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        <title>The Final Mix</title>
        <link>https://redcircle.com/shows/the-final-mix</link>
        <language>en-CA</language>
        <copyright>Jeremy Boyd</copyright>
        <itunes:author>Jeremy Boyd</itunes:author>
        <itunes:summary>Welcome to The Final Mix. The podcast where we take a deep dive into classic albums and analyze them track by track. I’m Jeremy Boyd, I’ve been a music geek since I was a small kid. If you’re a fan of music like I am, join me as we listen together to a great album.

thefinalmixpodcast@gmail.com
https://twitter.com/thefinalmixpod</itunes:summary>
        <podcast:guid>1ad6b639-7b92-45fe-84c4-4e2a9e7a1a08</podcast:guid>
        
        <description><![CDATA[Welcome to The Final Mix. The podcast where we take a deep dive into classic albums and analyze them track by track. I’m Jeremy Boyd, I’ve been a music geek since I was a small kid. If you’re a fan of music like I am, join me as we listen together to a great album.

thefinalmixpodcast@gmail.com
https://twitter.com/thefinalmixpod]]></description>
        
        <itunes:type>episodic</itunes:type>
        <podcast:locked>no</podcast:locked>
        <itunes:owner>
            <itunes:name>Jeremy Boyd</itunes:name>
            <itunes:email>thefinalmixpodcast@gmail.com</itunes:email>
        </itunes:owner>
        
            
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                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Yes - Fragile (1971)</itunes:title>
                <title>Yes - Fragile (1971)</title>

                <itunes:episode>5</itunes:episode>
                
                <itunes:author>Jeremy Boyd</itunes:author>
                <itunes:summary>Often considered the one of the defining albums of progressive rock, Fragile by Yes is at the forefront of the genre. It is an album with lots of interludes, and interesting things going on. Each member of the band had a chance to show off their talents which makes for a cohesive effort from start to finish.</itunes:summary>
                <description><![CDATA[Often considered the one of the defining albums of progressive rock, Fragile by Yes is at the forefront of the genre. It is an album with lots of interludes, and interesting things going on. Each member of the band had a chance to show off their talents which makes for a cohesive effort from start to finish.

Tracklist:

* Roundabout
* Cans and Brahms
* We Have Heaven
* South Side of the Sky
* Five Percent For Nothing
* Long Distance Runaround
* The Fish (Schindleria Praematurus)
* Mood For A Day
* Heart of the Sunrise]]></description>
                <content:encoded>Often considered the one of the defining albums of progressive rock, Fragile by Yes is at the forefront of the genre. It is an album with lots of interludes, and interesting things going on. Each member of the band had a chance to show off their talents which makes for a cohesive effort from start to finish.

Tracklist:

* Roundabout
* Cans and Brahms
* We Have Heaven
* South Side of the Sky
* Five Percent For Nothing
* Long Distance Runaround
* The Fish (Schindleria Praematurus)
* Mood For A Day
* Heart of the Sunrise</content:encoded>
                
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                <guid isPermaLink="false">14b63a73-1d9a-4312-8622-56a7af63e167</guid>
                <link>http://thefinalmixshow.com</link>
                <pubDate>Tue, 17 Nov 2020 10:00:00 &#43;0000</pubDate>
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                <itunes:duration>2323</itunes:duration>
                
                
                <itunes:explicit>false</itunes:explicit>
                
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            <item>
                <itunes:episodeType>trailer</itunes:episodeType>
                <itunes:title>The Final Mix Trailer</itunes:title>
                <title>The Final Mix Trailer</title>

                
                
                <itunes:author>Jeremy Boyd</itunes:author>
                <itunes:summary>Hello, I’m Jeremy Boyd and this is The Final Mix. Join me each week as I pick a classic album at random and analyze it track-by-track. So who am I? Well, I’ve been obsessed with music since I was about seven years old. Ever since my dad gave me his cassette for Damn The Torpedoes and I heard the first drum hit of the song Refugee, I knew my life was going to be about music. Since then I’ve continued to learn about the rich history of rock n roll music. So join me each week as I delve into a classic album.</itunes:summary>
                <description><![CDATA[Hello, I’m Jeremy Boyd and this is The Final Mix. Join me each week as I pick a classic album at random and analyze it track-by-track. So who am I? Well, I’ve been obsessed with music since I was about seven years old. Ever since my dad gave me his cassette for Damn The Torpedoes and I heard the first drum hit of the song Refugee, I knew my life was going to be about music. Since then I’ve continued to learn about the rich history of rock n roll music. So join me each week as I delve into a classic album.]]></description>
                <content:encoded>Hello, I’m Jeremy Boyd and this is The Final Mix. Join me each week as I pick a classic album at random and analyze it track-by-track. So who am I? Well, I’ve been obsessed with music since I was about seven years old. Ever since my dad gave me his cassette for Damn The Torpedoes and I heard the first drum hit of the song Refugee, I knew my life was going to be about music. Since then I’ve continued to learn about the rich history of rock n roll music. So join me each week as I delve into a classic album.</content:encoded>
                
