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        <title>REBELITERATURE PODCAST</title>
        <link>https://redcircle.com/shows/rebeliterature-podcast</link>
        <language>en-US</language>
        <copyright>All rights reserved.</copyright>
        <itunes:author>Aindriú ÓDomhnaill</itunes:author>
        <itunes:summary>Welcome to REBELITERATURE! You have come to the latest content platform for the poet Aindriú ÓDomhnaill. It is an interactive space with a very vanguard attitude to literature, literary history, and history more generally. No longer is literature tamed to post-modern or philosophically liberal principles, or even conventionally modernist literary principles.</itunes:summary>
        <podcast:guid>394b6383-d173-43ef-9d56-32ac840ec09f</podcast:guid>
        
        <description><![CDATA[<p>Welcome to REBELITERATURE! You have come to the latest content platform for the poet Aindriú ÓDomhnaill. It is an interactive space with a very vanguard attitude to literature, literary history, and history more generally. No longer is literature tamed to post-modern or philosophically liberal principles, or even conventionally modernist literary principles. </p>]]></description>
        
        <itunes:type>episodic</itunes:type>
        <podcast:locked>no</podcast:locked>
        <itunes:owner>
            <itunes:name>Aindriú ÓDomhnaill</itunes:name>
            <itunes:email>apogeowebsites@gmail.com</itunes:email>
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                <itunes:title>31. More Problems in the Daljit Nagra Ethos</itunes:title>
                <title>31. More Problems in the Daljit Nagra Ethos</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Analysis of a presentation given by Daljit Nagra in 2017 on the topic of his first collection; &#39;Look We Have Coming to Dover&#39;. Given that my last podcast on Nagra&#39;s poetry was from this first book I thought to provide commentary on the presentation, to further give context to my initial comments on the poem &#39;Digging&#39;.</p>]]></description>
                <content:encoded>&lt;p&gt;Analysis of a presentation given by Daljit Nagra in 2017 on the topic of his first collection; &amp;#39;Look We Have Coming to Dover&amp;#39;. Given that my last podcast on Nagra&amp;#39;s poetry was from this first book I thought to provide commentary on the presentation, to further give context to my initial comments on the poem &amp;#39;Digging&amp;#39;.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 02 Feb 2026 18:27:30 &#43;0000</pubDate>
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                <itunes:title>30. Daljit Nagra&#39;s &#39;Digging&#39;; The Multicultural Agon</itunes:title>
                <title>30. Daljit Nagra&#39;s &#39;Digging&#39;; The Multicultural Agon</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>In this podcast I investigate an early poem by the Faber poet Daljit Nagra, compare it with the poem by Seamus Heaney it was inspired by,, and ruminate on issues of multiculturalism in 21st Century poetry.</p>]]></description>
                <content:encoded>&lt;p&gt;In this podcast I investigate an early poem by the Faber poet Daljit Nagra, compare it with the poem by Seamus Heaney it was inspired by,, and ruminate on issues of multiculturalism in 21st Century poetry.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Thu, 29 Jan 2026 17:02:26 &#43;0000</pubDate>
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                <itunes:duration>4053</itunes:duration>
                
                
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                <itunes:title>29. Colin Wilson&#39;s &#39;The Angry Years&#39;</itunes:title>
                <title>29. Colin Wilson&#39;s &#39;The Angry Years&#39;</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Tying up some loose ends from previous podcasts, but also this is a podcast on coming to terms with what mid-century literature in Britain was, in all its ragged subversions. Doris Lessing, Kenneth Tynan, John Osborne, Kingsley Amis, Lindsay Anderson, Bill Hopkins, Wilson himself. I will follow this up with some more research on the background to the &#39;Declaration&#39; anthology</p>]]></description>
                <content:encoded>&lt;p&gt;Tying up some loose ends from previous podcasts, but also this is a podcast on coming to terms with what mid-century literature in Britain was, in all its ragged subversions. Doris Lessing, Kenneth Tynan, John Osborne, Kingsley Amis, Lindsay Anderson, Bill Hopkins, Wilson himself. I will follow this up with some more research on the background to the &amp;#39;Declaration&amp;#39; anthology&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 17 Jan 2026 21:31:00 &#43;0000</pubDate>
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                <itunes:duration>7624</itunes:duration>
                
