Empusium&lt;/em&gt;, a health resort horror story exposing the misogynistic views of the early 20th century and the body dysmorphia of its protagonist.&lt;/p&gt;&lt;p&gt;We discuss:&lt;/p&gt;&lt;p&gt;·The destructive nature of beauty standards on female bodies&lt;/p&gt;&lt;p&gt;·The predatory male gaze&lt;/p&gt;&lt;p&gt;·The horror of tuberculosis and terrible health politics in the United States&lt;/p&gt;&lt;p&gt;·The importance of catching our breath in troubling times&lt;/p&gt;&lt;p&gt;·The self-othering of gender dysmorphia&lt;/p&gt;&lt;p&gt;So, grab your favorite scalpel and join us for a more than skin deep conversation about aging bodies, failing lungs, and ephemeral mountain beings. Remember to keep breathing and try not to get chewed up along the way.&lt;/p&gt;&lt;p&gt;00:00 Introduction to Body Horror&lt;/p&gt;&lt;p&gt;01:31 Exploring &amp;#39;The Substance&amp;#39;&lt;/p&gt;&lt;p&gt;04:52 Themes of Female Beauty and Aging&lt;/p&gt;&lt;p&gt;10:34 Critique of the Male Gaze&lt;/p&gt;&lt;p&gt;17:19 Cultural Commentary and Societal Critique&lt;/p&gt;&lt;p&gt;32:29 Transition to &amp;#39;The Empusium&amp;#39;&lt;/p&gt;&lt;p&gt;33:51 Exploring Misogyny and Body Horror in the Novel&lt;/p&gt;&lt;p&gt;35:43 Voynich&amp;#39;s Body Dysmorphia and Other Characters&lt;/p&gt;&lt;p&gt;42:08 The Role of Breath and Tuberculosis in the Story&lt;/p&gt;&lt;p&gt;45:00 Intersex Bodies and Historical Context&lt;/p&gt;&lt;p&gt;51:42 Philosophical Conversations and Gender Essentialism&lt;/p&gt;&lt;p&gt;01:00:28 Final Thoughts and Finding Joy in Art&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 24 Feb 2025 08:00:00 &#43;0000</pubDate>
                <itunes:duration>4099</itunes:duration>
                
                
                <itunes:explicit>no</itunes:explicit>
                
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                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Severance, Liminality, and Analog Horror (Mandela Catalog/The Backrooms)</itunes:title>
                <title>Severance, Liminality, and Analog Horror (Mandela Catalog/The Backrooms)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This week on Horror Joy, Brian and Jeff traverse the eerie corridors of liminality in horror. They kick off with a deep dive into the Apple TV series Severance, exploring how its portrayal of work-life separation raises existential and psychological questions. Is it a thriller, or horror? Moving forward, they venture into the unsettling realm of analog horror, with a focus on YouTube creators like Kane Pixels and Alex Kister.</p><p>Join us as we travel deeper in the backrooms of liminal horror and the analog threat:</p><p>·We’ll discuss how liminality works in Gothic literature</p><p>·We’ll analyze what Severance tells us about the value of labor and the role that religious language plays in the trust/fear/disgust of corporate overlords</p><p>·We’ll question how authenticity is found in the gritty videos of analog horror and the terror of a found footage retelling of Biblical stories</p><p>·We’ll find joy in the mystery box of Severance and the labor of love of analog horror</p><p>From grainy VHS aesthetics to biblical retellings, they examine how these themes distort reality and evoke a primal fear of the unknown. Join them in exploring the blurred lines of identity, the nature of labor, and the unsettling nostalgia of analog media.</p><p><a href="https://www.imdb.com/title/tt11280740/" rel="nofollow">Severance</a></p><p><a href="https://www.ucpress.edu/books/killer-tapes-and-shattered-screens/paper" rel="nofollow">Killer tapes and Shattered Screens by Caetlin Benson-Allot</a></p><p><a href="https://www.youtube.com/watch?v=H4dGpz6cnHo" rel="nofollow">The Backrooms</a></p><p><a href="https://www.youtube.com/watch?v=C8d12w6pMos" rel="nofollow">The Mandela Catalog</a></p><p><a href="https://www.researchgate.net/profile/Mariyam-Farzand/publication/385275745_Exploring_Liminal_Spaces_in_Gothic_Literature_The_Role_of_Transition_and_Boundary_in_Frankenstein_Dracula_and_the_Works_of_Edgar_Allan_Poe/links/671d3275acba566ad501e555/Exploring-Liminal-Spaces-in-Gothic-Literature-The-Role-of-Transition-and-Boundary-in-Frankenstein-Dracula-and-the-Works-of-Edgar-Allan-Poe.pdf?_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InB1YmxpY2F0aW9uIiwicGFnZSI6InB1YmxpY2F0aW9uRG93bmxvYWQiLCJwcmV2aW91c1BhZ2UiOiJwdWJsaWNhdGlvbiJ9fQ&origin=publication_detail" rel="nofollow">Exploring Liminal Spaces in Gothic Literature: The Role of Transition and</a></p><p><a href="https://www.researchgate.net/profile/Mariyam-Farzand/publication/385275745_Exploring_Liminal_Spaces_in_Gothic_Literature_The_Role_of_Transition_and_Boundary_in_Frankenstein_Dracula_and_the_Works_of_Edgar_Allan_Poe/links/671d3275acba566ad501e555/Exploring-Liminal-Spaces-in-Gothic-Literature-The-Role-of-Transition-and-Boundary-in-Frankenstein-Dracula-and-the-Works-of-Edgar-Allan-Poe.pdf?_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InB1YmxpY2F0aW9uIiwicGFnZSI6InB1YmxpY2F0aW9uRG93bmxvYWQiLCJwcmV2aW91c1BhZ2UiOiJwdWJsaWNhdGlvbiJ9fQ&origin=publication_detail" rel="nofollow">Boundary in Frankenstein, Dracula, and the Works of Edgar Allan Poe by Mariyam Farzand</a></p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo13412954.html" rel="nofollow">Arts of Wonder by Jeffrey L. Kosky</a></p><p><a href="https://collider.com/what-is-analog-horror-explained/" rel="nofollow"> “What Is Analog Horror? The Subgenre of &#39;Skinamarink&#39; Explained.” By Samuel Williamson. <em>Collider</em>. 7 Feb. 2023</a></p><p><a href="https://www.routledge.com/The-Ritual-Process-Structure-and-Anti-Structure/Turner-Abrahams-Harris/p/book/9780202011905?srsltid=AfmBOoo_Xu8_O6KaUNLtqFhHOvKWAZUSM7oRSgK3lWo_sB2SNbwON071" rel="nofollow">The Ritual Process by Victor Turner</a></p><p><a href="https://en.wikipedia.org/wiki/Walter_Benjamin" rel="nofollow">Walter Benjamin</a></p><p><a href="https://en.wikipedia.org/wiki/Marx%27s_theory_of_alienation" rel="nofollow">Alienation in labor</a></p><p><a href="https://en.wikipedia.org/wiki/Limbo" rel="nofollow">Limbo</a></p><p> </p><p>00:00-02:18 Hosts Introduction and Episode Overview</p><p>02:19 Deep Dive into Severance</p><p>03:52 Liminality in Gothic Literature</p><p>05:27 Severance: Themes and Analysis</p><p>07:12 The Horror of Modern Workspaces</p><p>16:23 Rituals and Symbolism in Severance</p><p>24:51 Helly R&#39;s Role and Corporate Religion</p><p>27:30 Exploring the Horrors of Severance</p><p>28:40 The Liminality in Severance and Analog Horror</p><p>30:45 Analog Horror: A Dive into the Genre</p><p>35:08 The Mandela Catalog and Biblical Narratives</p><p>37:28 Medieval Drama and Modern Analog Horror</p><p>47:23 Finding Joy in Horror</p><p>52:09 Conclusion and Final Thoughts</p><p> </p><p>               </p>]]></description>
                <content:encoded>&lt;p&gt;This week on Horror Joy, Brian and Jeff traverse the eerie corridors of liminality in horror. They kick off with a deep dive into the Apple TV series Severance, exploring how its portrayal of work-life separation raises existential and psychological questions. Is it a thriller, or horror? Moving forward, they venture into the unsettling realm of analog horror, with a focus on YouTube creators like Kane Pixels and Alex Kister.&lt;/p&gt;&lt;p&gt;Join us as we travel deeper in the backrooms of liminal horror and the analog threat:&lt;/p&gt;&lt;p&gt;·We’ll discuss how liminality works in Gothic literature&lt;/p&gt;&lt;p&gt;·We’ll analyze what Severance tells us about the value of labor and the role that religious language plays in the trust/fear/disgust of corporate overlords&lt;/p&gt;&lt;p&gt;·We’ll question how authenticity is found in the gritty videos of analog horror and the terror of a found footage retelling of Biblical stories&lt;/p&gt;&lt;p&gt;·We’ll find joy in the mystery box of Severance and the labor of love of analog horror&lt;/p&gt;&lt;p&gt;From grainy VHS aesthetics to biblical retellings, they examine how these themes distort reality and evoke a primal fear of the unknown. Join them in exploring the blurred lines of identity, the nature of labor, and the unsettling nostalgia of analog media.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt11280740/&#34; rel=&#34;nofollow&#34;&gt;Severance&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.ucpress.edu/books/killer-tapes-and-shattered-screens/paper&#34; rel=&#34;nofollow&#34;&gt;Killer tapes and Shattered Screens by Caetlin Benson-Allot&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=H4dGpz6cnHo&#34; rel=&#34;nofollow&#34;&gt;The Backrooms&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=C8d12w6pMos&#34; rel=&#34;nofollow&#34;&gt;The Mandela Catalog&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.researchgate.net/profile/Mariyam-Farzand/publication/385275745_Exploring_Liminal_Spaces_in_Gothic_Literature_The_Role_of_Transition_and_Boundary_in_Frankenstein_Dracula_and_the_Works_of_Edgar_Allan_Poe/links/671d3275acba566ad501e555/Exploring-Liminal-Spaces-in-Gothic-Literature-The-Role-of-Transition-and-Boundary-in-Frankenstein-Dracula-and-the-Works-of-Edgar-Allan-Poe.pdf?_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InB1YmxpY2F0aW9uIiwicGFnZSI6InB1YmxpY2F0aW9uRG93bmxvYWQiLCJwcmV2aW91c1BhZ2UiOiJwdWJsaWNhdGlvbiJ9fQ&amp;origin=publication_detail&#34; rel=&#34;nofollow&#34;&gt;Exploring Liminal Spaces in Gothic Literature: The Role of Transition and&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.researchgate.net/profile/Mariyam-Farzand/publication/385275745_Exploring_Liminal_Spaces_in_Gothic_Literature_The_Role_of_Transition_and_Boundary_in_Frankenstein_Dracula_and_the_Works_of_Edgar_Allan_Poe/links/671d3275acba566ad501e555/Exploring-Liminal-Spaces-in-Gothic-Literature-The-Role-of-Transition-and-Boundary-in-Frankenstein-Dracula-and-the-Works-of-Edgar-Allan-Poe.pdf?_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InB1YmxpY2F0aW9uIiwicGFnZSI6InB1YmxpY2F0aW9uRG93bmxvYWQiLCJwcmV2aW91c1BhZ2UiOiJwdWJsaWNhdGlvbiJ9fQ&amp;origin=publication_detail&#34; rel=&#34;nofollow&#34;&gt;Boundary in Frankenstein, Dracula, and the Works of Edgar Allan Poe by Mariyam Farzand&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://press.uchicago.edu/ucp/books/book/chicago/A/bo13412954.html&#34; rel=&#34;nofollow&#34;&gt;Arts of Wonder by Jeffrey L. Kosky&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://collider.com/what-is-analog-horror-explained/&#34; rel=&#34;nofollow&#34;&gt; “What Is Analog Horror? The Subgenre of &amp;#39;Skinamarink&amp;#39; Explained.” By Samuel Williamson. &lt;em&gt;Collider&lt;/em&gt;. 7 Feb. 2023&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.routledge.com/The-Ritual-Process-Structure-and-Anti-Structure/Turner-Abrahams-Harris/p/book/9780202011905?srsltid=AfmBOoo_Xu8_O6KaUNLtqFhHOvKWAZUSM7oRSgK3lWo_sB2SNbwON071&#34; rel=&#34;nofollow&#34;&gt;The Ritual Process by Victor Turner&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Walter_Benjamin&#34; rel=&#34;nofollow&#34;&gt;Walter Benjamin&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Marx%27s_theory_of_alienation&#34; rel=&#34;nofollow&#34;&gt;Alienation in labor&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Limbo&#34; rel=&#34;nofollow&#34;&gt;Limbo&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;00:00-02:18 Hosts Introduction and Episode Overview&lt;/p&gt;&lt;p&gt;02:19 Deep Dive into Severance&lt;/p&gt;&lt;p&gt;03:52 Liminality in Gothic Literature&lt;/p&gt;&lt;p&gt;05:27 Severance: Themes and Analysis&lt;/p&gt;&lt;p&gt;07:12 The Horror of Modern Workspaces&lt;/p&gt;&lt;p&gt;16:23 Rituals and Symbolism in Severance&lt;/p&gt;&lt;p&gt;24:51 Helly R&amp;#39;s Role and Corporate Religion&lt;/p&gt;&lt;p&gt;27:30 Exploring the Horrors of Severance&lt;/p&gt;&lt;p&gt;28:40 The Liminality in Severance and Analog Horror&lt;/p&gt;&lt;p&gt;30:45 Analog Horror: A Dive into the Genre&lt;/p&gt;&lt;p&gt;35:08 The Mandela Catalog and Biblical Narratives&lt;/p&gt;&lt;p&gt;37:28 Medieval Drama and Modern Analog Horror&lt;/p&gt;&lt;p&gt;47:23 Finding Joy in Horror&lt;/p&gt;&lt;p&gt;52:09 Conclusion and Final Thoughts&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;               &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 10 Feb 2025 08:00:00 &#43;0000</pubDate>
                <itunes:duration>3207</itunes:duration>
                