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                <guid isPermaLink="false">af50ea95-6245-4fd9-bc5d-bdcfc241aaf6</guid>
                <link>http://thefinalmixshow.com</link>
                <pubDate>Sun, 15 Nov 2020 17:43:40 &#43;0000</pubDate>
                <itunes:duration>52</itunes:duration>
                
                
                <itunes:explicit>false</itunes:explicit>
                
            </item>
        
            <item>
                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>#4: Neil Young - Tonight&#39;s The Night (1975)</itunes:title>
                <title>#4: Neil Young - Tonight&#39;s The Night (1975)</title>

                
                
                <itunes:author>Jeremy Boyd</itunes:author>
                <itunes:summary>Neil Young&#39;s 1975 album Tonight&#39;s The Night was a darker album than the material he had been putting out up until this point. Dealing with the deaths of Crazy Horse guitarist Danny Whitten and roadie and friend Bruce Barry, the songs on Tonight&#39;s The...</itunes:summary>
                <description><![CDATA[<p>Neil Young&#39;s 1975 album Tonight&#39;s The Night was a darker album than the material he had been putting out up until this point. Dealing with the deaths of Crazy Horse guitarist Danny Whitten and roadie and friend Bruce Barry, the songs on Tonight&#39;s The Night deal with some serious subject matter. Although there is a hopeful undercurrent the songs go to some serious places. That&#39;s not to say the album isn&#39;t worth listening to. It&#39;s mostly a cautionary tale for anybody dabbling in the world of drugs. </p><p>Tracklist: </p><ol><li>Tonight&#39;s The Night</li><li>Speakin&#39; Out</li><li>World On A String</li><li>Borrowed Tune</li><li>Come On Baby Let&#39;s Go Downtown</li><li>Mellow My Mind</li><li>Roll Another Number (For The Road)</li><li>Albuquerque </li><li>New Mama</li><li>Lookout Joe</li><li>Tired Eyes </li><li>Tonight&#39;s The Night Part II</li></ol>]]></description>
                <content:encoded>&lt;p&gt;Neil Young&amp;#39;s 1975 album Tonight&amp;#39;s The Night was a darker album than the material he had been putting out up until this point. Dealing with the deaths of Crazy Horse guitarist Danny Whitten and roadie and friend Bruce Barry, the songs on Tonight&amp;#39;s The Night deal with some serious subject matter. Although there is a hopeful undercurrent the songs go to some serious places. That&amp;#39;s not to say the album isn&amp;#39;t worth listening to. It&amp;#39;s mostly a cautionary tale for anybody dabbling in the world of drugs. &lt;/p&gt;&lt;p&gt;Tracklist: &lt;/p&gt;&lt;ol&gt;&lt;li&gt;Tonight&amp;#39;s The Night&lt;/li&gt;&lt;li&gt;Speakin&amp;#39; Out&lt;/li&gt;&lt;li&gt;World On A String&lt;/li&gt;&lt;li&gt;Borrowed Tune&lt;/li&gt;&lt;li&gt;Come On Baby Let&amp;#39;s Go Downtown&lt;/li&gt;&lt;li&gt;Mellow My Mind&lt;/li&gt;&lt;li&gt;Roll Another Number (For The Road)&lt;/li&gt;&lt;li&gt;Albuquerque &lt;/li&gt;&lt;li&gt;New Mama&lt;/li&gt;&lt;li&gt;Lookout Joe&lt;/li&gt;&lt;li&gt;Tired Eyes &lt;/li&gt;&lt;li&gt;Tonight&amp;#39;s The Night Part II&lt;/li&gt;&lt;/ol&gt;</content:encoded>
                
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                <link>https://anchor.fm/thefinalmix</link>
                <pubDate>Tue, 10 Nov 2020 10:00:00 &#43;0000</pubDate>
                <itunes:duration>3584</itunes:duration>
                
