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        <title>Filmography</title>
        <link>https://redcircle.com/shows/filmography</link>
        <language>en</language>
        <copyright>Consequence Podcast Network</copyright>
        <itunes:author>Consequence Podcast Network</itunes:author>
        <itunes:summary>&lt;p&gt;Filmography is a deep dive into a director&#39;s oeuvre - film by film - to get the big picture. Every quarter, join Consequence of Sound Film Editor, Dominick Suzanne-Mayer, and a rotating cast of guest commentators for new filmic explorations.&lt;/p&gt;</itunes:summary>
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        <description><![CDATA[<p>Filmography is a deep dive into a director&#39;s oeuvre - film by film - to get the big picture. Every quarter, join Consequence of Sound Film Editor, Dominick Suzanne-Mayer, and a rotating cast of guest commentators for new filmic explorations.</p>]]></description>
        
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        <podcast:locked>no</podcast:locked>
        <itunes:owner>
            <itunes:name>Consequence Podcast Network</itunes:name>
            <itunes:email>podcasts&#43;6@consequence.net</itunes:email>
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            <itunes:category text="TV &amp; Film">

            
                <itunes:category text="Film Reviews"/>
            

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                <itunes:title>Miniography Anniversary Special: Alien (1979)</itunes:title>
                <title>Miniography Anniversary Special: Alien (1979)</title>

                <itunes:episode>4</itunes:episode>
                <itunes:season>4</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;For the May edition of Miniography, Filmography’s spin-off series in the off months of the show, we take a look back at Ridley Scott&#39;s 1979 space horror masterpiece&amp;nbsp;Alien on its 40th anniversary. Together, Film and TV Editor Dominick Suzanne-Mayer, Editor in Chief Michael Roffman, and Daily Grindhouse editor Mike Vanderbilt discuss the lasting impact of Scott&#39;s masterpiece, the ways in which it changed the horror genre, the very &#39;70s nature of its working-class roughneck heroes, and much more.&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>For the May edition of Miniography, Filmography’s spin-off series in the off months of the show, we take a look back at Ridley Scott&#39;s 1979 space horror masterpiece Alien on its 40th anniversary. Together, Film and TV Editor Dominick Suzanne-Mayer, Editor in Chief Michael Roffman, and Daily Grindhouse editor Mike Vanderbilt discuss the lasting impact of Scott&#39;s masterpiece, the ways in which it changed the horror genre, the very &#39;70s nature of its working-class roughneck heroes, and much more. </p>
]]></description>
                <content:encoded>&lt;p&gt;For the May edition of Miniography, Filmography’s spin-off series in the off months of the show, we take a look back at Ridley Scott&amp;#39;s 1979 space horror masterpiece Alien on its 40th anniversary. Together, Film and TV Editor Dominick Suzanne-Mayer, Editor in Chief Michael Roffman, and Daily Grindhouse editor Mike Vanderbilt discuss the lasting impact of Scott&amp;#39;s masterpiece, the ways in which it changed the horror genre, the very &amp;#39;70s nature of its working-class roughneck heroes, and much more. &lt;/p&gt;
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                <pubDate>Thu, 23 May 2019 22:22:21 &#43;0000</pubDate>
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                <itunes:title>Tim Burton: Stop Motion - Beetlejuice, Corpse Bride, Frankenweenie, Nightmare Before Christmas</itunes:title>
                <title>Tim Burton: Stop Motion - Beetlejuice, Corpse Bride, Frankenweenie, Nightmare Before Christmas</title>

                <itunes:episode>5</itunes:episode>
                <itunes:season>5</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending filmmaker Tim Burton, concludes the season with its fifth and final episode, &#34;Burton in Stop-Motion&#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by CoS senior writer and editor of The Spool Clint Worthington and writer and The Film Stage Show co-host Michael Snydel. Together, they discuss the ways in which stop-motion animation is and was perfectly suited to Burton&#39;s sensibilities as a director, how his various experiments in the form offer windows into different phases of his career, the one famous stop-motion film that he didn&#39;t actually direct, and much more. Chapters: Introduction (0:11), Burton in Stop-Motion: A Discussion (2:14), Beetlejuice (10:15), Tim Burton&#39;s Corpse Bride (30:30), Frankenweenie (48:13), The Nightmare Before Christmas (1:03:37), Intermission (1:12:39), Sight [Cinematography/Editing/Visuals] (1:12:42), The Lasting Image (1:31:50), Sound [Music &amp;amp; Score] (1:36:27), Closing Remarks (1:49:24).&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our fourth season of Filmography, on the films of genre-blending filmmaker Tim Burton, concludes the season with its fifth and final episode, &#34;Burton in Stop-Motion&#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by CoS senior writer and editor of The Spool Clint Worthington and writer and The Film Stage Show co-host Michael Snydel. Together, they discuss the ways in which stop-motion animation is and was perfectly suited to Burton&#39;s sensibilities as a director, how his various experiments in the form offer windows into different phases of his career, the one famous stop-motion film that he didn&#39;t actually direct, and much more. Chapters: Introduction (0:11), Burton in Stop-Motion: A Discussion (2:14), Beetlejuice (10:15), Tim Burton&#39;s Corpse Bride (30:30), Frankenweenie (48:13), The Nightmare Before Christmas (1:03:37), Intermission (1:12:39), Sight [Cinematography/Editing/Visuals] (1:12:42), The Lasting Image (1:31:50), Sound [Music &amp; Score] (1:36:27), Closing Remarks (1:49:24).</p>
]]></description>
                <content:encoded>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending filmmaker Tim Burton, concludes the season with its fifth and final episode, &amp;#34;Burton in Stop-Motion&amp;#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by CoS senior writer and editor of The Spool Clint Worthington and writer and The Film Stage Show co-host Michael Snydel. Together, they discuss the ways in which stop-motion animation is and was perfectly suited to Burton&amp;#39;s sensibilities as a director, how his various experiments in the form offer windows into different phases of his career, the one famous stop-motion film that he didn&amp;#39;t actually direct, and much more. Chapters: Introduction (0:11), Burton in Stop-Motion: A Discussion (2:14), Beetlejuice (10:15), Tim Burton&amp;#39;s Corpse Bride (30:30), Frankenweenie (48:13), The Nightmare Before Christmas (1:03:37), Intermission (1:12:39), Sight [Cinematography/Editing/Visuals] (1:12:42), The Lasting Image (1:31:50), Sound [Music &amp;amp; Score] (1:36:27), Closing Remarks (1:49:24).&lt;/p&gt;
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                <pubDate>Thu, 25 Apr 2019 20:24:12 &#43;0000</pubDate>
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                <itunes:duration>6813</itunes:duration>
                
                
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                <itunes:title>Tim Burton: Pop - Batman, Batman Returns, Mars Attacks, Planet of the Apes</itunes:title>
                <title>Tim Burton: Pop - Batman, Batman Returns, Mars Attacks, Planet of the Apes</title>

                <itunes:episode>4</itunes:episode>
                <itunes:season>5</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our fourth episode, &#34;Pop Burton&#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by editor-in-chief Michael Roffman and The Fifth Dimension co-host Samantha Kuykendall. Together, they discuss the larger influence Burton&#39;s style has had on modern blockbuster films, the speed with which he became confident in his filmmaking, the genre-changing triumphs of his superhero work, and much more. Chapters: Introduction (0:11), Pop Burton: A Discussion (1:47), Batman (9:50), Batman Returns (31:59), Mars Attacks! (48:09), Planet of the Apes (1:03:03), Intermission (1:16:53), Sight [Cinematography/Editing/Visuals] (1:16:57), The Lasting Image (1:46:10), Sound [Music &amp;amp; Score] (1:50:36), Closing Remarks (2:04:24)&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our fourth episode, &#34;Pop Burton&#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by editor-in-chief Michael Roffman and The Fifth Dimension co-host Samantha Kuykendall. Together, they discuss the larger influence Burton&#39;s style has had on modern blockbuster films, the speed with which he became confident in his filmmaking, the genre-changing triumphs of his superhero work, and much more. Chapters: Introduction (0:11), Pop Burton: A Discussion (1:47), Batman (9:50), Batman Returns (31:59), Mars Attacks! (48:09), Planet of the Apes (1:03:03), Intermission (1:16:53), Sight [Cinematography/Editing/Visuals] (1:16:57), The Lasting Image (1:46:10), Sound [Music &amp; Score] (1:50:36), Closing Remarks (2:04:24) </p>
]]></description>
                <content:encoded>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our fourth episode, &amp;#34;Pop Burton&amp;#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by editor-in-chief Michael Roffman and The Fifth Dimension co-host Samantha Kuykendall. Together, they discuss the larger influence Burton&amp;#39;s style has had on modern blockbuster films, the speed with which he became confident in his filmmaking, the genre-changing triumphs of his superhero work, and much more. Chapters: Introduction (0:11), Pop Burton: A Discussion (1:47), Batman (9:50), Batman Returns (31:59), Mars Attacks! (48:09), Planet of the Apes (1:03:03), Intermission (1:16:53), Sight [Cinematography/Editing/Visuals] (1:16:57), The Lasting Image (1:46:10), Sound [Music &amp;amp; Score] (1:50:36), Closing Remarks (2:04:24) &lt;/p&gt;
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                <pubDate>Thu, 18 Apr 2019 23:46:50 &#43;0000</pubDate>
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                <itunes:title>Tim Burton: Whimsical - Pee Wee’s Big Adventure, Charlie and the Chocolate Factory, Alice in Wonderland, Dumbo</itunes:title>
                <title>Tim Burton: Whimsical - Pee Wee’s Big Adventure, Charlie and the Chocolate Factory, Alice in Wonderland, Dumbo</title>