                
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                <itunes:title>The Monstrous Image – Horror in Graphic Novels (Something is Killing the Children and Universal’s Frankenstein)</itunes:title>
                <title>The Monstrous Image – Horror in Graphic Novels (Something is Killing the Children and Universal’s Frankenstein)</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>The Monstrous Image – Horror in Graphic Novels (Something is Killing the Children and Universal’s Frankenstein)</p><p> </p><p>In this episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff explore the portrayal of monsters in the realm of comics and graphic novels. They dive into the complex narratives, dissecting the horror genre as seen in James Tynion IV&#39;s &#39;Something is Killing the Children&#39; and Michael Walsh&#39;s &#39;Universal Monsters: Frankenstein&#39;.</p><p>In this episode we:</p><p>·        Revisit the gothic elements of Robert Eggers&#39; 2024 film Nosferatu, pointing out the underlying themes of predation and power</p><p>·        Identify major themes of childhood, power, and authority in “Something is Killing the Children” and “Frankenstein”</p><p>·        Discuss how these stories reflect societal fears, the current political landscape, and the power dynamics in contemporary America</p><p>·        Share the joy they find in these graphic narratives, highlighting the importance of art and imagination in provoking thought and emotional engagement</p><p> </p><p> </p><p> </p><p>00:00 Introduction to Monsters in Comics</p><p>01:01 Exploring &#39;Something is Killing the Children&#39;</p><p>01:28 Universal Monsters: Frankenstein&#39;s Perspective</p><p>02:17 Welcome to Horror Joy</p><p>02:48 Nosferatu and the Gothic Elements</p><p>08:47 Frankenstein: The Gothic and Modern Anxieties</p><p>20:42 Frankenstein&#39;s Creation and Ecological Allegories</p><p>26:40 Upcoming Release: The EcoWeird</p><p>26:44 Diving into &#39;Something is Killing the Children&#39;</p><p>27:21 Why This Comic Stands Out</p><p>29:04 Teaching the Comic: Student Reactions</p><p>31:31 Plot and Themes of &#39;Something is Killing the Children&#39;</p><p>37:33 Comparisons and Cultural Reflections</p><p>39:19 The Real Horror: Societal Issues</p><p>47:42 Finding Joy in Graphic Novels</p><p>52:31 Conclusion and Final Thoughts</p>]]></description>
                <content:encoded>&lt;p&gt;The Monstrous Image – Horror in Graphic Novels (Something is Killing the Children and Universal’s Frankenstein)&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;In this episode of Horror Joy, hosts Brian Onishi and Jeff Stoyanoff explore the portrayal of monsters in the realm of comics and graphic novels. They dive into the complex narratives, dissecting the horror genre as seen in James Tynion IV&amp;#39;s &amp;#39;Something is Killing the Children&amp;#39; and Michael Walsh&amp;#39;s &amp;#39;Universal Monsters: Frankenstein&amp;#39;.&lt;/p&gt;&lt;p&gt;In this episode we:&lt;/p&gt;&lt;p&gt;·        Revisit the gothic elements of Robert Eggers&amp;#39; 2024 film Nosferatu, pointing out the underlying themes of predation and power&lt;/p&gt;&lt;p&gt;·        Identify major themes of childhood, power, and authority in “Something is Killing the Children” and “Frankenstein”&lt;/p&gt;&lt;p&gt;·        Discuss how these stories reflect societal fears, the current political landscape, and the power dynamics in contemporary America&lt;/p&gt;&lt;p&gt;·        Share the joy they find in these graphic narratives, highlighting the importance of art and imagination in provoking thought and emotional engagement&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;00:00 Introduction to Monsters in Comics&lt;/p&gt;&lt;p&gt;01:01 Exploring &amp;#39;Something is Killing the Children&amp;#39;&lt;/p&gt;&lt;p&gt;01:28 Universal Monsters: Frankenstein&amp;#39;s Perspective&lt;/p&gt;&lt;p&gt;02:17 Welcome to Horror Joy&lt;/p&gt;&lt;p&gt;02:48 Nosferatu and the Gothic Elements&lt;/p&gt;&lt;p&gt;08:47 Frankenstein: The Gothic and Modern Anxieties&lt;/p&gt;&lt;p&gt;20:42 Frankenstein&amp;#39;s Creation and Ecological Allegories&lt;/p&gt;&lt;p&gt;26:40 Upcoming Release: The EcoWeird&lt;/p&gt;&lt;p&gt;26:44 Diving into &amp;#39;Something is Killing the Children&amp;#39;&lt;/p&gt;&lt;p&gt;27:21 Why This Comic Stands Out&lt;/p&gt;&lt;p&gt;29:04 Teaching the Comic: Student Reactions&lt;/p&gt;&lt;p&gt;31:31 Plot and Themes of &amp;#39;Something is Killing the Children&amp;#39;&lt;/p&gt;&lt;p&gt;37:33 Comparisons and Cultural Reflections&lt;/p&gt;&lt;p&gt;39:19 The Real Horror: Societal Issues&lt;/p&gt;&lt;p&gt;47:42 Finding Joy in Graphic Novels&lt;/p&gt;&lt;p&gt;52:31 Conclusion and Final Thoughts&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 27 Jan 2025 08:00:00 &#43;0000</pubDate>
                <itunes:duration>3211</itunes:duration>
                
                
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                <itunes:title>Nosferatu and &#34;First Word on Horror&#34; with Philip Gelatt</itunes:title>
                <title>Nosferatu and &#34;First Word on Horror&#34; with Philip Gelatt</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>2024 was a banner year for horror! From the chilling <em>Immaculate</em> to the unsettling <em>Horror Movie</em> and the glorious mustache of <em>Nosferatu</em>, we were truly spoiled. But now, it&#39;s time to turn a new page.</p><p>This year brings fresh beginnings, new anxieties, and a renewed opportunity for horror to help us navigate the complexities of our world.</p><p>To kick off 2025, Jeff and Brian welcome horror author and creator, Philip Gelatt, to the show. We&#39;ll discuss his fascinating new series, <em>First Word on Horror</em>, which offers a unique glimpse into the minds of horror creators.</p><p>Then, we&#39;ll delve into Robert Eggers&#39; <em>Nosferatu</em>, exploring its racial and sexual politics, the philosophical implications of sunlight, and how it compares to classic vampire tales like <em>Dracula</em>, <em>Salem&#39;s Lot</em>, and <em>Midnight Mass</em>.</p><p>Did Eggers successfully translate the essence of <em>Nosferatu</em> for a modern audience? Or did he succumb to the Count&#39;s hypnotic allure?</p><p>Join us as we embark on a chilling journey into the heart of darkness. Bring your sharpest stakes and try not to succumb to the allure of the unknown.</p><p>00:00 Introduction and Guest Welcome</p><p>00:15 Phil Gelatt&#39;s Career Highlights</p><p>01:15 Discussing &#39;First Word on Horror&#39;</p><p>01:31 Joy and Horror: A Complex Relationship</p><p>03:38 Stephen Graham Jones&#39; Story and &#39;First Word on Horror&#39; Details</p><p>05:13 The Making of &#39;First Word on Horror&#39;</p><p>08:10 Horror Genre&#39;s Reputation and Rehabilitation</p><p>14:08 Analyzing Robert Eggers&#39; Nosferatu</p><p>25:23 Ellen&#39;s Symbolic Sacrifice</p><p>26:38 A Loveless Film: Exploring Orlok and Ellen&#39;s Fate</p><p>27:42 Missed Opportunities and Visual Delights</p><p>28:47 Atmosphere and Visuals: The Film&#39;s Strengths</p><p>32:16 Plato and the Sun: Philosophical Insights</p><p>37:27 Final Thoughts and Joy in Horror</p><p><a href="https://etchstudio.substack.com/p/first-word-on-horror" rel="nofollow">First Word on Horror</a></p><p><a href="https://store.steampowered.com/app/2716400/The_Rise_of_the_Golden_Idol/" rel="nofollow">Rise of the Golden Idol (video game)</a></p><p><a href="https://en.wikipedia.org/wiki/Bram_Stoker%27s_Dracula_(1992_film)" rel="nofollow">Bram Stoker’s Dracula directed by Francis Ford Coppola</a></p><p><a href="https://en.wikipedia.org/wiki/Dracula:_Dead_and_Loving_It" rel="nofollow">Dracula: Dead and Loving it directed by directed by Mel Brooks</a></p><p><a href="https://en.wikipedia.org/wiki/Thomas_Ligotti" rel="nofollow">Thomas Ligotti</a></p><p><a href="https://en.wikipedia.org/wiki/Stephen_Graham_Jones" rel="nofollow">Stephen Graham Jones</a></p><p><a href="https://en.wikipedia.org/wiki/Laird_Barron" rel="nofollow">Laird Barron</a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;2024 was a banner year for horror! From the chilling &lt;em&gt;Immaculate&lt;/em&gt; to the unsettling &lt;em&gt;Horror Movie&lt;/em&gt; and the glorious mustache of &lt;em&gt;Nosferatu&lt;/em&gt;, we were truly spoiled. But now, it&amp;#39;s time to turn a new page.&lt;/p&gt;&lt;p&gt;This year brings fresh beginnings, new anxieties, and a renewed opportunity for horror to help us navigate the complexities of our world.&lt;/p&gt;&lt;p&gt;To kick off 2025, Jeff and Brian welcome horror author and creator, Philip Gelatt, to the show. We&amp;#39;ll discuss his fascinating new series, &lt;em&gt;First Word on Horror&lt;/em&gt;, which offers a unique glimpse into the minds of horror creators.&lt;/p&gt;&lt;p&gt;Then, we&amp;#39;ll delve into Robert Eggers&amp;#39; &lt;em&gt;Nosferatu&lt;/em&gt;, exploring its racial and sexual politics, the philosophical implications of sunlight, and how it compares to classic vampire tales like &lt;em&gt;Dracula&lt;/em&gt;, &lt;em&gt;Salem&amp;#39;s Lot&lt;/em&gt;, and &lt;em&gt;Midnight Mass&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Did Eggers successfully translate the essence of &lt;em&gt;Nosferatu&lt;/em&gt; for a modern audience? Or did he succumb to the Count&amp;#39;s hypnotic allure?&lt;/p&gt;&lt;p&gt;Join us as we embark on a chilling journey into the heart of darkness. Bring your sharpest stakes and try not to succumb to the allure of the unknown.&lt;/p&gt;&lt;p&gt;00:00 Introduction and Guest Welcome&lt;/p&gt;&lt;p&gt;00:15 Phil Gelatt&amp;#39;s Career Highlights&lt;/p&gt;&lt;p&gt;01:15 Discussing &amp;#39;First Word on Horror&amp;#39;&lt;/p&gt;&lt;p&gt;01:31 Joy and Horror: A Complex Relationship&lt;/p&gt;&lt;p&gt;03:38 Stephen Graham Jones&amp;#39; Story and &amp;#39;First Word on Horror&amp;#39; Details&lt;/p&gt;&lt;p&gt;05:13 The Making of &amp;#39;First Word on Horror&amp;#39;&lt;/p&gt;&lt;p&gt;08:10 Horror Genre&amp;#39;s Reputation and Rehabilitation&lt;/p&gt;&lt;p&gt;14:08 Analyzing Robert Eggers&amp;#39; Nosferatu&lt;/p&gt;&lt;p&gt;25:23 Ellen&amp;#39;s Symbolic Sacrifice&lt;/p&gt;&lt;p&gt;26:38 A Loveless Film: Exploring Orlok and Ellen&amp;#39;s Fate&lt;/p&gt;&lt;p&gt;27:42 Missed Opportunities and Visual Delights&lt;/p&gt;&lt;p&gt;28:47 Atmosphere and Visuals: The Film&amp;#39;s Strengths&lt;/p&gt;&lt;p&gt;32:16 Plato and the Sun: Philosophical Insights&lt;/p&gt;&lt;p&gt;37:27 Final Thoughts and Joy in Horror&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://etchstudio.substack.com/p/first-word-on-horror&#34; rel=&#34;nofollow&#34;&gt;First Word on Horror&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://store.steampowered.com/app/2716400/The_Rise_of_the_Golden_Idol/&#34; rel=&#34;nofollow&#34;&gt;Rise of the Golden Idol (video game)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Bram_Stoker%27s_Dracula_(1992_film)&#34; rel=&#34;nofollow&#34;&gt;Bram Stoker’s Dracula directed by Francis Ford Coppola&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dracula:_Dead_and_Loving_It&#34; rel=&#34;nofollow&#34;&gt;Dracula: Dead and Loving it directed by directed by Mel Brooks&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Thomas_Ligotti&#34; rel=&#34;nofollow&#34;&gt;Thomas Ligotti&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Stephen_Graham_Jones&#34; rel=&#34;nofollow&#34;&gt;Stephen Graham Jones&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Laird_Barron&#34; rel=&#34;nofollow&#34;&gt;Laird Barron&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 13 Jan 2025 08:00:00 &#43;0000</pubDate>
                <itunes:duration>2937</itunes:duration>
                