                
                <itunes:explicit>false</itunes:explicit>
                
            </item>
        
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                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>#3: The Monkees - Headquarters (1967)</itunes:title>
                <title>#3: The Monkees - Headquarters (1967)</title>

                <itunes:episode>3</itunes:episode>
                
                <itunes:author>Jeremy Boyd</itunes:author>
                <itunes:summary>&lt;p&gt;The Monkees&#39; third album, Headquarters was a turning point in the band&#39;s career. Up until this point they weren&#39;t permitted to play their instruments on recordings. Instead, they hired session musicians to record the basic tracks, and the members of the Monkees were only required to lay down the vocal tracks. This was because they were merely seen as a cast of TV show, playing a band. They weren&#39;t a &#34;real&#34; band. But Headquarters was their chance to prove to the world and themselves that yes, in fact they could play their instruments, even if some of the members of the band were still learning.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Tracklist:&lt;/p&gt;
&lt;ol&gt;
 &lt;li&gt;You Told Me&lt;/li&gt;
 &lt;li&gt;I&#39;ll Spend My Life With You&lt;/li&gt;
  &lt;li&gt;Forget That Girl&lt;/li&gt;
  &lt;li&gt;Band 6&lt;/li&gt;
  &lt;li&gt;You Just May Be The One&lt;/li&gt;
  &lt;li&gt;Shades of Gray&lt;/li&gt;
  &lt;li&gt;I Can&#39;t Get Her Off My Mind&lt;/li&gt;
  &lt;li&gt;For Pete&#39;s Sake&lt;/li&gt;
  &lt;li&gt;Mr. Webster&lt;/li&gt;
  &lt;li&gt;Sunny Girlfriend&lt;/li&gt;
  &lt;li&gt;Zilch&lt;/li&gt;
  &lt;li&gt;No Time&lt;/li&gt;
  &lt;li&gt;Early Morning Blues and Greens&lt;/li&gt;
  &lt;li&gt;Randy Scouse Git&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;&lt;a href=&#34;https://podcasts.apple.com/ca/podcast/the-final-mix/id1536599045&#34;&gt;Apple Podcasts&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/show/582EQc3uqpB96MxsbsFXGc&#34;&gt;Spotify&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80OTRmMzY0L3BvZGNhc3QvcnNz&#34;&gt;Google Podcasts&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.stitcher.com/podcast/the-final-mix-with-jeremy-boyd&#34;&gt;Stitcher&lt;/a&gt;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>The Monkees&#39; third album, Headquarters was a turning point in the band&#39;s career. Up until this point they weren&#39;t permitted to play their instruments on recordings. Instead, they hired session musicians to record the basic tracks, and the members of the Monkees were only required to lay down the vocal tracks. This was because they were merely seen as a cast of TV show, playing a band. They weren&#39;t a &#34;real&#34; band. But Headquarters was their chance to prove to the world and themselves that yes, in fact they could play their instruments, even if some of the members of the band were still learning. </p>
<p>Tracklist:</p>
<ol>
 <li>You Told Me</li>
 <li>I&#39;ll Spend My Life With You</li>
  <li>Forget That Girl</li>
  <li>Band 6</li>
  <li>You Just May Be The One</li>
  <li>Shades of Gray</li>
  <li>I Can&#39;t Get Her Off My Mind</li>
  <li>For Pete&#39;s Sake</li>
  <li>Mr. Webster</li>
  <li>Sunny Girlfriend</li>
  <li>Zilch</li>
  <li>No Time</li>
  <li>Early Morning Blues and Greens</li>
  <li>Randy Scouse Git</li>
</ol>
<p><a href="https://podcasts.apple.com/ca/podcast/the-final-mix/id1536599045" rel="nofollow">Apple Podcasts</a></p>
<p><a href="https://open.spotify.com/show/582EQc3uqpB96MxsbsFXGc" rel="nofollow">Spotify</a></p>
<p><a href="https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80OTRmMzY0L3BvZGNhc3QvcnNz" rel="nofollow">Google Podcasts</a></p>
<p><a href="https://www.stitcher.com/podcast/the-final-mix-with-jeremy-boyd" rel="nofollow">Stitcher</a></p>
]]></description>
                <content:encoded>&lt;p&gt;The Monkees&amp;#39; third album, Headquarters was a turning point in the band&amp;#39;s career. Up until this point they weren&amp;#39;t permitted to play their instruments on recordings. Instead, they hired session musicians to record the basic tracks, and the members of the Monkees were only required to lay down the vocal tracks. This was because they were merely seen as a cast of TV show, playing a band. They weren&amp;#39;t a &amp;#34;real&amp;#34; band. But Headquarters was their chance to prove to the world and themselves that yes, in fact they could play their instruments, even if some of the members of the band were still learning. &lt;/p&gt;
&lt;p&gt;Tracklist:&lt;/p&gt;
&lt;ol&gt;
 &lt;li&gt;You Told Me&lt;/li&gt;
 &lt;li&gt;I&amp;#39;ll Spend My Life With You&lt;/li&gt;
  &lt;li&gt;Forget That Girl&lt;/li&gt;
  &lt;li&gt;Band 6&lt;/li&gt;
  &lt;li&gt;You Just May Be The One&lt;/li&gt;
  &lt;li&gt;Shades of Gray&lt;/li&gt;
  &lt;li&gt;I Can&amp;#39;t Get Her Off My Mind&lt;/li&gt;
  &lt;li&gt;For Pete&amp;#39;s Sake&lt;/li&gt;
  &lt;li&gt;Mr. Webster&lt;/li&gt;
  &lt;li&gt;Sunny Girlfriend&lt;/li&gt;
  &lt;li&gt;Zilch&lt;/li&gt;
  &lt;li&gt;No Time&lt;/li&gt;
  &lt;li&gt;Early Morning Blues and Greens&lt;/li&gt;
  &lt;li&gt;Randy Scouse Git&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;&lt;a href=&#34;https://podcasts.apple.com/ca/podcast/the-final-mix/id1536599045&#34; rel=&#34;nofollow&#34;&gt;Apple Podcasts&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://open.spotify.com/show/582EQc3uqpB96MxsbsFXGc&#34; rel=&#34;nofollow&#34;&gt;Spotify&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80OTRmMzY0L3BvZGNhc3QvcnNz&#34; rel=&#34;nofollow&#34;&gt;Google Podcasts&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://www.stitcher.com/podcast/the-final-mix-with-jeremy-boyd&#34; rel=&#34;nofollow&#34;&gt;Stitcher&lt;/a&gt;&lt;/p&gt;
</content:encoded>
                