                
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                <itunes:title>28. The Nowhere People; Civic Nationalists vs. Ethnonationalism</itunes:title>
                <title>28. The Nowhere People; Civic Nationalists vs. Ethnonationalism</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Commentary on my last year of watching Civic Nationalism finally implode as a movement regarding the immigration problem. This recording will serve as a summary of my year watching content from Nick Fuentes, Academic Agent, Candace Owens, The Podcast of the Lotus Eaters and Steve Laws&#39; &#39;Remigration Now&#39; debate. The concerns? How indigenous nationalism gets co-opted into mainstream debate on immigration, and how Laws is avoiding it with genuine ethno-nationalist talking points.</p>]]></description>
                <content:encoded>&lt;p&gt;Commentary on my last year of watching Civic Nationalism finally implode as a movement regarding the immigration problem. This recording will serve as a summary of my year watching content from Nick Fuentes, Academic Agent, Candace Owens, The Podcast of the Lotus Eaters and Steve Laws&amp;#39; &amp;#39;Remigration Now&amp;#39; debate. The concerns? How indigenous nationalism gets co-opted into mainstream debate on immigration, and how Laws is avoiding it with genuine ethno-nationalist talking points.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 07 Jan 2026 09:55:11 &#43;0000</pubDate>
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                <itunes:title>27. Bill Hopkins, The Crusade for World Government, Colin Wilson&#39;s Beyond the Outsider</itunes:title>
                <title>27. Bill Hopkins, The Crusade for World Government, Colin Wilson&#39;s Beyond the Outsider</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>In which I follow up on some threads from the previous podcast. I focus on Bill Hopkins&#39; mention of &#39;The Crusade for World Government&#39;, my research possibly connecting it to the Fabians and The London School of Economics, as well as looking at other writers from the &#39;Declaration&#39; anthology of 1957, most notably Colin Wilson&#39;s then-credo; &#39;Beyond the Outsider&#39;.</p>]]></description>
                <content:encoded>&lt;p&gt;In which I follow up on some threads from the previous podcast. I focus on Bill Hopkins&amp;#39; mention of &amp;#39;The Crusade for World Government&amp;#39;, my research possibly connecting it to the Fabians and The London School of Economics, as well as looking at other writers from the &amp;#39;Declaration&amp;#39; anthology of 1957, most notably Colin Wilson&amp;#39;s then-credo; &amp;#39;Beyond the Outsider&amp;#39;.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 02 Jan 2026 20:53:35 &#43;0000</pubDate>
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                <itunes:title>26. Bill Hopkins&#39; &#39;Ways Without a Precedent&#39;</itunes:title>
                <title>26. Bill Hopkins&#39; &#39;Ways Without a Precedent&#39;</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Reading of Bill Hopkins&#39; rare article from 1957, in which he expounds his ideas regarding the inherent power of Western literature in contrast to the dearth of valuable literary content at mid-century. His critique involved an almost total dismissal of all modern literature of the twentieth century (as my own feelings concur with that theme as the twentieth century moves into the twenty first century). I will continue my thoughts on Bill Hopkins in a future podcast on his novel &#39;The Divine and the Decay&#39;.and relate the content of the novel back to this material. You can find &#39;The Divine and the Decay&#39;/&#39;The Leap&#39; at <a href="http://www.archive.org" rel="nofollow">archive.org</a></p>]]></description>
                <content:encoded>&lt;p&gt;Reading of Bill Hopkins&amp;#39; rare article from 1957, in which he expounds his ideas regarding the inherent power of Western literature in contrast to the dearth of valuable literary content at mid-century. His critique involved an almost total dismissal of all modern literature of the twentieth century (as my own feelings concur with that theme as the twentieth century moves into the twenty first century). I will continue my thoughts on Bill Hopkins in a future podcast on his novel &amp;#39;The Divine and the Decay&amp;#39;.and relate the content of the novel back to this material. You can find &amp;#39;The Divine and the Decay&amp;#39;/&amp;#39;The Leap&amp;#39; at &lt;a href=&#34;http://www.archive.org&#34; rel=&#34;nofollow&#34;&gt;archive.org&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sun, 07 Dec 2025 15:49:52 &#43;0000</pubDate>
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                <itunes:title>25. Julian Jaynes, The Bridgend Suicides, Monolingualism</itunes:title>
                <title>25. Julian Jaynes, The Bridgend Suicides, Monolingualism</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>A backward glance at the youtube video entitled Calasso&#39;s Rig Veda with a very fresh conspiratorial take on Julian Jaynes&#39; theory re; Homer&#39;s &#39;Iliad&#39;. This leads on to some further speculation about the evolution of language, and revised judgemants on the works of D.H. Lawrence and James Joyce through Wyndham Lewis&#39; &#34;Hitler&#34;.</p>]]></description>
                <content:encoded>&lt;p&gt;A backward glance at the youtube video entitled Calasso&amp;#39;s Rig Veda with a very fresh conspiratorial take on Julian Jaynes&amp;#39; theory re; Homer&amp;#39;s &amp;#39;Iliad&amp;#39;. This leads on to some further speculation about the evolution of language, and revised judgemants on the works of D.H. Lawrence and James Joyce through Wyndham Lewis&amp;#39; &amp;#34;Hitler&amp;#34;.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 06 Dec 2025 16:47:53 &#43;0000</pubDate>
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                <itunes:title>24. David Icke Among the Nationalists</itunes:title>
                <title>24. David Icke Among the Nationalists</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Those familiar with my youtube and rumble channels (and even going back to The Fiend beginning in 2010) will know my interest in David Icke&#39;s material. Here I attempt to critique some of the problems I have with David Icke&#39;s work in detail. The conspiracy researcher (particularly of the boomer and great generations) will have very little knowledge of the Western nationalist movements that sprung up in the West between Ron Paul&#39;s bid for leadership and Trump&#39;s presidential campaign... or if he/she does they will rarely go into the weeds on them, and definitely NOT risk discussions of race and the Jewish Question in any direct way. Herein lies the problem. For some like myself who wish to straddle the conspiracy sphere of the early 21st century and the newer nationalist movements one will be accused of one thing or another along the way. Still, the older conspiracists fail, in my view, to directly promote ethnostatism directly, and that this constitutes the unravelling of the cultural and ethnic underpinnings of the West in general.</p><p>And while, in my view, Icke has turned out to be correct in being sceptical of Trump, he has also always shirked questions of race and direct political solutions and overly simplified revisionist studies of the 2nd World War lest he be accused of racism, Nazism etc. One understands that it will always simply be the cry of the metaphysically unitarian &#39;non-consent&#39; he offers as solution, and that this is not enough to address with nuance all that is occurring in the West currently.</p>]]></description>
                <content:encoded>&lt;p&gt;Those familiar with my youtube and rumble channels (and even going back to The Fiend beginning in 2010) will know my interest in David Icke&amp;#39;s material. Here I attempt to critique some of the problems I have with David Icke&amp;#39;s work in detail. The conspiracy researcher (particularly of the boomer and great generations) will have very little knowledge of the Western nationalist movements that sprung up in the West between Ron Paul&amp;#39;s bid for leadership and Trump&amp;#39;s presidential campaign... or if he/she does they will rarely go into the weeds on them, and definitely NOT risk discussions of race and the Jewish Question in any direct way. Herein lies the problem. For some like myself who wish to straddle the conspiracy sphere of the early 21st century and the newer nationalist movements one will be accused of one thing or another along the way. Still, the older conspiracists fail, in my view, to directly promote ethnostatism directly, and that this constitutes the unravelling of the cultural and ethnic underpinnings of the West in general.&lt;/p&gt;&lt;p&gt;And while, in my view, Icke has turned out to be correct in being sceptical of Trump, he has also always shirked questions of race and direct political solutions and overly simplified revisionist studies of the 2nd World War lest he be accused of racism, Nazism etc. One understands that it will always simply be the cry of the metaphysically unitarian &amp;#39;non-consent&amp;#39; he offers as solution, and that this is not enough to address with nuance all that is occurring in the West currently.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 10 Oct 2025 11:12:15 &#43;0000</pubDate>
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                <itunes:title>23. The Poetry of Strength and Other Demarcations</itunes:title>
                <title>23. The Poetry of Strength and Other Demarcations</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Another revisionist take on my views regarding certain American poets promoted in the early entries of The Fiend magazine via a piece on American poetry by Philip Lamantia from his book of prose; &#39;Preserving Fire&#39; (criticising from the the left, while I would criticise from the right). Who is saved from this strange melange of mid-century poets? Very few, unfortunately.</p>]]></description>
                <content:encoded>&lt;p&gt;Another revisionist take on my views regarding certain American poets promoted in the early entries of The Fiend magazine via a piece on American poetry by Philip Lamantia from his book of prose; &amp;#39;Preserving Fire&amp;#39; (criticising from the the left, while I would criticise from the right). Who is saved from this strange melange of mid-century poets? Very few, unfortunately.&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 15 Aug 2025 10:54:50 &#43;0000</pubDate>
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                <itunes:title>22. The Dark Side of Jack Gilbert</itunes:title>
                <title>22. The Dark Side of Jack Gilbert</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Jack Gilbert was one of the most celebrated poets of late 20th Century America. How many know that he co-wrote erotic books? Or, indeed, books that included bestiality, incest and pedophilia? This time I delve into that dark side, and suggest that there is something very disturbing about the person responsible for these writings.</p><p>Links to the material I used for this presentation are below. The book reviews I looked at were on amazon.co.uk. Search under the pseudonym Tor Kung, and &#39;Forever Ecstacy&#39; and &#39;My Mother Taught Me&#39;, at that site, as the urls are too long to paste in here. This video is age-restricted and not for minors!</p><p><a href="https://www.theparisreview.org/blog/2015/02/18/my-mother-taught-me/" rel="nofollow">https://www.theparisreview.org/blog/2015/02/18/my-mother-taught-me/</a></p><p><a href="https://www.theparisreview.org/interviews/5583/the-art-of-poetry-no-91-jack-gilbert" rel="nofollow">https://www.theparisreview.org/interviews/5583/the-art-of-poetry-no-91-jack-gilbert</a></p><p>The poem I discuss, &#39;Moment of Grace&#39; is here:</p><p><a href="https://tzajic.tripod.com/grace.html" rel="nofollow">https://tzajic.tripod.com/grace.html</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Jack Gilbert was one of the most celebrated poets of late 20th Century America. How many know that he co-wrote erotic books? Or, indeed, books that included bestiality, incest and pedophilia? This time I delve into that dark side, and suggest that there is something very disturbing about the person responsible for these writings.&lt;/p&gt;&lt;p&gt;Links to the material I used for this presentation are below. The book reviews I looked at were on amazon.co.uk. Search under the pseudonym Tor Kung, and &amp;#39;Forever Ecstacy&amp;#39; and &amp;#39;My Mother Taught Me&amp;#39;, at that site, as the urls are too long to paste in here. This video is age-restricted and not for minors!&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.theparisreview.org/blog/2015/02/18/my-mother-taught-me/&#34; rel=&#34;nofollow&#34;&gt;https://www.theparisreview.org/blog/2015/02/18/my-mother-taught-me/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.theparisreview.org/interviews/5583/the-art-of-poetry-no-91-jack-gilbert&#34; rel=&#34;nofollow&#34;&gt;https://www.theparisreview.org/interviews/5583/the-art-of-poetry-no-91-jack-gilbert&lt;/a&gt;&lt;/p&gt;&lt;p&gt;The poem I discuss, &amp;#39;Moment of Grace&amp;#39; is here:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://tzajic.tripod.com/grace.html&#34; rel=&#34;nofollow&#34;&gt;https://tzajic.tripod.com/grace.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Tue, 19 Nov 2024 15:59:54 &#43;0000</pubDate>
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                <itunes:title>21. The Protocols of the Learned Elders of Zion, Part Four</itunes:title>
                <title>21. The Protocols of the Learned Elders of Zion, Part Four</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Final sections from &#39;The Protocols of the Learned Elders of Zion&#39; with commentary, and a certain amount of summing up. Also, a reading from a few sections of Ezra Pound&#39;s &#39;Hugh Selwyn Mauberley&#39; (sans the Greek!) for the atmosphere of 1920.</p><p>Read along with the pdf if you wish:</p><p><a href="https://archive.org/details/bib_fict_4103104" rel="nofollow">https://archive.org/details/bib_fict_4103104</a></p><p>paypalme/aindriuodomhnaill</p><p><a href="https://patreon.com/aindriuodomhnaill" rel="nofollow">https://patreon.com/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Final sections from &amp;#39;The Protocols of the Learned Elders of Zion&amp;#39; with commentary, and a certain amount of summing up. Also, a reading from a few sections of Ezra Pound&amp;#39;s &amp;#39;Hugh Selwyn Mauberley&amp;#39; (sans the Greek!) for the atmosphere of 1920.&lt;/p&gt;&lt;p&gt;Read along with the pdf if you wish:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://archive.org/details/bib_fict_4103104&#34; rel=&#34;nofollow&#34;&gt;https://archive.org/details/bib_fict_4103104&lt;/a&gt;&lt;/p&gt;&lt;p&gt;paypalme/aindriuodomhnaill&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://patreon.com/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;https://patreon.com/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sun, 10 Nov 2024 15:31:53 &#43;0000</pubDate>
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                <itunes:duration>4030</itunes:duration>
                
                
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                <itunes:title>20. The Protocols of the Learned Elders of Zion, Part Three</itunes:title>
                <title>20. The Protocols of the Learned Elders of Zion, Part Three</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Continuing on with a reading and commentary from the middle of this short book, published in 1920. One more video will be added to finish off the series. Here&#39;s the text, should you want to follow along:</p><p><a href="https://archive.org/details/bib_fict_4103104/page/80/mode/2up?view=theater" rel="nofollow">https://archive.org/details/bib_fict_4103104/page/80/mode/2up?view=theater</a></p><p>paypalme/aindriuodomhnaill</p><p><a href="https://patreon.com/aindriuodomhnaill" rel="nofollow">https://patreon.com/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Continuing on with a reading and commentary from the middle of this short book, published in 1920. One more video will be added to finish off the series. Here&amp;#39;s the text, should you want to follow along:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://archive.org/details/bib_fict_4103104/page/80/mode/2up?view=theater&#34; rel=&#34;nofollow&#34;&gt;https://archive.org/details/bib_fict_4103104/page/80/mode/2up?view=theater&lt;/a&gt;&lt;/p&gt;&lt;p&gt;paypalme/aindriuodomhnaill&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://patreon.com/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;https://patreon.com/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 09 Nov 2024 14:56:01 &#43;0000</pubDate>
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                <itunes:duration>6344</itunes:duration>
                