                
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                <itunes:title>A Horror Joy Christmas - Black Christmas and The Kit-Bag by Algernon Blackwood</itunes:title>
                <title>A Horror Joy Christmas - Black Christmas and The Kit-Bag by Algernon Blackwood</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In the weeks leading up to Christmas, we are caught in a mood of anticipation. We anticipate visits from family, a festive meal, and presents to be opened. We also look forward to the celebration of the incarnation of a god in human flesh, whose death brings about one of the greatest ghost stories ever told. Rephrased, the story of Christmas is already a kind of horror narrative.</p><p>Join us for a chilling exploration of the darker side of Christmas. In this episode of Horror Joy, we&#39;ll delve into the unsettling underbelly of holiday cheer.</p><p>We&#39;ll discuss:</p><ul><li><strong>Algernon Blackwood&#39;s &#34;The Kit-Bag&#34;:</strong> A disturbing tale of anticipation and dread.</li><li><strong>Black Christmas:</strong> This iconic slasher film reimagines the holiday season as a time of terror.</li><li><strong>The Horror of Consumerism:</strong> How the holiday season can become a source of stress and anxiety.</li><li><strong>Loneliness at the Holidays:</strong> How the holiday season increases the chances for loneliness, and how the slasher magnifies this loneliness.</li></ul><p>So, grab your eggnog and prepare for a frighteningly festive journey. Remember, even Santa Claus has a dark side.</p><p> </p><p><a href="https://en.wikipedia.org/wiki/Second-wave_feminism" rel="nofollow">Second wave feminism</a></p><p><a href="https://en.wikipedia.org/wiki/Powers_of_Horror" rel="nofollow">Julia Kristeva Abject</a></p><p><a href="https://www.imdb.com/title/tt4972582/" rel="nofollow">Split directed by M. Night Shyamalan</a></p><p><a href="https://www.michaelcisco.com/" rel="nofollow">Michael Cisco</a></p><p><a href="https://acta.sapientia.ro/content/docs/body-telephone-voice-black-christmas-197.pdf" rel="nofollow">Body, Telephone, Voice: <em>Black Christmas </em>(1974) and Monstrous Cinema by Morten Feldtfos Thompsen</a></p><p><a href="https://interface.cs.princeton.edu/archive/2021-09-13_Philosophy-of-Surveillance-Foucault-Panopticon.pdf" rel="nofollow">Foucault and surveillance</a></p><p><a href="https://www.imdb.com/title/tt0054215/" rel="nofollow">Psycho directed by Hitchcock</a></p><p><a href="https://www.imdb.com/title/tt0063522/" rel="nofollow">Rosemary’s Baby (1968) Directed by Roman Polanski</a></p><p><a href="https://www.imdb.com/title/tt14849194/?ref_=fn_all_ttl_1" rel="nofollow">The Holdovers directed by Alexander Payne</a></p><p><a href="https://www.amazon.com/Call-Eco-Weird-Fiction-Film-Games/dp/3031771257" rel="nofollow">The Call of the Eco-Weird in Fiction, Film, and Games edited by Brian Hisao Onishi and Nathan M. Bell</a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;In the weeks leading up to Christmas, we are caught in a mood of anticipation. We anticipate visits from family, a festive meal, and presents to be opened. We also look forward to the celebration of the incarnation of a god in human flesh, whose death brings about one of the greatest ghost stories ever told. Rephrased, the story of Christmas is already a kind of horror narrative.&lt;/p&gt;&lt;p&gt;Join us for a chilling exploration of the darker side of Christmas. In this episode of Horror Joy, we&amp;#39;ll delve into the unsettling underbelly of holiday cheer.&lt;/p&gt;&lt;p&gt;We&amp;#39;ll discuss:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Algernon Blackwood&amp;#39;s &amp;#34;The Kit-Bag&amp;#34;:&lt;/strong&gt; A disturbing tale of anticipation and dread.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Black Christmas:&lt;/strong&gt; This iconic slasher film reimagines the holiday season as a time of terror.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Horror of Consumerism:&lt;/strong&gt; How the holiday season can become a source of stress and anxiety.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Loneliness at the Holidays:&lt;/strong&gt; How the holiday season increases the chances for loneliness, and how the slasher magnifies this loneliness.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;So, grab your eggnog and prepare for a frighteningly festive journey. Remember, even Santa Claus has a dark side.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Second-wave_feminism&#34; rel=&#34;nofollow&#34;&gt;Second wave feminism&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Powers_of_Horror&#34; rel=&#34;nofollow&#34;&gt;Julia Kristeva Abject&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt4972582/&#34; rel=&#34;nofollow&#34;&gt;Split directed by M. Night Shyamalan&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.michaelcisco.com/&#34; rel=&#34;nofollow&#34;&gt;Michael Cisco&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://acta.sapientia.ro/content/docs/body-telephone-voice-black-christmas-197.pdf&#34; rel=&#34;nofollow&#34;&gt;Body, Telephone, Voice: &lt;em&gt;Black Christmas &lt;/em&gt;(1974) and Monstrous Cinema by Morten Feldtfos Thompsen&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://interface.cs.princeton.edu/archive/2021-09-13_Philosophy-of-Surveillance-Foucault-Panopticon.pdf&#34; rel=&#34;nofollow&#34;&gt;Foucault and surveillance&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt0054215/&#34; rel=&#34;nofollow&#34;&gt;Psycho directed by Hitchcock&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt0063522/&#34; rel=&#34;nofollow&#34;&gt;Rosemary’s Baby (1968) Directed by Roman Polanski&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt14849194/?ref_=fn_all_ttl_1&#34; rel=&#34;nofollow&#34;&gt;The Holdovers directed by Alexander Payne&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.amazon.com/Call-Eco-Weird-Fiction-Film-Games/dp/3031771257&#34; rel=&#34;nofollow&#34;&gt;The Call of the Eco-Weird in Fiction, Film, and Games edited by Brian Hisao Onishi and Nathan M. Bell&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 16 Dec 2024 08:00:00 &#43;0000</pubDate>
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                <itunes:title>&#34;The Kit-Bag&#34; by Algernon Blackwood - Read by Brian Onishi</itunes:title>
                <title>&#34;The Kit-Bag&#34; by Algernon Blackwood - Read by Brian Onishi</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>As an anticipation of our episode out on Monday (12/16), Brian reads &#34;The Kit-Bag&#34; by Algernon Blackwood.</p><p>&#34;The Kit-Bag,&#34; originally published in 1908 by Pall Mall Magazine, tells the story of Johnson, a young man preparing to go on a Christmas vacation after helping to successfully defend a particularly gruesome murder case.</p><p>Alone in his apartment, Johnson begins to experience strange noises and visions. Is it his drunk lodger bringing in the mail? Is it another tenant of the building? Or is it a sinister figure invading his home via his borrowed suitcase (the titular kit-bag). Like an perverse telling of Santa Claus, listen to &#34;The Kit-Bag&#34; find out what&#39;s haunting Johnson and whether or not he ever makes it to his promised vacation.</p>]]></description>
                <content:encoded>&lt;p&gt;As an anticipation of our episode out on Monday (12/16), Brian reads &amp;#34;The Kit-Bag&amp;#34; by Algernon Blackwood.&lt;/p&gt;&lt;p&gt;&amp;#34;The Kit-Bag,&amp;#34; originally published in 1908 by Pall Mall Magazine, tells the story of Johnson, a young man preparing to go on a Christmas vacation after helping to successfully defend a particularly gruesome murder case.&lt;/p&gt;&lt;p&gt;Alone in his apartment, Johnson begins to experience strange noises and visions. Is it his drunk lodger bringing in the mail? Is it another tenant of the building? Or is it a sinister figure invading his home via his borrowed suitcase (the titular kit-bag). Like an perverse telling of Santa Claus, listen to &amp;#34;The Kit-Bag&amp;#34; find out what&amp;#39;s haunting Johnson and whether or not he ever makes it to his promised vacation.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 11 Dec 2024 08:00:00 &#43;0000</pubDate>
                <itunes:duration>1685</itunes:duration>
                
                
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                <itunes:title>Vampires - Dracula, Salem&#39;s Lot, and Midnight Mass *** With Special Guest Chris McAuley of the StokerVerse</itunes:title>
                <title>Vampires - Dracula, Salem&#39;s Lot, and Midnight Mass *** With Special Guest Chris McAuley of the StokerVerse</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong><u>Episode Timeline</u></strong></p><p><strong>**2:12-40:42 – StokerVerse and Bram Stoker’s Dracula with Chris McAuley </strong></p><p><strong>**40:42-58:26 – Salem’s Lot </strong></p><p><strong>**58:27-end – Midnight Mass  </strong></p><p>From the gothic castles of Transylvania to the sleepy towns of Maine, vampires have captivated our imaginations for centuries. In this episode of Horror Joy, we&#39;ll explore the evolution of the vampire mythos, from Bram Stoker&#39;s iconic Dracula to modern interpretations like <em>Salem&#39;s Lot</em> and <em>Midnight Mass</em>.</p><p>We&#39;ll discuss:</p><ul><li><strong>The Vampire&#39;s Enduring Appeal:</strong> Why this ancient creature continues to fascinate us.</li><li><strong>Dracula&#39;s Dark Legacy:</strong> The cultural impact of Stoker&#39;s masterpiece and its influence on subsequent vampire stories.</li><li><strong>Small-Town Horror:</strong> How <em>Salem&#39;s Lot</em> reimagines the vampire myth for a suburban American setting.</li><li><strong>Faith, Fear, and the Undead:</strong> The religious undertones of <em>Midnight Mass</em> and its exploration of community and belief.</li></ul><p>Join us as we explore the creaking coffins of vampiric narratives. Make sure to bring along your best silver and your favorite stake. But keep an eye on the horizon, lest we let the sun go down before we’re done.</p><p><a href="https://dark-universes.com/stokerverse" rel="nofollow">StokerVerse</a></p><p><a href="https://en.wikipedia.org/wiki/Jacques_Lacan" rel="nofollow">Jacques Lacan</a></p><p><a href="https://plato.stanford.edu/entries/ethics-virtue/" rel="nofollow">Virtue Ethics</a></p><p><a href="https://www.taylorfrancis.com/chapters/edit/10.4324/9780203104637-18/vampires-technology-racism-brian-onishi" rel="nofollow">Dracula and colonialism</a></p><p><a href="https://en.wikipedia.org/wiki/The_Dark_Tower_(series)" rel="nofollow">The Dark Tower Series </a> </p><p><a href="https://en.wikipedia.org/wiki/It_(novel)" rel="nofollow">It</a></p><p><a href="https://en.wikipedia.org/wiki/Stephen_King" rel="nofollow">Stephen King</a></p><p><a href="https://en.wikipedia.org/wiki/Bram_Stoker" rel="nofollow">Bram Stoker</a></p><p><a href="https://en.wikipedia.org/wiki/Dracula" rel="nofollow">Dracula</a></p><p><a href="https://en.wikipedia.org/wiki/Midnight_Mass_(miniseries)" rel="nofollow">Midnight Mass</a></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;&lt;u&gt;Episode Timeline&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;**2:12-40:42 – StokerVerse and Bram Stoker’s Dracula with Chris McAuley &lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;**40:42-58:26 – Salem’s Lot &lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;**58:27-end – Midnight Mass  &lt;/strong&gt;&lt;/p&gt;&lt;p&gt;From the gothic castles of Transylvania to the sleepy towns of Maine, vampires have captivated our imaginations for centuries. In this episode of Horror Joy, we&amp;#39;ll explore the evolution of the vampire mythos, from Bram Stoker&amp;#39;s iconic Dracula to modern interpretations like &lt;em&gt;Salem&amp;#39;s Lot&lt;/em&gt; and &lt;em&gt;Midnight Mass&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;We&amp;#39;ll discuss:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;The Vampire&amp;#39;s Enduring Appeal:&lt;/strong&gt; Why this ancient creature continues to fascinate us.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Dracula&amp;#39;s Dark Legacy:&lt;/strong&gt; The cultural impact of Stoker&amp;#39;s masterpiece and its influence on subsequent vampire stories.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Small-Town Horror:&lt;/strong&gt; How &lt;em&gt;Salem&amp;#39;s Lot&lt;/em&gt; reimagines the vampire myth for a suburban American setting.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Faith, Fear, and the Undead:&lt;/strong&gt; The religious undertones of &lt;em&gt;Midnight Mass&lt;/em&gt; and its exploration of community and belief.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Join us as we explore the creaking coffins of vampiric narratives. Make sure to bring along your best silver and your favorite stake. But keep an eye on the horizon, lest we let the sun go down before we’re done.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://dark-universes.com/stokerverse&#34; rel=&#34;nofollow&#34;&gt;StokerVerse&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Jacques_Lacan&#34; rel=&#34;nofollow&#34;&gt;Jacques Lacan&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://plato.stanford.edu/entries/ethics-virtue/&#34; rel=&#34;nofollow&#34;&gt;Virtue Ethics&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.taylorfrancis.com/chapters/edit/10.4324/9780203104637-18/vampires-technology-racism-brian-onishi&#34; rel=&#34;nofollow&#34;&gt;Dracula and colonialism&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Dark_Tower_(series)&#34; rel=&#34;nofollow&#34;&gt;The Dark Tower Series &lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/It_(novel)&#34; rel=&#34;nofollow&#34;&gt;It&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Stephen_King&#34; rel=&#34;nofollow&#34;&gt;Stephen King&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Bram_Stoker&#34; rel=&#34;nofollow&#34;&gt;Bram Stoker&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dracula&#34; rel=&#34;nofollow&#34;&gt;Dracula&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Midnight_Mass_(miniseries)&#34; rel=&#34;nofollow&#34;&gt;Midnight Mass&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 02 Dec 2024 08:00:00 &#43;0000</pubDate>
                <itunes:duration>5079</itunes:duration>
                