                <itunes:episode>3</itunes:episode>
                <itunes:season>5</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our third episode, &#34;Burton&#39;s Whimsy&#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by Editorial Director Matt Melis and Chicago literary performer Natalie Marsh. Together, they discuss Burton&#39;s shifting approaches to &#34;whimsy&#34; as a broad concept, the ways in which some of his most vivid imagined worlds have been met by diminishing returns, how Burton&#39;s conception of the fanciful has followed him through different eras of his career, and much more. Chapters: Introduction (0:11), Burton&#39;s Whimsy: A Discussion (1:40), Pee-wee&#39;s Big Adventure (9:05), Charlie and the Chocolate Factory (26:33), Alice in Wonderland (44:14), Dumbo (1:00:11), Intermission (1:17:17), Sight [Cinematography/Editing/Visuals] (1:17:20), The Lasting Image (1:41:05), Sound [Music &amp;amp; Score] (1:46:05), Closing Remarks (1:56:36)&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our third episode, &#34;Burton&#39;s Whimsy&#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by Editorial Director Matt Melis and Chicago literary performer Natalie Marsh. Together, they discuss Burton&#39;s shifting approaches to &#34;whimsy&#34; as a broad concept, the ways in which some of his most vivid imagined worlds have been met by diminishing returns, how Burton&#39;s conception of the fanciful has followed him through different eras of his career, and much more. Chapters: Introduction (0:11), Burton&#39;s Whimsy: A Discussion (1:40), Pee-wee&#39;s Big Adventure (9:05), Charlie and the Chocolate Factory (26:33), Alice in Wonderland (44:14), Dumbo (1:00:11), Intermission (1:17:17), Sight [Cinematography/Editing/Visuals] (1:17:20), The Lasting Image (1:41:05), Sound [Music &amp; Score] (1:46:05), Closing Remarks (1:56:36)</p>
]]></description>
                <content:encoded>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our third episode, &amp;#34;Burton&amp;#39;s Whimsy&amp;#34;. This week, CoS Film/TV Editor and host Dominick Suzanne-Mayer is joined by Editorial Director Matt Melis and Chicago literary performer Natalie Marsh. Together, they discuss Burton&amp;#39;s shifting approaches to &amp;#34;whimsy&amp;#34; as a broad concept, the ways in which some of his most vivid imagined worlds have been met by diminishing returns, how Burton&amp;#39;s conception of the fanciful has followed him through different eras of his career, and much more. Chapters: Introduction (0:11), Burton&amp;#39;s Whimsy: A Discussion (1:40), Pee-wee&amp;#39;s Big Adventure (9:05), Charlie and the Chocolate Factory (26:33), Alice in Wonderland (44:14), Dumbo (1:00:11), Intermission (1:17:17), Sight [Cinematography/Editing/Visuals] (1:17:20), The Lasting Image (1:41:05), Sound [Music &amp;amp; Score] (1:46:05), Closing Remarks (1:56:36)&lt;/p&gt;
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                <pubDate>Thu, 11 Apr 2019 11:59:25 &#43;0000</pubDate>
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                <itunes:title>Tim Burton: Adult - Ed Wood, Big Fish, Sweeney Todd, and Big Eyes</itunes:title>
                <title>Tim Burton: Adult - Ed Wood, Big Fish, Sweeney Todd, and Big Eyes</title>

                <itunes:episode>2</itunes:episode>
                <itunes:season>5</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our second episode, &#34;Adult Burton&#34;. This week, CoS Film/TV Editor Dominick Suzanne-Mayer is joined by senior writer Allison Shoemaker and film critic Caroline Siede to discuss Burton&#39;s approaches to more emotionally and dramatically mature material, the ways in which &#34;adaptation&#34; has been an ever-shifting concept throughout decades of Burton&#39;s work, the complications that arose when he took on Stephen Sondheim, and much more. Chapters: Introduction (0:11), Burton Gothic: A Discussion (1:28), Ed Wood (10:04), Big Fish (25:01), Sweeney Todd: The Demon Barber of Fleet Street (41:37), Big Eyes (1:02:21), Intermission (1:12:54), Sight [Cinematography/Editing/Visuals] (1:12:57), The Lasting Image (1:33:52), Music &amp;amp; Score (1:38:04), Closing Remarks (1:48:41)&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our second episode, &#34;Adult Burton&#34;. This week, CoS Film/TV Editor Dominick Suzanne-Mayer is joined by senior writer Allison Shoemaker and film critic Caroline Siede to discuss Burton&#39;s approaches to more emotionally and dramatically mature material, the ways in which &#34;adaptation&#34; has been an ever-shifting concept throughout decades of Burton&#39;s work, the complications that arose when he took on Stephen Sondheim, and much more. Chapters: Introduction (0:11), Burton Gothic: A Discussion (1:28), Ed Wood (10:04), Big Fish (25:01), Sweeney Todd: The Demon Barber of Fleet Street (41:37), Big Eyes (1:02:21), Intermission (1:12:54), Sight [Cinematography/Editing/Visuals] (1:12:57), The Lasting Image (1:33:52), Music &amp; Score (1:38:04), Closing Remarks (1:48:41) </p>
]]></description>
                <content:encoded>&lt;p&gt;Our fourth season of Filmography, on the films of genre-blending dreamer Tim Burton, continues with our second episode, &amp;#34;Adult Burton&amp;#34;. This week, CoS Film/TV Editor Dominick Suzanne-Mayer is joined by senior writer Allison Shoemaker and film critic Caroline Siede to discuss Burton&amp;#39;s approaches to more emotionally and dramatically mature material, the ways in which &amp;#34;adaptation&amp;#34; has been an ever-shifting concept throughout decades of Burton&amp;#39;s work, the complications that arose when he took on Stephen Sondheim, and much more. Chapters: Introduction (0:11), Burton Gothic: A Discussion (1:28), Ed Wood (10:04), Big Fish (25:01), Sweeney Todd: The Demon Barber of Fleet Street (41:37), Big Eyes (1:02:21), Intermission (1:12:54), Sight [Cinematography/Editing/Visuals] (1:12:57), The Lasting Image (1:33:52), Music &amp;amp; Score (1:38:04), Closing Remarks (1:48:41) &lt;/p&gt;
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                <pubDate>Thu, 04 Apr 2019 17:57:36 &#43;0000</pubDate>
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                <itunes:explicit>yes</itunes:explicit>
                
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                <itunes:title>Tim Burton: Gothic - Edward Scissorhands, Sleepy Hollow, Dark Shadows, and Miss Peregrine</itunes:title>
                <title>Tim Burton: Gothic - Edward Scissorhands, Sleepy Hollow, Dark Shadows, and Miss Peregrine</title>

                <itunes:episode>1</itunes:episode>
                <itunes:season>5</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Tim Burton defined a generation’s imagination with his alternately spooky, sweet, and sincerely scary features. This episode deconstructs his moth gothic works: Edward Scissorhands, Sleepy Hollow, Dark Shadows, and Miss Peregrine’s Home For Peculiar Children.&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Tim Burton defined a generation’s imagination with his alternately spooky, sweet, and sincerely scary features. This episode deconstructs his moth gothic works: Edward Scissorhands, Sleepy Hollow, Dark Shadows, and Miss Peregrine’s Home For Peculiar Children. </p>
]]></description>
                <content:encoded>&lt;p&gt;Tim Burton defined a generation’s imagination with his alternately spooky, sweet, and sincerely scary features. This episode deconstructs his moth gothic works: Edward Scissorhands, Sleepy Hollow, Dark Shadows, and Miss Peregrine’s Home For Peculiar Children. &lt;/p&gt;
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                <pubDate>Thu, 28 Mar 2019 23:53:40 &#43;0000</pubDate>
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                <itunes:duration>6399</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
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                <itunes:title>Miniography Valentine&#39;s Special: When Harry Met Sally (1989)</itunes:title>
                <title>Miniography Valentine&#39;s Special: When Harry Met Sally (1989)</title>

                <itunes:episode>3</itunes:episode>
                <itunes:season>4</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>For the February edition of Miniography, Filmography’s spin-off series in the off months of the show, we&#39;re headed back to New York City circa 1989, as Billy Crystal and Meg Ryan can&#39;t help falling in love in Rob Reiner&#39;s modern romantic comedy classic&amp;nbsp;When Harry Met Sally. For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34;&gt;acast.com/privacy&lt;/a&gt;
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                <description><![CDATA[For the February edition of Miniography, Filmography’s spin-off series in the off months of the show, we&#39;re headed back to New York City circa 1989, as Billy Crystal and Meg Ryan can&#39;t help falling in love in Rob Reiner&#39;s modern romantic comedy classic When Harry Met Sally. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy" rel="nofollow">acast.com/privacy</a>
]]></description>
                <content:encoded>For the February edition of Miniography, Filmography’s spin-off series in the off months of the show, we&amp;#39;re headed back to New York City circa 1989, as Billy Crystal and Meg Ryan can&amp;#39;t help falling in love in Rob Reiner&amp;#39;s modern romantic comedy classic When Harry Met Sally. For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34; rel=&#34;nofollow&#34;&gt;acast.com/privacy&lt;/a&gt;
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                <pubDate>Thu, 14 Feb 2019 22:16:44 &#43;0000</pubDate>
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                <itunes:title>Miniography Oscars 2019 Special: The Controversies and Nominations</itunes:title>
                <title>Miniography Oscars 2019 Special: The Controversies and Nominations</title>