                
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                <itunes:title>19. The Protocols of the Learned Elders of Zion, Part Two</itunes:title>
                <title>19. The Protocols of the Learned Elders of Zion, Part Two</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Further reading of The Protocols of the Learned Elders of Zion (Part Two).</p><p>This is a backdated video filmed toward the end of 2020. Parts three and four to follow.</p><p>Caveat Lector! Watching this video back (from a distance of 5 years) you need to know that my initial thoughts on The Protocols’ ramifications for Hitler’s thought is based, itself, on either a faulty translation of Mein Kampf, or a faulty memory of an earlier reading of Mein Kampf, specifically his equating Bolshevism with Christianity. Having read other translations of the book since then I no longer believe this was Hitler’s intent (is it the intent of a very dodgy translator?)</p><p>This video was available at youtube but – like the fourth part - was removed for violating their ‘Community Guidelines’ back in the autumn of 2024. I number all my video vlogs intentionally so that if you see there are any gaps you’ll know they’ve been removed against my intention.</p><p>You can read the archive.org pdf of the text I read from below.</p><p><a href="https://archive.org/details/bib_fict_4103104/mode/2up?view=theater" rel="nofollow">https://archive.org/details/bib_fict_4103104/mode/2up?view=theater</a></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill</a></p><p><a href="https://patreon.com/aindriuodomhnaill" rel="nofollow">https://patreon.com/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Further reading of The Protocols of the Learned Elders of Zion (Part Two).&lt;/p&gt;&lt;p&gt;This is a backdated video filmed toward the end of 2020. Parts three and four to follow.&lt;/p&gt;&lt;p&gt;Caveat Lector! Watching this video back (from a distance of 5 years) you need to know that my initial thoughts on The Protocols’ ramifications for Hitler’s thought is based, itself, on either a faulty translation of Mein Kampf, or a faulty memory of an earlier reading of Mein Kampf, specifically his equating Bolshevism with Christianity. Having read other translations of the book since then I no longer believe this was Hitler’s intent (is it the intent of a very dodgy translator?)&lt;/p&gt;&lt;p&gt;This video was available at youtube but – like the fourth part - was removed for violating their ‘Community Guidelines’ back in the autumn of 2024. I number all my video vlogs intentionally so that if you see there are any gaps you’ll know they’ve been removed against my intention.&lt;/p&gt;&lt;p&gt;You can read the archive.org pdf of the text I read from below.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://archive.org/details/bib_fict_4103104/mode/2up?view=theater&#34; rel=&#34;nofollow&#34;&gt;https://archive.org/details/bib_fict_4103104/mode/2up?view=theater&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://patreon.com/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;https://patreon.com/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 09 Nov 2024 14:37:00 &#43;0000</pubDate>
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                <itunes:title>18. The Protocols of the Learned Elders of Zion, Part One</itunes:title>
                <title>18. The Protocols of the Learned Elders of Zion, Part One</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>A reading of the 1920 English translation of the text (the original, in Russian, was published in 1905). This is a backdated recording from the end of 2020. I&#39;m leaving my overall summation for the fourth video in this series (due shortly). Meanwhile you can access the pdf file of the text I&#39;m reading here:</p><p><a href="https://archive.org/details/bib_fict_4103104/mode/2up?view=theater" rel="nofollow">https://archive.org/details/bib_fict_4103104/mode/2up?view=theater</a></p><p>paypalme/aindriuodomhnaill</p><p><a href="https://patreon.com/aindriuodomhnaill" rel="nofollow">https://patreon.com/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;A reading of the 1920 English translation of the text (the original, in Russian, was published in 1905). This is a backdated recording from the end of 2020. I&amp;#39;m leaving my overall summation for the fourth video in this series (due shortly). Meanwhile you can access the pdf file of the text I&amp;#39;m reading here:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://archive.org/details/bib_fict_4103104/mode/2up?view=theater&#34; rel=&#34;nofollow&#34;&gt;https://archive.org/details/bib_fict_4103104/mode/2up?view=theater&lt;/a&gt;&lt;/p&gt;&lt;p&gt;paypalme/aindriuodomhnaill&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://patreon.com/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;https://patreon.com/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 08 Nov 2024 13:54:45 &#43;0000</pubDate>
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                <itunes:duration>4503</itunes:duration>
                
                
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                <itunes:title>17. Negative Capability</itunes:title>
                <title>17. Negative Capability</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p><span>Discussion of the romantic poet John Keats&#39;s dictum in a letter of 1817 regarding what makes the best poetry, with all kinds of forays into this process&#39;s relationship to philosophy, mysticism, &#39;peak experience&#39;, meditation, politics, history and other modern movements in literature. </span></p><p><span>Also, a related statement very much in line with the notion of negative capability would be; &#34;If poetry comes not as naturally as the leaves to a tree it had better not come at all.&#34;</span></p><p><a href="https://en.wikipedia.org/wiki/Negative_capability" rel="nofollow">https://en.wikipedia.org/wiki/Negative_capability</a></p><p><a href="https://www.poetryfoundation.org/education/glossary/negative-capability" rel="nofollow">https://www.poetryfoundation.org/education/glossary/negative-capability</a></p><p><span>paypalme/aindriuodomhnaill </span></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p><span>Please like and subscribe to bring more attention to the channel!</span></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;Discussion of the romantic poet John Keats&amp;#39;s dictum in a letter of 1817 regarding what makes the best poetry, with all kinds of forays into this process&amp;#39;s relationship to philosophy, mysticism, &amp;#39;peak experience&amp;#39;, meditation, politics, history and other modern movements in literature. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Also, a related statement very much in line with the notion of negative capability would be; &amp;#34;If poetry comes not as naturally as the leaves to a tree it had better not come at all.&amp;#34;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://en.wikipedia.org/wiki/Negative_capability&#34; rel=&#34;nofollow&#34;&gt;https://en.wikipedia.org/wiki/Negative_capability&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.poetryfoundation.org/education/glossary/negative-capability&#34; rel=&#34;nofollow&#34;&gt;https://www.poetryfoundation.org/education/glossary/negative-capability&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;paypalme/aindriuodomhnaill &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Please like and subscribe to bring more attention to the channel!&lt;/span&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 14 Oct 2020 12:41:12 &#43;0000</pubDate>
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                <itunes:title>16. Filial Piety</itunes:title>
                <title>16. Filial Piety</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p><span>Companion video to my &#39;East and West&#39; video regarding Confucius, Confucianism and filial piety. My theory being that the modern Asian inheritance of Confucius is out of balance with nature, and can learn from the west in this way (and conversely we can be more respecting of our elders while retaining our own generational worries and opinions, and ability to vocalise them without reprisal). </span></p><p><span>The modern inheritance of Confucius (partially a problem of Confucius&#39; teaching - in &#39;The Analects&#39; - themselves, and other less well-known works) in South Korea, particularly, is distinctly pernicious since it leaves almost nothing for the younger neophyte to create for themselves in order to forge an own distinct identity, socially, politically and philosophically.</span></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill </a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p><span>Please like and subscribe to bring more attention to the channel!</span></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;Companion video to my &amp;#39;East and West&amp;#39; video regarding Confucius, Confucianism and filial piety. My theory being that the modern Asian inheritance of Confucius is out of balance with nature, and can learn from the west in this way (and conversely we can be more respecting of our elders while retaining our own generational worries and opinions, and ability to vocalise them without reprisal). &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;The modern inheritance of Confucius (partially a problem of Confucius&amp;#39; teaching - in &amp;#39;The Analects&amp;#39; - themselves, and other less well-known works) in South Korea, particularly, is distinctly pernicious since it leaves almost nothing for the younger neophyte to create for themselves in order to forge an own distinct identity, socially, politically and philosophically.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Please like and subscribe to bring more attention to the channel!&lt;/span&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Tue, 13 Oct 2020 12:12:21 &#43;0000</pubDate>
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                <itunes:duration>3911</itunes:duration>
                