                
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                <itunes:title>Alien (1979) - An Uncanny Political Fable</itunes:title>
                <title>Alien (1979) - An Uncanny Political Fable</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>In this episode of Horror Joy, we&#39;re venturing into the cold, dark depths of space to explore Ridley Scott&#39;s iconic sci-fi horror masterpiece, <em>Alien</em>.</p><p>We&#39;ll delve into the film&#39;s terrifying themes, including:</p><ul><li><strong>The Alien as the Ultimate Other:</strong> How the alien creature embodies our fears of the unknown and the uncanny.</li><li><strong>Body Horror and the Violation of the Human Form:</strong> The film&#39;s disturbing exploration of birth, death, and the body.</li><li><strong>Corporate Greed and Existential Threat:</strong> The role of capitalism and technology in creating the conditions for the alien&#39;s emergence.</li><li><strong>The Heroine&#39;s Journey:</strong> Ripley&#39;s evolution from a resourceful crew member to a hardened warrior.</li></ul><p>So, buckle up and prepare for a terrifying journey. Just remember, in space, no one can hear you scream.</p><p><a href="https://www.rutgersuniversitypress.org/representations-of-the-posthuman/9780813530598/" rel="nofollow">Elaine Graham Post/Human</a></p><p><a href="https://en.wikipedia.org/wiki/Raymond_Williams" rel="nofollow">Raymond Williams</a></p><p><a href="https://en.wikipedia.org/wiki/Fredric_Jameson" rel="nofollow">Frederick Jameson</a></p><p><a href="https://en.wikipedia.org/wiki/Abjection" rel="nofollow">Julia Kristeva, Abjection</a></p><p><a href="https://mcfarlandbooks.com/product/horror-in-space/?srsltid=AfmBOoob6lPytMcrJKwlr6xlJr8MRYIPD6iDlgMJSAWpCwoN0E8_5nGQ" rel="nofollow">Horror in Space: Critical Essays on a Film Subgenre by edited by Michele Brittany</a></p>]]></description>
                <content:encoded>&lt;p&gt;In this episode of Horror Joy, we&amp;#39;re venturing into the cold, dark depths of space to explore Ridley Scott&amp;#39;s iconic sci-fi horror masterpiece, &lt;em&gt;Alien&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;We&amp;#39;ll delve into the film&amp;#39;s terrifying themes, including:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;The Alien as the Ultimate Other:&lt;/strong&gt; How the alien creature embodies our fears of the unknown and the uncanny.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Body Horror and the Violation of the Human Form:&lt;/strong&gt; The film&amp;#39;s disturbing exploration of birth, death, and the body.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Corporate Greed and Existential Threat:&lt;/strong&gt; The role of capitalism and technology in creating the conditions for the alien&amp;#39;s emergence.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Heroine&amp;#39;s Journey:&lt;/strong&gt; Ripley&amp;#39;s evolution from a resourceful crew member to a hardened warrior.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;So, buckle up and prepare for a terrifying journey. Just remember, in space, no one can hear you scream.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.rutgersuniversitypress.org/representations-of-the-posthuman/9780813530598/&#34; rel=&#34;nofollow&#34;&gt;Elaine Graham Post/Human&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Raymond_Williams&#34; rel=&#34;nofollow&#34;&gt;Raymond Williams&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Fredric_Jameson&#34; rel=&#34;nofollow&#34;&gt;Frederick Jameson&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Abjection&#34; rel=&#34;nofollow&#34;&gt;Julia Kristeva, Abjection&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://mcfarlandbooks.com/product/horror-in-space/?srsltid=AfmBOoob6lPytMcrJKwlr6xlJr8MRYIPD6iDlgMJSAWpCwoN0E8_5nGQ&#34; rel=&#34;nofollow&#34;&gt;Horror in Space: Critical Essays on a Film Subgenre by edited by Michele Brittany&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 18 Nov 2024 08:00:00 &#43;0000</pubDate>
                <itunes:duration>3037</itunes:duration>
                
                
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                <itunes:title>Appalachian Folk Horror - The Blair Witch Project and Old Gods of Appalachia</itunes:title>
                <title>Appalachian Folk Horror - The Blair Witch Project and Old Gods of Appalachia</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Sometimes, the most terrifying monsters aren&#39;t lurking in the shadows, but in the very heart of our world. In this episode of Horror Joy, we delve into the eerie world of folk horror, where ancient myths and environmental fears intertwine.</p><p>We&#39;ll explore:</p><ul><li><strong>The Appalachian Nightmare:</strong> How the exploitation of the Appalachian landscape has given rise to terrifying folklore and real-world consequences.</li><li><strong>The Blair Witch Project:</strong> The unsettling power of place and the psychological terror of the woods.</li><li><strong>Old Gods of Appalachia:</strong> The ancient evil lurking beneath the surface of the Kentucky hills.</li></ul><p>Join us as we trek through these haunted landscapes and confront the monsters that dwell within.</p><p> </p><p><a href="https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/d5a37876-8700-4d9c-9073-ba4a80bb6eb6" rel="nofollow">Christian Nationalism 2</a></p><p><a href="https://en.wikipedia.org/wiki/American_Gods" rel="nofollow">Old Gods of Appalachia</a></p><p><a href="https://en.wikipedia.org/wiki/American_Gods" rel="nofollow">American Gods by Neil Gaiman</a></p><p><a href="https://press.uchicago.edu/ucp/books/book/distributed/F/bo196814069.html" rel="nofollow">Folk Horror – New Global Pathways edited by Dawn Keetley and Ruth Heholt</a></p><p><a href="https://www.npr.org/transcripts/607943031" rel="nofollow">Coal Stories by Embedded Podcast</a></p><p><a href="https://www.imdb.com/title/tt21377766/" rel="nofollow">Frogman</a></p><p><a href="https://www.imdb.com/title/tt0122143/?ref_=fn_al_tt_1" rel="nofollow">The Last Broadcast</a></p><p><a href="https://en.wikipedia.org/wiki/Cannibal_Holocaust" rel="nofollow">Cannibal Holocaust</a></p>]]></description>
                <content:encoded>&lt;p&gt;Sometimes, the most terrifying monsters aren&amp;#39;t lurking in the shadows, but in the very heart of our world. In this episode of Horror Joy, we delve into the eerie world of folk horror, where ancient myths and environmental fears intertwine.&lt;/p&gt;&lt;p&gt;We&amp;#39;ll explore:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;The Appalachian Nightmare:&lt;/strong&gt; How the exploitation of the Appalachian landscape has given rise to terrifying folklore and real-world consequences.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Blair Witch Project:&lt;/strong&gt; The unsettling power of place and the psychological terror of the woods.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Old Gods of Appalachia:&lt;/strong&gt; The ancient evil lurking beneath the surface of the Kentucky hills.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Join us as we trek through these haunted landscapes and confront the monsters that dwell within.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/d5a37876-8700-4d9c-9073-ba4a80bb6eb6&#34; rel=&#34;nofollow&#34;&gt;Christian Nationalism 2&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/American_Gods&#34; rel=&#34;nofollow&#34;&gt;Old Gods of Appalachia&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/American_Gods&#34; rel=&#34;nofollow&#34;&gt;American Gods by Neil Gaiman&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://press.uchicago.edu/ucp/books/book/distributed/F/bo196814069.html&#34; rel=&#34;nofollow&#34;&gt;Folk Horror – New Global Pathways edited by Dawn Keetley and Ruth Heholt&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.npr.org/transcripts/607943031&#34; rel=&#34;nofollow&#34;&gt;Coal Stories by Embedded Podcast&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt21377766/&#34; rel=&#34;nofollow&#34;&gt;Frogman&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt0122143/?ref_=fn_al_tt_1&#34; rel=&#34;nofollow&#34;&gt;The Last Broadcast&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Cannibal_Holocaust&#34; rel=&#34;nofollow&#34;&gt;Cannibal Holocaust&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 04 Nov 2024 08:00:00 &#43;0000</pubDate>
                <itunes:duration>4096</itunes:duration>
                
                
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                <itunes:title>Halloween (1978)!</itunes:title>
                <title>Halloween (1978)!</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Join us as we plunge into the shadowy world of Haddonfield, Illinois. In this special episode of Horror Joy, Jeff and Brian dissect John Carpenter&#39;s iconic 1978 slasher film, <em>Halloween</em>. We&#39;ll explore:</p><ul><li><strong>The Shape&#39;s Morality:</strong> Is Michael Myers a terrifying villain or a moral compass?</li><li><strong>Beyond the Mask:</strong> Can we find a more subversive reading of this classic horror film?</li><li><strong>The Rules of the Slasher:</strong> How <em>Halloween</em> established the blueprint for countless horror films to follow.</li><li><strong>The Psychology of Fear:</strong> Unraveling the psychological underpinnings of the film&#39;s enduring terror.</li></ul><p><br></p><p>So, lock the doors, grab your sharpest knitting needles, and join us as we explore one of horror’s most enduring masterpieces. But be careful, we can’t all be the final girl.       </p><p> </p><p><a href="https://plato.stanford.edu/entries/levinas/" rel="nofollow">Emmanuel Levinas</a></p><p><a href="https://en.wikipedia.org/wiki/The_Thing_from_Another_World" rel="nofollow">The Thing from Another World (1951)</a></p><p><a href="https://www.imdb.com/title/tt1853739/" rel="nofollow">You’re Next directed by Adam Wingard</a></p><p><a href="https://en.wikipedia.org/wiki/Scream_(franchise)" rel="nofollow">Scream Franchise</a></p><p><a href="https://en.wikipedia.org/wiki/My_Heart_Is_a_Chainsaw" rel="nofollow">My Heart is a Chainsaw by Stephen Graham Jones</a></p><p><a href="https://en.wikipedia.org/wiki/Psyche_(psychology)" rel="nofollow">Psyche as soul</a></p>]]></description>
                <content:encoded>&lt;p&gt;Join us as we plunge into the shadowy world of Haddonfield, Illinois. In this special episode of Horror Joy, Jeff and Brian dissect John Carpenter&amp;#39;s iconic 1978 slasher film, &lt;em&gt;Halloween&lt;/em&gt;. We&amp;#39;ll explore:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;The Shape&amp;#39;s Morality:&lt;/strong&gt; Is Michael Myers a terrifying villain or a moral compass?&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Beyond the Mask:&lt;/strong&gt; Can we find a more subversive reading of this classic horror film?&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Rules of the Slasher:&lt;/strong&gt; How &lt;em&gt;Halloween&lt;/em&gt; established the blueprint for countless horror films to follow.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Psychology of Fear:&lt;/strong&gt; Unraveling the psychological underpinnings of the film&amp;#39;s enduring terror.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;So, lock the doors, grab your sharpest knitting needles, and join us as we explore one of horror’s most enduring masterpieces. But be careful, we can’t all be the final girl.       &lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://plato.stanford.edu/entries/levinas/&#34; rel=&#34;nofollow&#34;&gt;Emmanuel Levinas&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Thing_from_Another_World&#34; rel=&#34;nofollow&#34;&gt;The Thing from Another World (1951)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt1853739/&#34; rel=&#34;nofollow&#34;&gt;You’re Next directed by Adam Wingard&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Scream_(franchise)&#34; rel=&#34;nofollow&#34;&gt;Scream Franchise&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/My_Heart_Is_a_Chainsaw&#34; rel=&#34;nofollow&#34;&gt;My Heart is a Chainsaw by Stephen Graham Jones&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Psyche_(psychology)&#34; rel=&#34;nofollow&#34;&gt;Psyche as soul&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Thu, 31 Oct 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>2035</itunes:duration>
                
                
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                <itunes:title>Horror Nostalgia - The Rack with Tom Deady and Scary Stories to Tell in the Dark</itunes:title>
                <title>Horror Nostalgia - The Rack with Tom Deady and Scary Stories to Tell in the Dark</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>A Nostalgic Nightmare: Exploring the Comfort of Horror</strong></p><p><strong>This week on Horror Joy, we&#39;re taking a trip down memory lane.</strong> For many of us, our love affair with horror began at a young age, fueled by Goosebumps books, <em>Are You Afraid of the Dark</em>, and the iconic horror paperbacks found on the revolving racks at local grocery stores.</p><p><strong>Nostalgia and Horror: A Twisted Embrace</strong></p><p>Nostalgia, with its roots in homesickness, offers a sense of comfort and belonging. But horror, while evoking strong emotions, can also be deeply comforting. It disrupts our sense of security, only to draw us back in, promising a strange warmth.</p><p><strong>Our Nostalgic Journey:</strong></p><ul><li><strong>Tom Deady&#39;s <em>The Rack</em></strong>: We chat with Tom about his love for <em>Salem&#39;s Lot</em> and the process of curating his anthology of horror stories.</li><li><strong>Alvin Schwartz&#39;s <em>Scary Stories</em></strong>: A discussion on the power of simple illustrations, the performative nature of storytelling, and how horror prepares us for adulthood.</li></ul><p><strong>Join us as we spin the rack of horror and revisit the nostalgic thrills that first captivated us.</strong> Let&#39;s stick together, because you never know what horrors await!</p><p> </p><p><a href="https://en.wikipedia.org/wiki/%27Salem%27s_Lot" rel="nofollow">Salem’s Lot by Stephen King</a></p><p><a href="https://en.wikipedia.org/wiki/Geoffrey_Chaucer" rel="nofollow">Geoffrey Chaucer</a></p><p><a href="https://www.gwendolynkiste.com/" rel="nofollow">Gwendolyn Kiste</a></p><p><a href="https://en.wikipedia.org/wiki/If_It_Bleeds#The_Life_of_Chuck" rel="nofollow">The Life of Chuck (in If It Bleeds) by Stephen King</a></p><p><a href="https://en.wikipedia.org/wiki/The_Life_of_Chuck" rel="nofollow">The Life of Chuck directed by Mike Flanagan</a></p><p><a href="https://en.wikipedia.org/wiki/Scary_Stories_to_Tell_in_the_Dark" rel="nofollow">Scary Stories to Tell in the Dark</a></p><p><a href="https://www.tomdeady.com/" rel="nofollow">Tom Deady</a></p><p><a href="https://www.tomdeady.com/the-rack" rel="nofollow">The Rack</a></p><p> </p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;A Nostalgic Nightmare: Exploring the Comfort of Horror&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;This week on Horror Joy, we&amp;#39;re taking a trip down memory lane.&lt;/strong&gt; For many of us, our love affair with horror began at a young age, fueled by Goosebumps books, &lt;em&gt;Are You Afraid of the Dark&lt;/em&gt;, and the iconic horror paperbacks found on the revolving racks at local grocery stores.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Nostalgia and Horror: A Twisted Embrace&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Nostalgia, with its roots in homesickness, offers a sense of comfort and belonging. But horror, while evoking strong emotions, can also be deeply comforting. It disrupts our sense of security, only to draw us back in, promising a strange warmth.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Our Nostalgic Journey:&lt;/strong&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Tom Deady&amp;#39;s &lt;em&gt;The Rack&lt;/em&gt;&lt;/strong&gt;: We chat with Tom about his love for &lt;em&gt;Salem&amp;#39;s Lot&lt;/em&gt; and the process of curating his anthology of horror stories.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Alvin Schwartz&amp;#39;s &lt;em&gt;Scary Stories&lt;/em&gt;&lt;/strong&gt;: A discussion on the power of simple illustrations, the performative nature of storytelling, and how horror prepares us for adulthood.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;strong&gt;Join us as we spin the rack of horror and revisit the nostalgic thrills that first captivated us.&lt;/strong&gt; Let&amp;#39;s stick together, because you never know what horrors await!&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/%27Salem%27s_Lot&#34; rel=&#34;nofollow&#34;&gt;Salem’s Lot by Stephen King&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Geoffrey_Chaucer&#34; rel=&#34;nofollow&#34;&gt;Geoffrey Chaucer&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.gwendolynkiste.com/&#34; rel=&#34;nofollow&#34;&gt;Gwendolyn Kiste&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/If_It_Bleeds#The_Life_of_Chuck&#34; rel=&#34;nofollow&#34;&gt;The Life of Chuck (in If It Bleeds) by Stephen King&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Life_of_Chuck&#34; rel=&#34;nofollow&#34;&gt;The Life of Chuck directed by Mike Flanagan&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Scary_Stories_to_Tell_in_the_Dark&#34; rel=&#34;nofollow&#34;&gt;Scary Stories to Tell in the Dark&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.tomdeady.com/&#34; rel=&#34;nofollow&#34;&gt;Tom Deady&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.tomdeady.com/the-rack&#34; rel=&#34;nofollow&#34;&gt;The Rack&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 21 Oct 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3754</itunes:duration>
                