                <itunes:episode>2</itunes:episode>
                <itunes:season>4</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>For this special Oscars edition of the podcast, host and Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and senior writer Clint Worthington to discuss the Best Picture nominees, the wave of controversy following this year&#39;s ceremony well before it takes place, the question marks surrounding which categories will even make this year&#39;s broadcast, and much more. For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34;&gt;acast.com/privacy&lt;/a&gt;
</itunes:summary>
                <description><![CDATA[For this special Oscars edition of the podcast, host and Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and senior writer Clint Worthington to discuss the Best Picture nominees, the wave of controversy following this year&#39;s ceremony well before it takes place, the question marks surrounding which categories will even make this year&#39;s broadcast, and much more. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy" rel="nofollow">acast.com/privacy</a>
]]></description>
                <content:encoded>For this special Oscars edition of the podcast, host and Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and senior writer Clint Worthington to discuss the Best Picture nominees, the wave of controversy following this year&amp;#39;s ceremony well before it takes place, the question marks surrounding which categories will even make this year&amp;#39;s broadcast, and much more. For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34; rel=&#34;nofollow&#34;&gt;acast.com/privacy&lt;/a&gt;
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                <pubDate>Thu, 31 Jan 2019 17:04:40 &#43;0000</pubDate>
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                <itunes:duration>2962</itunes:duration>
                
                
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                <itunes:title>Miniography Holiday Special: Jingle All the Way (1996)</itunes:title>
                <title>Miniography Holiday Special: Jingle All the Way (1996)</title>

                <itunes:episode>1</itunes:episode>
                <itunes:season>4</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>For this special Christmas premiere edition of Miniography, Filmography&#39;s spin-off series in the off months of the show, Film Editor Dominick Suzanne-Mayer is joined by Consequence of Sound&#39;s Editor-in-Chief Michael Roffman and The A.V. Club&#39;s Randall Colburn to discuss Arnold Schwarzenegger&#39;s transition into family comedies, the capitalist hellscape of this 1996 classic, and much more. For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34;&gt;acast.com/privacy&lt;/a&gt;
</itunes:summary>
                <description><![CDATA[For this special Christmas premiere edition of Miniography, Filmography&#39;s spin-off series in the off months of the show, Film Editor Dominick Suzanne-Mayer is joined by Consequence of Sound&#39;s Editor-in-Chief Michael Roffman and The A.V. Club&#39;s Randall Colburn to discuss Arnold Schwarzenegger&#39;s transition into family comedies, the capitalist hellscape of this 1996 classic, and much more. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy" rel="nofollow">acast.com/privacy</a>
]]></description>
                <content:encoded>For this special Christmas premiere edition of Miniography, Filmography&amp;#39;s spin-off series in the off months of the show, Film Editor Dominick Suzanne-Mayer is joined by Consequence of Sound&amp;#39;s Editor-in-Chief Michael Roffman and The A.V. Club&amp;#39;s Randall Colburn to discuss Arnold Schwarzenegger&amp;#39;s transition into family comedies, the capitalist hellscape of this 1996 classic, and much more. For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34; rel=&#34;nofollow&#34;&gt;acast.com/privacy&lt;/a&gt;
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                <pubDate>Fri, 21 Dec 2018 20:35:45 &#43;0000</pubDate>
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                <itunes:duration>3914</itunes:duration>
                
                
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                <itunes:title>John Carpenter - Part 5: Carpenter Vs. Americana</itunes:title>
                <title>John Carpenter - Part 5: Carpenter Vs. Americana</title>

                <itunes:episode>5</itunes:episode>
                <itunes:season>3</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our third season of Filmography&amp;nbsp;on the Master of Horror John Carpenter concludes with our fifth and final episode, John Carpenter vs. Americana, as Film Editor Dominick Suzanne-Mayer is joined by CoS&amp;nbsp;Editor-in-Chief Michael Roffman&amp;nbsp;and&amp;nbsp;Daily Grindhouse&#39;s Mike Vanderbilt. Together, they examine Carpenter&#39;s understanding of the American Dream as seen in some of his most offbeat features and classics alike, the ways in which Carpenter&#39;s politics wrestle with things we&#39;re still forced to consider today, how he preys on some particular domestic fear, and much more. This week&#39;s discussion is focused around the following features: Halloween (1978) Elvis (1979) Christine (1983) Memoirs of an Invisible Man (1992) Chapters:&amp;nbsp;Introduction (0:09), Carpenter&#39;s America: A Discussion (1:30), Memoirs of an Invisible Man&amp;nbsp;(6:01), Elvis&amp;nbsp;(23:53), Christine&amp;nbsp;(42:28), Halloween&amp;nbsp;(58:44),&amp;nbsp;Intermission (1:20:53), Sight [Cinematography/Editing] (1:20:56),&amp;nbsp;The Lasting Image (1:53:09), Music &amp;amp; Score (1:56:22), Closing Remarks (2:09:57)&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our third season of Filmography on the Master of Horror John Carpenter concludes with our fifth and final episode, John Carpenter vs. Americana, as Film Editor Dominick Suzanne-Mayer is joined by CoS Editor-in-Chief Michael Roffman and Daily Grindhouse&#39;s Mike Vanderbilt. Together, they examine Carpenter&#39;s understanding of the American Dream as seen in some of his most offbeat features and classics alike, the ways in which Carpenter&#39;s politics wrestle with things we&#39;re still forced to consider today, how he preys on some particular domestic fear, and much more. This week&#39;s discussion is focused around the following features: Halloween (1978) Elvis (1979) Christine (1983) Memoirs of an Invisible Man (1992) Chapters: Introduction (0:09), Carpenter&#39;s America: A Discussion (1:30), Memoirs of an Invisible Man (6:01), Elvis (23:53), Christine (42:28), Halloween (58:44), Intermission (1:20:53), Sight [Cinematography/Editing] (1:20:56), The Lasting Image (1:53:09), Music &amp; Score (1:56:22), Closing Remarks (2:09:57) </p>
]]></description>
                <content:encoded>&lt;p&gt;Our third season of Filmography on the Master of Horror John Carpenter concludes with our fifth and final episode, John Carpenter vs. Americana, as Film Editor Dominick Suzanne-Mayer is joined by CoS Editor-in-Chief Michael Roffman and Daily Grindhouse&amp;#39;s Mike Vanderbilt. Together, they examine Carpenter&amp;#39;s understanding of the American Dream as seen in some of his most offbeat features and classics alike, the ways in which Carpenter&amp;#39;s politics wrestle with things we&amp;#39;re still forced to consider today, how he preys on some particular domestic fear, and much more. This week&amp;#39;s discussion is focused around the following features: Halloween (1978) Elvis (1979) Christine (1983) Memoirs of an Invisible Man (1992) Chapters: Introduction (0:09), Carpenter&amp;#39;s America: A Discussion (1:30), Memoirs of an Invisible Man (6:01), Elvis (23:53), Christine (42:28), Halloween (58:44), Intermission (1:20:53), Sight [Cinematography/Editing] (1:20:56), The Lasting Image (1:53:09), Music &amp;amp; Score (1:56:22), Closing Remarks (2:09:57) &lt;/p&gt;
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                <pubDate>Fri, 26 Oct 2018 00:10:34 &#43;0000</pubDate>
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                <itunes:duration>8149</itunes:duration>
                
                
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                <itunes:title>John Carpenter - Part 4: Carpenter Vs. The Monster</itunes:title>
                <title>John Carpenter - Part 4: Carpenter Vs. The Monster</title>