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                <link>https://anchor.fm/thefinalmix/episodes/3-The-Monkees---Headquarters-1967-ele7c7</link>
                <pubDate>Tue, 03 Nov 2020 10:00:00 &#43;0000</pubDate>
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                <itunes:duration>2740</itunes:duration>
                
                
                <itunes:explicit>false</itunes:explicit>
                
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                <itunes:title>#2: Little Richard - Here&#39;s Little Richard (1957)</itunes:title>
                <title>#2: Little Richard - Here&#39;s Little Richard (1957)</title>

                <itunes:episode>2</itunes:episode>
                
                <itunes:author>Jeremy Boyd</itunes:author>
                <itunes:summary>&lt;p&gt;Little Richard&#39;s debut album Here&#39;s Little Richard set the blueprint for Rock N Roll. Influencing a number of artists including The Beatles, Rod Stewart, Paul Rodgers, and a slew of others. Along with other artists, a sea change in the musical landscape came. For the first time white audiences were allowing themselves to discover black artists, and Little Richard was at the forefront of that cultural shift.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Tracklist:&lt;/p&gt;
&lt;ol&gt;
 &lt;li&gt;Tutti Frutti&amp;nbsp;&lt;/li&gt;
 &lt;li&gt;True, Fine Mama&lt;/li&gt;
  &lt;li&gt;Can&#39;t Believe You Wanna Leave&lt;/li&gt;
  &lt;li&gt;Ready Teddy&lt;/li&gt;
  &lt;li&gt;Baby&lt;/li&gt;
  &lt;li&gt;Slippin&#39; and Slidin&#39; (Peepin&#39; and Hidin&#39;)&lt;/li&gt;
  &lt;li&gt;Long Tall Sally&lt;/li&gt;
  &lt;li&gt;Miss Ann&lt;/li&gt;
  &lt;li&gt;Oh Why?&lt;/li&gt;
  &lt;li&gt;Rip It Up&lt;/li&gt;
  &lt;li&gt;Jenny, Jenny&lt;/li&gt;
  &lt;li&gt;She&#39;s Got It&lt;/li&gt;
&lt;/ol&gt;
</itunes:summary>
                <description><![CDATA[<p>Little Richard&#39;s debut album Here&#39;s Little Richard set the blueprint for Rock N Roll. Influencing a number of artists including The Beatles, Rod Stewart, Paul Rodgers, and a slew of others. Along with other artists, a sea change in the musical landscape came. For the first time white audiences were allowing themselves to discover black artists, and Little Richard was at the forefront of that cultural shift. </p>
<p>Tracklist:</p>
<ol>
 <li>Tutti Frutti </li>
 <li>True, Fine Mama</li>
  <li>Can&#39;t Believe You Wanna Leave</li>
  <li>Ready Teddy</li>
  <li>Baby</li>
  <li>Slippin&#39; and Slidin&#39; (Peepin&#39; and Hidin&#39;)</li>
  <li>Long Tall Sally</li>
  <li>Miss Ann</li>
  <li>Oh Why?</li>
  <li>Rip It Up</li>
  <li>Jenny, Jenny</li>
  <li>She&#39;s Got It</li>
</ol>
]]></description>
                <content:encoded>&lt;p&gt;Little Richard&amp;#39;s debut album Here&amp;#39;s Little Richard set the blueprint for Rock N Roll. Influencing a number of artists including The Beatles, Rod Stewart, Paul Rodgers, and a slew of others. Along with other artists, a sea change in the musical landscape came. For the first time white audiences were allowing themselves to discover black artists, and Little Richard was at the forefront of that cultural shift. &lt;/p&gt;