                
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                <itunes:title>The Babadook: Queerness in the Basement with S. Trimble</itunes:title>
                <title>The Babadook: Queerness in the Basement with S. Trimble</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>This episode of Horror Joy delves into the chilling world of <em>The Babadook</em></strong>, a film that has been interpreted as both a study in grief and a queer icon.</p><p>Joining us is S. Trimble, an Assistant Professor of Women and Gender Studies at the University of Toronto, to explore these shadowy perspectives.</p><p>We&#39;ll discuss:</p><ul><li><strong>Grief and the Monstrous:</strong> The film&#39;s exploration of grief and how it manifests as a monstrous figure.</li><li><strong>The Babadook&#39;s Queer Identity:</strong> The reinterpretation of <em>The Babadook</em> as a queer character challenging societal norms.</li><li><strong>Queer Feelings and Horror:</strong> How queerness can reveal emotions often overlooked in traditional horror.</li><li><strong>Challenging Family Dynamics:</strong> The way <em>The Babadook</em> subverts the traditional family unit..</li></ul><p><br></p><p><strong>Join us as we descend into the basement of <em>The Babadook</em></strong> to explore its queer undertones and the ways in which horror can challenge our understanding of identity and normalcy.</p><p> </p><p><a href="https://www.jstor.org/stable/2928507" rel="nofollow">Carol Clover/Gender Distress</a></p><p><a href="https://en.wikipedia.org/wiki/Sleepaway_Camp" rel="nofollow">Sleepaway Camp</a></p><p><a href="https://en.wikipedia.org/wiki/Serial_Mom" rel="nofollow">Serial Mom</a></p><p><a href="https://www.simonandschuster.com/books/The-Handyman-Method/Nick-Cutter/9781982196714" rel="nofollow">The Handyman Method by Nick Cutter</a></p><p><a href="https://www.harpercollins.com/products/dinner-on-monster-island-tania-de-rozario?variant=41057238417442" rel="nofollow">Dinner on Monster Island by Tanya De Rosario</a></p><p><a href="https://en.wikipedia.org/wiki/Michael_McDowell_(author)" rel="nofollow">Michael McDowell</a></p><p><a href="https://www.theguardian.com/commentisfree/belief/2009/jul/06/heidegger-philosophy-being" rel="nofollow">Heidegger on Anxiety and Fear</a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;This episode of Horror Joy delves into the chilling world of &lt;em&gt;The Babadook&lt;/em&gt;&lt;/strong&gt;, a film that has been interpreted as both a study in grief and a queer icon.&lt;/p&gt;&lt;p&gt;Joining us is S. Trimble, an Assistant Professor of Women and Gender Studies at the University of Toronto, to explore these shadowy perspectives.&lt;/p&gt;&lt;p&gt;We&amp;#39;ll discuss:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Grief and the Monstrous:&lt;/strong&gt; The film&amp;#39;s exploration of grief and how it manifests as a monstrous figure.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Babadook&amp;#39;s Queer Identity:&lt;/strong&gt; The reinterpretation of &lt;em&gt;The Babadook&lt;/em&gt; as a queer character challenging societal norms.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Queer Feelings and Horror:&lt;/strong&gt; How queerness can reveal emotions often overlooked in traditional horror.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Challenging Family Dynamics:&lt;/strong&gt; The way &lt;em&gt;The Babadook&lt;/em&gt; subverts the traditional family unit..&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Join us as we descend into the basement of &lt;em&gt;The Babadook&lt;/em&gt;&lt;/strong&gt; to explore its queer undertones and the ways in which horror can challenge our understanding of identity and normalcy.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.jstor.org/stable/2928507&#34; rel=&#34;nofollow&#34;&gt;Carol Clover/Gender Distress&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sleepaway_Camp&#34; rel=&#34;nofollow&#34;&gt;Sleepaway Camp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Serial_Mom&#34; rel=&#34;nofollow&#34;&gt;Serial Mom&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.simonandschuster.com/books/The-Handyman-Method/Nick-Cutter/9781982196714&#34; rel=&#34;nofollow&#34;&gt;The Handyman Method by Nick Cutter&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.harpercollins.com/products/dinner-on-monster-island-tania-de-rozario?variant=41057238417442&#34; rel=&#34;nofollow&#34;&gt;Dinner on Monster Island by Tanya De Rosario&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Michael_McDowell_(author)&#34; rel=&#34;nofollow&#34;&gt;Michael McDowell&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.theguardian.com/commentisfree/belief/2009/jul/06/heidegger-philosophy-being&#34; rel=&#34;nofollow&#34;&gt;Heidegger on Anxiety and Fear&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 07 Oct 2024 07:00:00 &#43;0000</pubDate>
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                <itunes:title>Queer Horror with Eric LaRocca</itunes:title>
                <title>Queer Horror with Eric LaRocca</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>In this episode Brian and Jeff celebrate queer horror.</strong><span> We explore how horror has become a space for queer expression, challenging societal norms and offering a unique perspective on both classic and contemporary horror.</span></p><p>Our guest, Eric LaRocca, a popular and prolific author of queer horror, will join us to discuss:</p><ul><li><strong>The Monster Within:</strong> How horror reflects our deepest fears and anxieties about identity and belonging.</li><li><strong>Queer Liberation through Horror:</strong> How the horror genre provides a space for queer individuals to challenge societal norms and express their identities.</li><li><strong>The &#34;New Queer Horror&#34;:</strong> Exploring the emergence of queer horror as a genre and its impact on our understanding of monstrosity and normalcy.</li></ul><p><strong>Join us as we traverse this transgressive landscape and discover the queer joy and horror that lies within.</strong></p><p><br></p><p>﻿<a href="https://en.wikipedia.org/wiki/Poppy_Z._Brite" rel="nofollow">Poppy Z. Brite/Billy Martin</a></p><p><a href="https://www.daviddemchuk.com/" rel="nofollow">Red X by David Demchuck</a></p><p><a href="https://us.macmillan.com/author/gretchenfelkermartin" rel="nofollow">Gretchen Felker-Martin</a></p><p><a href="https://en.wikipedia.org/wiki/Alison_Rumfitt" rel="nofollow">Alison Rumfitt</a></p><p><a href="https://www.haileypiper.com/" rel="nofollow">Haley Piper</a></p><p><a href="https://en.wikipedia.org/wiki/Clive_Barker" rel="nofollow">Clive Barker</a></p><p><a href="https://en.wikipedia.org/wiki/Something_is_Killing_the_Children" rel="nofollow">Something is Killing the Children</a></p><p><a href="https://en.wikipedia.org/wiki/Sleepaway_Camp" rel="nofollow">Sleepaway Camp</a></p><p><a href="https://press.uchicago.edu/ucp/books/book/distributed/N/bo68172123.html" rel="nofollow">Darren Elliott Smith and John Edgar Browning</a></p><p><a href="https://www.goodreads.com/book/show/1429493.The_Dumb_House" rel="nofollow">The Dumb House by John Burnside</a></p><p><a href="https://pillowmanplay.com/" rel="nofollow">The Pillow Man Martin McDonough</a></p><p><a href="https://en.wikipedia.org/wiki/Dennis_Cooper" rel="nofollow">Dennis Cooper</a></p><p><a href="https://www.feministpress.org/books-a-m/it-came-from-the-closet" rel="nofollow">It Came From the Closet edited by Joe Vallese</a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;In this episode Brian and Jeff celebrate queer horror.&lt;/strong&gt;&lt;span&gt; We explore how horror has become a space for queer expression, challenging societal norms and offering a unique perspective on both classic and contemporary horror.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Our guest, Eric LaRocca, a popular and prolific author of queer horror, will join us to discuss:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;The Monster Within:&lt;/strong&gt; How horror reflects our deepest fears and anxieties about identity and belonging.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Queer Liberation through Horror:&lt;/strong&gt; How the horror genre provides a space for queer individuals to challenge societal norms and express their identities.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The &amp;#34;New Queer Horror&amp;#34;:&lt;/strong&gt; Exploring the emergence of queer horror as a genre and its impact on our understanding of monstrosity and normalcy.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;strong&gt;Join us as we traverse this transgressive landscape and discover the queer joy and horror that lies within.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;﻿&lt;a href=&#34;https://en.wikipedia.org/wiki/Poppy_Z._Brite&#34; rel=&#34;nofollow&#34;&gt;Poppy Z. Brite/Billy Martin&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.daviddemchuk.com/&#34; rel=&#34;nofollow&#34;&gt;Red X by David Demchuck&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://us.macmillan.com/author/gretchenfelkermartin&#34; rel=&#34;nofollow&#34;&gt;Gretchen Felker-Martin&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Alison_Rumfitt&#34; rel=&#34;nofollow&#34;&gt;Alison Rumfitt&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.haileypiper.com/&#34; rel=&#34;nofollow&#34;&gt;Haley Piper&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Clive_Barker&#34; rel=&#34;nofollow&#34;&gt;Clive Barker&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Something_is_Killing_the_Children&#34; rel=&#34;nofollow&#34;&gt;Something is Killing the Children&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Sleepaway_Camp&#34; rel=&#34;nofollow&#34;&gt;Sleepaway Camp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://press.uchicago.edu/ucp/books/book/distributed/N/bo68172123.html&#34; rel=&#34;nofollow&#34;&gt;Darren Elliott Smith and John Edgar Browning&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.goodreads.com/book/show/1429493.The_Dumb_House&#34; rel=&#34;nofollow&#34;&gt;The Dumb House by John Burnside&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://pillowmanplay.com/&#34; rel=&#34;nofollow&#34;&gt;The Pillow Man Martin McDonough&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dennis_Cooper&#34; rel=&#34;nofollow&#34;&gt;Dennis Cooper&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.feministpress.org/books-a-m/it-came-from-the-closet&#34; rel=&#34;nofollow&#34;&gt;It Came From the Closet edited by Joe Vallese&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 23 Sep 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>2580</itunes:duration>
                
                
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                <itunes:title>Star Spangled boogaloo - Christian Nationalism 2</itunes:title>
                <title>Star Spangled boogaloo - Christian Nationalism 2</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>This week on Horror Joy, we&#39;re delving deeper into the chilling connection between Christian nationalism and horror.</strong> Following our exploration of Victorian roots with Lukas Kwong, we&#39;re turning our attention to the modern-day manifestations of this dangerous ideology.</p><p>Joining us is Bradley Onishi, author and co-host of the popular political podcast <em>Straight White American Jesus</em>, to provide invaluable insights into contemporary Christian nationalism.</p><p><strong>We&#39;ll dissect the horrors unfolding around us:</strong></p><ul><li><strong>Understanding Christian Nationalism Today:</strong> A comprehensive look at the current state of Christian nationalism and its impact on society.</li><li><strong>The Power of Community:</strong> Exploring the joy and empowerment found in building strong communities.</li><li><strong>Weaponizing Faith:</strong> How <em>Civil War</em>, <em>The Mist</em>, and &#34;Senator, Senator&#34; depict the dangerous weaponization of Christianity by Christian nationalists.</li><li><strong>Corruption and Control:</strong> Examining the themes of power corruption and the manipulation of institutions by these extremist groups.</li></ul><p><br></p><p><strong>While the terror is a little too close for comfort this week, we find joy in the empowering activity of community. Just try to avoid those dastardly abominations.</strong></p><p><a href="https://a24films.com/films/civil-war" rel="nofollow">Civil War</a></p><p><a href="https://en.wikipedia.org/wiki/The_Mist_(film)" rel="nofollow">The Mist</a> (film)</p><p><a href="https://en.wikipedia.org/wiki/The_Mist_(novella)" rel="nofollow">The Mist (Novella)</a></p><p><a href="https://www.onipress.com/titles/ec-epitaphs-from-the-abyss-1" rel="nofollow">Senator, Senator in Epitaphs from the Abyss</a></p><p><a href="https://scghobby.com/altoona/" rel="nofollow">SCG Hobby, Altoona, PA</a></p><p><a href="https://en.wikipedia.org/wiki/Christian_nationalism" rel="nofollow">Christian Nationalism</a></p><p><a href="https://www.straightwhiteamericanjesus.com/" rel="nofollow">Straight White American Jesus</a></p><p><a href="https://www.bradonishi.com/books/" rel="nofollow">Preparing for War: The Extremist History of White Christian Nationalism—and What Comes Next by Bradley Onishi</a></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;This week on Horror Joy, we&amp;#39;re delving deeper into the chilling connection between Christian nationalism and horror.&lt;/strong&gt; Following our exploration of Victorian roots with Lukas Kwong, we&amp;#39;re turning our attention to the modern-day manifestations of this dangerous ideology.&lt;/p&gt;&lt;p&gt;Joining us is Bradley Onishi, author and co-host of the popular political podcast &lt;em&gt;Straight White American Jesus&lt;/em&gt;, to provide invaluable insights into contemporary Christian nationalism.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;We&amp;#39;ll dissect the horrors unfolding around us:&lt;/strong&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Understanding Christian Nationalism Today:&lt;/strong&gt; A comprehensive look at the current state of Christian nationalism and its impact on society.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;The Power of Community:&lt;/strong&gt; Exploring the joy and empowerment found in building strong communities.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Weaponizing Faith:&lt;/strong&gt; How &lt;em&gt;Civil War&lt;/em&gt;, &lt;em&gt;The Mist&lt;/em&gt;, and &amp;#34;Senator, Senator&amp;#34; depict the dangerous weaponization of Christianity by Christian nationalists.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Corruption and Control:&lt;/strong&gt; Examining the themes of power corruption and the manipulation of institutions by these extremist groups.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;While the terror is a little too close for comfort this week, we find joy in the empowering activity of community. Just try to avoid those dastardly abominations.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://a24films.com/films/civil-war&#34; rel=&#34;nofollow&#34;&gt;Civil War&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Mist_(film)&#34; rel=&#34;nofollow&#34;&gt;The Mist&lt;/a&gt; (film)&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Mist_(novella)&#34; rel=&#34;nofollow&#34;&gt;The Mist (Novella)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.onipress.com/titles/ec-epitaphs-from-the-abyss-1&#34; rel=&#34;nofollow&#34;&gt;Senator, Senator in Epitaphs from the Abyss&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://scghobby.com/altoona/&#34; rel=&#34;nofollow&#34;&gt;SCG Hobby, Altoona, PA&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Christian_nationalism&#34; rel=&#34;nofollow&#34;&gt;Christian Nationalism&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.straightwhiteamericanjesus.com/&#34; rel=&#34;nofollow&#34;&gt;Straight White American Jesus&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.bradonishi.com/books/&#34; rel=&#34;nofollow&#34;&gt;Preparing for War: The Extremist History of White Christian Nationalism—and What Comes Next by Bradley Onishi&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 09 Sep 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>4319</itunes:duration>
                