                <itunes:episode>4</itunes:episode>
                <itunes:season>3</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our third season of Filmography&amp;nbsp;on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week&#39;s episode, John Carpenter vs. The Monster Mash, by Halloweenies&amp;nbsp;and&amp;nbsp;The Losers Club&amp;nbsp;contributor Mackenzie Gerber and&amp;nbsp;CoS&amp;nbsp;senior writer/Alcohollywood&amp;nbsp;podcast co-host and editor Clint Worthington. Together, they examine Carpenter&#39;s understanding of monstrousness, the ways in which his filmmaking informs the scares of some of his creatures, the wildly differing returns he&#39;s found on monster movies throughout his career, and much more. This week&#39;s discussion is focused around the following features: Prince of Darkness (1987) In the Mouth of Madness (1994) Vampires (1998) The Ward (2010) Chapters:&amp;nbsp;Introduction (0:09), The Monster Mash: A Discussion (1:56), Prince of Darkness&amp;nbsp;(5:25), In the Mouth of Madness&amp;nbsp;(18:20), Vampires&amp;nbsp;(31:23), The Ward&amp;nbsp;(45:01),&amp;nbsp;Intermission (56:20), Sight [Cinematography/Editing] (56:24),&amp;nbsp;The Lasting Image (1:12:48), Music &amp;amp; Score (1:16:31), Gin the Vermouth of Madness: A Cocktail Recipe by Clint Worthington (1:25:49), Closing Remarks (1:27:27).&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week&#39;s episode, John Carpenter vs. The Monster Mash, by Halloweenies and The Losers Club contributor Mackenzie Gerber and CoS senior writer/Alcohollywood podcast co-host and editor Clint Worthington. Together, they examine Carpenter&#39;s understanding of monstrousness, the ways in which his filmmaking informs the scares of some of his creatures, the wildly differing returns he&#39;s found on monster movies throughout his career, and much more. This week&#39;s discussion is focused around the following features: Prince of Darkness (1987) In the Mouth of Madness (1994) Vampires (1998) The Ward (2010) Chapters: Introduction (0:09), The Monster Mash: A Discussion (1:56), Prince of Darkness (5:25), In the Mouth of Madness (18:20), Vampires (31:23), The Ward (45:01), Intermission (56:20), Sight [Cinematography/Editing] (56:24), The Lasting Image (1:12:48), Music &amp; Score (1:16:31), Gin the Vermouth of Madness: A Cocktail Recipe by Clint Worthington (1:25:49), Closing Remarks (1:27:27).</p>
]]></description>
                <content:encoded>&lt;p&gt;Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week&amp;#39;s episode, John Carpenter vs. The Monster Mash, by Halloweenies and The Losers Club contributor Mackenzie Gerber and CoS senior writer/Alcohollywood podcast co-host and editor Clint Worthington. Together, they examine Carpenter&amp;#39;s understanding of monstrousness, the ways in which his filmmaking informs the scares of some of his creatures, the wildly differing returns he&amp;#39;s found on monster movies throughout his career, and much more. This week&amp;#39;s discussion is focused around the following features: Prince of Darkness (1987) In the Mouth of Madness (1994) Vampires (1998) The Ward (2010) Chapters: Introduction (0:09), The Monster Mash: A Discussion (1:56), Prince of Darkness (5:25), In the Mouth of Madness (18:20), Vampires (31:23), The Ward (45:01), Intermission (56:20), Sight [Cinematography/Editing] (56:24), The Lasting Image (1:12:48), Music &amp;amp; Score (1:16:31), Gin the Vermouth of Madness: A Cocktail Recipe by Clint Worthington (1:25:49), Closing Remarks (1:27:27).&lt;/p&gt;
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                <link>https://anchor.fm/filmography/episodes/John-Carpenter---Part-4-Carpenter-Vs--The-Monster-eci96f</link>
                <pubDate>Thu, 18 Oct 2018 22:13:24 &#43;0000</pubDate>
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                <itunes:duration>5404</itunes:duration>
                
                
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                <itunes:title>John Carpenter - Part 3: Carpenter Vs. The Man</itunes:title>
                <title>John Carpenter - Part 3: Carpenter Vs. The Man</title>

                <itunes:episode>3</itunes:episode>
                <itunes:season>3</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our third season of Filmography&amp;nbsp;on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week&#39;s third episode, John Carpenter vs. The Man, by The A.V. Club&#39;s Katie Rife&amp;nbsp;and Daily Grindhouse&#39;s Mike Vanderbilt. Together, they examine Carpenter&#39;s perceptions of latter-20th century America, the emergence of some of his most prevalent themes and filmmaking approaches, and how the director&#39;s politics have manifested in his work in subtle, unsubtle, and&amp;nbsp;really&amp;nbsp;unsubtle ways. This week&#39;s discussion is focused around the following features: Assault on Precinct 13 (1976) Someone&#39;s Watching Me! (1978) Escape From New York (1981) Escape From L.A. (1996) Chapters:&amp;nbsp;Introduction (0:09), The Man: A Discussion (0:35), Assault on Precinct 13&amp;nbsp;(4:18), Someone&#39;s Watching Me!&amp;nbsp;(17:05), Escape From New York&amp;nbsp;(33:57), Escape From L.A.&amp;nbsp;(45:04),&amp;nbsp;Intermission (58:01), Sight [Cinematography/Editing] (58:04),&amp;nbsp;The Lasting Image (1:12:02), Music &amp;amp; Score (1:16:53),&amp;nbsp;Closing Remarks (1:29:46)&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week&#39;s third episode, John Carpenter vs. The Man, by The A.V. Club&#39;s Katie Rife and Daily Grindhouse&#39;s Mike Vanderbilt. Together, they examine Carpenter&#39;s perceptions of latter-20th century America, the emergence of some of his most prevalent themes and filmmaking approaches, and how the director&#39;s politics have manifested in his work in subtle, unsubtle, and really unsubtle ways. This week&#39;s discussion is focused around the following features: Assault on Precinct 13 (1976) Someone&#39;s Watching Me! (1978) Escape From New York (1981) Escape From L.A. (1996) Chapters: Introduction (0:09), The Man: A Discussion (0:35), Assault on Precinct 13 (4:18), Someone&#39;s Watching Me! (17:05), Escape From New York (33:57), Escape From L.A. (45:04), Intermission (58:01), Sight [Cinematography/Editing] (58:04), The Lasting Image (1:12:02), Music &amp; Score (1:16:53), Closing Remarks (1:29:46) </p>
]]></description>
                <content:encoded>&lt;p&gt;Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week&amp;#39;s third episode, John Carpenter vs. The Man, by The A.V. Club&amp;#39;s Katie Rife and Daily Grindhouse&amp;#39;s Mike Vanderbilt. Together, they examine Carpenter&amp;#39;s perceptions of latter-20th century America, the emergence of some of his most prevalent themes and filmmaking approaches, and how the director&amp;#39;s politics have manifested in his work in subtle, unsubtle, and really unsubtle ways. This week&amp;#39;s discussion is focused around the following features: Assault on Precinct 13 (1976) Someone&amp;#39;s Watching Me! (1978) Escape From New York (1981) Escape From L.A. (1996) Chapters: Introduction (0:09), The Man: A Discussion (0:35), Assault on Precinct 13 (4:18), Someone&amp;#39;s Watching Me! (17:05), Escape From New York (33:57), Escape From L.A. (45:04), Intermission (58:01), Sight [Cinematography/Editing] (58:04), The Lasting Image (1:12:02), Music &amp;amp; Score (1:16:53), Closing Remarks (1:29:46) &lt;/p&gt;
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                <link>https://anchor.fm/filmography/episodes/John-Carpenter---Part-3-Carpenter-Vs--The-Man-eci95q</link>
                <pubDate>Fri, 12 Oct 2018 13:51:58 &#43;0000</pubDate>
                <itunes:image href="https://media.redcircle.com/images/2022/6/2/15/b0ff0a13-dedc-439d-a775-bddf42e4b670_7f756222d3c1ed15.png"/>
                <itunes:duration>5658</itunes:duration>
                
                
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                <itunes:title>John Carpenter - Part 2: Carpenter Vs. The Beyond</itunes:title>
                <title>John Carpenter - Part 2: Carpenter Vs. The Beyond</title>

                <itunes:episode>2</itunes:episode>
                <itunes:season>3</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;Our third season of Filmography&amp;nbsp;on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and senior writer Blake Goble. Together, they examine Carpenter&#39;s perceptions of good and evil from the beyond, the ways in which his &#39;80s heyday reflected this pet interest across a riot of different styles, and how Carpenter progressed rapidly from a horror filmmaker to one of modern film&#39;s most versatile auteurs. This week&#39;s discussion is focused around the following features: The Fog (1980) Starman (1984) Big Trouble in Little China (1986) They Live (1998) Chapters:&amp;nbsp;Introduction (0:09), The Beyond: A Discussion (1:40), The Fog&amp;nbsp;(10:14), Starman&amp;nbsp;(24:55), Big Trouble in Little China&amp;nbsp;(40:14), They Live&amp;nbsp;(56:42),&amp;nbsp;Intermission (1:12:48), A Broader Context (1:12:52), Sight [Cinematography/Editing] (1:19:04),&amp;nbsp;The Lasting Image (1:40:26), Music &amp;amp; Score (1:50:09),&amp;nbsp;Closing Remarks (2:11:04)&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and senior writer Blake Goble. Together, they examine Carpenter&#39;s perceptions of good and evil from the beyond, the ways in which his &#39;80s heyday reflected this pet interest across a riot of different styles, and how Carpenter progressed rapidly from a horror filmmaker to one of modern film&#39;s most versatile auteurs. This week&#39;s discussion is focused around the following features: The Fog (1980) Starman (1984) Big Trouble in Little China (1986) They Live (1998) Chapters: Introduction (0:09), The Beyond: A Discussion (1:40), The Fog (10:14), Starman (24:55), Big Trouble in Little China (40:14), They Live (56:42), Intermission (1:12:48), A Broader Context (1:12:52), Sight [Cinematography/Editing] (1:19:04), The Lasting Image (1:40:26), Music &amp; Score (1:50:09), Closing Remarks (2:11:04) </p>
]]></description>
                <content:encoded>&lt;p&gt;Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and senior writer Blake Goble. Together, they examine Carpenter&amp;#39;s perceptions of good and evil from the beyond, the ways in which his &amp;#39;80s heyday reflected this pet interest across a riot of different styles, and how Carpenter progressed rapidly from a horror filmmaker to one of modern film&amp;#39;s most versatile auteurs. This week&amp;#39;s discussion is focused around the following features: The Fog (1980) Starman (1984) Big Trouble in Little China (1986) They Live (1998) Chapters: Introduction (0:09), The Beyond: A Discussion (1:40), The Fog (10:14), Starman (24:55), Big Trouble in Little China (40:14), They Live (56:42), Intermission (1:12:48), A Broader Context (1:12:52), Sight [Cinematography/Editing] (1:19:04), The Lasting Image (1:40:26), Music &amp;amp; Score (1:50:09), Closing Remarks (2:11:04) &lt;/p&gt;
</content:encoded>
                
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                <link>https://anchor.fm/filmography/episodes/John-Carpenter---Part-2-Carpenter-Vs--The-Beyond-eci96a</link>
                <pubDate>Fri, 05 Oct 2018 00:13:31 &#43;0000</pubDate>
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                <itunes:duration>8078</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
            </item>
        