                
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                <itunes:title>15. West and East</itunes:title>
                <title>15. West and East</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p><span>A more personal broad-brush video on my time spent living and travelling in Asia, firstly with a visit to India, then some reflections on life in Japan at the turn of the century (1999 - 2001). After two years in London, I then went back to Asia, taking a teaching job in South Korea - and basing myself there - for the following decade and beyond  (2003 - 2016). </span></p><p><span>The name of the Korean music I was particularly enamoured of is &#39;Pansori&#39;; a form of folk music, usually performed by a female singer, and with a small group of musicians. I also like a lot of Korean drum ensembles. </span></p><p><span>I will go into more detail on some of the topics mentioned here in later videos.</span></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill </a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p><span>Please like and subscribe to bring more attention to the channel!</span></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;A more personal broad-brush video on my time spent living and travelling in Asia, firstly with a visit to India, then some reflections on life in Japan at the turn of the century (1999 - 2001). After two years in London, I then went back to Asia, taking a teaching job in South Korea - and basing myself there - for the following decade and beyond  (2003 - 2016). &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;The name of the Korean music I was particularly enamoured of is &amp;#39;Pansori&amp;#39;; a form of folk music, usually performed by a female singer, and with a small group of musicians. I also like a lot of Korean drum ensembles. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;I will go into more detail on some of the topics mentioned here in later videos.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Please like and subscribe to bring more attention to the channel!&lt;/span&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 03 Oct 2020 08:03:22 &#43;0000</pubDate>
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                <itunes:title>14. &#34;...tell me about the UFO outside my window...&#34;</itunes:title>
                <title>14. &#34;...tell me about the UFO outside my window...&#34;</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p><span>First full tarot reading on camera. A little bit of info on how I approach the cards, usually beginning with The Trinity... and then the reading proper, including a bunch of &#39;clarifying cards&#39; beginning from that pull of three I made a couple of days ago. I come to no conclusions about this object, itself; could it be malevolent (a drone, even?)</span></p><p><span>Notice the mistake in the numerology though. I generally read 11 = Queen, 12 = King, 13 = Knight, and 14 = Page/Princess... but here I make the error of having those last two values reversed (Page/Princess = 13, Knight = 14) so that there are two systems vying with each other somewhat. Meaning; for the first line = 1 (Magician) and 10 (Wheel of Fortune), for the second line the same; 1 (Magician) and 10 (Wheel of Fortune) and the third; 8 (Justice). </span></p><p><span>In my normal system the values for the first line are the same, with second line as 9 (The Hermit) and the third line 11 (Strength) and 2 (High Priestess). </span></p><p><span>Totals being (first system) 10 (Wheel of Fortune, repeating the value of the top card) and/or (second, usual system) 3 (The Empress, re-affirming the three lines and the initial trinity)</span></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill </a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p><span>Please like and subscribe to bring more attention to the channel!</span></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;First full tarot reading on camera. A little bit of info on how I approach the cards, usually beginning with The Trinity... and then the reading proper, including a bunch of &amp;#39;clarifying cards&amp;#39; beginning from that pull of three I made a couple of days ago. I come to no conclusions about this object, itself; could it be malevolent (a drone, even?)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Notice the mistake in the numerology though. I generally read 11 = Queen, 12 = King, 13 = Knight, and 14 = Page/Princess... but here I make the error of having those last two values reversed (Page/Princess = 13, Knight = 14) so that there are two systems vying with each other somewhat. Meaning; for the first line = 1 (Magician) and 10 (Wheel of Fortune), for the second line the same; 1 (Magician) and 10 (Wheel of Fortune) and the third; 8 (Justice). &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;In my normal system the values for the first line are the same, with second line as 9 (The Hermit) and the third line 11 (Strength) and 2 (High Priestess). &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Totals being (first system) 10 (Wheel of Fortune, repeating the value of the top card) and/or (second, usual system) 3 (The Empress, re-affirming the three lines and the initial trinity)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Please like and subscribe to bring more attention to the channel!&lt;/span&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 26 Sep 2020 07:57:20 &#43;0000</pubDate>
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                <itunes:title>13. Calasso&#39;s Rig Veda</itunes:title>
                <title>13. Calasso&#39;s Rig Veda</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Commentary on Roberto Calasso&#39;s &#39;Ardor&#39; (2014) beginning with some thoughts on Aldous Huxley&#39;s use of the idea of &#39;soma&#39; in Brave New World through to his last novel &#39;Island&#39;, together with more of my usual characteristic speculations on mythology, history, metaphysics and the nature of language. </p><p>Calasso&#39;s book:</p><p><a href="https://www.youtube.com/redirect?event=video_description&q=https%3A%2F%2Fwww.bookdepository.com%2FArdor-Roberto-Calasso%2F9781846145070%3Fref%3Dgrid-view%26qid%3D1599930592977%26sr%3D1-3&redir_token=QUFFLUhqa19qVWhxVW1tVC1hVGY4bDFBNmkyM3VueUY1Z3xBQ3Jtc0ttdEZQa3pYU1pjckJCTldjV2JPQ2RiSnN5R1RpMDJ6M2RzRm9pZzZwQTZmaUlpYUZGT3dMS3JXNkRfbEJkaDBoNy1rTy01U2FFX3BUaTdlVTdVZ3pzOEVVT1BGVi1PejAyNVJGNHllM29wMlF3RUVDdw&v=Bt_XbMj770g" rel="nofollow">https://www.bookdepository.com/Ardor-...</a></p><p>Terence McKenna on soma:</p><p><a href="https://www.youtube.com/watch?v=K0g2NLntVis" rel="nofollow">https://www.youtube.com/watch?v=K0g2NLntVis</a></p><p>Julian Jaynes&#39;s &#39;Origin of Consciousness in the Breakdown of the Bicameral Mind&#39;:</p><p><a href="https://www.youtube.com/redirect?event=video_description&q=https%3A%2F%2Fwww.bookdepository.com%2FOrigin-Consciousness-Breakdown-Bicameral-Mind-Julian-Jaynes%2F9780618057078%3Fref%3Dgrid-view%26qid%3D1599990900876%26sr%3D1-1&redir_token=QUFFLUhqbHZLOFF4c2lDSDNtbU5SdGZLS3JEc3dYTkMtQXxBQ3Jtc0tsVDZIZGNqVzE3NzZweGtkdkh6dzYtUTVtUV9XY2FURlRxTnBXb0c3dER1SHBnOWV0TFBoX2Jib25CaTZ6S1g5OFAtdDVxb3dfYllxUGZHTjdmX2JMWWNmQmkycE5XdFFGMzMwaGFGbm5TYUVMcUl2Zw&v=Bt_XbMj770g" rel="nofollow">https://www.bookdepository.com/Origin...</a></p><p>Wendy Doniger&#39;s translated selections from the Rig Veda:</p><p><a href="https://www.youtube.com/redirect?event=video_description&q=https%3A%2F%2Fwww.bookdepository.com%2FRig-Veda-Wendy-Doniger%2F9780140449891%3Fref%3Dgrid-view%26qid%3D1599927198037%26sr%3D1-1&redir_token=QUFFLUhqbjZRNnVCUEE2cUpxYWxmM2pPNFFSWTB5YlRxd3xBQ3Jtc0tsQjZqYWpCdUkzOVV2cURjVGhObWI3OVFkV3hqWl9LV2NobnRrTE1SRHJLWC1FaEZoSXBRbjNyY1dITlFDa0twa2VucXBiOV93Mm5CRFpPVjJ6WDFweERtd0RjdWJkUHQ1cTZEd1pzR2RkRTV5bU5WOA&v=Bt_XbMj770g" rel="nofollow">https://www.bookdepository.com/Rig-Ve...</a></p><p>...and Stephanie Jamison&#39;s scholarly work on a new translation of the complete Rig Veda: <a href="https://www.amazon.co.uk/Rigveda-3-South-Asia-Research/dp/019068500X" rel="nofollow">https://www.amazon.co.uk/Rigveda-3-South-Asia-Research/dp/019068500X</a></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill </a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Commentary on Roberto Calasso&amp;#39;s &amp;#39;Ardor&amp;#39; (2014) beginning with some thoughts on Aldous Huxley&amp;#39;s use of the idea of &amp;#39;soma&amp;#39; in Brave New World through to his last novel &amp;#39;Island&amp;#39;, together with more of my usual characteristic speculations on mythology, history, metaphysics and the nature of language. &lt;/p&gt;&lt;p&gt;Calasso&amp;#39;s book:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/redirect?event=video_description&amp;q=https%3A%2F%2Fwww.bookdepository.com%2FArdor-Roberto-Calasso%2F9781846145070%3Fref%3Dgrid-view%26qid%3D1599930592977%26sr%3D1-3&amp;redir_token=QUFFLUhqa19qVWhxVW1tVC1hVGY4bDFBNmkyM3VueUY1Z3xBQ3Jtc0ttdEZQa3pYU1pjckJCTldjV2JPQ2RiSnN5R1RpMDJ6M2RzRm9pZzZwQTZmaUlpYUZGT3dMS3JXNkRfbEJkaDBoNy1rTy01U2FFX3BUaTdlVTdVZ3pzOEVVT1BGVi1PejAyNVJGNHllM29wMlF3RUVDdw&amp;v=Bt_XbMj770g&#34; rel=&#34;nofollow&#34;&gt;https://www.bookdepository.com/Ardor-...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Terence McKenna on soma:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=K0g2NLntVis&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/watch?v=K0g2NLntVis&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Julian Jaynes&amp;#39;s &amp;#39;Origin of Consciousness in the Breakdown of the Bicameral Mind&amp;#39;:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/redirect?event=video_description&amp;q=https%3A%2F%2Fwww.bookdepository.com%2FOrigin-Consciousness-Breakdown-Bicameral-Mind-Julian-Jaynes%2F9780618057078%3Fref%3Dgrid-view%26qid%3D1599990900876%26sr%3D1-1&amp;redir_token=QUFFLUhqbHZLOFF4c2lDSDNtbU5SdGZLS3JEc3dYTkMtQXxBQ3Jtc0tsVDZIZGNqVzE3NzZweGtkdkh6dzYtUTVtUV9XY2FURlRxTnBXb0c3dER1SHBnOWV0TFBoX2Jib25CaTZ6S1g5OFAtdDVxb3dfYllxUGZHTjdmX2JMWWNmQmkycE5XdFFGMzMwaGFGbm5TYUVMcUl2Zw&amp;v=Bt_XbMj770g&#34; rel=&#34;nofollow&#34;&gt;https://www.bookdepository.com/Origin...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Wendy Doniger&amp;#39;s translated selections from the Rig Veda:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/redirect?event=video_description&amp;q=https%3A%2F%2Fwww.bookdepository.com%2FRig-Veda-Wendy-Doniger%2F9780140449891%3Fref%3Dgrid-view%26qid%3D1599927198037%26sr%3D1-1&amp;redir_token=QUFFLUhqbjZRNnVCUEE2cUpxYWxmM2pPNFFSWTB5YlRxd3xBQ3Jtc0tsQjZqYWpCdUkzOVV2cURjVGhObWI3OVFkV3hqWl9LV2NobnRrTE1SRHJLWC1FaEZoSXBRbjNyY1dITlFDa0twa2VucXBiOV93Mm5CRFpPVjJ6WDFweERtd0RjdWJkUHQ1cTZEd1pzR2RkRTV5bU5WOA&amp;v=Bt_XbMj770g&#34; rel=&#34;nofollow&#34;&gt;https://www.bookdepository.com/Rig-Ve...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;...and Stephanie Jamison&amp;#39;s scholarly work on a new translation of the complete Rig Veda: &lt;a href=&#34;https://www.amazon.co.uk/Rigveda-3-South-Asia-Research/dp/019068500X&#34; rel=&#34;nofollow&#34;&gt;https://www.amazon.co.uk/Rigveda-3-South-Asia-Research/dp/019068500X&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill &lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 12 Sep 2020 07:40:17 &#43;0000</pubDate>
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                <itunes:title>12. Ezra Pound&#39;s Speeches from Rome</itunes:title>
                <title>12. Ezra Pound&#39;s Speeches from Rome</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Survey of Pound&#39;s speeches from Rome 1941-43, as they are presented to us in transcript form via &#39;Ezra Pound Speaking&#39;, edited by Leonard Doob, 1978.</p><p>The speeches raise a whole number of issues. What is the problem? Money lending and its role in warfare and cultural degradation, past and present. Who creates the problem? &#39;Rich Jewish bankers&#39;, ostensibly, as Pound sees it (and he names names). I see it as a problem of human greed, and that one race MIGHT predominate in it over another, but that it isn&#39;t centrally a problem of race. (And a related question would be &#39;Is there any veracity in &#39;The Protocols of the Learned Elders of Zion&#39; in order to prove something of Pound&#39;s claim? I will go into this properly in another video). What is the solution? For Pound, Fascism is the solution. I&#39;m not convinced... yet would agree that the problem needs to be approached, discussed etc, and that it goes on into the 21st Century in the form of central banking, and through international finance, without homegrown banks and protectionist policies being put in place en masse (although I suggest a glimmer of hope in certain of Trump&#39;s policies, and through the dissolution of the E.U).</p><p>One other outlying question exists; does the gold standard inherently guarantee that a given currency be protected from the problem of lending at interest, and the creation of debt? Pound - in the speeches - says &#39;no...&#39; I say &#39;possibly&#39;, but agree that it&#39;s no final guarantee, and would depend on how transparent governments were willing to be in their economic policies, and how educated the average person is to problems of lending at interest. It is what it says on the tin, a &#39;standard&#39;, yet all that ultimately matters is that one uses a standard that all citizens are agreed on throughout any given populous so that debt culture does not expand out of it with lending.</p><p>The text of the speeches I&#39;m using is available online here:</p><p><a href="https://archive.org/details/doob-l.-w.-ezra-pound-speaking-1978" rel="nofollow">https://archive.org/details/doob-l.-w.-ezra-pound-speaking-1978</a></p><p>Eustace Mullins&#39; &#39;Secrets of the Federal Reserve&#39; (the book commissioned by Pound) is here:</p><p><a href="https://archive.org/details/pdfy-LzPJrXY17uzk3bu9" rel="nofollow">https://archive.org/details/pdfy-LzPJrXY17uzk3bu9</a></p><p>Pound&#39;s &#39;Usura Canto&#39;:</p><p><a href="https://www.youtube.com/watch?v=mEADZ2PJ6iY" rel="nofollow">https://www.youtube.com/watch?v=mEADZ2PJ6iY</a></p><p>&#39;Ezra Pound Radio&#39; at William Joyce&#39;s channel:</p><p><a href="https://www.youtube.com/user/OxenHandler/videos" rel="nofollow">https://www.youtube.com/user/OxenHandler/videos</a></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Survey of Pound&amp;#39;s speeches from Rome 1941-43, as they are presented to us in transcript form via &amp;#39;Ezra Pound Speaking&amp;#39;, edited by Leonard Doob, 1978.&lt;/p&gt;&lt;p&gt;The speeches raise a whole number of issues. What is the problem? Money lending and its role in warfare and cultural degradation, past and present. Who creates the problem? &amp;#39;Rich Jewish bankers&amp;#39;, ostensibly, as Pound sees it (and he names names). I see it as a problem of human greed, and that one race MIGHT predominate in it over another, but that it isn&amp;#39;t centrally a problem of race. (And a related question would be &amp;#39;Is there any veracity in &amp;#39;The Protocols of the Learned Elders of Zion&amp;#39; in order to prove something of Pound&amp;#39;s claim? I will go into this properly in another video). What is the solution? For Pound, Fascism is the solution. I&amp;#39;m not convinced... yet would agree that the problem needs to be approached, discussed etc, and that it goes on into the 21st Century in the form of central banking, and through international finance, without homegrown banks and protectionist policies being put in place en masse (although I suggest a glimmer of hope in certain of Trump&amp;#39;s policies, and through the dissolution of the E.U).