RedCircle VERIFY_TOKEN_6dc8844f-1e6a-40b5-a636-fb10c5d1c52e -- Rendered At Tue, 22 Sep 2026 05:45:19 +0000 Viral Theatre Podcast https://redcircle.com/shows/viral-theatre-podcast en-US All rights reserved. Heidi Liedke and Monika Pietrzak-Franger Welcome to the Viral Theatre Podcast, a series of episodes based on our hybrid conference on the topic which took place from 21-23 July 2021 and was sponsored by the Volkswagen-Foundation. -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- https://postcovidarts.com/ https://www.volkswagenstiftung.de/ ------------------------------------------------------------- In our first season, we well publish four episodes - one episode every three weeks. Follow us and stay tuned! Concept and idea: Heidi Liedke (University of Koblenz-Landau / Email: liedke-heidi@uni-landau.de / Twitter: @heidilulie) Monika Pietrzak-Franger (University of Vienna / Email: monika.pietrzak-franger@univie.ac.at / Twitter: @franger_monika) Editing: Paula Scheschonka Poster design: Carolin Haša 6dc8844f-1e6a-40b5-a636-fb10c5d1c52e Welcome to the Viral Theatre Podcast, a series of episodes based on our hybrid conference on the topic which took place from 21-23 July 2021 and was sponsored by the Volkswagen-Foundation.

https://postcovidarts.com/ https://www.volkswagenstiftung.de/


In our first season, we well publish four episodes - one episode every three weeks. Follow us and stay tuned!


Concept and idea:

Heidi Liedke (University of Koblenz-Landau / Email: liedke-heidi@uni-landau.de/ Twitter: @heidilulie)

Monika Pietrzak-Franger (University of Vienna / Email: monika.pietrzak-franger@univie.ac.at / Twitter: @franger_monika)


Editing:

Paula Scheschonka


Poster design:

Carolin Haša

]]> episodic no Heidi Liedke and Monika Pietrzak-Franger heidi.lu.liedke@gmail.com false full Episode 4 - Viral Theatre Podcast Episode 4 - Viral Theatre Podcast 4 Heidi Liedke and Monika Pietrzak-Franger Episode 4: An edited version of the final roundtable discussion on „Post-COVID-19 Art Worlds: New Challenges“ with Lucy Askew, Anna Burzynska, Josh Edelman, and Cornelius Puschke, chaired by Eckart Voigts.

]]> <p>Episode 4: An edited version of the final roundtable discussion on „Post-COVID-19 Art Worlds: New Challenges“ with Lucy Askew, Anna Burzynska, Josh Edelman, and Cornelius Puschke, chaired by Eckart Voigts.</p> f1599a97-f5a7-4fd6-93f7-b2f7bc1d8cfc https://redcircle.com/shows/6dc8844f-1e6a-40b5-a636-fb10c5d1c52e/episodes/8af47796-d8aa-4e52-83a2-30ed2f58035a Tue, 17 May 2022 15:47:18 +0000 4383 false full Episode 3 - Viral Theatre Podcast Episode 3 - Viral Theatre Podcast 3 Heidi Liedke and Monika Pietrzak-Franger Episode 3: Jane Macnaughton presents her paper on „The Past, Present and Future of COVID-19: The Role of Medical Humanities“

]]> <p>Episode 3: Jane Macnaughton presents her paper on „The Past, Present and Future of COVID-19: The Role of Medical Humanities“</p> 1655d53b-c4a0-4f9e-ba35-9e9e20c14826 https://redcircle.com/shows/6dc8844f-1e6a-40b5-a636-fb10c5d1c52e/episodes/6adc5e42-0efc-4ec7-b9fd-d144c49511c5 Tue, 26 Apr 2022 15:45:55 +0000 1857 false full Episode 2 - Viral Theatre Podcast Episode 2 - Viral Theatre Podcast Heidi Liedke and Monika Pietrzak-Franger Episode 2: Sarah Bay-Cheng presents her paper on „Theatre Without Theatre: Performance Transmission as Translation“. In her talk, she introduces the concept of translation to describe the adaptation of theatre for the digital medium and highlights the essential but often neglected work of the ’translator’ in digital performance. While digitalisation might be essential for theatre’s future, the translation of digital theatre is also characterised by what she referred to as “monstrous loss”: it highlights its own gaps and failures and what ‘gets lost in translation’ but also shows what labour and technology is needed to make it possible. Citing Erika Fischer-Lichte’s blatant rejection of digital theatre, Sarah Bay-Cheng‘s talk also asks two key questions for any study of viral theatre: “What is the relevance of liveness?” and “What are alternative ways and spaces in which liveness can be created?“

]]> <p>Episode 2: Sarah Bay-Cheng presents her paper on „Theatre Without Theatre: Performance Transmission as Translation“. In her talk, she introduces the concept of translation to describe the adaptation of theatre for the digital medium and highlights the essential but often neglected work of the ’translator’ in digital performance. While digitalisation might be essential for theatre’s future, the translation of digital theatre is also characterised by what she referred to as “monstrous loss”: it highlights its own gaps and failures and what ‘gets lost in translation’ but also shows what labour and technology is needed to make it possible. Citing Erika Fischer-Lichte’s blatant rejection of digital theatre, Sarah Bay-Cheng‘s talk also asks two key questions for any study of viral theatre: “What is the relevance of liveness?” and “What are alternative ways and spaces in which liveness can be created?“</p> 00880217-d292-4e44-aaf5-0529f2cbdb23 https://redcircle.com/shows/6dc8844f-1e6a-40b5-a636-fb10c5d1c52e/episodes/b8b8fd12-261c-4565-9cf9-8b9e0573c8ed Tue, 05 Apr 2022 15:45:14 +0000 2600 false full Episode 1 - Viral Theatre Podcast Episode 1 - Viral Theatre Podcast 1 Heidi Liedke and Monika Pietrzak-Franger Episode 1: Heidi Liedke and Monika Pietrzak-Franger provide an introduction to the key concepts of viral theatre and talk about theatrical liveness and communality in times of social distancing.