            <item>
                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>John Carpenter - Part 1: Carpenter Vs. Space</itunes:title>
                <title>John Carpenter - Part 1: Carpenter Vs. Space</title>

                <itunes:episode>1</itunes:episode>
                <itunes:season>3</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;To kick off the third full season of Filmography&amp;nbsp;on the Master of Horror John Carpenter, Film Editor Dominick Suzanne-Mayer is joined by The Losers&#39; Club/Halloweenies&amp;nbsp;co-host Justin Gerber&amp;nbsp;and Chicago comedy/lit performer Natalie Marsh. Together, they examine Carpenter&#39;s perceptions of evil from beyond Earth, the ways in which his later work was informed by (and liberally stole from) some of his best early features, and how Carpenter&#39;s politics manifest even in stories of the intergalactic. This week&#39;s discussion is focused around the following features: Dark Star (1974) The Thing (1982) Village of the Damned (1995) Ghosts of Mars (2001) Chapters:&amp;nbsp;Introduction (0:40), Intergalactic Evil: A Discussion (3:40), Dark Star&amp;nbsp;(7:30), Village of the Damned&amp;nbsp;(21:00), Ghosts of Mars&amp;nbsp;(35:30), The Thing&amp;nbsp;(51:00),&amp;nbsp;Intermission (1:04:00), A Broader Context (1:05:00), Sight [Cinematography/Editing] (1:12:30),&amp;nbsp;The Lasting Image (1:28:00), Music &amp;amp; Score (1:33:00), A Few Brief Words on the Film Vampires&amp;nbsp;(1:43:30), Closing Remarks (1:47:00)&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>To kick off the third full season of Filmography on the Master of Horror John Carpenter, Film Editor Dominick Suzanne-Mayer is joined by The Losers&#39; Club/Halloweenies co-host Justin Gerber and Chicago comedy/lit performer Natalie Marsh. Together, they examine Carpenter&#39;s perceptions of evil from beyond Earth, the ways in which his later work was informed by (and liberally stole from) some of his best early features, and how Carpenter&#39;s politics manifest even in stories of the intergalactic. This week&#39;s discussion is focused around the following features: Dark Star (1974) The Thing (1982) Village of the Damned (1995) Ghosts of Mars (2001) Chapters: Introduction (0:40), Intergalactic Evil: A Discussion (3:40), Dark Star (7:30), Village of the Damned (21:00), Ghosts of Mars (35:30), The Thing (51:00), Intermission (1:04:00), A Broader Context (1:05:00), Sight [Cinematography/Editing] (1:12:30), The Lasting Image (1:28:00), Music &amp; Score (1:33:00), A Few Brief Words on the Film Vampires (1:43:30), Closing Remarks (1:47:00) </p>
]]></description>
                <content:encoded>&lt;p&gt;To kick off the third full season of Filmography on the Master of Horror John Carpenter, Film Editor Dominick Suzanne-Mayer is joined by The Losers&amp;#39; Club/Halloweenies co-host Justin Gerber and Chicago comedy/lit performer Natalie Marsh. Together, they examine Carpenter&amp;#39;s perceptions of evil from beyond Earth, the ways in which his later work was informed by (and liberally stole from) some of his best early features, and how Carpenter&amp;#39;s politics manifest even in stories of the intergalactic. This week&amp;#39;s discussion is focused around the following features: Dark Star (1974) The Thing (1982) Village of the Damned (1995) Ghosts of Mars (2001) Chapters: Introduction (0:40), Intergalactic Evil: A Discussion (3:40), Dark Star (7:30), Village of the Damned (21:00), Ghosts of Mars (35:30), The Thing (51:00), Intermission (1:04:00), A Broader Context (1:05:00), Sight [Cinematography/Editing] (1:12:30), The Lasting Image (1:28:00), Music &amp;amp; Score (1:33:00), A Few Brief Words on the Film Vampires (1:43:30), Closing Remarks (1:47:00) &lt;/p&gt;
</content:encoded>
                
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                <link>https://anchor.fm/filmography/episodes/John-Carpenter---Part-1-Carpenter-Vs--Space-eci9ro</link>
                <pubDate>Thu, 27 Sep 2018 20:09:22 &#43;0000</pubDate>
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                <itunes:duration>6626</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
            </item>
        
            <item>
                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Stanley Kubrick - Part 4: Human Extremes</itunes:title>
                <title>Stanley Kubrick - Part 4: Human Extremes</title>

                <itunes:episode>4</itunes:episode>
                <itunes:season>2</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>On &#34;Human Extremes&#34;, the final episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by &lt;b&gt;CoS&lt;/b&gt; editor-in-chief Michael Roffman and senior writer Blake Goble to examine the filmmaker&#39;s most sprawling works, his visions of humanity pushed to the absolute bounds of its existence, and just what it was that made Stanley Kubrick tick as a director.&lt;br /&gt;&lt;br /&gt;This week&#39;s discussion is focused around the following features:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;2001: a space odyssey&lt;/b&gt; (1968)&lt;br /&gt;&lt;b&gt;Barry Lyndon&lt;/b&gt; (1975)&lt;br /&gt;&lt;b&gt;The Shining&lt;/b&gt; (1980)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Chapters: &lt;/b&gt;Introduction (0:09), Human Extremes: A Discussion (1:51), &lt;b&gt;2001: A Space Odyssey &lt;/b&gt;(8:03), &lt;b&gt;Barry Lyndon &lt;/b&gt;(28:27), &lt;b&gt;The Shining (49:01&lt;/b&gt;), &lt;b&gt;A&lt;/b&gt;.&lt;b&gt;I. Artificial Intelligence &lt;/b&gt;(1:06:05), Intermission (1:14:10), Cinematography and Editing (1:15:04), The Lasting Image (1:52:46), Music &amp; Score (1:59:50), Final Discussion (2:13:29), and Closing Remarks (2:18:14)&lt;br /&gt;&lt;br /&gt;Learn more about your ad choices. Visit &lt;a href=&#34;https://megaphone.fm/adchoices&#34; rel=&#34;nofollow&#34; target=&#34;_blank&#34;&gt;megaphone.fm/adchoices&lt;/a&gt; For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34;&gt;acast.com/privacy&lt;/a&gt;
</itunes:summary>
                <description><![CDATA[On &#34;Human Extremes&#34;, the final episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by <b>CoS</b> editor-in-chief Michael Roffman and senior writer Blake Goble to examine the filmmaker&#39;s most sprawling works, his visions of humanity pushed to the absolute bounds of its existence, and just what it was that made Stanley Kubrick tick as a director.<br/><br/>This week&#39;s discussion is focused around the following features:<br/><br/><b>2001: a space odyssey</b> (1968)<br/><b>Barry Lyndon</b> (1975)<br/><b>The Shining</b> (1980)<br/><br/><b>Chapters: </b>Introduction (0:09), Human Extremes: A Discussion (1:51), <b>2001: A Space Odyssey </b>(8:03), <b>Barry Lyndon </b>(28:27), <b>The Shining (49:01</b>), <b>A</b>.<b>I. Artificial Intelligence </b>(1:06:05), Intermission (1:14:10), Cinematography and Editing (1:15:04), The Lasting Image (1:52:46), Music &amp; Score (1:59:50), Final Discussion (2:13:29), and Closing Remarks (2:18:14)<br/><br/>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow">megaphone.fm/adchoices</a> For information regarding your data privacy, visit <a href="https://www.acast.com/privacy" rel="nofollow">acast.com/privacy</a>
]]></description>
                <content:encoded>On &amp;#34;Human Extremes&amp;#34;, the final episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by &lt;b&gt;CoS&lt;/b&gt; editor-in-chief Michael Roffman and senior writer Blake Goble to examine the filmmaker&amp;#39;s most sprawling works, his visions of humanity pushed to the absolute bounds of its existence, and just what it was that made Stanley Kubrick tick as a director.&lt;br/&gt;&lt;br/&gt;This week&amp;#39;s discussion is focused around the following features:&lt;br/&gt;&lt;br/&gt;&lt;b&gt;2001: a space odyssey&lt;/b&gt; (1968)&lt;br/&gt;&lt;b&gt;Barry Lyndon&lt;/b&gt; (1975)&lt;br/&gt;&lt;b&gt;The Shining&lt;/b&gt; (1980)&lt;br/&gt;&lt;br/&gt;&lt;b&gt;Chapters: &lt;/b&gt;Introduction (0:09), Human Extremes: A Discussion (1:51), &lt;b&gt;2001: A Space Odyssey &lt;/b&gt;(8:03), &lt;b&gt;Barry Lyndon &lt;/b&gt;(28:27), &lt;b&gt;The Shining (49:01&lt;/b&gt;), &lt;b&gt;A&lt;/b&gt;.&lt;b&gt;I. Artificial Intelligence &lt;/b&gt;(1:06:05), Intermission (1:14:10), Cinematography and Editing (1:15:04), The Lasting Image (1:52:46), Music &amp;amp; Score (1:59:50), Final Discussion (2:13:29), and Closing Remarks (2:18:14)&lt;br/&gt;&lt;br/&gt;Learn more about your ad choices. Visit &lt;a href=&#34;https://megaphone.fm/adchoices&#34; rel=&#34;nofollow&#34;&gt;megaphone.fm/adchoices&lt;/a&gt; For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34; rel=&#34;nofollow&#34;&gt;acast.com/privacy&lt;/a&gt;
</content:encoded>
                