&lt;/p&gt;&lt;p&gt;One other outlying question exists; does the gold standard inherently guarantee that a given currency be protected from the problem of lending at interest, and the creation of debt? Pound - in the speeches - says &amp;#39;no...&amp;#39; I say &amp;#39;possibly&amp;#39;, but agree that it&amp;#39;s no final guarantee, and would depend on how transparent governments were willing to be in their economic policies, and how educated the average person is to problems of lending at interest. It is what it says on the tin, a &amp;#39;standard&amp;#39;, yet all that ultimately matters is that one uses a standard that all citizens are agreed on throughout any given populous so that debt culture does not expand out of it with lending.&lt;/p&gt;&lt;p&gt;The text of the speeches I&amp;#39;m using is available online here:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://archive.org/details/doob-l.-w.-ezra-pound-speaking-1978&#34; rel=&#34;nofollow&#34;&gt;https://archive.org/details/doob-l.-w.-ezra-pound-speaking-1978&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Eustace Mullins&amp;#39; &amp;#39;Secrets of the Federal Reserve&amp;#39; (the book commissioned by Pound) is here:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://archive.org/details/pdfy-LzPJrXY17uzk3bu9&#34; rel=&#34;nofollow&#34;&gt;https://archive.org/details/pdfy-LzPJrXY17uzk3bu9&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Pound&amp;#39;s &amp;#39;Usura Canto&amp;#39;:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=mEADZ2PJ6iY&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/watch?v=mEADZ2PJ6iY&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;#39;Ezra Pound Radio&amp;#39; at William Joyce&amp;#39;s channel:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/user/OxenHandler/videos&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/user/OxenHandler/videos&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Thu, 30 Jul 2020 19:27:51 &#43;0000</pubDate>
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                <itunes:title>11. Bardism Before Literature?</itunes:title>
                <title>11. Bardism Before Literature?</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Delving into ancient bardism with this controversial text from the 18th century; &#39;The Barddas of Iolo Morganwg&#39;. A talk on the bardic line, and the bards and druids of Britain, going back to ancient times. Thoughts on a &#39;homeland shamanism/bardism&#39; of Britain, of which - in the modern world - our outcome is literature. Questions of text and memorisation, deism, pantheism, panentheism. Philosophy and theology of the earliest times, tribal make-up of the land, symbologies and alphabet. (Apologies for some probably very major slip-ups in Welsh pronunciation!) The origin of the material - despite my correcting myself at the beginning of the video - is still contested, i.e; we do not know how much of it is the bard, Iolo Morganwg, and how much Williams Ab Ithel. I personally believe this text heralds the re-emergence of fragments of an entire hermetic corpus practiced by the bardic schools of ancient Albion that conventional literature has at least partially ignored.</p><p>Although the book is available through the normal bookselling channels, such as:</p><p><a href="https://www.youtube.com/redirect?event=video_description&q=https%3A%2F%2Fwww.bookdepository.com%2FBarddas-J-Williams-AB-Ithel%2F9781578633074%3Fref%3Dgrid-view%26qid%3D1596025515244%26sr%3D1-1&redir_token=QUFFLUhqbGg2Vm14Y1o4cnN4OWp0MW93TnppTXhuMTRsQXxBQ3Jtc0tsR0hZQXhocHo2RW8zUHVsZV9PazdjX3gySmU1TnlyT19ydzQzMDJJeld4UzVkNG9OeWtmeXlnYzY3Z09xRWJFTXh4WG91d2FHRnBzQmhreXkxYWlyVXB6Rkx5b1RnVnluaTlwekVRWjdMcVUwVC1Pbw&v=PFxHzWlmW58" rel="nofollow">https://www.bookdepository.com/Bardda...</a></p><p>downloaded versions in pdf format can be found here, for Volume One: <a href="https://www.globalgreyebooks.com/barddas-of-iolo-morganwg-volume-1-ebook.html" rel="nofollow">https://www.globalgreyebooks.com/barddas-of-iolo-morganwg-volume-1-ebook.html</a></p><p>...and in a search at archive.org, only a Volume Two seems now to be digitally available: <a href="https://archive.org/details/barddasoracolle00willgoog" rel="nofollow">https://archive.org/details/barddasoracolle00willgoog</a></p><p>...still, you should have the complete book with these two pdfs.</p><p>&#39;Selected Writings&#39; by Antonin Artaud (preferably skip Sontag&#39;s introduction!):</p><p><a href="https://www.youtube.com/redirect?event=video_description&q=https%3A%2F%2Fwww.bookdepository.com%2FAntonin-Artaud-Antonin-Artaud%2F9780520064430%3Fref%3Dgrid-view%26qid%3D1596107847912%26sr%3D1-1&redir_token=QUFFLUhqa05qQzEtRGJoZ1VLTkJQaGRDS25XV1Q3RGN2Z3xBQ3Jtc0trTDRYSDAzaV8xQU1FbWJjckFYTTcycUVHRkFCOGxpcFhBdlNmZnJXakhfUTZsbG9ndkE4OEl3WWlFRUxkWUpGNHRpb3lsSmpreFE5eFF3a2FSdEs1bVpQT0djMHBOQVFVZ0JDLWFEMXd2VHpmNHJkWQ&v=PFxHzWlmW58" rel="nofollow">https://www.bookdepository.com/Antoni...</a></p><p>I would recommend this French selection of his work, over the English, if you&#39;re happy reading French:</p><p><a href="https://www.youtube.com/redirect?event=video_description&q=https%3A%2F%2Fwww.bookdepository.com%2FOeuvres-Antonin-Artaud%2F9782070765072%3Fref%3Dgrid-view%26qid%3D1596108234432%26sr%3D1-1&redir_token=QUFFLUhqbWNDYU5ERjVtYUR3SXVtaS1yR2k1Q0FtZE5BUXxBQ3Jtc0tucGZ4US15cW1hWEdxM2hJYS05YmRqcVpjOTZoWGUxRkJOZ0RKY083RVJoX0JBQ0RfLWd1Y1ExU2ZqZHpjSTFDeWExbkhKRUQtdzlGZDZuTkRGZXlvMk5ickg1SV9yVzFSQ2xFTVIxRHh2X0hRMGVUWQ&v=PFxHzWlmW58" rel="nofollow">https://www.bookdepository.com/Oeuvre...</a></p><p>Other recommendations in the tradition of bardism and western esotericism might be; &#39;The White Goddess&#39; by Robert Graves, &#39;The Welsh Triads&#39;, &#39;The Poet&#39;s Ogam&#39; by John-Paul Patton, &#39;Irish Origins of Civilization&#39; by Michael Tsarion, and any books by John and Caitlin Matthews (which I forgot to mention in this video. In fact any or all of these authors/works may well be included specifically in future talks). </p><p>Please like and subscribe to bring more attention to the channel!</p><p>The book by the Matthews&#39;s I&#39;ve probably got most out of so far is this one: <a href="https://www.youtube.com/redirect?event=video_description&q=https%3A%2F%2Fwww.bookdepository.com%2FWalkers-Between-Worlds-Caitlin-Matthews%2F9780892810918%3Fref%3Dgrid-view%26qid%3D1596108625636%26sr%3D1-1&redir_token=QUFFLUhqbjBZZE1tWlppeWlwc3RZS2FQcFQyYnRHa21xQXxBQ3Jtc0tuUTN5eTF1d05PQU5Dd0djRllCcmFicUJhM184UGFtS2R6WjA5S1h4N1ZVaTdGVWlGTjNoQ0lnT1pwQVpXcG5JRDk5QkxJVmtFWjZHVFV1V1NOZXZMa1dSN3J1dlJOWnBJclBENjcyNjA1Q0ZnTXo3OA&v=PFxHzWlmW58" rel="nofollow">https://www.bookdepository.com/Walker...</a></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p>]]></description>
                <content:encoded>&lt;p&gt;Delving into ancient bardism with this controversial text from the 18th century; &amp;#39;The Barddas of Iolo Morganwg&amp;#39;. A talk on the bardic line, and the bards and druids of Britain, going back to ancient times. Thoughts on a &amp;#39;homeland shamanism/bardism&amp;#39; of Britain, of which - in the modern world - our outcome is literature. Questions of text and memorisation, deism, pantheism, panentheism. Philosophy and theology of the earliest times, tribal make-up of the land, symbologies and alphabet. (Apologies for some probably very major slip-ups in Welsh pronunciation!) The origin of the material - despite my correcting myself at the beginning of the video - is still contested, i.e; we do not know how much of it is the bard, Iolo Morganwg, and how much Williams Ab Ithel. I personally believe this text heralds the re-emergence of fragments of an entire hermetic corpus practiced by the bardic schools of ancient Albion that conventional literature has at least partially ignored.&lt;/p&gt;&lt;p&gt;Although the book is available through the normal bookselling channels, such as:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/redirect?event=video_description&amp;q=https%3A%2F%2Fwww.bookdepository.com%2FBarddas-J-Williams-AB-Ithel%2F9781578633074%3Fref%3Dgrid-view%26qid%3D1596025515244%26sr%3D1-1&amp;redir_token=QUFFLUhqbGg2Vm14Y1o4cnN4OWp0MW93TnppTXhuMTRsQXxBQ3Jtc0tsR0hZQXhocHo2RW8zUHVsZV9PazdjX3gySmU1TnlyT19ydzQzMDJJeld4UzVkNG9OeWtmeXlnYzY3Z09xRWJFTXh4WG91d2FHRnBzQmhreXkxYWlyVXB6Rkx5b1RnVnluaTlwekVRWjdMcVUwVC1Pbw&amp;v=PFxHzWlmW58&#34; rel=&#34;nofollow&#34;&gt;https://www.bookdepository.com/Bardda...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;downloaded versions in pdf format can be found here, for Volume One: &lt;a href=&#34;https://www.globalgreyebooks.com/barddas-of-iolo-morganwg-volume-1-ebook.html&#34; rel=&#34;nofollow&#34;&gt;https://www.globalgreyebooks.com/barddas-of-iolo-morganwg-volume-1-ebook.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;...and in a search at archive.org, only a Volume Two seems now to be digitally available: &lt;a href=&#34;https://archive.org/details/barddasoracolle00willgoog&#34; rel=&#34;nofollow&#34;&gt;https://archive.org/details/barddasoracolle00willgoog&lt;/a&gt;&lt;/p&gt;&lt;p&gt;...still, you should have the complete book with these two pdfs.&lt;/p&gt;&lt;p&gt;&amp;#39;Selected Writings&amp;#39; by Antonin Artaud (preferably skip Sontag&amp;#39;s introduction!):&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/redirect?event=video_description&amp;q=https%3A%2F%2Fwww.bookdepository.com%2FAntonin-Artaud-Antonin-Artaud%2F9780520064430%3Fref%3Dgrid-view%26qid%3D1596107847912%26sr%3D1-1&amp;redir_token=QUFFLUhqa05qQzEtRGJoZ1VLTkJQaGRDS25XV1Q3RGN2Z3xBQ3Jtc0trTDRYSDAzaV8xQU1FbWJjckFYTTcycUVHRkFCOGxpcFhBdlNmZnJXakhfUTZsbG9ndkE4OEl3WWlFRUxkWUpGNHRpb3lsSmpreFE5eFF3a2FSdEs1bVpQT0djMHBOQVFVZ0JDLWFEMXd2VHpmNHJkWQ&amp;v=PFxHzWlmW58&#34; rel=&#34;nofollow&#34;&gt;https://www.bookdepository.com/Antoni...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;I would recommend this French selection of his work, over the English, if you&amp;#39;re happy reading French:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/redirect?event=video_description&amp;q=https%3A%2F%2Fwww.bookdepository.com%2FOeuvres-Antonin-Artaud%2F9782070765072%3Fref%3Dgrid-view%26qid%3D1596108234432%26sr%3D1-1&amp;redir_token=QUFFLUhqbWNDYU5ERjVtYUR3SXVtaS1yR2k1Q0FtZE5BUXxBQ3Jtc0tucGZ4US15cW1hWEdxM2hJYS05YmRqcVpjOTZoWGUxRkJOZ0RKY083RVJoX0JBQ0RfLWd1Y1ExU2ZqZHpjSTFDeWExbkhKRUQtdzlGZDZuTkRGZXlvMk5ickg1SV9yVzFSQ2xFTVIxRHh2X0hRMGVUWQ&amp;v=PFxHzWlmW58&#34; rel=&#34;nofollow&#34;&gt;https://www.bookdepository.com/Oeuvre...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Other recommendations in the tradition of bardism and western esotericism might be; &amp;#39;The White Goddess&amp;#39; by Robert Graves, &amp;#39;The Welsh Triads&amp;#39;, &amp;#39;The Poet&amp;#39;s Ogam&amp;#39; by John-Paul Patton, &amp;#39;Irish Origins of Civilization&amp;#39; by Michael Tsarion, and any books by John and Caitlin Matthews (which I forgot to mention in this video. In fact any or all of these authors/works may well be included specifically in future talks). &lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;&lt;p&gt;The book by the Matthews&amp;#39;s I&amp;#39;ve probably got most out of so far is this one: &lt;a href=&#34;https://www.youtube.com/redirect?event=video_description&amp;q=https%3A%2F%2Fwww.bookdepository.com%2FWalkers-Between-Worlds-Caitlin-Matthews%2F9780892810918%3Fref%3Dgrid-view%26qid%3D1596108625636%26sr%3D1-1&amp;redir_token=QUFFLUhqbjBZZE1tWlppeWlwc3RZS2FQcFQyYnRHa21xQXxBQ3Jtc0tuUTN5eTF1d05PQU5Dd0djRllCcmFicUJhM184UGFtS2R6WjA5S1h4N1ZVaTdGVWlGTjNoQ0lnT1pwQVpXcG5JRDk5QkxJVmtFWjZHVFV1V1NOZXZMa1dSN3J1dlJOWnBJclBENjcyNjA1Q0ZnTXo3OA&amp;v=PFxHzWlmW58&#34; rel=&#34;nofollow&#34;&gt;https://www.bookdepository.com/Walker...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Tue, 28 Jul 2020 17:00:25 &#43;0000</pubDate>
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                <itunes:title>10. The Conspiracy Years</itunes:title>
                <title>10. The Conspiracy Years</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Companion to the &#39;Politics, Information, Emancipation&#39; talk, where I go deeper into certain writers and researchers in internet conspiracy circa 2010 - 2020, plus earlier hints and approaches to life that may have been conspiracy-leaning. The Kennedy Assassination, 911, the London Bombings of 2005, Alex Jones, David Icke, Hunter S. Thompson, Ted Gunderson, Johnny Ghosh, Bohemian Grove, Joseph P. Farrell, Tina Foster, adrenochrome, child sacrifice, pa3dophilia, Flat Earth are all considered or at least given a mention. The talk is called &#39;The Conspiracy Years&#39; (2010 - 2020) for a reason, however... in that I think certain of the conspiracies (or the overarching one? Agenda 21 or something of this stripe) are now accessed by a large percentage of the people, and so the sequestration of knowledge away from the public eye is breaking down.</p><p>The London bombings video I mention is named &#39;7/7 Ripple Effect&#39;, and is available here:</p><p><a href="https://www.youtube.com/watch?v=R7PQG5weeHk" rel="nofollow">https://www.youtube.com/watch?v=R7PQG5weeHk</a></p><p>...I also notice they now have newer updates for people to investigate as well. The Cathy O&#39;Brien/ MKULTRA material, for me, started with this video:</p><p><a href="https://www.youtube.com/watch?v=SeilPYh4zzc" rel="nofollow">https://www.youtube.com/watch?v=SeilPYh4zzc</a></p><p>My thought regarding Walt Whitman was left unfinished during a tangent. My point was that although Whitman has a wide scope in his work, the mythic and the supernatural - for me - it&#39;s a little bit negated, a little bit nullified in the process of writing somehow. But I will delve more into this in a video on Whitman himself.</p><p>I&#39;m also happy to distribute my pamphlet from 2008 &#39;Duo milia et quinque / 2005&#39;, anyone interested can contact me at the channel email address.</p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Companion to the &amp;#39;Politics, Information, Emancipation&amp;#39; talk, where I go deeper into certain writers and researchers in internet conspiracy circa 2010 - 2020, plus earlier hints and approaches to life that may have been conspiracy-leaning. The Kennedy Assassination, 911, the London Bombings of 2005, Alex Jones, David Icke, Hunter S. Thompson, Ted Gunderson, Johnny Ghosh, Bohemian Grove, Joseph P. Farrell, Tina Foster, adrenochrome, child sacrifice, pa3dophilia, Flat Earth are all considered or at least given a mention. The talk is called &amp;#39;The Conspiracy Years&amp;#39; (2010 - 2020) for a reason, however... in that I think certain of the conspiracies (or the overarching one? Agenda 21 or something of this stripe) are now accessed by a large percentage of the people, and so the sequestration of knowledge away from the public eye is breaking down.&lt;/p&gt;&lt;p&gt;The London bombings video I mention is named &amp;#39;7/7 Ripple Effect&amp;#39;, and is available here:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=R7PQG5weeHk&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/watch?v=R7PQG5weeHk&lt;/a&gt;&lt;/p&gt;&lt;p&gt;...I also notice they now have newer updates for people to investigate as well. The Cathy O&amp;#39;Brien/ MKULTRA material, for me, started with this video:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=SeilPYh4zzc&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/watch?v=SeilPYh4zzc&lt;/a&gt;&lt;/p&gt;&lt;p&gt;My thought regarding Walt Whitman was left unfinished during a tangent. My point was that although Whitman has a wide scope in his work, the mythic and the supernatural - for me - it&amp;#39;s a little bit negated, a little bit nullified in the process of writing somehow. But I will delve more into this in a video on Whitman himself.&lt;/p&gt;&lt;p&gt;I&amp;#39;m also happy to distribute my pamphlet from 2008 &amp;#39;Duo milia et quinque / 2005&amp;#39;, anyone interested can contact me at the channel email address.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Tue, 28 Jul 2020 08:02:06 &#43;0000</pubDate>