                
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                <itunes:title>Christian Nationalism: A Horror Story</itunes:title>
                <title>Christian Nationalism: A Horror Story</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>This episode of Horror Joy delves into the chilling intersection of horror and politics.</strong> Brian and Jeff are joined by Lucas Kwong, scholar and host of the podcast <em>Monster in the Mirror</em>, to explore the connections between Christian Nationalism and horror, with a particular focus on Bram Stoker&#39;s <em>Dracula</em> and Gothic literature.</p><p>We&#39;ll uncover the haunting parallels between these two seemingly disparate forces, discussing:</p><ul><li><strong>Horror as a Liberating Force:</strong> Can horror serve as a mechanism for challenging oppressive ideologies?</li><li><strong>Dracula&#39;s Nationalist Roots:</strong> Exploring the ways in which Christian Nationalism finds resonance in <em>Dracula</em> and Gothic literature.</li><li><strong>Found Footage and Fear:</strong> The connection between found footage horror and the rise of Christian Nationalist YouTube channels.</li><li><strong>Gothic American and Jordan Peele&#39;s <em>US</em></strong>: Analyzing the current state of Gothic American and its reflection in Peele&#39;s chilling film.</li></ul><p><strong>Join us for a thought-provoking discussion on the intersection of horror, politics, and the rising threat of Christian Nationalism.</strong> Let&#39;s hope we can find some joy amidst the horror of our political reality.</p><p> </p><p><a href="https://www.axismundi.us/monster-in-the-mirror/" rel="nofollow">Monster in the Mirror hosted by Lucas Kwong</a></p><p><a href="https://en.wikipedia.org/wiki/Imagined_community" rel="nofollow">Benedict Anderson’s imagined communities</a></p><p><a href="https://en.wikipedia.org/wiki/The_Beetle_(novel)" rel="nofollow">The Beetle Gothic Novel</a></p><p><a href="https://en.wikipedia.org/wiki/Dracula" rel="nofollow"><em>Dracula by Bram Stoker</em></a></p><p><a href="https://en.wikipedia.org/wiki/Christian_nationalism" rel="nofollow">Christian Nationalism</a></p><p><a href="https://www.straightwhiteamericanjesus.com/" rel="nofollow">Straight White American Jesus</a>v</p><p><a href="https://en.wikipedia.org/wiki/Christian_Broadcasting_Network" rel="nofollow">CBN (Christian Broadcasting Network)</a></p><p><a href="https://apnews.com/article/alito-supreme-court-flags-history-symbol-protest-a5415aeba90e21a86a50f8489fc54b7a" rel="nofollow">Justice Samuel Alito “Appeal to Heaven” flag</a></p><p><a href="https://en.wikipedia.org/wiki/Visions_of_Bodies_Being_Burned" rel="nofollow">Visions of Bodies Being Burned by Clipping</a></p><p><a href="https://en.wikipedia.org/wiki/Us_(2019_film)" rel="nofollow">Us Directed by Jordan Peele</a></p><p><a href="https://en.wikipedia.org/wiki/The_Last_of_Us_(TV_series)" rel="nofollow">The Last of Us (Television Show)</a></p><p><a href="https://en.wikipedia.org/wiki/The_Stand" rel="nofollow"><em>The Stand by Stephen King</em></a></p><p><a href="https://en.wikipedia.org/wiki/%27Salem%27s_Lot" rel="nofollow"><em>Salem’s Lot by Stephen King</em></a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;This episode of Horror Joy delves into the chilling intersection of horror and politics.&lt;/strong&gt; Brian and Jeff are joined by Lucas Kwong, scholar and host of the podcast &lt;em&gt;Monster in the Mirror&lt;/em&gt;, to explore the connections between Christian Nationalism and horror, with a particular focus on Bram Stoker&amp;#39;s &lt;em&gt;Dracula&lt;/em&gt; and Gothic literature.&lt;/p&gt;&lt;p&gt;We&amp;#39;ll uncover the haunting parallels between these two seemingly disparate forces, discussing:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Horror as a Liberating Force:&lt;/strong&gt; Can horror serve as a mechanism for challenging oppressive ideologies?&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Dracula&amp;#39;s Nationalist Roots:&lt;/strong&gt; Exploring the ways in which Christian Nationalism finds resonance in &lt;em&gt;Dracula&lt;/em&gt; and Gothic literature.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Found Footage and Fear:&lt;/strong&gt; The connection between found footage horror and the rise of Christian Nationalist YouTube channels.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Gothic American and Jordan Peele&amp;#39;s &lt;em&gt;US&lt;/em&gt;&lt;/strong&gt;: Analyzing the current state of Gothic American and its reflection in Peele&amp;#39;s chilling film.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;strong&gt;Join us for a thought-provoking discussion on the intersection of horror, politics, and the rising threat of Christian Nationalism.&lt;/strong&gt; Let&amp;#39;s hope we can find some joy amidst the horror of our political reality.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.axismundi.us/monster-in-the-mirror/&#34; rel=&#34;nofollow&#34;&gt;Monster in the Mirror hosted by Lucas Kwong&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Imagined_community&#34; rel=&#34;nofollow&#34;&gt;Benedict Anderson’s imagined communities&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Beetle_(novel)&#34; rel=&#34;nofollow&#34;&gt;The Beetle Gothic Novel&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Dracula&#34; rel=&#34;nofollow&#34;&gt;&lt;em&gt;Dracula by Bram Stoker&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Christian_nationalism&#34; rel=&#34;nofollow&#34;&gt;Christian Nationalism&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.straightwhiteamericanjesus.com/&#34; rel=&#34;nofollow&#34;&gt;Straight White American Jesus&lt;/a&gt;v&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Christian_Broadcasting_Network&#34; rel=&#34;nofollow&#34;&gt;CBN (Christian Broadcasting Network)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://apnews.com/article/alito-supreme-court-flags-history-symbol-protest-a5415aeba90e21a86a50f8489fc54b7a&#34; rel=&#34;nofollow&#34;&gt;Justice Samuel Alito “Appeal to Heaven” flag&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Visions_of_Bodies_Being_Burned&#34; rel=&#34;nofollow&#34;&gt;Visions of Bodies Being Burned by Clipping&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Us_(2019_film)&#34; rel=&#34;nofollow&#34;&gt;Us Directed by Jordan Peele&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Last_of_Us_(TV_series)&#34; rel=&#34;nofollow&#34;&gt;The Last of Us (Television Show)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Stand&#34; rel=&#34;nofollow&#34;&gt;&lt;em&gt;The Stand by Stephen King&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/%27Salem%27s_Lot&#34; rel=&#34;nofollow&#34;&gt;&lt;em&gt;Salem’s Lot by Stephen King&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 26 Aug 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3415</itunes:duration>
                
                
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                <itunes:title>Zombie Talk 2: The Night of the Living Dead and Shaun of the Dead</itunes:title>
                <title>Zombie Talk 2: The Night of the Living Dead and Shaun of the Dead</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>This week on Horror Joy, we&#39;re back to the undead for a second helping of brains.</strong> Brian and Jeff are diving deeper into the zombie phenomenon, exploring the cultural and societal implications of these shambling hordes.</p><p>We&#39;ll be chewing over some meaty topics, including:</p><ul><li><strong>Zombies and Capitalism:</strong> How do the mindless, consumerist zombies reflect our own society&#39;s obsession with consumption?</li><li><strong>Race and the Undead:</strong> We&#39;ll examine how zombie narratives reflect and reinforce racial tensions both in the United States and globally.</li><li><strong>Communication Breakdown:</strong> The importance of communication technology in zombie films, from <em>Night of the Living Dead</em> to <em>Shaun of the Dead</em>.</li><li><strong>Gaming the System:</strong> Why do we humans seem so inept at surviving zombie video games?</li><li><strong>Finding Joy in the Apocalypse:</strong> Yes, even in the face of overwhelming undead hordes, there&#39;s still room for laughter.</li></ul><p>So, grab your favorite zombie survival guide and join us as we navigate the treacherous waters of zombie culture. Just remember, if you hear a moan, it&#39;s probably us trying to think of clever zombie puns.</p><p> </p><p><a href="https://www.openbookpublishers.com/books/10.11647/obp.0113" rel="nofollow"><em>Zombies in Western Culture: A Twenty-First Century Crisis by John Vervaeke, Christopher Mastropietro, and Filip Miscevic</em></a></p><p><a href="https://www.counterpointpress.com/books/wasteland/" rel="nofollow">Wasteland: The Great War and the Origins of Modern Horror by W. Scott Poole</a></p><p><a href="https://rowman.com/ISBN/9781442258365/Black-Bodies-White-Gazes-The-Continuing-Significance-of-Race-in-America-Second-Edition" rel="nofollow">Black Bodies/White Gazes by George Yancy</a></p><p><a href="https://epublications.marquette.edu/english_fac/167/" rel="nofollow">We are the Walking Dead by Gary Canavan</a></p><p><a href="https://en.wikipedia.org/wiki/Anti-Oedipus" rel="nofollow">Anti-Oedipus by Felix Guattari and Gilles Deleuze</a></p><p>Sula by Toni Morrison</p><p>Mrs. Dalloway by Virginia Smith</p><p><a href="https://en.wikipedia.org/wiki/1967_Detroit_riot" rel="nofollow">1967 Detroit Riots</a></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;This week on Horror Joy, we&amp;#39;re back to the undead for a second helping of brains.&lt;/strong&gt; Brian and Jeff are diving deeper into the zombie phenomenon, exploring the cultural and societal implications of these shambling hordes.&lt;/p&gt;&lt;p&gt;We&amp;#39;ll be chewing over some meaty topics, including:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Zombies and Capitalism:&lt;/strong&gt; How do the mindless, consumerist zombies reflect our own society&amp;#39;s obsession with consumption?&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Race and the Undead:&lt;/strong&gt; We&amp;#39;ll examine how zombie narratives reflect and reinforce racial tensions both in the United States and globally.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Communication Breakdown:&lt;/strong&gt; The importance of communication technology in zombie films, from &lt;em&gt;Night of the Living Dead&lt;/em&gt; to &lt;em&gt;Shaun of the Dead&lt;/em&gt;.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Gaming the System:&lt;/strong&gt; Why do we humans seem so inept at surviving zombie video games?&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Finding Joy in the Apocalypse:&lt;/strong&gt; Yes, even in the face of overwhelming undead hordes, there&amp;#39;s still room for laughter.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;So, grab your favorite zombie survival guide and join us as we navigate the treacherous waters of zombie culture. Just remember, if you hear a moan, it&amp;#39;s probably us trying to think of clever zombie puns.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.openbookpublishers.com/books/10.11647/obp.0113&#34; rel=&#34;nofollow&#34;&gt;&lt;em&gt;Zombies in Western Culture: A Twenty-First Century Crisis by John Vervaeke, Christopher Mastropietro, and Filip Miscevic&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.counterpointpress.com/books/wasteland/&#34; rel=&#34;nofollow&#34;&gt;Wasteland: The Great War and the Origins of Modern Horror by W. Scott Poole&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://rowman.com/ISBN/9781442258365/Black-Bodies-White-Gazes-The-Continuing-Significance-of-Race-in-America-Second-Edition&#34; rel=&#34;nofollow&#34;&gt;Black Bodies/White Gazes by George Yancy&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://epublications.marquette.edu/english_fac/167/&#34; rel=&#34;nofollow&#34;&gt;We are the Walking Dead by Gary Canavan&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Anti-Oedipus&#34; rel=&#34;nofollow&#34;&gt;Anti-Oedipus by Felix Guattari and Gilles Deleuze&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Sula by Toni Morrison&lt;/p&gt;&lt;p&gt;Mrs. Dalloway by Virginia Smith&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/1967_Detroit_riot&#34; rel=&#34;nofollow&#34;&gt;1967 Detroit Riots&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 12 Aug 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3241</itunes:duration>
                