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                <link>https://anchor.fm/filmography/episodes/Stanley-Kubrick---Part-4-Human-Extremes-eci973</link>
                <pubDate>Fri, 06 Jul 2018 12:53:00 &#43;0000</pubDate>
                <itunes:image href="https://media.redcircle.com/images/2022/6/2/15/3c4e395a-4828-4ef8-a6db-df124feb52b9_f3b025c223b139ab.png"/>
                <itunes:duration>8651</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
            </item>
        
            <item>
                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Stanley Kubrick - Part 3: Human Desire</itunes:title>
                <title>Stanley Kubrick - Part 3: Human Desire</title>

                <itunes:episode>3</itunes:episode>
                <itunes:season>2</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>On &#34;Human Desire&#34;, the third episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by &lt;b&gt;CoS&lt;/b&gt; senior writers and &lt;b&gt;The Losers Club &lt;/b&gt;co-hosts Randall Colburn and Justin Gerber to examine the filmmaker&#39;s most sexually charged works, how his interests in the physical body were maintained and altered over time, how Kubrick envisions male desire in particular, and much more.&lt;br /&gt;&lt;br /&gt;This week&#39;s discussion is focused around the following features:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Lolita&lt;/b&gt; (1962)&lt;br /&gt;&lt;b&gt;A Clockwork Orange&lt;/b&gt; (1971)&lt;br /&gt;&lt;b&gt;Eyes Wide Shut&lt;/b&gt; (1999)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Chapters: &lt;/b&gt;Introduction (0:09), Human Desire: A Discussion (3:31), &lt;b&gt;Lolita &lt;/b&gt;(7:09), &lt;b&gt;A Clockwork Orange &lt;/b&gt;(24:13), &lt;b&gt;Eyes Wide Shut (41:23&lt;/b&gt;), Intermission (1:00:55), Cinematography and Editing (1:01:38), The Lasting Image (1:29:07), Music &amp; Score (1:34:40), Final Discussion (1:47:01), and Closing Remarks (1:52:01)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Learn more about your ad choices. Visit &lt;a href=&#34;https://megaphone.fm/adchoices&#34; rel=&#34;nofollow&#34; target=&#34;_blank&#34;&gt;megaphone.fm/adchoices&lt;/a&gt; For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34;&gt;acast.com/privacy&lt;/a&gt;
</itunes:summary>
                <description><![CDATA[On &#34;Human Desire&#34;, the third episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by <b>CoS</b> senior writers and <b>The Losers Club </b>co-hosts Randall Colburn and Justin Gerber to examine the filmmaker&#39;s most sexually charged works, how his interests in the physical body were maintained and altered over time, how Kubrick envisions male desire in particular, and much more.<br/><br/>This week&#39;s discussion is focused around the following features:<br/><br/><b>Lolita</b> (1962)<br/><b>A Clockwork Orange</b> (1971)<br/><b>Eyes Wide Shut</b> (1999)<br/><br/><b>Chapters: </b>Introduction (0:09), Human Desire: A Discussion (3:31), <b>Lolita </b>(7:09), <b>A Clockwork Orange </b>(24:13), <b>Eyes Wide Shut (41:23</b>), Intermission (1:00:55), Cinematography and Editing (1:01:38), The Lasting Image (1:29:07), Music &amp; Score (1:34:40), Final Discussion (1:47:01), and Closing Remarks (1:52:01)<br/><br/><br/><br/><br/><br/><br/><br/><br/><br/>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow">megaphone.fm/adchoices</a> For information regarding your data privacy, visit <a href="https://www.acast.com/privacy" rel="nofollow">acast.com/privacy</a>
]]></description>
                <content:encoded>On &amp;#34;Human Desire&amp;#34;, the third episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by &lt;b&gt;CoS&lt;/b&gt; senior writers and &lt;b&gt;The Losers Club &lt;/b&gt;co-hosts Randall Colburn and Justin Gerber to examine the filmmaker&amp;#39;s most sexually charged works, how his interests in the physical body were maintained and altered over time, how Kubrick envisions male desire in particular, and much more.&lt;br/&gt;&lt;br/&gt;This week&amp;#39;s discussion is focused around the following features:&lt;br/&gt;&lt;br/&gt;&lt;b&gt;Lolita&lt;/b&gt; (1962)&lt;br/&gt;&lt;b&gt;A Clockwork Orange&lt;/b&gt; (1971)&lt;br/&gt;&lt;b&gt;Eyes Wide Shut&lt;/b&gt; (1999)&lt;br/&gt;&lt;br/&gt;&lt;b&gt;Chapters: &lt;/b&gt;Introduction (0:09), Human Desire: A Discussion (3:31), &lt;b&gt;Lolita &lt;/b&gt;(7:09), &lt;b&gt;A Clockwork Orange &lt;/b&gt;(24:13), &lt;b&gt;Eyes Wide Shut (41:23&lt;/b&gt;), Intermission (1:00:55), Cinematography and Editing (1:01:38), The Lasting Image (1:29:07), Music &amp;amp; Score (1:34:40), Final Discussion (1:47:01), and Closing Remarks (1:52:01)&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;Learn more about your ad choices. Visit &lt;a href=&#34;https://megaphone.fm/adchoices&#34; rel=&#34;nofollow&#34;&gt;megaphone.fm/adchoices&lt;/a&gt; For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34; rel=&#34;nofollow&#34;&gt;acast.com/privacy&lt;/a&gt;
</content:encoded>
                
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                <link>https://anchor.fm/filmography/episodes/Stanley-Kubrick---Part-3-Human-Desire-eci94u</link>
                <pubDate>Fri, 29 Jun 2018 17:00:00 &#43;0000</pubDate>
                <itunes:image href="https://media.redcircle.com/images/2022/6/2/15/35183c0b-c206-4be9-aea5-e30a73fa9fd7_f3b025c223b139ab.png"/>
                <itunes:duration>6972</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
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            <item>
                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Stanley Kubrick - Part 2: Human Warfare</itunes:title>
                <title>Stanley Kubrick - Part 2: Human Warfare</title>

                <itunes:episode>2</itunes:episode>
                <itunes:season>2</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;On &#34;Human Warfare&#34;, the second episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by &lt;strong&gt;CoS&lt;/strong&gt; senior writers and TV Party co-hosts Allison Shoemaker and Clint Worthington to examine the filmmaker&#39;s wartime films, specifically what they conveyed about Kubrick&#39;s ideals, the eras in which they were produced, and the experiences of mankind at war in general.&lt;br&gt;
&lt;br&gt;
This week&#39;s discussion is focused around the following features:&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Paths of Glory&lt;/strong&gt; (1957)&lt;br&gt;
&lt;strong&gt;Spartacus&lt;/strong&gt; (1960)&lt;br&gt;
&lt;strong&gt;Dr. Strangelove&lt;/strong&gt; (1964)&lt;br&gt;
&lt;strong&gt;Full Metal Jacket&lt;/strong&gt; (1987)&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Chapters: &lt;/strong&gt;Introduction (0:09), Human Warfare: A Discussion (2:17), &lt;strong&gt;Paths of Glory &lt;/strong&gt;(9:28), &lt;strong&gt;Spartacus &lt;/strong&gt;(27:01),&lt;strong&gt;Dr. Strangelove (42:12&lt;/strong&gt;), &lt;strong&gt;Full Metal Jacket &lt;/strong&gt;(55:45), Intermission (1:09:05), Cinematography and Editing (1:09:31), The Lasting Image (1:39:00), Music &amp;amp; Score (1:42:35), and Outro (1:15:14)&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>On &#34;Human Warfare&#34;, the second episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by <strong>CoS</strong> senior writers and TV Party co-hosts Allison Shoemaker and Clint Worthington to examine the filmmaker&#39;s wartime films, specifically what they conveyed about Kubrick&#39;s ideals, the eras in which they were produced, and the experiences of mankind at war in general.<br>
<br>
This week&#39;s discussion is focused around the following features:<br>
<br>
<strong>Paths of Glory</strong> (1957)<br>
<strong>Spartacus</strong> (1960)<br>
<strong>Dr. Strangelove</strong> (1964)<br>
<strong>Full Metal Jacket</strong> (1987)<br>
<br>
<strong>Chapters: </strong>Introduction (0:09), Human Warfare: A Discussion (2:17), <strong>Paths of Glory </strong>(9:28), <strong>Spartacus </strong>(27:01),<strong>Dr. Strangelove (42:12</strong>), <strong>Full Metal Jacket </strong>(55:45), Intermission (1:09:05), Cinematography and Editing (1:09:31), The Lasting Image (1:39:00), Music &amp; Score (1:42:35), and Outro (1:15:14)</p>
]]></description>
                <content:encoded>&lt;p&gt;On &amp;#34;Human Warfare&amp;#34;, the second episode of our Stanley Kubrick season of Filmography, Film Editor Dominick Suzanne-Mayer is joined by &lt;strong&gt;CoS&lt;/strong&gt; senior writers and TV Party co-hosts Allison Shoemaker and Clint Worthington to examine the filmmaker&amp;#39;s wartime films, specifically what they conveyed about Kubrick&amp;#39;s ideals, the eras in which they were produced, and the experiences of mankind at war in general.&lt;br&gt;
&lt;br&gt;
This week&amp;#39;s discussion is focused around the following features:&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Paths of Glory&lt;/strong&gt; (1957)&lt;br&gt;
&lt;strong&gt;Spartacus&lt;/strong&gt; (1960)&lt;br&gt;
&lt;strong&gt;Dr. Strangelove&lt;/strong&gt; (1964)&lt;br&gt;
&lt;strong&gt;Full Metal Jacket&lt;/strong&gt; (1987)&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Chapters: &lt;/strong&gt;Introduction (0:09), Human Warfare: A Discussion (2:17), &lt;strong&gt;Paths of Glory &lt;/strong&gt;(9:28), &lt;strong&gt;Spartacus &lt;/strong&gt;(27:01),&lt;strong&gt;Dr. Strangelove (42:12&lt;/strong&gt;), &lt;strong&gt;Full Metal Jacket &lt;/strong&gt;(55:45), Intermission (1:09:05), Cinematography and Editing (1:09:31), The Lasting Image (1:39:00), Music &amp;amp; Score (1:42:35), and Outro (1:15:14)&lt;/p&gt;
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                <link>https://anchor.fm/filmography/episodes/Stanley-Kubrick---Part-2-Human-Warfare-eci94c</link>
                <pubDate>Thu, 21 Jun 2018 20:18:00 &#43;0000</pubDate>
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                <itunes:title>Stanley Kubrick - Part 1: Human Deceit</itunes:title>
                <title>Stanley Kubrick - Part 1: Human Deceit</title>