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                <itunes:title>9. Charles Olson</itunes:title>
                <title>9. Charles Olson</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Commentary on the work of the big man, as well as a few readings. </p><p>The audio recordings of Olson are here: <a href="https://www.writing.upenn.edu/pennsound/x/Olson.php" rel="nofollow">https://www.writing.upenn.edu/pennsound/x/Olson.php</a></p><p>&#39;Polis is This; Charles Olson and the Persistence of Place&#39;:</p><p><a href="https://www.youtube.com/watch?index=1&list=PL4347B78F9FB209A3&v=evWPIeA_9W4" rel="nofollow">https://www.youtube.com/watch?v=evWPIeA_9W4&amp;list=PL4347B78F9FB209A3&amp;index=1</a></p><p><a href="http://paypalme/aindriuodomhnaill" rel="nofollow">paypalme/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Commentary on the work of the big man, as well as a few readings. &lt;/p&gt;&lt;p&gt;The audio recordings of Olson are here: &lt;a href=&#34;https://www.writing.upenn.edu/pennsound/x/Olson.php&#34; rel=&#34;nofollow&#34;&gt;https://www.writing.upenn.edu/pennsound/x/Olson.php&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;#39;Polis is This; Charles Olson and the Persistence of Place&amp;#39;:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?index=1&amp;list=PL4347B78F9FB209A3&amp;v=evWPIeA_9W4&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/watch?v=evWPIeA_9W4&amp;amp;list=PL4347B78F9FB209A3&amp;amp;index=1&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypalme/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypalme/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 24 Jul 2020 18:00:19 &#43;0000</pubDate>
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                <itunes:title>8. Pennsound Recommendations</itunes:title>
                <title>8. Pennsound Recommendations</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Given that this website&#39;s page for audio recording of poetry was mentioned in previous videos I thought I&#39;d give you a quick personal tour of the poets interesting to me, and make mention of other poetical audio in the U.K. The famous Charles Olson reading I was referring to was the &#39;Berkeley 1965&#39; and can be found at Olson&#39;s author page.</p><p>Here&#39;s  the authors page I&#39;m referring to; Pennsound (U.S): <a href="https://www.writing.upenn.edu/pennsound/x/authors.php" rel="nofollow">https://www.writing.upenn.edu/pennsound/x/authors.php</a></p><p>Poetry Archive (U.K): <a href="https://poetryarchive.org/" rel="nofollow">https://poetryarchive.org/</a></p><p>Archive of the Now (U.K): <a href="https://www.archiveofthenow.org/" rel="nofollow">https://www.archiveofthenow.org/</a></p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Given that this website&amp;#39;s page for audio recording of poetry was mentioned in previous videos I thought I&amp;#39;d give you a quick personal tour of the poets interesting to me, and make mention of other poetical audio in the U.K. The famous Charles Olson reading I was referring to was the &amp;#39;Berkeley 1965&amp;#39; and can be found at Olson&amp;#39;s author page.&lt;/p&gt;&lt;p&gt;Here&amp;#39;s  the authors page I&amp;#39;m referring to; Pennsound (U.S): &lt;a href=&#34;https://www.writing.upenn.edu/pennsound/x/authors.php&#34; rel=&#34;nofollow&#34;&gt;https://www.writing.upenn.edu/pennsound/x/authors.php&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Poetry Archive (U.K): &lt;a href=&#34;https://poetryarchive.org/&#34; rel=&#34;nofollow&#34;&gt;https://poetryarchive.org/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Archive of the Now (U.K): &lt;a href=&#34;https://www.archiveofthenow.org/&#34; rel=&#34;nofollow&#34;&gt;https://www.archiveofthenow.org/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 24 Jul 2020 17:03:50 &#43;0000</pubDate>
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                <itunes:title>7. 20th Century British and Irish Poetry</itunes:title>
                <title>7. 20th Century British and Irish Poetry</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Survey of my favourite (sometimes under-appreciated) poets from the last century. Readings from Francis Thompson, Robert Graves, Dylan Thomas, George Barker, Sidney Keyes, David Gascoyne, Seamus Heaney and Kathleen Raine.</p><p>This is as much as I could pack into a video of this size... obviously the only Irish poet here is Seamus Heaney, so I will hopefully remedy this with something more focussed on the Irish poets in good time. Yeats is only omitted because - for the sake of categorisation - I&#39;ve deemed him a 19th Century poet... and I&#39;m such a fan that only a series of talks could do him justice, in my eyes (in fact many of the poets here you could deem as in the line of Yeats&#39;s influence).</p><p>Other possibly curious omissions would be; the poetry of D.H Lawrence, Mina Loy, Elizabeth Smart and David Jones (because these will have much more extended air-time in future talks), Basil Bunting and Barry McSweeney (because I don&#39;t have much to say about them at present).</p><p>The link to Richard Burton&#39;s reading of Robert Graves&#39;s &#39;Welsh Incident&#39; is here:</p><p><a href="https://www.youtube.com/watch?v=cLafXKLcPcQ" rel="nofollow">https://www.youtube.com/watch?v=cLafXKLcPcQ</a></p><p>(Thumbnail pic &#39;Western Hills&#39; (1938) - Graham Sutherland)</p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/aindriuodomhnaill" rel="nofollow">https://www.patreon.com/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Survey of my favourite (sometimes under-appreciated) poets from the last century. Readings from Francis Thompson, Robert Graves, Dylan Thomas, George Barker, Sidney Keyes, David Gascoyne, Seamus Heaney and Kathleen Raine.&lt;/p&gt;&lt;p&gt;This is as much as I could pack into a video of this size... obviously the only Irish poet here is Seamus Heaney, so I will hopefully remedy this with something more focussed on the Irish poets in good time. Yeats is only omitted because - for the sake of categorisation - I&amp;#39;ve deemed him a 19th Century poet... and I&amp;#39;m such a fan that only a series of talks could do him justice, in my eyes (in fact many of the poets here you could deem as in the line of Yeats&amp;#39;s influence).&lt;/p&gt;&lt;p&gt;Other possibly curious omissions would be; the poetry of D.H Lawrence, Mina Loy, Elizabeth Smart and David Jones (because these will have much more extended air-time in future talks), Basil Bunting and Barry McSweeney (because I don&amp;#39;t have much to say about them at present).&lt;/p&gt;&lt;p&gt;The link to Richard Burton&amp;#39;s reading of Robert Graves&amp;#39;s &amp;#39;Welsh Incident&amp;#39; is here:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=cLafXKLcPcQ&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/watch?v=cLafXKLcPcQ&lt;/a&gt;&lt;/p&gt;&lt;p&gt;(Thumbnail pic &amp;#39;Western Hills&amp;#39; (1938) - Graham Sutherland)&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Fri, 24 Jul 2020 11:36:46 &#43;0000</pubDate>
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                <itunes:title>6. Politics, Information, Emancipation</itunes:title>
                <title>6. Politics, Information, Emancipation</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p><span>Further thoughts after my lockdown video. A kind of broad-brush look at the past quarter century in information dispersal and the evolution of consciousness through culture via technology. I forgot the name of the enemies of the Tuatha de Danaan in Celtic mythology... these were &#39;The Morrigan&#39;, I now recall.</span></p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p><span>Please like and subscribe to bring more attention to the channel!</span></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;Further thoughts after my lockdown video. A kind of broad-brush look at the past quarter century in information dispersal and the evolution of consciousness through culture via technology. I forgot the name of the enemies of the Tuatha de Danaan in Celtic mythology... these were &amp;#39;The Morrigan&amp;#39;, I now recall.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Please like and subscribe to bring more attention to the channel!&lt;/span&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Thu, 23 Jul 2020 15:08:01 &#43;0000</pubDate>
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                <itunes:title>5. Introduction to Marina Tsvetaeva</itunes:title>
                <title>5. Introduction to Marina Tsvetaeva</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p><span>A prolonged survey of English translations of the Russian poet Marina Tsvetaeva. I think most of the readings worked out well... perhaps the last couple were a bit weak... but hey this should be a useful introduction to Tsvetaeva, particularly to someone not familiar with Russian poetry, or someone not specifically familiar with Tsvetaeva. Although I bigged up the Naydan/Yastremsky versions of &#39;After Russia&#39; lamenting that there was no new edition (to my knowledge) it&#39;s worth noting that a smaller number of their translations of this book are available in &#39;The Essential Poetry&#39;. The Feinstein translations that were left out are available on a search through Penguin Books, or in Feinstein&#39;s own &#39;Collected Poems and Translations&#39; (Carcanet). For biography/memoir and critical prose I&#39;d recommend Viktoria Schweitzer&#39;s &#39;Tsvetaeva&#39;, Ariadna Efron&#39;s &#39;No Love Without Poetry&#39; and Simon Karlinsky&#39;s &#39;Marina Tsvetaeva: The Woman, her World, and her Poetry&#39;</span></p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p><p><a href="https://www.patreon.com/profile/creators?u=34714519" rel="nofollow">https://www.patreon.com/profile/creators?u=34714519</a></p><p><span>Please like and subscribe to bring more attention to the channel!</span></p>]]></description>
                <content:encoded>&lt;p&gt;&lt;span&gt;A prolonged survey of English translations of the Russian poet Marina Tsvetaeva. I think most of the readings worked out well... perhaps the last couple were a bit weak... but hey this should be a useful introduction to Tsvetaeva, particularly to someone not familiar with Russian poetry, or someone not specifically familiar with Tsvetaeva. Although I bigged up the Naydan/Yastremsky versions of &amp;#39;After Russia&amp;#39; lamenting that there was no new edition (to my knowledge) it&amp;#39;s worth noting that a smaller number of their translations of this book are available in &amp;#39;The Essential Poetry&amp;#39;. The Feinstein translations that were left out are available on a search through Penguin Books, or in Feinstein&amp;#39;s own &amp;#39;Collected Poems and Translations&amp;#39; (Carcanet). For biography/memoir and critical prose I&amp;#39;d recommend Viktoria Schweitzer&amp;#39;s &amp;#39;Tsvetaeva&amp;#39;, Ariadna Efron&amp;#39;s &amp;#39;No Love Without Poetry&amp;#39; and Simon Karlinsky&amp;#39;s &amp;#39;Marina Tsvetaeva: The Woman, her World, and her Poetry&amp;#39;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.patreon.com/profile/creators?u=34714519&#34; rel=&#34;nofollow&#34;&gt;https://www.patreon.com/profile/creators?u=34714519&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Please like and subscribe to bring more attention to the channel!&lt;/span&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sat, 18 Jul 2020 12:15:44 &#43;0000</pubDate>
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                <itunes:title>4. Of Lockdown</itunes:title>
                <title>4. Of Lockdown</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Scattered thoughts after two months of lockdown in the UK. A basic summary of all I researched in the first few weeks, overall impressions, and mention of the &#39;Control of Disease Act&#39; (1984...!) I have by no means gone into detail but this should be enough for now.</p><p>Law, as of 27th April:</p><p><a href="https://www.legislation.gov.uk/ukpga/1984/22" rel="nofollow">https://www.legislation.gov.uk/ukpga/1984/22</a></p><p>Neil Kramer roamcast:</p><p><a href="https://neilkramer.com/roamcast-26-true-things/" rel="nofollow">https://neilkramer.com/roamcast-26-true-things/</a></p><p>Mark Lowe, one of a few different corona-centred episodes:</p><p><a href="https://www.youtube.com/watch?v=pjpnPdLZddk" rel="nofollow">https://www.youtube.com/watch?v=pjpnPdLZddk</a></p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Scattered thoughts after two months of lockdown in the UK. A basic summary of all I researched in the first few weeks, overall impressions, and mention of the &amp;#39;Control of Disease Act&amp;#39; (1984...!) I have by no means gone into detail but this should be enough for now.&lt;/p&gt;&lt;p&gt;Law, as of 27th April:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.legislation.gov.uk/ukpga/1984/22&#34; rel=&#34;nofollow&#34;&gt;https://www.legislation.gov.uk/ukpga/1984/22&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Neil Kramer roamcast:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://neilkramer.com/roamcast-26-true-things/&#34; rel=&#34;nofollow&#34;&gt;https://neilkramer.com/roamcast-26-true-things/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Mark Lowe, one of a few different corona-centred episodes:&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;https://www.youtube.com/watch?v=pjpnPdLZddk&#34; rel=&#34;nofollow&#34;&gt;https://www.youtube.com/watch?v=pjpnPdLZddk&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Wed, 27 May 2020 09:57:41 &#43;0000</pubDate>
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                <itunes:duration>2323</itunes:duration>
                