&lt;p&gt;Tracklist:&lt;/p&gt;
&lt;ol&gt;
 &lt;li&gt;Tutti Frutti &lt;/li&gt;
 &lt;li&gt;True, Fine Mama&lt;/li&gt;
  &lt;li&gt;Can&amp;#39;t Believe You Wanna Leave&lt;/li&gt;
  &lt;li&gt;Ready Teddy&lt;/li&gt;
  &lt;li&gt;Baby&lt;/li&gt;
  &lt;li&gt;Slippin&amp;#39; and Slidin&amp;#39; (Peepin&amp;#39; and Hidin&amp;#39;)&lt;/li&gt;
  &lt;li&gt;Long Tall Sally&lt;/li&gt;
  &lt;li&gt;Miss Ann&lt;/li&gt;
  &lt;li&gt;Oh Why?&lt;/li&gt;
  &lt;li&gt;Rip It Up&lt;/li&gt;
  &lt;li&gt;Jenny, Jenny&lt;/li&gt;
  &lt;li&gt;She&amp;#39;s Got It&lt;/li&gt;
&lt;/ol&gt;
</content:encoded>
                
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                <guid isPermaLink="false">8ce72541-feea-4dd3-9432-03fd85b9302e</guid>
                <link>https://anchor.fm/thefinalmix/episodes/2-Little-Richard---Heres-Little-Richard-1957-elbmsg</link>
                <pubDate>Tue, 27 Oct 2020 09:00:00 &#43;0000</pubDate>
                <itunes:image href="https://media.redcircle.com/images/2020/10/27/9/081c0cb7-2db2-4a0f-bea4-9ec61d5010da_668705-1603723370058-846a68420e67e.jpg"/>
                <itunes:duration>2525</itunes:duration>
                
                
                <itunes:explicit>false</itunes:explicit>
                
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                <itunes:episodeType>full</itunes:episodeType>
                <itunes:title>Talk Talk - The Colour of Spring (1986)</itunes:title>
                <title>Talk Talk - The Colour of Spring (1986)</title>

                <itunes:episode>1</itunes:episode>
                
                <itunes:author>Jeremy Boyd</itunes:author>
                <itunes:summary>&lt;p&gt;In the premiere episode of The Final Mix, I take a look at The Colour of Spring by Talk Talk. Definitely an album I wasn&#39;t expecting to like as much as I did. I&#39;m not a huge fan of music from the 1980s, so it was a surprise when I really connected with a few of the songs. A great album through and through!&amp;nbsp;&lt;/p&gt;
</itunes:summary>
                <description><![CDATA[<p>In the premiere episode of The Final Mix, I take a look at The Colour of Spring by Talk Talk. Definitely an album I wasn&#39;t expecting to like as much as I did. I&#39;m not a huge fan of music from the 1980s, so it was a surprise when I really connected with a few of the songs. A great album through and through! </p>
]]></description>
                <content:encoded>&lt;p&gt;In the premiere episode of The Final Mix, I take a look at The Colour of Spring by Talk Talk. Definitely an album I wasn&amp;#39;t expecting to like as much as I did. I&amp;#39;m not a huge fan of music from the 1980s, so it was a surprise when I really connected with a few of the songs. A great album through and through! &lt;/p&gt;
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