                <itunes:episode>1</itunes:episode>
                <itunes:season>2</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;&lt;strong&gt;Filmography&lt;/strong&gt; returns to take a comprehensive dive into one of filmmaking&#39;s most venerated bodies of work: Stanley Kubrick, whose 13 feature-length films made invaluable contributions to the medium while also reinventing it as they went along.&lt;br&gt;
&lt;br&gt;
From the raw intimacy of personal conflict to the mysteries at the edges of the known universe, Kubrick&#39;s work spanned eras, territories, and styles alike as few other filmmakers ever have.&lt;br&gt;
&lt;br&gt;
For the season premiere, &#34;Human Deceit,&#34; &lt;strong&gt;Consequence of Sound &lt;/strong&gt;Film Editor Dominick Suzanne-Mayer is joined by &lt;strong&gt;CoS&lt;/strong&gt; senior writer Blake Goble and &lt;strong&gt;The Film Stage Show&lt;/strong&gt; host Michael Snydel to consider Kubrick&#39;s formative years, the historical landscape in which his career began, and how his early work suggested the elite filmmaker yet to develop.&lt;br&gt;
&lt;br&gt;
This week&#39;s discussion is focused around the following features:&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Fear and Desire&lt;/strong&gt; (1953)&lt;br&gt;
&lt;strong&gt;Killer&#39;s Kiss&lt;/strong&gt; (1955)&lt;br&gt;
&lt;strong&gt;The Killing&lt;/strong&gt; (1956)&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Chapters: &lt;/strong&gt;Introduction, Human Deceit: A Discussion (2:40), &lt;strong&gt;Fear &amp;amp; Desire &lt;/strong&gt;(23:27), &lt;strong&gt;Killer&#39;s Kiss &lt;/strong&gt;(37:10),&lt;strong&gt;The Killing &lt;/strong&gt;(53:07), Intermission (1:16:18), Cinematography and Editing (1:16:22), The Lasting Image (1:48:01), Music &amp;amp; Score (1:55:11), Final Discussion (2:03:10), and Outro (2:10:24).&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p><strong>Filmography</strong> returns to take a comprehensive dive into one of filmmaking&#39;s most venerated bodies of work: Stanley Kubrick, whose 13 feature-length films made invaluable contributions to the medium while also reinventing it as they went along.<br>
<br>
From the raw intimacy of personal conflict to the mysteries at the edges of the known universe, Kubrick&#39;s work spanned eras, territories, and styles alike as few other filmmakers ever have.<br>
<br>
For the season premiere, &#34;Human Deceit,&#34; <strong>Consequence of Sound </strong>Film Editor Dominick Suzanne-Mayer is joined by <strong>CoS</strong> senior writer Blake Goble and <strong>The Film Stage Show</strong> host Michael Snydel to consider Kubrick&#39;s formative years, the historical landscape in which his career began, and how his early work suggested the elite filmmaker yet to develop.<br>
<br>
This week&#39;s discussion is focused around the following features:<br>
<br>
<strong>Fear and Desire</strong> (1953)<br>
<strong>Killer&#39;s Kiss</strong> (1955)<br>
<strong>The Killing</strong> (1956)<br>
<br>
<strong>Chapters: </strong>Introduction, Human Deceit: A Discussion (2:40), <strong>Fear &amp; Desire </strong>(23:27), <strong>Killer&#39;s Kiss </strong>(37:10),<strong>The Killing </strong>(53:07), Intermission (1:16:18), Cinematography and Editing (1:16:22), The Lasting Image (1:48:01), Music &amp; Score (1:55:11), Final Discussion (2:03:10), and Outro (2:10:24).</p>
]]></description>
                <content:encoded>&lt;p&gt;&lt;strong&gt;Filmography&lt;/strong&gt; returns to take a comprehensive dive into one of filmmaking&amp;#39;s most venerated bodies of work: Stanley Kubrick, whose 13 feature-length films made invaluable contributions to the medium while also reinventing it as they went along.&lt;br&gt;
&lt;br&gt;
From the raw intimacy of personal conflict to the mysteries at the edges of the known universe, Kubrick&amp;#39;s work spanned eras, territories, and styles alike as few other filmmakers ever have.&lt;br&gt;
&lt;br&gt;
For the season premiere, &amp;#34;Human Deceit,&amp;#34; &lt;strong&gt;Consequence of Sound &lt;/strong&gt;Film Editor Dominick Suzanne-Mayer is joined by &lt;strong&gt;CoS&lt;/strong&gt; senior writer Blake Goble and &lt;strong&gt;The Film Stage Show&lt;/strong&gt; host Michael Snydel to consider Kubrick&amp;#39;s formative years, the historical landscape in which his career began, and how his early work suggested the elite filmmaker yet to develop.&lt;br&gt;
&lt;br&gt;
This week&amp;#39;s discussion is focused around the following features:&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Fear and Desire&lt;/strong&gt; (1953)&lt;br&gt;
&lt;strong&gt;Killer&amp;#39;s Kiss&lt;/strong&gt; (1955)&lt;br&gt;
&lt;strong&gt;The Killing&lt;/strong&gt; (1956)&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;Chapters: &lt;/strong&gt;Introduction, Human Deceit: A Discussion (2:40), &lt;strong&gt;Fear &amp;amp; Desire &lt;/strong&gt;(23:27), &lt;strong&gt;Killer&amp;#39;s Kiss &lt;/strong&gt;(37:10),&lt;strong&gt;The Killing &lt;/strong&gt;(53:07), Intermission (1:16:18), Cinematography and Editing (1:16:22), The Lasting Image (1:48:01), Music &amp;amp; Score (1:55:11), Final Discussion (2:03:10), and Outro (2:10:24).&lt;/p&gt;
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                <link>https://anchor.fm/filmography/episodes/Stanley-Kubrick---Part-1-Human-Deceit-eci95k</link>
                <pubDate>Thu, 14 Jun 2018 21:16:00 &#43;0000</pubDate>
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                <itunes:duration>8092</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
            </item>
        
            <item>
                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Wes Anderson - Part 3: The Dramatist</itunes:title>
                <title>Wes Anderson - Part 3: The Dramatist</title>

                <itunes:episode>3</itunes:episode>
                <itunes:season>1</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;On the third episode of Filmography, &#34;The Dramatist&#34;, Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and The Film Stage&#39;s Michael Snydel to weigh in on the dramatic backbone of Wes Anderson&#39;s work, as seen through the following: The Royal Tenenbaums (2001) The Darjeeling Limited (2007) The Grand Budapest Hotel (2014) The group breaks down the films&#39; respective sense of drama, look(s), performances, and much more in the third and final chapter of Filmography&#39;s three-episode inaugural season. We hope you enjoy, and we&#39;ll see you come June for the next season. Learn more about your ad choices.&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>On the third episode of Filmography, &#34;The Dramatist&#34;, Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and The Film Stage&#39;s Michael Snydel to weigh in on the dramatic backbone of Wes Anderson&#39;s work, as seen through the following: The Royal Tenenbaums (2001) The Darjeeling Limited (2007) The Grand Budapest Hotel (2014) The group breaks down the films&#39; respective sense of drama, look(s), performances, and much more in the third and final chapter of Filmography&#39;s three-episode inaugural season. We hope you enjoy, and we&#39;ll see you come June for the next season. Learn more about your ad choices. </p>
]]></description>
                <content:encoded>&lt;p&gt;On the third episode of Filmography, &amp;#34;The Dramatist&amp;#34;, Film Editor Dominick Suzanne-Mayer is joined by Editor-in-Chief Michael Roffman and The Film Stage&amp;#39;s Michael Snydel to weigh in on the dramatic backbone of Wes Anderson&amp;#39;s work, as seen through the following: The Royal Tenenbaums (2001) The Darjeeling Limited (2007) The Grand Budapest Hotel (2014) The group breaks down the films&amp;#39; respective sense of drama, look(s), performances, and much more in the third and final chapter of Filmography&amp;#39;s three-episode inaugural season. We hope you enjoy, and we&amp;#39;ll see you come June for the next season. Learn more about your ad choices. &lt;/p&gt;
</content:encoded>
                
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                <link>https://anchor.fm/filmography/episodes/Wes-Anderson---Part-3-The-Dramatist-eci95p</link>
                <pubDate>Fri, 06 Apr 2018 20:36:00 &#43;0000</pubDate>
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                <itunes:explicit>yes</itunes:explicit>
                