                
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                <itunes:title>Zombie Talk: An Interview with Kelly J. Baker</itunes:title>
                <title>Zombie Talk: An Interview with Kelly J. Baker</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>Zombies. They’re everywhere.</strong> From the silver screen to the printed page, the undead have become a cultural staple. But what does their enduring popularity say about us?</p><p>On this episode of Horror Joy, Brian and Jeff are joined by the brilliant Kelly J. Baker, author of <em>The Zombies are Coming! The Realities of the Zombie Apocalypse in American Culture</em>. Together, we&#39;ll delve into the heart of the zombie phenomenon.</p><p><strong>We&#39;ll be chewing on these topics:</strong></p><p>	*How does horror offer a cathartic release for our anxieties?</p><p>	*Do zombies provide a moral justification to shoot things we don’t like?</p><p>	*Why can&#39;t we seem to shake this insatiable craving for zombie stories?</p><p>	*How has the zombie apocalypse become a catalyst for the preparedness movement?</p><p>So, grab your favorite zombie flick and join us for a thought-provoking discussion. Let&#39;s hope our brains stay intact!</p><p> </p><p><a href="https://www.kellyjbaker.com/writing/the-zombies-are-coming/" rel="nofollow">The Zombies are Coming! The Realities of the Zombie Apocalypse in American Culture by Kelly J. Baker</a></p><p><a href="https://en.wikipedia.org/wiki/Avery_Gordon" rel="nofollow">Avery Gordon</a> – Sociologist</p><p><a href="https://www.counterpointpress.com/books/wasteland/" rel="nofollow">Wasteland: The Great War and the Origins of Modern Horror by W. Scott Poole</a></p><p><a href="https://en.wikipedia.org/wiki/28_Days_Later" rel="nofollow">28 days later</a></p><p><a href="https://en.wikipedia.org/wiki/Warm_Bodies_(film)" rel="nofollow">Warm Bodies</a></p><p><a href="https://us.macmillan.com/books/9780805092431/thereapersaretheangels" rel="nofollow">The Reapers are the Angels by Alden Bell</a></p><p><a href="https://en.wikipedia.org/wiki/J%27accuse_(1919_film)" rel="nofollow">J’Accuse</a></p><p><a href="https://en.wikipedia.org/wiki/Zombies_(2018_film)" rel="nofollow">Disney Zombies</a></p><p><a href="https://www.apexbookcompany.com/products/cinderwich" rel="nofollow">Cinderwitch by Cherie Priest</a></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;Zombies. They’re everywhere.&lt;/strong&gt; From the silver screen to the printed page, the undead have become a cultural staple. But what does their enduring popularity say about us?&lt;/p&gt;&lt;p&gt;On this episode of Horror Joy, Brian and Jeff are joined by the brilliant Kelly J. Baker, author of &lt;em&gt;The Zombies are Coming! The Realities of the Zombie Apocalypse in American Culture&lt;/em&gt;. Together, we&amp;#39;ll delve into the heart of the zombie phenomenon.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;We&amp;#39;ll be chewing on these topics:&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;	*How does horror offer a cathartic release for our anxieties?&lt;/p&gt;&lt;p&gt;	*Do zombies provide a moral justification to shoot things we don’t like?&lt;/p&gt;&lt;p&gt;	*Why can&amp;#39;t we seem to shake this insatiable craving for zombie stories?&lt;/p&gt;&lt;p&gt;	*How has the zombie apocalypse become a catalyst for the preparedness movement?&lt;/p&gt;&lt;p&gt;So, grab your favorite zombie flick and join us for a thought-provoking discussion. Let&amp;#39;s hope our brains stay intact!&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.kellyjbaker.com/writing/the-zombies-are-coming/&#34; rel=&#34;nofollow&#34;&gt;The Zombies are Coming! The Realities of the Zombie Apocalypse in American Culture by Kelly J. Baker&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Avery_Gordon&#34; rel=&#34;nofollow&#34;&gt;Avery Gordon&lt;/a&gt; – Sociologist&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.counterpointpress.com/books/wasteland/&#34; rel=&#34;nofollow&#34;&gt;Wasteland: The Great War and the Origins of Modern Horror by W. Scott Poole&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/28_Days_Later&#34; rel=&#34;nofollow&#34;&gt;28 days later&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Warm_Bodies_(film)&#34; rel=&#34;nofollow&#34;&gt;Warm Bodies&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://us.macmillan.com/books/9780805092431/thereapersaretheangels&#34; rel=&#34;nofollow&#34;&gt;The Reapers are the Angels by Alden Bell&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/J%27accuse_(1919_film)&#34; rel=&#34;nofollow&#34;&gt;J’Accuse&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Zombies_(2018_film)&#34; rel=&#34;nofollow&#34;&gt;Disney Zombies&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.apexbookcompany.com/products/cinderwich&#34; rel=&#34;nofollow&#34;&gt;Cinderwitch by Cherie Priest&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 29 Jul 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>2949</itunes:duration>
                
                
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                <itunes:title>A Horror Apocalypse - Meta-Horror, Masks, and Cabin in the Woods</itunes:title>
                <title>A Horror Apocalypse - Meta-Horror, Masks, and Cabin in the Woods</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This episode of Horror Joy Brian and Jeff wander the dark hallways of meta-horror and ask whether we need a genre apocalypse to get beyond tired tropes of our favorite stories. Meta-horror shines a light on the structure of horror and how this leads to questions about both the audience of horror and the genre itself. </p><p>Join us as we attempt to step back and get a broader glimpse of the house of horror:</p><p>*We’ll take a quick nostalgic trip through <em>The Haunted Mask</em>, an early Goosebumps title</p><p>*We’ll analyze the connections between <em>The</em> <em>Haunted Mask</em> and <em>Horror Movie</em> by Paul Tremblay, including the use of masks, issues of identity, and intergenerational horror</p><p>*We’ll highlight the meta-horror aspects of <em>Horror Movie</em> and Drew Goddard’s 2011 movie <em>Cabin in the Woods </em>and question whether we need to hit a horror restart button.</p><p>Join us as we attempt to exorcise the ghosts of horror past and glimpse a potential future for the genre. Come for the horror. Stay for the Joy</p><p> </p><p> <a href="https://edinburghuniversitypress.com/book-post-horror.html" rel="nofollow">Post Horror by David Church</a></p><p><a href="https://en.wikipedia.org/wiki/The_Haunted_Mask" rel="nofollow">The Haunted Mask by R.L. Stein</a></p><p><a href="https://www.harpercollins.com/products/horror-movie-paul-tremblay?variant=41114522484770" rel="nofollow">Horror Movie by Paul Tremblay</a></p><p><a href="https://en.wikipedia.org/wiki/The_Cabin_in_the_Woods" rel="nofollow">Cabin in the Woods, directed by Drew Goddard</a></p><p><a href="https://www.thehauntologist.com/kristopher-woofter.html" rel="nofollow">“Watchers in the Woods” By Kristopher Woofer (in Reading Whedon, edited by Rhonda Wilcox, Tanya Cochran, Cynthea Masson, and David Lavery)</a></p><p><a href="https://plato.stanford.edu/entries/levinas/" rel="nofollow">Emmanuel Levinas</a> </p><p><a href="https://en.wikipedia.org/wiki/Georg_Wilhelm_Friedrich_Hegel" rel="nofollow">G.W.F. Hegel</a></p><p><a href="https://www.etymonline.com/word/wood" rel="nofollow">Etymology of the word “wood”</a></p><p><a href="https://www.instagram.com/reel/C9JuQsmqbSB/?igsh=MzRlODBiNWFlZA%3D%3D&utm_source=ig_web_copy_link" rel="nofollow">Capitalism song by Celine Tshika</a></p><p><a href="https://www.thematchboxri.com/" rel="nofollow">Parched shop in Providence, RI is run out of The Matchbox</a></p><p><a href="https://www.youtube.com/watch?v=0N_RO-jL-90" rel="nofollow">Philosophy warning by Epic Rap Battles of History</a></p><p> </p>]]></description>
                <content:encoded>&lt;p&gt;This episode of Horror Joy Brian and Jeff wander the dark hallways of meta-horror and ask whether we need a genre apocalypse to get beyond tired tropes of our favorite stories. Meta-horror shines a light on the structure of horror and how this leads to questions about both the audience of horror and the genre itself. &lt;/p&gt;&lt;p&gt;Join us as we attempt to step back and get a broader glimpse of the house of horror:&lt;/p&gt;&lt;p&gt;*We’ll take a quick nostalgic trip through &lt;em&gt;The Haunted Mask&lt;/em&gt;, an early Goosebumps title&lt;/p&gt;&lt;p&gt;*We’ll analyze the connections between &lt;em&gt;The&lt;/em&gt; &lt;em&gt;Haunted Mask&lt;/em&gt; and &lt;em&gt;Horror Movie&lt;/em&gt; by Paul Tremblay, including the use of masks, issues of identity, and intergenerational horror&lt;/p&gt;&lt;p&gt;*We’ll highlight the meta-horror aspects of &lt;em&gt;Horror Movie&lt;/em&gt; and Drew Goddard’s 2011 movie &lt;em&gt;Cabin in the Woods &lt;/em&gt;and question whether we need to hit a horror restart button.&lt;/p&gt;&lt;p&gt;Join us as we attempt to exorcise the ghosts of horror past and glimpse a potential future for the genre. Come for the horror. Stay for the Joy&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt; &lt;a href=&#34;https://edinburghuniversitypress.com/book-post-horror.html&#34; rel=&#34;nofollow&#34;&gt;Post Horror by David Church&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Haunted_Mask&#34; rel=&#34;nofollow&#34;&gt;The Haunted Mask by R.L. Stein&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.harpercollins.com/products/horror-movie-paul-tremblay?variant=41114522484770&#34; rel=&#34;nofollow&#34;&gt;Horror Movie by Paul Tremblay&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/The_Cabin_in_the_Woods&#34; rel=&#34;nofollow&#34;&gt;Cabin in the Woods, directed by Drew Goddard&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.thehauntologist.com/kristopher-woofter.html&#34; rel=&#34;nofollow&#34;&gt;“Watchers in the Woods” By Kristopher Woofer (in Reading Whedon, edited by Rhonda Wilcox, Tanya Cochran, Cynthea Masson, and David Lavery)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://plato.stanford.edu/entries/levinas/&#34; rel=&#34;nofollow&#34;&gt;Emmanuel Levinas&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Georg_Wilhelm_Friedrich_Hegel&#34; rel=&#34;nofollow&#34;&gt;G.W.F. Hegel&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.etymonline.com/word/wood&#34; rel=&#34;nofollow&#34;&gt;Etymology of the word “wood”&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.instagram.com/reel/C9JuQsmqbSB/?igsh=MzRlODBiNWFlZA%3D%3D&amp;utm_source=ig_web_copy_link&#34; rel=&#34;nofollow&#34;&gt;Capitalism song by Celine Tshika&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.thematchboxri.com/&#34; rel=&#34;nofollow&#34;&gt;Parched shop in Providence, RI is run out of The Matchbox&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=0N_RO-jL-90&#34; rel=&#34;nofollow&#34;&gt;Philosophy warning by Epic Rap Battles of History&lt;/a&gt;&lt;/p&gt;&lt;p&gt; &lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 15 Jul 2024 07:00:00 &#43;0000</pubDate>
                <itunes:duration>3474</itunes:duration>
                
                
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                <itunes:title>Horror (Un)masked: Paul Tremblay – a conversation with the author on his bestselling new release</itunes:title>
                <title>Horror (Un)masked: Paul Tremblay – a conversation with the author on his bestselling new release</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p><strong>This episode of Horror Joy marks our first-ever interview with a horror creator!</strong> Join Brian and Jeff as they delve into the mind of acclaimed author, Paul Tremblay, to dissect his chilling new novel, &#34;Horror Movie.&#34;</p><p><strong>Prepare to be enthralled as we discuss:</strong></p><p><strong>* Paul&#39;s personal experiences with both the joys and terrors of the horror genre.</strong></p><p><strong>* The profound impact the horror community has had on Paul&#39;s writing journey and career.</strong></p><p><strong>* The role of meta-horror and ambiguity in Paul&#39;s fiction, uncovering what sets his work apart.</strong></p><p><strong>* The power of horror to illuminate both societal issues and the psychology of those who consume these narratives.</strong></p><p><strong>So grab your cursed scripts and settle into your cozy cocoon as we navigate the rich, complex, and entertaining world of <em>Horror Movie.</em> Come for the horror; stay for the joy!</strong></p><p><a href="https://www.paultremblay.net/" rel="nofollow">Paul Tremblay</a></p><p><a href="https://www.youtube.com/watch?v=jA4d4sr4YCk" rel="nofollow">John Darnielle YouTube</a></p><p><a href="https://www.youtube.com/watch?v=DPFsuc_M_3E" rel="nofollow">Hitchcock on suspense</a></p><p><a href="https://www.youtube.com/watch?v=EQfrHkjvx6g" rel="nofollow">Husker Du – Something I Learned Today</a></p><p><a href="https://www.youtube.com/watch?v=DxKcEurO5jA" rel="nofollow">Husker Dü – Don’t Want to Know if You are Lonely</a></p><p><a href="https://www.youtube.com/watch?v=xe95sn0cN3k" rel="nofollow">Mummenschanz</a></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;This episode of Horror Joy marks our first-ever interview with a horror creator!&lt;/strong&gt; Join Brian and Jeff as they delve into the mind of acclaimed author, Paul Tremblay, to dissect his chilling new novel, &amp;#34;Horror Movie.&amp;#34;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Prepare to be enthralled as we discuss:&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;* Paul&amp;#39;s personal experiences with both the joys and terrors of the horror genre.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;* The profound impact the horror community has had on Paul&amp;#39;s writing journey and career.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;* The role of meta-horror and ambiguity in Paul&amp;#39;s fiction, uncovering what sets his work apart.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;* The power of horror to illuminate both societal issues and the psychology of those who consume these narratives.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;So grab your cursed scripts and settle into your cozy cocoon as we navigate the rich, complex, and entertaining world of &lt;em&gt;Horror Movie.&lt;/em&gt; Come for the horror; stay for the joy!&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.paultremblay.net/&#34; rel=&#34;nofollow&#34;&gt;Paul Tremblay&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=jA4d4sr4YCk&#34; rel=&#34;nofollow&#34;&gt;John Darnielle YouTube&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=DPFsuc_M_3E&#34; rel=&#34;nofollow&#34;&gt;Hitchcock on suspense&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=EQfrHkjvx6g&#34; rel=&#34;nofollow&#34;&gt;Husker Du – Something I Learned Today&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=DxKcEurO5jA&#34; rel=&#34;nofollow&#34;&gt;Husker Dü – Don’t Want to Know if You are Lonely&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=xe95sn0cN3k&#34; rel=&#34;nofollow&#34;&gt;Mummenschanz&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 01 Jul 2024 07:00:00 &#43;0000</pubDate>
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                <itunes:title>Oh, God - Religious Horror</itunes:title>
                <title>Oh, God - Religious Horror</title>

                
                