                
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                <itunes:title>3. The Motherlode</itunes:title>
                <title>3. The Motherlode</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>Follow-up to my &#39;Poetic Initiation, Poetic Growth&#39; video, going into a sense of primal creative instinct that can be tapped into by poetic means. A seemingly un-premeditated mode of approach, which may feel as if it has arrived &#39;out of the blue&#39; or even from a spiritual, or divine, point of access. &#39;Of the muse&#39;, in the classical sense? This discussion also includes readings of my own poems; &#39;To Insanity&#39; (excerpts), &#39;Angelology&#39;, and the D.H Lawrence essay &#39;Insouciance&#39;.</p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;Follow-up to my &amp;#39;Poetic Initiation, Poetic Growth&amp;#39; video, going into a sense of primal creative instinct that can be tapped into by poetic means. A seemingly un-premeditated mode of approach, which may feel as if it has arrived &amp;#39;out of the blue&amp;#39; or even from a spiritual, or divine, point of access. &amp;#39;Of the muse&amp;#39;, in the classical sense? This discussion also includes readings of my own poems; &amp;#39;To Insanity&amp;#39; (excerpts), &amp;#39;Angelology&amp;#39;, and the D.H Lawrence essay &amp;#39;Insouciance&amp;#39;.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Mon, 25 May 2020 17:40:31 &#43;0000</pubDate>
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                <itunes:duration>5020</itunes:duration>
                