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                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Wes Anderson - Part 2: The Dreamer</itunes:title>
                <title>Wes Anderson - Part 2: The Dreamer</title>

                <itunes:episode>2</itunes:episode>
                <itunes:season>1</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;On the second episode of Filmography, aptly dubbed &#34;The Dreamer,&#34; Film Editor Dominick Suzanne-Mayer is joined by TV Editor Allison Shoemaker and senior writer Randall Colburn to consider the more fantastical aspects of Wes Anderson&#39;s work, as seen through the following: The Life Aquatic with Steve Zissou (2004) Fantastic Mr. Fox (2009) Isle of Dogs (2018) The group breaks down the films&#39; respective sense of fantasy, look(s), performances, and much more in the second chapter of Filmography&#39;s three-episode inaugural season. We hope you enjoy, and we&#39;ll see you next Friday (4/6) for the season one finale. Learn more about your ad choices.&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>On the second episode of Filmography, aptly dubbed &#34;The Dreamer,&#34; Film Editor Dominick Suzanne-Mayer is joined by TV Editor Allison Shoemaker and senior writer Randall Colburn to consider the more fantastical aspects of Wes Anderson&#39;s work, as seen through the following: The Life Aquatic with Steve Zissou (2004) Fantastic Mr. Fox (2009) Isle of Dogs (2018) The group breaks down the films&#39; respective sense of fantasy, look(s), performances, and much more in the second chapter of Filmography&#39;s three-episode inaugural season. We hope you enjoy, and we&#39;ll see you next Friday (4/6) for the season one finale. Learn more about your ad choices. </p>
]]></description>
                <content:encoded>&lt;p&gt;On the second episode of Filmography, aptly dubbed &amp;#34;The Dreamer,&amp;#34; Film Editor Dominick Suzanne-Mayer is joined by TV Editor Allison Shoemaker and senior writer Randall Colburn to consider the more fantastical aspects of Wes Anderson&amp;#39;s work, as seen through the following: The Life Aquatic with Steve Zissou (2004) Fantastic Mr. Fox (2009) Isle of Dogs (2018) The group breaks down the films&amp;#39; respective sense of fantasy, look(s), performances, and much more in the second chapter of Filmography&amp;#39;s three-episode inaugural season. We hope you enjoy, and we&amp;#39;ll see you next Friday (4/6) for the season one finale. Learn more about your ad choices. &lt;/p&gt;
</content:encoded>
                
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                <link>https://anchor.fm/filmography/episodes/Wes-Anderson---Part-2-The-Dreamer-eci960</link>
                <pubDate>Fri, 30 Mar 2018 18:45:00 &#43;0000</pubDate>
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                <itunes:duration>7208</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
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            <item>
                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Wes Anderson - Part 1: The Comedian</itunes:title>
                <title>Wes Anderson - Part 1: The Comedian</title>

                <itunes:episode>1</itunes:episode>
                <itunes:season>1</itunes:season>
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>&lt;p&gt;As Isle of Dogs makes its way into theaters, the first edition of Consequence Podcast Network&#39;s new quarterly series Filmography kicks off with a deep dive into the oeuvre of one of modern American filmmaking&#39;s most instantly recognizable directors, Wes Anderson. Anderson&#39;s signature merging of mid-century pop arcana, archly delivered one-liners, endless flights of whimsy, and moments of devastating pathos immediately stands apart from so many would-be masters of anchored quirk. Throughout this series of Filmography, you&#39;ll hear variations on the phrase &#34;confection&#34; a lot, and it&#39;s true: whether sweet or bitter, and all the flavors in between, Anderson&#39;s movies are the kind of delight for which the dedicated moviegoer waits year after year. On the first episode, Filmography host and Consequence of Sound Film Editor Dominick Suzanne-Mayer is joined by Consequence of Sound senior writer Allison Shoemaker and The A.V. Club&#39;s Caroline Siede to considers the comic aspects of Anderson&#39;s work, as seen through the following: Bottle Rocket (1996) Rushmore (1998) Moonrise Kingdom (2012) The group breaks down the films, sense of humor, the look(s), the performances, and much more in the first of Filmography&#39;s three-episode inaugural season.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>As Isle of Dogs makes its way into theaters, the first edition of Consequence Podcast Network&#39;s new quarterly series Filmography kicks off with a deep dive into the oeuvre of one of modern American filmmaking&#39;s most instantly recognizable directors, Wes Anderson. Anderson&#39;s signature merging of mid-century pop arcana, archly delivered one-liners, endless flights of whimsy, and moments of devastating pathos immediately stands apart from so many would-be masters of anchored quirk. Throughout this series of Filmography, you&#39;ll hear variations on the phrase &#34;confection&#34; a lot, and it&#39;s true: whether sweet or bitter, and all the flavors in between, Anderson&#39;s movies are the kind of delight for which the dedicated moviegoer waits year after year. On the first episode, Filmography host and Consequence of Sound Film Editor Dominick Suzanne-Mayer is joined by Consequence of Sound senior writer Allison Shoemaker and The A.V. Club&#39;s Caroline Siede to considers the comic aspects of Anderson&#39;s work, as seen through the following: Bottle Rocket (1996) Rushmore (1998) Moonrise Kingdom (2012) The group breaks down the films, sense of humor, the look(s), the performances, and much more in the first of Filmography&#39;s three-episode inaugural season.  </p>
]]></description>
                <content:encoded>&lt;p&gt;As Isle of Dogs makes its way into theaters, the first edition of Consequence Podcast Network&amp;#39;s new quarterly series Filmography kicks off with a deep dive into the oeuvre of one of modern American filmmaking&amp;#39;s most instantly recognizable directors, Wes Anderson. Anderson&amp;#39;s signature merging of mid-century pop arcana, archly delivered one-liners, endless flights of whimsy, and moments of devastating pathos immediately stands apart from so many would-be masters of anchored quirk. Throughout this series of Filmography, you&amp;#39;ll hear variations on the phrase &amp;#34;confection&amp;#34; a lot, and it&amp;#39;s true: whether sweet or bitter, and all the flavors in between, Anderson&amp;#39;s movies are the kind of delight for which the dedicated moviegoer waits year after year. On the first episode, Filmography host and Consequence of Sound Film Editor Dominick Suzanne-Mayer is joined by Consequence of Sound senior writer Allison Shoemaker and The A.V. Club&amp;#39;s Caroline Siede to considers the comic aspects of Anderson&amp;#39;s work, as seen through the following: Bottle Rocket (1996) Rushmore (1998) Moonrise Kingdom (2012) The group breaks down the films, sense of humor, the look(s), the performances, and much more in the first of Filmography&amp;#39;s three-episode inaugural season.  &lt;/p&gt;
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                <pubDate>Fri, 23 Mar 2018 16:54:00 &#43;0000</pubDate>
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                <itunes:duration>4971</itunes:duration>
                
                
                <itunes:explicit>yes</itunes:explicit>
                
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                <itunes:title>This is Filmography.</itunes:title>
                <title>This is Filmography.</title>

                
                
                <itunes:author>Consequence Podcast Network</itunes:author>
                <itunes:summary>Filmography is a quarterly podcast chronicling a legendary filmmaker’s oeuvre. &lt;br /&gt;&lt;br /&gt;Grab some popcorn and sit down with Consequence of Sound Film Editor Dominick Suzanne-Mayer, who leads an engaging and punchy conversation with guests and covers everything from iconic characters to recurring aesthetics and running motifs. &lt;br /&gt;&lt;br /&gt;Learn more about your ad choices. Visit &lt;a href=&#34;https://megaphone.fm/adchoices&#34; rel=&#34;nofollow&#34; target=&#34;_blank&#34;&gt;megaphone.fm/adchoices&lt;/a&gt; For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34;&gt;acast.com/privacy&lt;/a&gt;
</itunes:summary>
                <description><![CDATA[Filmography is a quarterly podcast chronicling a legendary filmmaker’s oeuvre. <br/><br/>Grab some popcorn and sit down with Consequence of Sound Film Editor Dominick Suzanne-Mayer, who leads an engaging and punchy conversation with guests and covers everything from iconic characters to recurring aesthetics and running motifs. <br/><br/>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow">megaphone.fm/adchoices</a> For information regarding your data privacy, visit <a href="https://www.acast.com/privacy" rel="nofollow">acast.com/privacy</a>
]]></description>
                <content:encoded>Filmography is a quarterly podcast chronicling a legendary filmmaker’s oeuvre. &lt;br/&gt;&lt;br/&gt;Grab some popcorn and sit down with Consequence of Sound Film Editor Dominick Suzanne-Mayer, who leads an engaging and punchy conversation with guests and covers everything from iconic characters to recurring aesthetics and running motifs. &lt;br/&gt;&lt;br/&gt;Learn more about your ad choices. Visit &lt;a href=&#34;https://megaphone.fm/adchoices&#34; rel=&#34;nofollow&#34;&gt;megaphone.fm/adchoices&lt;/a&gt; For information regarding your data privacy, visit &lt;a href=&#34;https://www.acast.com/privacy&#34; rel=&#34;nofollow&#34;&gt;acast.com/privacy&lt;/a&gt;
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                <link>https://anchor.fm/filmography/episodes/This-is-Filmography-eci93s</link>
                <pubDate>Thu, 22 Mar 2018 04:00:00 &#43;0000</pubDate>
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                <itunes:duration>34</itunes:duration>
                
                
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