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>This episode of Horror Joy ventures into the unsettling realm of religious horror. Brian and Jeff explore the depths of this subgenre through a chilling double feature: A24&#39;s critically acclaimed &#39;Saint Maud&#39; (2019) and the recently released Neon film, &#39;Immaculate&#39; (2024).</p><p>Prepare to dissect some truly horrifying themes:</p><p>*We’ll<strong> </strong>analyze how both films explore the control exerted over the female body, through spectacle in &#39;Immaculate&#39; and denial in &#39;Saint Maud&#39;</p><p>*We’ll delve into the contrasting ways these films utilize both physical and supernatural elements to create dread</p><p>*We’ll explore the chilling impact of institutional control within a religious framework</p><p><strong>*</strong>We’ll work to uncover the difficult intellectual and emotional joys found in both films</p><p>So, light a candle and prepare for a haunting exploration of faith, fear, and the films that blur the line between them.</p><p><a href="https://a24films.com/films/saint-maud" rel="nofollow">St. Maud</a></p><p><a href="https://neonrated.com/films/immaculate" rel="nofollow">Immaculate</a></p><p><a href="https://www.google.com/books/edition/Getting_Medieval/P5mOHUJraPoC?hl=en" rel="nofollow">Carolyn Dinshaw</a> – Getting Medieval</p><p><a href="https://wgsi.utoronto.ca/person/s-trimble/" rel="nofollow">S. Trimble – A Demon Girl’s Guide to Life</a></p><p><a href="https://en.wikipedia.org/wiki/Teresa_of_%C3%81vila" rel="nofollow">St. Teresa of Ávila</a></p><p><a href="https://en.wikipedia.org/wiki/Lollardy" rel="nofollow">Lollards</a></p><p><a href="https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/abe56ece-1e54-46c8-9d34-fc4711ef0542" rel="nofollow">Horror Joy – We’re Gonna Need a Bigger Pod</a></p><p><a href="https://www.axios.com/local/phoenix/2024/04/17/arizona-1864-abortion-law-history" rel="nofollow">Arizona’s 1864 Abortion Law</a></p><p><a href="https://en.wikipedia.org/wiki/Controversies_about_Opus_Dei" rel="nofollow">Opus Dei</a></p><p><a href="https://www.google.com/books/edition/Powers_of_Horror/NCnoEAAAQBAJ?dq=abjection+of+horror&gbpv=1&hl=en&printsec=frontcover" rel="nofollow">Julia Kristeva – Powers of Horror: An Essay on Abjection</a></p><p><a href="https://academic.oup.com/book/11736/chapter-abstract/160727766?redirectedFrom=fulltext" rel="nofollow">Plato and Augustine on the body</a></p><p><a href="https://www.poetryfoundation.org/poets/william-blake" rel="nofollow">William Blake</a></p><p><a href="https://en.wikipedia.org/wiki/Rosemary%27s_Baby_(novel)" rel="nofollow">Rosemary’s Baby (Ira Levin)</a></p><p><a href="https://en.wikipedia.org/wiki/Affective_piety" rel="nofollow">Affective Piety</a></p>]]></description>
                <content:encoded>&lt;p&gt;This episode of Horror Joy ventures into the unsettling realm of religious horror. Brian and Jeff explore the depths of this subgenre through a chilling double feature: A24&amp;#39;s critically acclaimed &amp;#39;Saint Maud&amp;#39; (2019) and the recently released Neon film, &amp;#39;Immaculate&amp;#39; (2024).&lt;/p&gt;&lt;p&gt;Prepare to dissect some truly horrifying themes:&lt;/p&gt;&lt;p&gt;*We’ll&lt;strong&gt; &lt;/strong&gt;analyze how both films explore the control exerted over the female body, through spectacle in &amp;#39;Immaculate&amp;#39; and denial in &amp;#39;Saint Maud&amp;#39;&lt;/p&gt;&lt;p&gt;*We’ll delve into the contrasting ways these films utilize both physical and supernatural elements to create dread&lt;/p&gt;&lt;p&gt;*We’ll explore the chilling impact of institutional control within a religious framework&lt;/p&gt;&lt;p&gt;&lt;strong&gt;*&lt;/strong&gt;We’ll work to uncover the difficult intellectual and emotional joys found in both films&lt;/p&gt;&lt;p&gt;So, light a candle and prepare for a haunting exploration of faith, fear, and the films that blur the line between them.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://a24films.com/films/saint-maud&#34; rel=&#34;nofollow&#34;&gt;St. Maud&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://neonrated.com/films/immaculate&#34; rel=&#34;nofollow&#34;&gt;Immaculate&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.google.com/books/edition/Getting_Medieval/P5mOHUJraPoC?hl=en&#34; rel=&#34;nofollow&#34;&gt;Carolyn Dinshaw&lt;/a&gt; – Getting Medieval&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://wgsi.utoronto.ca/person/s-trimble/&#34; rel=&#34;nofollow&#34;&gt;S. Trimble – A Demon Girl’s Guide to Life&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Teresa_of_%C3%81vila&#34; rel=&#34;nofollow&#34;&gt;St. Teresa of Ávila&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Lollardy&#34; rel=&#34;nofollow&#34;&gt;Lollards&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://redcircle.com/shows/97996083-5fe9-41d5-824e-f069a412ed76/episodes/abe56ece-1e54-46c8-9d34-fc4711ef0542&#34; rel=&#34;nofollow&#34;&gt;Horror Joy – We’re Gonna Need a Bigger Pod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.axios.com/local/phoenix/2024/04/17/arizona-1864-abortion-law-history&#34; rel=&#34;nofollow&#34;&gt;Arizona’s 1864 Abortion Law&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Controversies_about_Opus_Dei&#34; rel=&#34;nofollow&#34;&gt;Opus Dei&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.google.com/books/edition/Powers_of_Horror/NCnoEAAAQBAJ?dq=abjection&#43;of&#43;horror&amp;gbpv=1&amp;hl=en&amp;printsec=frontcover&#34; rel=&#34;nofollow&#34;&gt;Julia Kristeva – Powers of Horror: An Essay on Abjection&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://academic.oup.com/book/11736/chapter-abstract/160727766?redirectedFrom=fulltext&#34; rel=&#34;nofollow&#34;&gt;Plato and Augustine on the body&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.poetryfoundation.org/poets/william-blake&#34; rel=&#34;nofollow&#34;&gt;William Blake&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Rosemary%27s_Baby_(novel)&#34; rel=&#34;nofollow&#34;&gt;Rosemary’s Baby (Ira Levin)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Affective_piety&#34; rel=&#34;nofollow&#34;&gt;Affective Piety&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 17 Jun 2024 07:00:00 &#43;0000</pubDate>
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                <itunes:title>Jaws - We&#39;re Gonna Need a Bigger Pod</itunes:title>
                <title>Jaws - We&#39;re Gonna Need a Bigger Pod</title>

                <itunes:episode>2</itunes:episode>
                <itunes:season>1</itunes:season>
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                <itunes:subtitle>Jaws</itunes:subtitle>
                
                <description><![CDATA[<p>This week on Horror Joy, Brian and Jeff dive headfirst into the churning waters of Steven Spielberg&#39;s classic, Jaws. We&#39;ll explore what makes this film a titan of terror, from John Williams&#39; unforgettable score to the lurking dread of a small island community. But Jaws isn&#39;t just about a giant shark. We&#39;ll also be dissecting the three major themes:</p><p>*An island paradise that becomes an isolated, exclusive community</p><p>*Performing masculinity and the environmental cost of unchecked ambition.</p><p>* The ecological nightmare of a displaced predator</p><p>So grab your floaties and prepare for a clumsy chase into the unknown. Come for the horror, stay for the joy.</p><p><br></p><p><a href="https://en.m.wikipedia.org/wiki/Gender_Trouble" rel="nofollow">Judith Butler - Gender as Performance</a></p><p><a href="https://www.feministpress.org/books-a-m/it-came-from-the-closet" rel="nofollow">Jen Corrigan – Three Men on a Boat</a></p><p><a href="https://www.penguinrandomhouse.com/books/55026/discipline-and-punish-by-michel-foucault-and-alan-sheridan/" rel="nofollow">Surveillance – Discipline and Punish by Michel Foucault</a></p><p><a href="https://web.mit.edu/allanmc/www/freud1.pdf" rel="nofollow">Sigmund Freud – The Uncanny</a></p><p><a href="https://www.researchgate.net/publication/273793942_The_Jaws_Effect_How_movie_narratives_are_used_to_influence_policy_responses_to_shark_bites_in_Western_Australia" rel="nofollow">Christopher Neff - The Jaws Effect</a></p><p><a href="https://www.euppublishing.com/doi/abs/10.7227/GS.0014" rel="nofollow">Nicole Neff – The Belly of the Beast: The Uncanny Shark</a></p>]]></description>
                <content:encoded>&lt;p&gt;This week on Horror Joy, Brian and Jeff dive headfirst into the churning waters of Steven Spielberg&amp;#39;s classic, Jaws. We&amp;#39;ll explore what makes this film a titan of terror, from John Williams&amp;#39; unforgettable score to the lurking dread of a small island community. But Jaws isn&amp;#39;t just about a giant shark. We&amp;#39;ll also be dissecting the three major themes:&lt;/p&gt;&lt;p&gt;*An island paradise that becomes an isolated, exclusive community&lt;/p&gt;&lt;p&gt;*Performing masculinity and the environmental cost of unchecked ambition.&lt;/p&gt;&lt;p&gt;* The ecological nightmare of a displaced predator&lt;/p&gt;&lt;p&gt;So grab your floaties and prepare for a clumsy chase into the unknown. Come for the horror, stay for the joy.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.m.wikipedia.org/wiki/Gender_Trouble&#34; rel=&#34;nofollow&#34;&gt;Judith Butler - Gender as Performance&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.feministpress.org/books-a-m/it-came-from-the-closet&#34; rel=&#34;nofollow&#34;&gt;Jen Corrigan – Three Men on a Boat&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.penguinrandomhouse.com/books/55026/discipline-and-punish-by-michel-foucault-and-alan-sheridan/&#34; rel=&#34;nofollow&#34;&gt;Surveillance – Discipline and Punish by Michel Foucault&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://web.mit.edu/allanmc/www/freud1.pdf&#34; rel=&#34;nofollow&#34;&gt;Sigmund Freud – The Uncanny&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.researchgate.net/publication/273793942_The_Jaws_Effect_How_movie_narratives_are_used_to_influence_policy_responses_to_shark_bites_in_Western_Australia&#34; rel=&#34;nofollow&#34;&gt;Christopher Neff - The Jaws Effect&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.euppublishing.com/doi/abs/10.7227/GS.0014&#34; rel=&#34;nofollow&#34;&gt;Nicole Neff – The Belly of the Beast: The Uncanny Shark&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <itunes:title>Episode 1 - What is Horror Joy?</itunes:title>
                <title>Episode 1 - What is Horror Joy?</title>

                <itunes:episode>1</itunes:episode>
                <itunes:season>1</itunes:season>
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>*In this episode we introduce the idea of Horror Joy and discuss how we have found joy in horror as professors.</p><p>*We take a trip down childhood chills with a discussion of our shared love for Goosebumps, Stephen King, and how nostalgia and joy mix.</p><p>*Jeff recounts his introduction to horror through old black and white movies and his recent viewing of Willow Creek, while Brian describes a late blooming interest in horror movies and his love for It Follows.</p><p>*The episode finishes with a brief discussion of The Blair Witch Project, exploring how our geographical backgrounds shape our reactions to horror.</p><p>*If you want to jump into our analysis, head over to episode 2 where we discuss Jaws. Otherwise, come for the horror. Stay for the joy.</p><p> </p><p><a href="https://www.imdb.com/title/tt2885364/" rel="nofollow">Willow Creek</a></p><p><a href="https://www.imdb.com/title/tt3235888/" rel="nofollow">It Follows</a></p><p><a href="https://www.imdb.com/title/tt0185937/" rel="nofollow">The Blair Witch Project</a></p><p><a href="https://www.dukeupress.edu/staying-with-the-trouble" rel="nofollow">Donna Haraway: Staying with the Trouble</a></p>]]></description>
                <content:encoded>&lt;p&gt;*In this episode we introduce the idea of Horror Joy and discuss how we have found joy in horror as professors.&lt;/p&gt;&lt;p&gt;*We take a trip down childhood chills with a discussion of our shared love for Goosebumps, Stephen King, and how nostalgia and joy mix.&lt;/p&gt;&lt;p&gt;*Jeff recounts his introduction to horror through old black and white movies and his recent viewing of Willow Creek, while Brian describes a late blooming interest in horror movies and his love for It Follows.&lt;/p&gt;&lt;p&gt;*The episode finishes with a brief discussion of The Blair Witch Project, exploring how our geographical backgrounds shape our reactions to horror.&lt;/p&gt;&lt;p&gt;*If you want to jump into our analysis, head over to episode 2 where we discuss Jaws. Otherwise, come for the horror. Stay for the joy.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt2885364/&#34; rel=&#34;nofollow&#34;&gt;Willow Creek&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt3235888/&#34; rel=&#34;nofollow&#34;&gt;It Follows&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.imdb.com/title/tt0185937/&#34; rel=&#34;nofollow&#34;&gt;The Blair Witch Project&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.dukeupress.edu/staying-with-the-trouble&#34; rel=&#34;nofollow&#34;&gt;Donna Haraway: Staying with the Trouble&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 03 Jun 2024 07:00:00 &#43;0000</pubDate>
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                <itunes:duration>1046</itunes:duration>
                
                
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                <itunes:title>Trailer</itunes:title>
                <title>Trailer</title>

                
                <itunes:season>1</itunes:season>
                <itunes:author>Brian Onishi &#43; Jeffery Stoyanoff</itunes:author>
                
                <description><![CDATA[<p>Horror Joy is a podcast by two university professors who take a deep dive into the world of horror. Join us as we seek to find joy, even in horror. </p>]]></description>
                <content:encoded>&lt;p&gt;Horror Joy is a podcast by two university professors who take a deep dive into the world of horror. Join us as we seek to find joy, even in horror. &lt;/p&gt;</content:encoded>
                
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                <pubDate>Tue, 21 May 2024 16:00:00 &#43;0000</pubDate>
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