                
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                <itunes:title>2. Poetic Initiation, Poetic Growth</itunes:title>
                <title>2. Poetic Initiation, Poetic Growth</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>How I got introduced to poetry, early teachers, literary influences, and a general sketch of my stages of growth in writing. William Blake, James Joyce, Aldous Huxley, Hunter S. Thompson etc.</p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p>]]></description>
                <content:encoded>&lt;p&gt;How I got introduced to poetry, early teachers, literary influences, and a general sketch of my stages of growth in writing. William Blake, James Joyce, Aldous Huxley, Hunter S. Thompson etc.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;</content:encoded>
                
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                <pubDate>Sun, 24 May 2020 14:07:44 &#43;0000</pubDate>
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                <itunes:duration>3855</itunes:duration>
                
                
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                <itunes:title>1. Channel Introduction</itunes:title>
                <title>1. Channel Introduction</title>

                
                
                <itunes:author>Aindriú ÓDomhnaill</itunes:author>
                
                <description><![CDATA[<p>A hello (albeit a rather nervous one!) and a short intro to what I plan to do with the channel. One can imagine it as a workshop/study-group for the discerning reader of books, and the critical thinkers currently navigating our technological infosphere.</p><p><a href="http://paypal.me/aindriuodomhnaill" rel="nofollow">paypal.me/aindriuodomhnaill</a></p><p>Please like and subscribe to bring more attention to the channel!</p>]]></description>
                <content:encoded>&lt;p&gt;A hello (albeit a rather nervous one!) and a short intro to what I plan to do with the channel. One can imagine it as a workshop/study-group for the discerning reader of books, and the critical thinkers currently navigating our technological infosphere.&lt;/p&gt;&lt;p&gt;&lt;a href=&#34;http://paypal.me/aindriuodomhnaill&#34; rel=&#34;nofollow&#34;&gt;paypal.me/aindriuodomhnaill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Please like and subscribe to bring more attention to the channel!&lt;/p&gt;</content:encoded>
                
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                <pubDate>Thu, 21 May 2020 09:25:54 &#43;0000</pubDate>
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                <itunes:duration>296</itunes:duration>
                
                
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