Bibliography

Aebischer, Pascale. Viral Shakespeare. Performance in the Time of Pandemic. Cambridge: Cambridge UP, 2021.

Aebischer, Pascale and Rachael Nicholas. Digital Theatre Transformation: A Case Study and Digital Toolkit. University of Exeter, 14 Aug. 2020. Web. 28 Nov. 2020. <http://hdl.handle.net/10871/122587>.

Artaud, Antonin. „The Theatre and the Plague.“ The Theatre and Its Double. Trans. Victor Corti. Surrey: Alma Books, 2010. 9-20.

Auslander, Philip. Performance in a Mediatized Culture. London: Routledge, 2008.

Couldry, Nick. „Liveness, ‚Reality,‘ and the Mediated Habitus from Television to the Mobile Phone.“ The Communication Review 7.4 (2004): 353-361.

Felton-Dansky, Miriam. Viral Performance: Contagious Theatres from Modernism to Digital Age. Evanston: Northwestern UP, 2018.

Fischer-Lichte, Erika. Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre. London: Routledge, 2005.

Hutchby, Ian, and Simone Barnett. „Aspects of the Sequential Organization of Mobile Phone Conversation.“ Discourse Studies 7.2 (2005): 147-171.

Klier, Helmar, ed. Theaterwissenschaft im deutschsprachigen Raum. Darmstadt: Wissenschaftliche Buchgesellschaft, 1981.

Liedke, Heidi and Monika Pietrzak-Franger. „Viral Theatre: Preliminary Thoughts on the Impact of the COVID-19 Pandemic on Online Theatre.“ JCDE 9.1 (2021): 128-144.

Liedke, Heidi. Review of Antony and Cleopatra (NT At Home). Shakespeare Bulletin 39.1 (2021): 151-155.

Meyer-Dinkgräfe, Daniel. „Liveness: Phelan, Auslander, and After.“ Journal of Dramatic Theory and Criticism 29.2 (2015): 69-79.

Plato. The Republic. Trans. Desmond Lee. New York: Penguin, 1987.

van Es, Karin. „Liveness Redux: On Media and Their Claim to Be Live.“ Media, Culture & Society 39.8 (2017): 1245-1256.

]]> <p>Episode 1: Heidi Liedke and Monika Pietrzak-Franger provide an introduction to the key concepts of viral theatre and talk about theatrical liveness and communality in times of social distancing.</p><p><br></p><p><u>Bibliography</u></p><p>Aebischer, Pascale. <em>Viral Shakespeare</em>. <em>Performance in the Time of Pandemic</em>. Cambridge: Cambridge UP, 2021.</p><p>Aebischer, Pascale and Rachael Nicholas. <em>Digital Theatre Transformation: A Case Study and Digital Toolkit.</em> University of Exeter, 14 Aug. 2020. Web. 28 Nov. 2020. &lt;http://hdl.handle.net/10871/122587&gt;.</p><p>Artaud, Antonin. „The Theatre and the Plague.“ <em>The Theatre and Its Double. </em>Trans. Victor Corti. Surrey: Alma Books, 2010. 9-20.</p><p>Auslander, Philip. <em>Performance in a Mediatized Culture</em>. London: Routledge, 2008.</p><p>Couldry, Nick. „Liveness, ‚Reality,‘ and the Mediated Habitus from Television to the Mobile Phone.“ <em>The Communication Review</em> 7.4 (2004): 353-361.</p><p>Felton-Dansky, Miriam. <em>Viral Performance: Contagious Theatres from Modernism to Digital Age.</em> Evanston: Northwestern UP, 2018.</p><p>Fischer-Lichte, Erika. <em>Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre.</em> London: Routledge, 2005.</p><p>Hutchby, Ian, and Simone Barnett. „Aspects of the Sequential Organization of Mobile Phone Conversation.“ <em>Discourse Studies</em> 7.2 (2005): 147-171.</p><p>Klier, Helmar, ed. <em>Theaterwissenschaft im deutschsprachigen Raum</em>. Darmstadt: Wissenschaftliche Buchgesellschaft, 1981.</p><p>Liedke, Heidi and Monika Pietrzak-Franger. „Viral Theatre: Preliminary Thoughts on the Impact of the COVID-19 Pandemic on Online Theatre.“ <em>JCDE</em> 9.1 (2021): 128-144.</p><p>Liedke, Heidi. Review of <em>Antony and Cleopatra</em> (NT At Home). <em>Shakespeare Bulletin </em>39.1 (2021): 151-155.</p><p>Meyer-Dinkgräfe, Daniel. „Liveness: Phelan, Auslander, and After.“ <em>Journal of Dramatic Theory and Criticism</em> 29.2 (2015): 69-79.</p><p>Plato. <em>The Republic. </em>Trans. Desmond Lee. New York: Penguin, 1987.</p><p>van Es, Karin. „Liveness Redux: On Media and Their Claim to Be Live.“ <em>Media, Culture &amp; Society</em> 39.8 (2017): 1245-1256.</p> 8d26cfa4-4f01-497d-a8b7-0f21924662d4 https://redcircle.com/shows/6dc8844f-1e6a-40b5-a636-fb10c5d1c52e/episodes/01ffcb00-da20-44af-80bd-90c48aed0513 Mon, 14 Mar 2022 16:44:03 +0000 1910 false